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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 113 139 it is the complementary color RGB 100 142 116. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 113 139. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 113 139 shade: RGB 160 113 134, RGB 177 131 153, RGB 194 149 172, RGB 211 167 191 and RGB 228 185 210

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 113 139. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 113 139 shade: RGB 155 113 139, RGB 138 95 120, RGB 121 77 101, RGB 104 59 82 and RGB 87 41 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 113 139 shade: RGB 155 114 139, RGB 155 114 129, RGB 155 114 118 and RGB 155 114 114

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 113 139 shade: RGB 155 114 139, RGB 155 114 150, RGB 149 114 155, RGB 138 114 155 and RGB 127 114 155

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 113 139 shade matches the following richer shades: RGB 155 114 139, RGB 174 95 144, RGB 194 75 149, RGB 213 56 153 and RGB 233 37 158

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 113 139 shade: RGB 155 114 139, RGB 136 134 135, RGB 116 153 130, RGB 97 172 126 and RGB 77 192 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 113 139 shade: RGB 148 114 155, RGB 155 114 151, RGB 155 114 140, RGB 155 114 129 and RGB 155 114 118

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 113 139 shade: RGB 109 77 97, RGB 133 95 119, RGB 155 114 139, RGB 172 138 159 and RGB 189 163 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 113 139 shade: RGB 155 113 139, RGB 155 137 114 and RGB 114 155 154

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 113 139 shade: RGB 155 113 139, RGB 140 155 114 and RGB 114 140 155

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 113 139 shade: RGB 155 113 139, RGB 155 137 114, RGB 114 155 129 and RGB 114 132 155

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 113 139 shade: RGB 155 113 139, RGB 155 150 114, RGB 114 155 129 and RGB 114 120 155

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 10 / 39

HEX #9B718B

RGB 155 113 139

HSL 322.86, 0.17%, 0.53%

LAB 52.56, 20.89, -7.67

 

Complementary color

CMYK 30 / 0 / 18 / 44

HEX #648E74

RGB 100 142 116

HSL 142.86, 0.17%, 0.47%

LAB 55.4, -20.18, 9.27

 

CMYK 0 / 29 / 16 / 37

HEX #A07186

RGB 160 113 134

HSL 333.19, 0.2%, 0.54%

LAB 52.96, 21.88, -4.08

 

CMYK 0 / 26 / 14 / 31

HEX #B18399

RGB 177 131 153

HSL 331.3, 0.23%, 0.6%

LAB 59.78, 21.19, -4.81

 

CMYK 0 / 23 / 11 / 24

HEX #C295AC

RGB 194 149 172

HSL 329.33, 0.27%, 0.67%

LAB 66.48, 20.57, -5.48

 

CMYK 0 / 21 / 9 / 17

HEX #D3A7BF

RGB 211 167 191

HSL 327.27, 0.33%, 0.74%

LAB 73.05, 20, -6.11

 

CMYK 0 / 19 / 8 / 11

HEX #E4B9D2

RGB 228 185 210

HSL 325.12, 0.44%, 0.81%

LAB 79.53, 19.48, -6.7

 

CMYK 0 / 27 / 10 / 39

HEX #9B718B

RGB 155 113 139

HSL 322.86, 0.17%, 0.53%

LAB 52.56, 20.89, -7.67

 

CMYK 0 / 31 / 13 / 46

HEX #8A5F78

RGB 138 95 120

HSL 325.12, 0.18%, 0.46%

LAB 45.56, 21.61, -7

 

CMYK 0 / 36 / 17 / 53

HEX #794D65

RGB 121 77 101

HSL 327.27, 0.22%, 0.39%

LAB 38.4, 22.4, -6.24

 

CMYK 0 / 43 / 21 / 59

HEX #683B52

RGB 104 59 82

HSL 329.33, 0.28%, 0.32%

LAB 31.07, 23.28, -5.35

 

CMYK 0 / 53 / 28 / 66

HEX #57293F

RGB 87 41 63

HSL 331.3, 0.36%, 0.25%

LAB 23.58, 24.22, -4.2

 

CMYK 0 / 26 / 10 / 39

HEX #9B728B

RGB 155 114 139

HSL 323.41, 0.17%, 0.53%

LAB 52.8, 20.31, -7.3

 

