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Color name
RGB 155 118 42

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 118 42 it is the complementary color RGB 100 137 213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 118 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 118 42 shade: RGB 160 118 37, RGB 177 136 56, RGB 194 154 75, RGB 211 172 94 and RGB 228 190 113

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 118 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 118 42 shade: RGB 155 118 42, RGB 138 100 23, RGB 121 82 4, RGB 104 64 0 and RGB 87 46 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 118 42 shade: RGB 156 119 42, RGB 156 88 42, RGB 156 57 42 and RGB 156 42 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 118 42 shade: RGB 156 119 42, RGB 156 149 42, RGB 132 156 42, RGB 101 156 42 and RGB 70 156 42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 118 42 shade matches the following richer shades: RGB 156 119 42, RGB 172 124 26 and RGB 188 130 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 118 42 shade: RGB 156 119 42, RGB 140 113 58, RGB 123 107 74, RGB 107 102 91 and RGB 91 96 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 118 42 shade: RGB 156 57 42, RGB 156 88 42, RGB 156 118 42, RGB 156 148 42 and RGB 133 156 42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 118 42 shade: RGB 91 69 25, RGB 123 94 33, RGB 156 119 42, RGB 188 143 51 and RGB 205 163 75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 118 42 shade: RGB 155 118 42, RGB 57 156 42 and RGB 72 42 156

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 118 42 shade: RGB 155 118 42, RGB 42 156 118 and RGB 118 42 156

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 118 42 shade: RGB 155 118 42, RGB 57 156 42, RGB 42 80 156 and RGB 141 42 156

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 118 42 shade: RGB 155 118 42, RGB 42 156 61, RGB 42 80 156 and RGB 156 42 137

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 73 / 39

HEX #9B762A

RGB 155 118 42

HSL 40.35, 0.57%, 0.39%

LAB 51.94, 6.58, 45.56

 

Complementary color

CMYK 53 / 36 / 0 / 16

HEX #6489D5

RGB 100 137 213

HSL 220.35, 0.57%, 0.61%

LAB 57.47, 8.78, -43

 

CMYK 0 / 26 / 77 / 37

HEX #A07625

RGB 160 118 37

HSL 39.51, 0.62%, 0.39%

LAB 52.47, 8.62, 48.41

 

CMYK 0 / 23 / 68 / 31

HEX #B18838

RGB 177 136 56

HSL 39.67, 0.52%, 0.46%

LAB 59.2, 7.17, 47.51

 

CMYK 0 / 21 / 61 / 24

HEX #C29A4B

RGB 194 154 75

HSL 39.83, 0.49%, 0.53%

LAB 65.82, 5.97, 46.31

 

CMYK 0 / 18 / 55 / 17

HEX #D3AC5E

RGB 211 172 94

HSL 40, 0.57%, 0.6%

LAB 72.34, 4.96, 45

 

CMYK 0 / 17 / 50 / 11

HEX #E4BE71

RGB 228 190 113

HSL 40.17, 0.68%, 0.67%

LAB 78.76, 4.1, 43.7

 

CMYK 0 / 24 / 73 / 39

HEX #9B762A

RGB 155 118 42

HSL 40.35, 0.57%, 0.39%

LAB 51.94, 6.58, 45.56

 

CMYK 0 / 28 / 83 / 46

HEX #8A6417

RGB 138 100 23

HSL 40.17, 0.71%, 0.32%

LAB 45.05, 8.2, 46.06

 

CMYK 0 / 32 / 97 / 53

HEX #795204

RGB 121 82 4

HSL 40, 0.94%, 0.25%

LAB 38.04, 10.19, 45.33

 

CMYK 0 / 38 / 100 / 59

HEX #684000

RGB 104 64 0

HSL 36.92, 1%, 0.2%

LAB 30.9, 12.7, 40.72

 

CMYK 0 / 47 / 100 / 66

HEX #572E00

RGB 87 46 0

HSL 31.72, 1%, 0.17%

LAB 23.61, 15.47, 33.41

 

