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Color name
RGB 155 13 86

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 13 86 it is the complementary color RGB 100 242 169. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 13 86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 13 86 shade: RGB 160 13 81, RGB 177 31 100, RGB 194 49 119, RGB 211 67 138 and RGB 228 85 157

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 13 86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 13 86 shade: RGB 155 13 86, RGB 138 0 67, RGB 121 0 48, RGB 104 0 29 and RGB 87 0 10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 13 86 shade: RGB 155 12 86, RGB 155 12 47 and RGB 155 12 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 13 86 shade: RGB 155 12 86, RGB 155 12 124, RGB 148 12 155, RGB 109 12 155 and RGB 70 12 155

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 13 86 shade matches the following richer shades: RGB 155 12 86

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 13 86 shade: RGB 155 12 86, RGB 142 26 85, RGB 128 39 85, RGB 114 53 85 and RGB 101 67 84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 13 86 shade: RGB 148 12 155, RGB 155 12 124, RGB 155 12 86, RGB 155 12 48 and RGB 155 15 12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 13 86 shade: RGB 79 6 43, RGB 117 9 65, RGB 155 12 86, RGB 193 15 107 and RGB 232 18 128

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 13 86 shade: RGB 155 13 86, RGB 155 110 12 and RGB 12 143 155

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 13 86 shade: RGB 155 13 86, RGB 86 155 12 and RGB 12 86 155

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 13 86 shade: RGB 155 13 86, RGB 155 110 12, RGB 12 155 81 and RGB 12 57 155

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 13 86 shade: RGB 155 13 86, RGB 155 153 12, RGB 12 155 81 and RGB 12 15 155

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 45 / 39

HEX #9B0D56

RGB 155 13 86

HSL 329.15, 0.85%, 0.33%

LAB 33.83, 57.44, -2.87

 

Complementary color

CMYK 59 / 0 / 30 / 5

HEX #64F2A9

RGB 100 242 169

HSL 149.15, 0.85%, 0.67%

LAB 86.54, -54.71, 24.01

 

CMYK 0 / 92 / 49 / 37

HEX #A00D51

RGB 160 13 81

HSL 332.24, 0.85%, 0.34%

LAB 34.71, 58.21, 1.8

 

CMYK 0 / 82 / 44 / 31

HEX #B11F64

RGB 177 31 100

HSL 331.64, 0.7%, 0.41%

LAB 39.99, 60.54, -2.26

 

CMYK 0 / 75 / 39 / 24

HEX #C23177

RGB 194 49 119

HSL 331.03, 0.6%, 0.48%

LAB 45.63, 61.71, -5.39

 

CMYK 0 / 68 / 35 / 17

HEX #D3438A

RGB 211 67 138

HSL 330.42, 0.62%, 0.55%

LAB 51.49, 62.12, -7.84

 

CMYK 0 / 63 / 31 / 11

HEX #E4559D

RGB 228 85 157

HSL 329.79, 0.73%, 0.61%

LAB 57.49, 62.04, -9.81

 

CMYK 0 / 92 / 45 / 39

HEX #9B0D56

RGB 155 13 86

HSL 329.15, 0.85%, 0.33%

LAB 33.83, 57.44, -2.87

 

CMYK 0 / 100 / 51 / 46

HEX #8A0043

RGB 138 0 67

HSL 330.87, 1%, 0.27%

LAB 28.92, 53.62, 2.09

 

CMYK 0 / 100 / 60 / 53

HEX #790030

RGB 121 0 48

HSL 336.2, 1%, 0.24%

LAB 24.57, 48, 8.37

 

CMYK 0 / 100 / 72 / 59

HEX #68001D

RGB 104 0 29

HSL 343.27, 1%, 0.2%

LAB 20.17, 42.41, 15.12

 

CMYK 0 / 100 / 89 / 66

HEX #57000A

RGB 87 0 10

HSL 353.1, 1%, 0.17%

LAB 15.74, 36.9, 20.38

 