CMYK 0 / 26 / 17 / 39

HEX #9B7281

RGB 155 114 129

HSL 338.05, 0.17%, 0.53%

LAB 52.5, 18.57, -1.88

 

CMYK 0 / 26 / 24 / 39

HEX #9B7276

RGB 155 114 118

HSL 354.15, 0.17%, 0.53%

LAB 52.19, 16.78, 4.14

 

CMYK 0 / 26 / 26 / 39

HEX #9B7272

RGB 155 114 114

HSL 0, 0.17%, 0.53%

LAB 52.08, 16.17, 6.35

 

CMYK 0 / 26 / 10 / 39

HEX #9B728B

RGB 155 114 139

HSL 323.41, 0.17%, 0.53%

LAB 52.8, 20.31, -7.3

 

CMYK 0 / 26 / 3 / 39

HEX #9B7296

RGB 155 114 150

HSL 307.32, 0.17%, 0.53%

LAB 53.17, 22.37, -13.19

 

CMYK 4 / 26 / 0 / 39

HEX #95729B

RGB 149 114 155

HSL 291.22, 0.17%, 0.53%

LAB 52.72, 21.26, -16.86

 

CMYK 11 / 26 / 0 / 39

HEX #8A729B

RGB 138 114 155

HSL 275.12, 0.17%, 0.53%

LAB 51.62, 17.47, -18.64

 

CMYK 18 / 26 / 0 / 39

HEX #7F729B

RGB 127 114 155

HSL 259.02, 0.17%, 0.53%

LAB 50.59, 13.75, -20.31

 

CMYK 0 / 26 / 10 / 39

HEX #9B728B

RGB 155 114 139

HSL 323.41, 0.17%, 0.53%

LAB 52.8, 20.31, -7.3

 

CMYK 0 / 45 / 17 / 32

HEX #AE5F90

RGB 174 95 144

HSL 322.78, 0.33%, 0.53%

LAB 50.92, 38.54, -12.85

 

CMYK 0 / 61 / 23 / 24

HEX #C24B95

RGB 194 75 149

HSL 322.69, 0.49%, 0.53%

LAB 50.3, 55.37, -16.47

 

CMYK 0 / 74 / 28 / 16

HEX #D53899

RGB 213 56 153

HSL 322.93, 0.65%, 0.53%

LAB 51.01, 68.21, -17.49

 

CMYK 0 / 84 / 32 / 9

HEX #E9259E

RGB 233 37 158

HSL 322.96, 0.82%, 0.53%

LAB 53.08, 78.32, -16.98

 

CMYK 0 / 26 / 10 / 39

HEX #9B728B

RGB 155 114 139

HSL 323.41, 0.17%, 0.53%

LAB 52.8, 20.31, -7.3

 

CMYK 0 / 1 / 1 / 47

HEX #888687

RGB 136 134 135

HSL 330, 0.01%, 0.53%

LAB 56.12, 0.94, -0.28

 

CMYK 24 / 0 / 15 / 40

HEX #749982

RGB 116 153 130

HSL 142.7, 0.15%, 0.53%

LAB 59.99, -17.66, 7.97

 

CMYK 44 / 0 / 27 / 33

HEX #61AC7E

RGB 97 172 126

HSL 143.2, 0.31%, 0.53%

LAB 64.61, -33.85, 16.54

 

CMYK 60 / 0 / 37 / 25

HEX #4DC079

RGB 77 192 121

HSL 142.96, 0.48%, 0.53%

LAB 69.94, -48.52, 26.35

 

CMYK 5 / 26 / 0 / 39

HEX #94729B

RGB 148 114 155

HSL 289.76, 0.17%, 0.53%

LAB 52.62, 20.91, -17.03

 

CMYK 0 / 26 / 3 / 39

HEX #9B7297

RGB 155 114 151

HSL 305.85, 0.17%, 0.53%

LAB 53.21, 22.56, -13.72

 

CMYK 0 / 26 / 10 / 39

HEX #9B728C

RGB 155 114 140

HSL 321.95, 0.17%, 0.53%

LAB 52.84, 20.5, -7.84

 

