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Color name
RGB 154 51 126

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 154 51 126 it is the complementary color RGB 101 204 129. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 154 51 126. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 154 51 126 shade: RGB 159 51 121, RGB 176 69 140, RGB 193 87 159, RGB 210 105 178 and RGB 227 123 197

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 154 51 126. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 154 51 126 shade: RGB 154 51 126, RGB 137 33 107, RGB 120 15 88, RGB 103 0 69 and RGB 86 0 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 154 51 126 shade: RGB 153 51 125, RGB 153 51 97, RGB 153 51 70 and RGB 153 51 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 154 51 126 shade: RGB 153 51 125, RGB 153 51 152, RGB 125 51 153, RGB 98 51 153 and RGB 70 51 153

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 154 51 126 shade matches the following richer shades: RGB 153 51 125, RGB 169 34 132, RGB 186 17 140 and RGB 202 1 147

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 154 51 126 shade: RGB 153 51 125, RGB 136 67 117, RGB 119 84 110, RGB 103 100 102 and RGB 86 117 95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 154 51 126 shade: RGB 125 51 153, RGB 153 51 153, RGB 153 51 125, RGB 153 51 98 and RGB 153 51 71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 154 51 126 shade: RGB 91 30 74, RGB 122 40 99, RGB 153 51 125, RGB 183 61 150 and RGB 199 87 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 154 51 126 shade: RGB 154 51 126, RGB 153 98 51 and RGB 51 153 139

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 154 51 126 shade: RGB 154 51 126, RGB 125 153 51 and RGB 51 125 153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 154 51 126 shade: RGB 154 51 126, RGB 153 98 51, RGB 51 153 78 and RGB 51 105 153

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 154 51 126 shade: RGB 154 51 126, RGB 153 129 51, RGB 51 153 78 and RGB 51 74 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 18 / 40

HEX #9A337E

RGB 154 51 126

HSL 316.31, 0.5%, 0.4%

LAB 39.15, 50.89, -20.2

 

Complementary color

CMYK 50 / 0 / 37 / 20

HEX #65CC81

RGB 101 204 129

HSL 136.31, 0.5%, 0.6%

LAB 74.53, -46.34, 28.43

 

CMYK 0 / 68 / 24 / 38

HEX #9F3379

RGB 159 51 121

HSL 321.11, 0.51%, 0.41%

LAB 39.78, 51.58, -16.05

 

CMYK 0 / 61 / 20 / 31

HEX #B0458C

RGB 176 69 140

HSL 320.19, 0.44%, 0.48%

LAB 46.15, 51.47, -17.67

 

CMYK 0 / 55 / 18 / 24

HEX #C1579F

RGB 193 87 159

HSL 319.25, 0.46%, 0.55%

LAB 52.57, 51.02, -18.93

 

CMYK 0 / 50 / 15 / 18

HEX #D269B2

RGB 210 105 178

HSL 318.29, 0.54%, 0.62%

LAB 58.99, 50.41, -19.95

 

CMYK 0 / 46 / 13 / 11

HEX #E37BC5

RGB 227 123 197

HSL 317.31, 0.65%, 0.69%

LAB 65.38, 49.71, -20.8

 

CMYK 0 / 67 / 18 / 40

HEX #9A337E

RGB 154 51 126

HSL 316.31, 0.5%, 0.4%

LAB 39.15, 50.89, -20.2

 

CMYK 0 / 76 / 22 / 46

HEX #89216B

RGB 137 33 107

HSL 317.31, 0.61%, 0.33%

LAB 32.85, 50.41, -18.24

 

CMYK 0 / 88 / 27 / 53

HEX #780F58

RGB 120 15 88

HSL 318.29, 0.78%, 0.26%

LAB 26.85, 48.8, -15.44

 

CMYK 0 / 100 / 33 / 60

HEX #670045

RGB 103 0 69

HSL 319.81, 1%, 0.2%

LAB 21.26, 45.62, -11.52

 

CMYK 0 / 100 / 42 / 66

HEX #560032

RGB 86 0 50

HSL 325.12, 1%, 0.17%

LAB 16.55, 39.43, -5.68

 