CMYK 0 / 24 / 73 / 39

HEX #9C772A

RGB 156 119 42

HSL 40.53, 0.58%, 0.39%

LAB 52.32, 6.47, 45.97

 

CMYK 0 / 44 / 73 / 39

HEX #9C582A

RGB 156 88 42

HSL 24.21, 0.58%, 0.39%

LAB 44.54, 24.14, 37.86

 

CMYK 0 / 63 / 73 / 39

HEX #9C392A

RGB 156 57 42

HSL 7.89, 0.58%, 0.39%

LAB 38.13, 40.39, 30.78

 

CMYK 0 / 73 / 73 / 39

HEX #9C2A2A

RGB 156 42 42

HSL 0, 0.58%, 0.39%

LAB 35.77, 46.78, 28.07

 

CMYK 0 / 24 / 73 / 39

HEX #9C772A

RGB 156 119 42

HSL 40.53, 0.58%, 0.39%

LAB 52.32, 6.47, 45.97

 

CMYK 0 / 4 / 73 / 39

HEX #9C952A

RGB 156 149 42

HSL 56.32, 0.58%, 0.39%

LAB 60.54, -10.1, 54.11

 

CMYK 15 / 0 / 73 / 39

HEX #849C2A

RGB 132 156 42

HSL 72.63, 0.58%, 0.39%

LAB 60.65, -24.22, 53.55

 

CMYK 35 / 0 / 73 / 39

HEX #659C2A

RGB 101 156 42

HSL 88.95, 0.58%, 0.39%

LAB 58.71, -36.62, 50.98

 

CMYK 55 / 0 / 73 / 39

HEX #469C2A

RGB 70 156 42

HSL 105.26, 0.58%, 0.39%

LAB 57.31, -46.82, 49.12

 

CMYK 0 / 24 / 73 / 39

HEX #9C772A

RGB 156 119 42

HSL 40.53, 0.58%, 0.39%

LAB 52.32, 6.47, 45.97

 

CMYK 0 / 28 / 85 / 33

HEX #AC7C1A

RGB 172 124 26

HSL 40.27, 0.74%, 0.39%

LAB 55.34, 10.31, 55.53

 

CMYK 0 / 31 / 95 / 26

HEX #BC820A

RGB 188 130 10

HSL 40.45, 0.9%, 0.39%

LAB 58.68, 13.86, 62.71

 

CMYK 0 / 24 / 73 / 39

HEX #9C772A

RGB 156 119 42

HSL 40.53, 0.58%, 0.39%

LAB 52.32, 6.47, 45.97

 

CMYK 0 / 19 / 59 / 45

HEX #8C713A

RGB 140 113 58

HSL 40.24, 0.41%, 0.39%

LAB 49.12, 3.67, 34.12

 

CMYK 0 / 13 / 40 / 52

HEX #7B6B4A

RGB 123 107 74

HSL 40.41, 0.25%, 0.39%

LAB 45.94, 1.2, 20.83

 

CMYK 0 / 5 / 15 / 58

HEX #6B665B

RGB 107 102 91

HSL 41.25, 0.08%, 0.39%

LAB 43.34, -0.12, 6.92

 

CMYK 15 / 10 / 0 / 58

HEX #5B606B

RGB 91 96 107

HSL 221.25, 0.08%, 0.39%

LAB 40.66, 0.56, -6.9

 

CMYK 0 / 63 / 73 / 39

HEX #9C392A

RGB 156 57 42

HSL 7.89, 0.58%, 0.39%

LAB 38.13, 40.39, 30.78

 

CMYK 0 / 44 / 73 / 39

HEX #9C582A

RGB 156 88 42

HSL 24.21, 0.58%, 0.39%

LAB 44.54, 24.14, 37.86

 

CMYK 0 / 24 / 73 / 39

HEX #9C762A

RGB 156 118 42

HSL 40, 0.58%, 0.39%

LAB 52.05, 7.04, 45.71

 

CMYK 0 / 5 / 73 / 39

HEX #9C942A

RGB 156 148 42

HSL 55.79, 0.58%, 0.39%

LAB 60.26, -9.56, 53.84

 