CMYK 0 / 92 / 45 / 39

HEX #9B0C56

RGB 155 12 86

HSL 328.95, 0.86%, 0.33%

LAB 33.78, 57.59, -2.94

 

CMYK 0 / 92 / 70 / 39

HEX #9B0C2F

RGB 155 12 47

HSL 345.31, 0.86%, 0.33%

LAB 32.78, 54.81, 21.26

 

CMYK 0 / 92 / 92 / 39

HEX #9B0C0C

RGB 155 12 12

HSL 0, 0.86%, 0.33%

LAB 32.39, 53.69, 41.18

 

CMYK 0 / 92 / 45 / 39

HEX #9B0C56

RGB 155 12 86

HSL 328.95, 0.86%, 0.33%

LAB 33.78, 57.59, -2.94

 

CMYK 0 / 92 / 20 / 39

HEX #9B0C7C

RGB 155 12 124

HSL 313.01, 0.86%, 0.33%

LAB 35.37, 61.85, -24.8

 

CMYK 5 / 92 / 0 / 39

HEX #940C9B

RGB 148 12 155

HSL 297.06, 0.86%, 0.33%

LAB 35.84, 65.06, -43.27

 

CMYK 30 / 92 / 0 / 39

HEX #6D0C9B

RGB 109 12 155

HSL 280.7, 0.86%, 0.33%

LAB 29.11, 58.84, -54.49

 

CMYK 55 / 92 / 0 / 39

HEX #460C9B

RGB 70 12 155

HSL 264.34, 0.86%, 0.33%

LAB 23.44, 54.22, -64.01

 

CMYK 0 / 92 / 45 / 39

HEX #9B0C56

RGB 155 12 86

HSL 328.95, 0.86%, 0.33%

LAB 33.78, 57.59, -2.94

 

CMYK 0 / 92 / 45 / 39

HEX #9B0C56

RGB 155 12 86

HSL 328.95, 0.86%, 0.33%

LAB 33.78, 57.59, -2.94

 

CMYK 0 / 82 / 40 / 44

HEX #8E1A55

RGB 142 26 85

HSL 329.48, 0.69%, 0.33%

LAB 32.14, 51.22, -5.02

 

CMYK 0 / 70 / 34 / 50

HEX #802755

RGB 128 39 85

HSL 328.99, 0.53%, 0.33%

LAB 31.1, 42.58, -6.84

 

CMYK 0 / 54 / 25 / 55

HEX #723555

RGB 114 53 85

HSL 328.52, 0.37%, 0.33%

LAB 31.3, 31, -6.79

 

CMYK 0 / 34 / 17 / 60

HEX #654354

RGB 101 67 84

HSL 330, 0.2%, 0.33%

LAB 32.75, 17.56, -4.18

 

CMYK 5 / 92 / 0 / 39

HEX #940C9B

RGB 148 12 155

HSL 297.06, 0.86%, 0.33%

LAB 35.84, 65.06, -43.27

 

CMYK 0 / 92 / 20 / 39

HEX #9B0C7C

RGB 155 12 124

HSL 313.01, 0.86%, 0.33%

LAB 35.37, 61.85, -24.8

 

CMYK 0 / 92 / 45 / 39

HEX #9B0C56

RGB 155 12 86

HSL 328.95, 0.86%, 0.33%

LAB 33.78, 57.59, -2.94

 

CMYK 0 / 92 / 69 / 39

HEX #9B0C30

RGB 155 12 48

HSL 344.9, 0.86%, 0.33%

LAB 32.8, 54.86, 20.63

 

CMYK 0 / 90 / 92 / 39

HEX #9B0F0C

RGB 155 15 12

HSL 1.26, 0.86%, 0.33%

LAB 32.56, 53.19, 41.31

 