CMYK 0 / 67 / 18 / 40

HEX #99337D

RGB 153 51 125

HSL 316.47, 0.5%, 0.4%

LAB 38.93, 50.47, -19.92

 

CMYK 0 / 67 / 37 / 40

HEX #993361

RGB 153 51 97

HSL 332.94, 0.5%, 0.4%

LAB 37.85, 46.7, -4.03

 

CMYK 0 / 67 / 54 / 40

HEX #993346

RGB 153 51 70

HSL 348.82, 0.5%, 0.4%

LAB 37.08, 43.94, 12.05

 

CMYK 0 / 67 / 67 / 40

HEX #993333

RGB 153 51 51

HSL 0, 0.5%, 0.4%

LAB 36.7, 42.54, 23.53

 

CMYK 0 / 67 / 18 / 40

HEX #99337D

RGB 153 51 125

HSL 316.47, 0.5%, 0.4%

LAB 38.93, 50.47, -19.92

 

CMYK 0 / 67 / 1 / 40

HEX #993398

RGB 153 51 152

HSL 300.59, 0.5%, 0.4%

LAB 40.26, 54.85, -34.37

 

CMYK 18 / 67 / 0 / 40

HEX #7D3399

RGB 125 51 153

HSL 283.53, 0.5%, 0.4%

LAB 36.04, 48.23, -41.95

 

CMYK 36 / 67 / 0 / 40

HEX #623399

RGB 98 51 153

HSL 267.65, 0.5%, 0.4%

LAB 32.4, 42, -47.99

 

CMYK 54 / 67 / 0 / 40

HEX #463399

RGB 70 51 153

HSL 251.18, 0.5%, 0.4%

LAB 29.34, 36.3, -53.11

 

CMYK 0 / 67 / 18 / 40

HEX #99337D

RGB 153 51 125

HSL 316.47, 0.5%, 0.4%

LAB 38.93, 50.47, -19.92

 

CMYK 0 / 80 / 22 / 34

HEX #A92284

RGB 169 34 132

HSL 316.44, 0.67%, 0.4%

LAB 39.99, 61.41, -22.38

 

CMYK 0 / 91 / 25 / 27

HEX #BA118C

RGB 186 17 140

HSL 316.33, 0.83%, 0.4%

LAB 42.36, 69.6, -23.37

 

CMYK 0 / 100 / 27 / 21

HEX #CA0193

RGB 202 1 147

HSL 316.42, 0.99%, 0.4%

LAB 45.2, 75.25, -22.98

 

CMYK 0 / 67 / 18 / 40

HEX #99337D

RGB 153 51 125

HSL 316.47, 0.5%, 0.4%

LAB 38.93, 50.47, -19.92

 

CMYK 0 / 51 / 14 / 47

HEX #884375

RGB 136 67 117

HSL 316.52, 0.34%, 0.4%

LAB 38.78, 36.28, -15.42

 

CMYK 0 / 29 / 8 / 53

HEX #77546E

RGB 119 84 110

HSL 315.43, 0.17%, 0.4%

LAB 40.23, 19.11, -9.11

 

CMYK 0 / 3 / 1 / 60

HEX #676466

RGB 103 100 102

HSL 320, 0.01%, 0.4%

LAB 42.7, 1.59, -0.72

 

CMYK 26 / 0 / 19 / 54

HEX #56755F

RGB 86 117 95

HSL 137.42, 0.15%, 0.4%

LAB 46.35, -16.08, 8.57

 

CMYK 18 / 67 / 0 / 40

HEX #7D3399

RGB 125 51 153

HSL 283.53, 0.5%, 0.4%

LAB 36.04, 48.23, -41.95

 

CMYK 0 / 67 / 0 / 40

HEX #993399

RGB 153 51 153

HSL 300, 0.5%, 0.4%

LAB 40.31, 55.02, -34.89

 

CMYK 0 / 67 / 18 / 40

HEX #99337D

RGB 153 51 125

HSL 316.47, 0.5%, 0.4%

LAB 38.93, 50.47, -19.92

 

