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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 112 120 it is the complementary color RGB 100 143 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 112 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 112 120 shade: RGB 160 112 115, RGB 177 130 134, RGB 194 148 153, RGB 211 166 172 and RGB 228 184 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 112 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 112 120 shade: RGB 155 112 120, RGB 138 94 101, RGB 121 76 82, RGB 104 58 63 and RGB 87 40 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 112 120 shade: RGB 154 110 118 and RGB 154 110 110

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 112 120 shade: RGB 154 110 118, RGB 154 110 130, RGB 154 110 142, RGB 154 110 154 and RGB 142 110 154

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 112 120 shade matches the following richer shades: RGB 154 110 118, RGB 174 90 106, RGB 194 70 93, RGB 214 51 81 and RGB 233 31 69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 112 120 shade: RGB 154 110 118, RGB 134 130 131, RGB 115 150 143, RGB 95 169 156 and RGB 75 189 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 112 120 shade: RGB 154 110 142, RGB 154 110 131, RGB 154 110 119, RGB 154 113 110 and RGB 154 125 110

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 112 120 shade: RGB 107 74 81, RGB 132 91 99, RGB 154 110 118, RGB 171 134 141 and RGB 188 159 164

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 112 120 shade: RGB 155 112 120, RGB 154 154 110 and RGB 110 137 154

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 112 120 shade: RGB 155 112 120, RGB 119 154 110 and RGB 110 119 154

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 112 120 shade: RGB 155 112 120, RGB 154 154 110, RGB 110 154 145 and RGB 110 110 154

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 112 120 shade: RGB 155 112 120, RGB 141 154 110, RGB 110 154 145 and RGB 123 110 154

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 23 / 39

HEX #9B7078

RGB 155 112 120

HSL 348.84, 0.18%, 0.52%

LAB 51.74, 18.25, 2.32

 

Complementary color

CMYK 30 / 0 / 6 / 44

HEX #648F87

RGB 100 143 135

HSL 168.84, 0.18%, 0.48%

LAB 56.19, -16.52, -0.48

 

CMYK 0 / 30 / 28 / 37

HEX #A07073

RGB 160 112 115

HSL 356.25, 0.2%, 0.53%

LAB 52.17, 19.46, 5.97

 

CMYK 0 / 27 / 24 / 31

HEX #B18286

RGB 177 130 134

HSL 354.89, 0.23%, 0.6%

LAB 59.01, 18.7, 4.97

 

CMYK 0 / 24 / 21 / 24

HEX #C29499

RGB 194 148 153

HSL 353.48, 0.27%, 0.67%

LAB 65.71, 18.04, 4.07

 

CMYK 0 / 21 / 18 / 17

HEX #D3A6AC

RGB 211 166 172

HSL 352, 0.34%, 0.74%

LAB 72.3, 17.44, 3.24

 

CMYK 0 / 19 / 16 / 11

HEX #E4B8BF

RGB 228 184 191

HSL 350.45, 0.45%, 0.81%

LAB 78.77, 16.9, 2.47

 

CMYK 0 / 28 / 23 / 39

HEX #9B7078

RGB 155 112 120

HSL 348.84, 0.18%, 0.52%

LAB 51.74, 18.25, 2.32

 

CMYK 0 / 32 / 27 / 46

HEX #8A5E65

RGB 138 94 101

HSL 350.45, 0.19%, 0.45%

LAB 44.73, 19.03, 3.29

 

CMYK 0 / 37 / 32 / 53

HEX #794C52

RGB 121 76 82

HSL 352, 0.23%, 0.39%

LAB 37.56, 19.92, 4.42

 

CMYK 0 / 44 / 39 / 59

HEX #683A3F

RGB 104 58 63

HSL 353.48, 0.28%, 0.32%

LAB 30.23, 20.96, 5.78

 

CMYK 0 / 54 / 49 / 66

HEX #57282C

RGB 87 40 44

HSL 354.89, 0.37%, 0.25%

LAB 22.74, 22.13, 7.55

 