CMYK 0 / 92 / 46 / 69

HEX #4F062B

RGB 79 6 43

HSL 329.59, 0.86%, 0.17%

LAB 15.31, 34.88, -2.62

 

CMYK 0 / 92 / 44 / 54

HEX #750941

RGB 117 9 65

HSL 328.89, 0.86%, 0.25%

LAB 24.82, 46.64, -3.1

 

CMYK 0 / 92 / 45 / 39

HEX #9B0C56

RGB 155 12 86

HSL 328.95, 0.86%, 0.33%

LAB 33.78, 57.59, -2.94

 

CMYK 0 / 92 / 45 / 24

HEX #C10F6B

RGB 193 15 107

HSL 328.99, 0.86%, 0.41%

LAB 42.37, 67.98, -2.8

 

CMYK 0 / 92 / 45 / 9

HEX #E81280

RGB 232 18 128

HSL 329.16, 0.86%, 0.49%

LAB 50.86, 78.18, -2.35

 

CMYK 0 / 92 / 45 / 39

HEX #9B0D56

RGB 155 13 86

HSL 329.15, 0.85%, 0.33%

LAB 33.83, 57.44, -2.87

 

CMYK 0 / 29 / 92 / 39

HEX #9B6E0C

RGB 155 110 12

HSL 41.12, 0.86%, 0.33%

LAB 49.67, 10.09, 53.91

 

CMYK 92 / 8 / 0 / 39

HEX #0C8F9B

RGB 12 143 155

HSL 185.03, 0.86%, 0.33%

LAB 54.12, -26.8, -15.36

 

CMYK 0 / 92 / 45 / 39

HEX #9B0D56

RGB 155 13 86

HSL 329.15, 0.85%, 0.33%

LAB 33.83, 57.44, -2.87

 

CMYK 45 / 0 / 92 / 39

HEX #569B0C

RGB 86 155 12

HSL 88.95, 0.86%, 0.33%

LAB 57.51, -42.94, 57.92

 

CMYK 92 / 45 / 0 / 39

HEX #0C569B

RGB 12 86 155

HSL 208.95, 0.86%, 0.33%

LAB 36.18, 6.29, -43.39

 

CMYK 0 / 92 / 45 / 39

HEX #9B0D56

RGB 155 13 86

HSL 329.15, 0.85%, 0.33%

LAB 33.83, 57.44, -2.87

 

CMYK 0 / 29 / 92 / 39

HEX #9B6E0C

RGB 155 110 12

HSL 41.12, 0.86%, 0.33%

LAB 49.67, 10.09, 53.91

 

CMYK 92 / 0 / 48 / 39

HEX #0C9B51

RGB 12 155 81

HSL 148.95, 0.86%, 0.33%

LAB 56.2, -51.26, 29.31

 

CMYK 92 / 63 / 0 / 39

HEX #0C399B

RGB 12 57 155

HSL 221.12, 0.86%, 0.33%

LAB 27.77, 26.11, -57.03

 

CMYK 0 / 92 / 45 / 39

HEX #9B0D56

RGB 155 13 86

HSL 329.15, 0.85%, 0.33%

LAB 33.83, 57.44, -2.87

 

CMYK 0 / 1 / 92 / 39

HEX #9B990C

RGB 155 153 12

HSL 59.16, 0.86%, 0.33%

LAB 61.46, -13.63, 63.01

 

CMYK 92 / 0 / 48 / 39

HEX #0C9B51

RGB 12 155 81

HSL 148.95, 0.86%, 0.33%

LAB 56.2, -51.26, 29.31

 

CMYK 92 / 90 / 0 / 39

HEX #0C0F9B

RGB 12 15 155

HSL 238.74, 0.86%, 0.33%

LAB 19.17, 50.11, -71.25

 

Description

Color code: RGB 155 13 86 | qconv.com Color code: RGB 155 13 86 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 13 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 13 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 45 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 45% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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