CMYK 15 / 0 / 73 / 39

HEX #859C2A

RGB 133 156 42

HSL 72.11, 0.58%, 0.39%

LAB 60.72, -23.79, 53.65

 

CMYK 0 / 24 / 73 / 64

HEX #5B4519

RGB 91 69 25

HSL 40, 0.57%, 0.23%

LAB 30.76, 4.14, 29.34

 

CMYK 0 / 24 / 73 / 52

HEX #7B5E21

RGB 123 94 33

HSL 40.67, 0.58%, 0.31%

LAB 41.73, 5.06, 38.06

 

CMYK 0 / 24 / 73 / 39

HEX #9C772A

RGB 156 119 42

HSL 40.53, 0.58%, 0.39%

LAB 52.32, 6.47, 45.97

 

CMYK 0 / 24 / 73 / 26

HEX #BC8F33

RGB 188 143 51

HSL 40.29, 0.57%, 0.47%

LAB 62.15, 7.92, 53.15

 

CMYK 0 / 20 / 63 / 20

HEX #CDA34B

RGB 205 163 75

HSL 40.62, 0.57%, 0.55%

LAB 69.24, 5.84, 50.47

 

CMYK 0 / 24 / 73 / 39

HEX #9B762A

RGB 155 118 42

HSL 40.35, 0.57%, 0.39%

LAB 51.94, 6.58, 45.56

 

CMYK 63 / 0 / 73 / 39

HEX #399C2A

RGB 57 156 42

HSL 112.11, 0.58%, 0.39%

LAB 56.89, -50.18, 48.56

 

CMYK 54 / 73 / 0 / 39

HEX #482A9C

RGB 72 42 156

HSL 255.79, 0.58%, 0.39%

LAB 27.94, 42.67, -57.22

 

CMYK 0 / 24 / 73 / 39

HEX #9B762A

RGB 155 118 42

HSL 40.35, 0.57%, 0.39%

LAB 51.94, 6.58, 45.56

 

CMYK 73 / 0 / 24 / 39

HEX #2A9C76

RGB 42 156 118

HSL 160, 0.58%, 0.39%

LAB 57.63, -40.66, 10.99

 

CMYK 24 / 73 / 0 / 39

HEX #762A9C

RGB 118 42 156

HSL 280, 0.58%, 0.39%

LAB 33.79, 51.32, -47.44

 

CMYK 0 / 24 / 73 / 39

HEX #9B762A

RGB 155 118 42

HSL 40.35, 0.57%, 0.39%

LAB 51.94, 6.58, 45.56

 

CMYK 63 / 0 / 73 / 39

HEX #399C2A

RGB 57 156 42

HSL 112.11, 0.58%, 0.39%

LAB 56.89, -50.18, 48.56

 

CMYK 73 / 49 / 0 / 39

HEX #2A509C

RGB 42 80 156

HSL 220, 0.58%, 0.39%

LAB 35.26, 13.7, -45.42

 

CMYK 10 / 73 / 0 / 39

HEX #8D2A9C

RGB 141 42 156

HSL 292.11, 0.58%, 0.39%

LAB 37.33, 56.25, -41.56

 

CMYK 0 / 24 / 73 / 39

HEX #9B762A

RGB 155 118 42

HSL 40.35, 0.57%, 0.39%

LAB 51.94, 6.58, 45.56

 

CMYK 73 / 0 / 61 / 39

HEX #2A9C3D

RGB 42 156 61

HSL 130, 0.58%, 0.39%

LAB 56.69, -51.25, 40.04

 

CMYK 73 / 49 / 0 / 39

HEX #2A509C

RGB 42 80 156

HSL 220, 0.58%, 0.39%

LAB 35.26, 13.7, -45.42

 

CMYK 0 / 73 / 12 / 39

HEX #9C2A89

RGB 156 42 137

HSL 310, 0.58%, 0.39%

LAB 38.78, 56.52, -27.52

 

Description

Color code: RGB 155 118 42 | qconv.com Color code: RGB 155 118 42 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 118 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 118 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 73 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 73% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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