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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 154 25 14 it is the complementary color RGB 101 230 241. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 154 25 14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 154 25 14 shade: RGB 159 25 9, RGB 176 43 28, RGB 193 61 47, RGB 210 79 66 and RGB 227 97 85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 154 25 14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 154 25 14 shade: RGB 154 25 14, RGB 137 7 0, RGB 120 0 0, RGB 103 0 0 and RGB 86 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 154 25 14 shade: RGB 153 25 14 and RGB 153 14 14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 154 25 14 shade: RGB 153 25 14, RGB 153 62 14, RGB 153 100 14, RGB 153 138 14 and RGB 132 153 14

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 154 25 14 shade matches the following richer shades: RGB 153 25 14 and RGB 167 13 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 154 25 14 shade: RGB 153 25 14, RGB 140 36 27, RGB 126 48 41, RGB 113 59 55 and RGB 99 71 68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 154 25 14 shade: RGB 153 14 79, RGB 153 14 42, RGB 153 23 14, RGB 153 60 14 and RGB 153 98 14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 154 25 14 shade: RGB 78 12 7, RGB 116 19 10, RGB 153 25 14, RGB 191 31 17 and RGB 229 37 21

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 154 25 14 shade: RGB 154 25 14, RGB 116 153 14 and RGB 14 60 153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 154 25 14 shade: RGB 154 25 14, RGB 14 153 23 and RGB 23 14 153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 154 25 14 shade: RGB 154 25 14, RGB 116 153 14, RGB 14 144 153 and RGB 51 14 153

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 154 25 14 shade: RGB 154 25 14, RGB 74 153 14, RGB 14 144 153 and RGB 93 14 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 91 / 40

HEX #9A190E

RGB 154 25 14

HSL 4.71, 0.83%, 0.33%

LAB 33.13, 50.74, 40.74

 

Complementary color

CMYK 58 / 5 / 0 / 5

HEX #65E6F1

RGB 101 230 241

HSL 184.71, 0.83%, 0.67%

LAB 84.85, -32.31, -16.08

 

CMYK 0 / 84 / 94 / 38

HEX #9F1909

RGB 159 25 9

HSL 6.4, 0.89%, 0.33%

LAB 34.16, 52.15, 43.99

 

CMYK 0 / 76 / 84 / 31

HEX #B02B1C

RGB 176 43 28

HSL 6.08, 0.73%, 0.4%

LAB 39.65, 52.37, 41.23

 

CMYK 0 / 68 / 76 / 24

HEX #C13D2F

RGB 193 61 47

HSL 5.75, 0.61%, 0.47%

LAB 45.47, 51.84, 37.94

 

CMYK 0 / 62 / 69 / 18

HEX #D24F42

RGB 210 79 66

HSL 5.42, 0.62%, 0.54%

LAB 51.48, 50.91, 34.9

 

CMYK 0 / 57 / 63 / 11

HEX #E36155

RGB 227 97 85

HSL 5.07, 0.72%, 0.61%

LAB 57.59, 49.81, 32.23

 

CMYK 0 / 84 / 91 / 40

HEX #9A190E

RGB 154 25 14

HSL 4.71, 0.83%, 0.33%

LAB 33.13, 50.74, 40.74

 

CMYK 0 / 95 / 100 / 46

HEX #890700

RGB 137 7 0

HSL 3.07, 1%, 0.27%

LAB 28.03, 49.29, 41.07

 

CMYK 0 / 100 / 100 / 53

HEX #780000

RGB 120 0 0

HSL 0, 1%, 0.24%

LAB 23.65, 45.88, 35.59

 

CMYK 0 / 100 / 100 / 60

HEX #670000

RGB 103 0 0

HSL 0, 1%, 0.2%

LAB 19.57, 41.16, 30

 

CMYK 0 / 100 / 100 / 66

HEX #560000

RGB 86 0 0

HSL 0, 1%, 0.17%

LAB 15.37, 36.3, 23.94

 

CMYK 0 / 84 / 91 / 40

HEX #99190E

RGB 153 25 14

HSL 4.75, 0.83%, 0.33%

LAB 32.92, 50.44, 40.48

 

CMYK 0 / 91 / 91 / 40

HEX #990E0E

RGB 153 14 14

HSL 0, 0.83%, 0.33%

LAB 32.07, 52.84, 39.85

 

CMYK 0 / 84 / 91 / 40

HEX #99190E

RGB 153 25 14

HSL 4.75, 0.83%, 0.33%

LAB 32.92, 50.44, 40.48

 

CMYK 0 / 59 / 91 / 40

HEX #993E0E

RGB 153 62 14

HSL 20.72, 0.83%, 0.33%

LAB 38.29, 35.84, 44.54

 

CMYK 0 / 35 / 91 / 40

HEX #99640E

RGB 153 100 14

HSL 37.12, 0.83%, 0.33%

LAB 46.87, 14.94, 51.16

 

CMYK 0 / 10 / 91 / 40

HEX #998A0E

RGB 153 138 14

HSL 53.53, 0.83%, 0.33%

LAB 57.06, -6.49, 59.13

 

CMYK 14 / 0 / 91 / 40

HEX #84990E

RGB 132 153 14

HSL 69.06, 0.83%, 0.33%

LAB 59.63, -23.81, 60.45

 

CMYK 0 / 84 / 91 / 40

HEX #99190E

RGB 153 25 14

HSL 4.75, 0.83%, 0.33%

LAB 32.92, 50.44, 40.48

 

CMYK 0 / 92 / 100 / 35

HEX #A70D00

RGB 167 13 0

HSL 4.67, 1%, 0.33%

LAB 35.01, 56.67, 49.01

 