CMYK 0 / 26 / 17 / 39

HEX #9B7281

RGB 155 114 129

HSL 338.05, 0.17%, 0.53%

LAB 52.5, 18.57, -1.88

 

CMYK 0 / 26 / 24 / 39

HEX #9B7276

RGB 155 114 118

HSL 354.15, 0.17%, 0.53%

LAB 52.19, 16.78, 4.14

 

CMYK 0 / 29 / 11 / 57

HEX #6D4D61

RGB 109 77 97

HSL 322.5, 0.17%, 0.36%

LAB 36.78, 17.01, -6.3

 

CMYK 0 / 29 / 11 / 48

HEX #855F77

RGB 133 95 119

HSL 322.11, 0.17%, 0.45%

LAB 44.95, 19.54, -7.37

 

CMYK 0 / 26 / 10 / 39

HEX #9B728B

RGB 155 114 139

HSL 323.41, 0.17%, 0.53%

LAB 52.8, 20.31, -7.3

 

CMYK 0 / 20 / 8 / 33

HEX #AC8A9F

RGB 172 138 159

HSL 322.94, 0.17%, 0.61%

LAB 61.18, 16.47, -6.22

 

CMYK 0 / 14 / 5 / 26

HEX #BDA3B3

RGB 189 163 179

HSL 323.08, 0.16%, 0.69%

LAB 69.66, 12.28, -4.73

 

CMYK 0 / 27 / 10 / 39

HEX #9B718B

RGB 155 113 139

HSL 322.86, 0.17%, 0.53%

LAB 52.56, 20.89, -7.67

 

CMYK 0 / 12 / 26 / 39

HEX #9B8972

RGB 155 137 114

HSL 33.66, 0.17%, 0.53%

LAB 58.11, 3.05, 14.83

 

CMYK 26 / 0 / 1 / 39

HEX #729B9A

RGB 114 155 154

HSL 178.54, 0.17%, 0.53%

LAB 61.09, -14.11, -4.02

 

CMYK 0 / 27 / 10 / 39

HEX #9B718B

RGB 155 113 139

HSL 322.86, 0.17%, 0.53%

LAB 52.56, 20.89, -7.67

 

CMYK 10 / 0 / 26 / 39

HEX #8C9B72

RGB 140 155 114

HSL 81.95, 0.17%, 0.53%

LAB 61.85, -12.79, 19.78

 

CMYK 26 / 10 / 0 / 39

HEX #728C9B

RGB 114 140 155

HSL 201.95, 0.17%, 0.53%

LAB 56.78, -5.64, -11

 

CMYK 0 / 27 / 10 / 39

HEX #9B718B

RGB 155 113 139

HSL 322.86, 0.17%, 0.53%

LAB 52.56, 20.89, -7.67

 

CMYK 0 / 12 / 26 / 39

HEX #9B8972

RGB 155 137 114

HSL 33.66, 0.17%, 0.53%

LAB 58.11, 3.05, 14.83

 

CMYK 26 / 0 / 17 / 39

HEX #729B81

RGB 114 155 129

HSL 141.95, 0.17%, 0.53%

LAB 60.43, -19.58, 9.15

 

CMYK 26 / 15 / 0 / 39

HEX #72849B

RGB 114 132 155

HSL 213.66, 0.17%, 0.53%

LAB 54.5, -1.08, -14.44

 

CMYK 0 / 27 / 10 / 39

HEX #9B718B

RGB 155 113 139

HSL 322.86, 0.17%, 0.53%

LAB 52.56, 20.89, -7.67

 

CMYK 0 / 3 / 26 / 39

HEX #9B9672

RGB 155 150 114

HSL 52.68, 0.17%, 0.53%

LAB 61.65, -4.16, 19.7

 

CMYK 26 / 0 / 17 / 39

HEX #729B81

RGB 114 155 129

HSL 141.95, 0.17%, 0.53%

LAB 60.43, -19.58, 9.15

 

CMYK 26 / 23 / 0 / 39

HEX #72789B

RGB 114 120 155

HSL 231.22, 0.17%, 0.53%

LAB 51.13, 5.93, -19.58

 

Description

Color code: RGB 155 113 139 | qconv.com Color code: RGB 155 113 139 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 113 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 113 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 10 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 10% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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