CMYK 0 / 29 / 23 / 40

HEX #9A6E76

RGB 154 110 118

HSL 349.09, 0.18%, 0.52%

LAB 51.07, 18.7, 2.52

 

CMYK 0 / 29 / 29 / 40

HEX #9A6E6E

RGB 154 110 110

HSL 0, 0.18%, 0.52%

LAB 50.86, 17.48, 6.94

 

CMYK 0 / 29 / 23 / 40

HEX #9A6E76

RGB 154 110 118

HSL 349.09, 0.18%, 0.52%

LAB 51.07, 18.7, 2.52

 

CMYK 0 / 29 / 16 / 40

HEX #9A6E82

RGB 154 110 130

HSL 332.73, 0.18%, 0.52%

LAB 51.42, 20.66, -4.07

 

CMYK 0 / 29 / 8 / 40

HEX #9A6E8E

RGB 154 110 142

HSL 316.36, 0.18%, 0.52%

LAB 51.81, 22.8, -10.56

 

CMYK 0 / 29 / 0 / 40

HEX #9A6E9A

RGB 154 110 154

HSL 300, 0.18%, 0.52%

LAB 52.24, 25.1, -16.96

 

CMYK 8 / 29 / 0 / 40

HEX #8E6E9A

RGB 142 110 154

HSL 283.64, 0.18%, 0.52%

LAB 50.96, 20.97, -19.02

 

CMYK 0 / 29 / 23 / 40

HEX #9A6E76

RGB 154 110 118

HSL 349.09, 0.18%, 0.52%

LAB 51.07, 18.7, 2.52

 

CMYK 0 / 48 / 39 / 32

HEX #AE5A6A

RGB 174 90 106

HSL 348.57, 0.34%, 0.52%

LAB 48.7, 35.89, 6.6

 

CMYK 0 / 64 / 52 / 24

HEX #C2465D

RGB 194 70 93

HSL 348.87, 0.5%, 0.52%

LAB 47.8, 51.28, 13.65

 

CMYK 0 / 76 / 62 / 16

HEX #D63351

RGB 214 51 81

HSL 348.96, 0.67%, 0.52%

LAB 48.58, 63.56, 22.6

 

CMYK 0 / 87 / 70 / 9

HEX #E91F45

RGB 233 31 69

HSL 348.71, 0.82%, 0.52%

LAB 50.37, 72.86, 32.85

 

CMYK 0 / 29 / 23 / 40

HEX #9A6E76

RGB 154 110 118

HSL 349.09, 0.18%, 0.52%

LAB 51.07, 18.7, 2.52

 

CMYK 0 / 3 / 2 / 47

HEX #868283

RGB 134 130 131

HSL 345, 0.02%, 0.52%

LAB 54.73, 1.7, -0.01

 

CMYK 23 / 0 / 5 / 41

HEX #73968F

RGB 115 150 143

HSL 168, 0.14%, 0.52%

LAB 59.38, -13.63, -0.28

 

CMYK 44 / 0 / 8 / 34

HEX #5FA99C

RGB 95 169 156

HSL 169.46, 0.3%, 0.52%

LAB 64.33, -26.28, -0.5

 

CMYK 60 / 0 / 11 / 26

HEX #4BBDA8

RGB 75 189 168

HSL 168.95, 0.46%, 0.52%

LAB 69.98, -37.24, 1.03

 

CMYK 0 / 29 / 8 / 40

HEX #9A6E8E

RGB 154 110 142

HSL 316.36, 0.18%, 0.52%

LAB 51.81, 22.8, -10.56

 

CMYK 0 / 29 / 15 / 40

HEX #9A6E83

RGB 154 110 131

HSL 331.36, 0.18%, 0.52%

LAB 51.45, 20.84, -4.61

 

CMYK 0 / 29 / 23 / 40

HEX #9A6E77

RGB 154 110 119

HSL 347.73, 0.18%, 0.52%

LAB 51.1, 18.85, 1.97

 

CMYK 0 / 27 / 29 / 40

HEX #9A716E

RGB 154 113 110

HSL 4.09, 0.18%, 0.52%

LAB 51.62, 15.76, 8.02

 