CMYK 0 / 67 / 36 / 40

HEX #993362

RGB 153 51 98

HSL 332.35, 0.5%, 0.4%

LAB 37.88, 46.82, -4.61

 

CMYK 0 / 67 / 54 / 40

HEX #993347

RGB 153 51 71

HSL 348.24, 0.5%, 0.4%

LAB 37.11, 44.02, 11.45

 

CMYK 0 / 67 / 19 / 64

HEX #5B1E4A

RGB 91 30 74

HSL 316.72, 0.5%, 0.24%

LAB 22.47, 33.44, -13.28

 

CMYK 0 / 67 / 19 / 52

HEX #7A2863

RGB 122 40 99

HSL 316.83, 0.51%, 0.32%

LAB 30.77, 42.32, -16.53

 

CMYK 0 / 67 / 18 / 40

HEX #99337D

RGB 153 51 125

HSL 316.47, 0.5%, 0.4%

LAB 38.93, 50.47, -19.92

 

CMYK 0 / 67 / 18 / 28

HEX #B73D96

RGB 183 61 150

HSL 316.23, 0.5%, 0.48%

LAB 46.45, 58.27, -23.12

 

CMYK 0 / 56 / 16 / 22

HEX #C757A8

RGB 199 87 168

HSL 316.61, 0.5%, 0.56%

LAB 53.8, 54.18, -22.25

 

CMYK 0 / 67 / 18 / 40

HEX #9A337E

RGB 154 51 126

HSL 316.31, 0.5%, 0.4%

LAB 39.15, 50.89, -20.2

 

CMYK 0 / 36 / 67 / 40

HEX #996233

RGB 153 98 51

HSL 27.65, 0.5%, 0.4%

LAB 46.64, 17.67, 35.36

 

CMYK 67 / 0 / 9 / 40

HEX #33998B

RGB 51 153 139

HSL 171.76, 0.5%, 0.4%

LAB 57.42, -32.45, -1.21

 

CMYK 0 / 67 / 18 / 40

HEX #9A337E

RGB 154 51 126

HSL 316.31, 0.5%, 0.4%

LAB 39.15, 50.89, -20.2

 

CMYK 18 / 0 / 67 / 40

HEX #7D9933

RGB 125 153 51

HSL 76.47, 0.5%, 0.4%

LAB 59.33, -25.09, 48.48

 

CMYK 67 / 18 / 0 / 40

HEX #337D99

RGB 51 125 153

HSL 196.47, 0.5%, 0.4%

LAB 49.09, -13.73, -21.82

 

CMYK 0 / 67 / 18 / 40

HEX #9A337E

RGB 154 51 126

HSL 316.31, 0.5%, 0.4%

LAB 39.15, 50.89, -20.2

 

CMYK 0 / 36 / 67 / 40

HEX #996233

RGB 153 98 51

HSL 27.65, 0.5%, 0.4%

LAB 46.64, 17.67, 35.36

 

CMYK 67 / 0 / 49 / 40

HEX #33994E

RGB 51 153 78

HSL 135.88, 0.5%, 0.4%

LAB 56.12, -46, 30.92

 

CMYK 67 / 31 / 0 / 40

HEX #336999

RGB 51 105 153

HSL 208.24, 0.5%, 0.4%

LAB 42.92, -1.99, -31.41

 

CMYK 0 / 67 / 18 / 40

HEX #9A337E

RGB 154 51 126

HSL 316.31, 0.5%, 0.4%

LAB 39.15, 50.89, -20.2

 

CMYK 0 / 16 / 67 / 40

HEX #998133

RGB 153 129 51

HSL 45.88, 0.5%, 0.4%

LAB 54.77, -0.01, 44.35

 

CMYK 67 / 0 / 49 / 40

HEX #33994E

RGB 51 153 78

HSL 135.88, 0.5%, 0.4%

LAB 56.12, -46, 30.92

 

CMYK 67 / 52 / 0 / 40

HEX #334A99

RGB 51 74 153

HSL 226.47, 0.5%, 0.4%

LAB 33.78, 18.01, -45.97

 

Description

Color code: RGB 154 51 126 | qconv.com Color code: RGB 154 51 126 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 51 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 51 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 18 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 18% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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