CMYK 0 / 84 / 91 / 40

HEX #99190E

RGB 153 25 14

HSL 4.75, 0.83%, 0.33%

LAB 32.92, 50.44, 40.48

 

CMYK 0 / 74 / 81 / 45

HEX #8C241B

RGB 140 36 27

HSL 4.78, 0.68%, 0.33%

LAB 31.62, 43.09, 31.54

 

CMYK 0 / 62 / 67 / 51

HEX #7E3029

RGB 126 48 41

HSL 4.94, 0.51%, 0.33%

LAB 31.14, 33.35, 21.8

 

CMYK 0 / 48 / 51 / 56

HEX #713B37

RGB 113 59 55

HSL 4.14, 0.35%, 0.33%

LAB 31.61, 23.21, 13.09

 

CMYK 0 / 28 / 31 / 61

HEX #634744

RGB 99 71 68

HSL 5.81, 0.19%, 0.33%

LAB 33.08, 11.52, 6.52

 

CMYK 0 / 91 / 48 / 40

HEX #990E4F

RGB 153 14 79

HSL 331.94, 0.83%, 0.33%

LAB 33.24, 56.16, 0.79

 

CMYK 0 / 91 / 73 / 40

HEX #990E2A

RGB 153 14 42

HSL 347.91, 0.83%, 0.33%

LAB 32.38, 53.71, 23.9

 

CMYK 0 / 85 / 91 / 40

HEX #99170E

RGB 153 23 14

HSL 3.88, 0.83%, 0.33%

LAB 32.74, 50.95, 40.35

 

CMYK 0 / 61 / 91 / 40

HEX #993C0E

RGB 153 60 14

HSL 19.86, 0.83%, 0.33%

LAB 37.91, 36.83, 44.25

 

CMYK 0 / 36 / 91 / 40

HEX #99620E

RGB 153 98 14

HSL 36.26, 0.83%, 0.33%

LAB 46.36, 16.09, 50.77

 

CMYK 0 / 85 / 91 / 69

HEX #4E0C07

RGB 78 12 7

HSL 4.23, 0.84%, 0.17%

LAB 14.94, 29.94, 20.14

 

CMYK 0 / 84 / 91 / 55

HEX #74130A

RGB 116 19 10

HSL 5.09, 0.84%, 0.25%

LAB 24.32, 40.55, 31.88

 

CMYK 0 / 84 / 91 / 40

HEX #99190E

RGB 153 25 14

HSL 4.75, 0.83%, 0.33%

LAB 32.92, 50.44, 40.48

 

CMYK 0 / 84 / 91 / 25

HEX #BF1F11

RGB 191 31 17

HSL 4.83, 0.84%, 0.41%

LAB 41.37, 60.07, 48.91

 

CMYK 0 / 84 / 91 / 10

HEX #E52515

RGB 229 37 21

HSL 4.62, 0.83%, 0.49%

LAB 49.54, 69.32, 56.57

 

CMYK 0 / 84 / 91 / 40

HEX #9A190E

RGB 154 25 14

HSL 4.71, 0.83%, 0.33%

LAB 33.13, 50.74, 40.74

 

CMYK 24 / 0 / 91 / 40

HEX #74990E

RGB 116 153 14

HSL 75.97, 0.83%, 0.33%

LAB 58.53, -30.6, 59.1

 

CMYK 91 / 61 / 0 / 40

HEX #0E3C99

RGB 14 60 153

HSL 220.14, 0.83%, 0.33%

LAB 28.45, 23.33, -54.69

 

CMYK 0 / 84 / 91 / 40

HEX #9A190E

RGB 154 25 14

HSL 4.71, 0.83%, 0.33%

LAB 33.13, 50.74, 40.74

 

CMYK 91 / 0 / 85 / 40

HEX #0E9917

RGB 14 153 23

HSL 123.88, 0.83%, 0.33%

LAB 55.01, -57.15, 52.67

 

CMYK 85 / 91 / 0 / 40

HEX #170E99

RGB 23 14 153

HSL 243.88, 0.83%, 0.33%

LAB 19.21, 50.16, -69.94

 

CMYK 0 / 84 / 91 / 40

HEX #9A190E

RGB 154 25 14

HSL 4.71, 0.83%, 0.33%

LAB 33.13, 50.74, 40.74

 

CMYK 24 / 0 / 91 / 40

HEX #74990E

RGB 116 153 14

HSL 75.97, 0.83%, 0.33%

LAB 58.53, -30.6, 59.1

 

CMYK 91 / 6 / 0 / 40

HEX #0E9099

RGB 14 144 153

HSL 183.88, 0.83%, 0.33%

LAB 54.39, -27.86, -13.81

 

CMYK 67 / 91 / 0 / 40

HEX #330E99

RGB 51 14 153

HSL 255.97, 0.83%, 0.33%

LAB 21.27, 51.6, -66.44

 

CMYK 0 / 84 / 91 / 40

HEX #9A190E

RGB 154 25 14

HSL 4.71, 0.83%, 0.33%

LAB 33.13, 50.74, 40.74

 

CMYK 52 / 0 / 91 / 40

HEX #4A990E

RGB 74 153 14

HSL 94.1, 0.83%, 0.33%

LAB 56.36, -45.99, 56.4

 

CMYK 91 / 6 / 0 / 40

HEX #0E9099

RGB 14 144 153

HSL 183.88, 0.83%, 0.33%

LAB 54.39, -27.86, -13.81

 

CMYK 39 / 91 / 0 / 40

HEX #5D0E99

RGB 93 14 153

HSL 274.1, 0.83%, 0.33%

LAB 26.57, 55.83, -57.53

 

Description

Color code: RGB 154 25 14 | qconv.com Color code: RGB 154 25 14 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 25 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 25 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 91 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 91% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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