CMYK 0 / 19 / 29 / 40

HEX #9A7D6E

RGB 154 125 110

HSL 20.45, 0.18%, 0.52%

LAB 54.72, 8.86, 12.4

 

CMYK 0 / 31 / 24 / 58

HEX #6B4A51

RGB 107 74 81

HSL 347.27, 0.18%, 0.35%

LAB 35.24, 15.17, 1.47

 

CMYK 0 / 31 / 25 / 48

HEX #845B63

RGB 132 91 99

HSL 348.29, 0.18%, 0.44%

LAB 43.19, 18.07, 2.2

 

CMYK 0 / 29 / 23 / 40

HEX #9A6E76

RGB 154 110 118

HSL 349.09, 0.18%, 0.52%

LAB 51.07, 18.7, 2.52

 

CMYK 0 / 22 / 18 / 33

HEX #AB868D

RGB 171 134 141

HSL 348.65, 0.18%, 0.6%

LAB 59.55, 15.25, 1.67

 

CMYK 0 / 15 / 13 / 26

HEX #BC9FA4

RGB 188 159 164

HSL 349.66, 0.18%, 0.68%

LAB 68.14, 11.5, 1.37

 

CMYK 0 / 28 / 23 / 39

HEX #9B7078

RGB 155 112 120

HSL 348.84, 0.18%, 0.52%

LAB 51.74, 18.25, 2.32

 

CMYK 0 / 0 / 29 / 40

HEX #9A9A6E

RGB 154 154 110

HSL 60, 0.18%, 0.52%

LAB 62.6, -7.3, 23.17

 

CMYK 29 / 11 / 0 / 40

HEX #6E899A

RGB 110 137 154

HSL 203.18, 0.18%, 0.52%

LAB 55.62, -5.45, -12.19

 

CMYK 0 / 28 / 23 / 39

HEX #9B7078

RGB 155 112 120

HSL 348.84, 0.18%, 0.52%

LAB 51.74, 18.25, 2.32

 

CMYK 23 / 0 / 29 / 40

HEX #779A6E

RGB 119 154 110

HSL 107.73, 0.18%, 0.52%

LAB 60.03, -20.83, 19.27

 

CMYK 29 / 23 / 0 / 40

HEX #6E779A

RGB 110 119 154

HSL 227.73, 0.18%, 0.52%

LAB 50.5, 4.99, -19.98

 

CMYK 0 / 28 / 23 / 39

HEX #9B7078

RGB 155 112 120

HSL 348.84, 0.18%, 0.52%

LAB 51.74, 18.25, 2.32

 

CMYK 0 / 0 / 29 / 40

HEX #9A9A6E

RGB 154 154 110

HSL 60, 0.18%, 0.52%

LAB 62.6, -7.3, 23.17

 

CMYK 29 / 0 / 6 / 40

HEX #6E9A91

RGB 110 154 145

HSL 167.73, 0.18%, 0.52%

LAB 60.31, -16.91, -0.09

 

CMYK 29 / 29 / 0 / 40

HEX #6E6E9A

RGB 110 110 154

HSL 240, 0.18%, 0.52%

LAB 48.01, 10.38, -23.82

 

CMYK 0 / 28 / 23 / 39

HEX #9B7078

RGB 155 112 120

HSL 348.84, 0.18%, 0.52%

LAB 51.74, 18.25, 2.32

 

CMYK 8 / 0 / 29 / 40

HEX #8D9A6E

RGB 141 154 110

HSL 77.73, 0.18%, 0.52%

LAB 61.57, -12.48, 21.61

 

CMYK 29 / 0 / 6 / 40

HEX #6E9A91

RGB 110 154 145

HSL 167.73, 0.18%, 0.52%

LAB 60.31, -16.91, -0.09

 

CMYK 20 / 29 / 0 / 40

HEX #7B6E9A

RGB 123 110 154

HSL 257.73, 0.18%, 0.52%

LAB 49.13, 14.57, -22

 

Description

Color code: RGB 155 112 120 | qconv.com Color code: RGB 155 112 120 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 112 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 112 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 23 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 23% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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