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Color name
RGB 154 253 72

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 154 253 72 it is the complementary color RGB 101 2 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 154 253 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 154 253 72 shade: RGB 159 253 67, RGB 176 255 86, RGB 193 255 105, RGB 210 255 124 and RGB 227 255 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 154 253 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 154 253 72 shade: RGB 154 253 72, RGB 137 235 53, RGB 120 217 34, RGB 103 199 15 and RGB 86 181 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 154 253 72 shade: RGB 154 253 73, RGB 203 253 73, RGB 251 253 73, RGB 253 206 73 and RGB 253 157 73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 154 253 72 shade: RGB 154 253 73, RGB 106 253 73, RGB 73 253 88, RGB 73 253 137 and RGB 73 253 185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 154 253 72 shade matches the following richer shades: RGB 154 253 73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 154 253 72 shade: RGB 154 253 73, RGB 156 238 88, RGB 157 223 102, RGB 158 208 117 and RGB 160 193 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 154 253 72 shade: RGB 253 253 73, RGB 205 253 73, RGB 157 253 73, RGB 109 253 73 and RGB 73 253 85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 154 253 72 shade: RGB 110 241 2, RGB 132 252 32, RGB 154 253 73, RGB 177 253 114 and RGB 199 253 154

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 154 253 72 shade: RGB 154 253 72, RGB 73 253 205 and RGB 253 73 229

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 154 253 72 shade: RGB 154 253 72, RGB 73 157 253 and RGB 253 73 157

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 154 253 72 shade: RGB 154 253 72, RGB 73 253 205, RGB 169 73 253 and RGB 253 73 121

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 154 253 72 shade: RGB 154 253 72, RGB 73 247 253, RGB 169 73 253 and RGB 253 79 73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 72 / 1

HEX #9AFD48

RGB 154 253 72

HSL 92.82, 0.98%, 0.64%

LAB 90.59, -56.84, 73.02

 

Complementary color

CMYK 45 / 99 / 0 / 28

HEX #6502B7

RGB 101 2 183

HSL 272.82, 0.98%, 0.36%

LAB 29.98, 65.45, -69.99

 

CMYK 37 / 0 / 74 / 1

HEX #9FFD43

RGB 159 253 67

HSL 90.32, 0.98%, 0.63%

LAB 90.79, -55.51, 74.95

 

CMYK 31 / 0 / 66 / 0

HEX #B0FF56

RGB 176 255 86

HSL 88.05, 1%, 0.67%

LAB 92.32, -49.37, 70.11

 

CMYK 24 / 0 / 59 / 0

HEX #C1FF69

RGB 193 255 105

HSL 84.8, 1%, 0.71%

LAB 93.4, -41.9, 63.94

 

CMYK 18 / 0 / 51 / 0

HEX #D2FF7C

RGB 210 255 124

HSL 80.61, 1%, 0.74%

LAB 94.6, -34.02, 57.28

 

CMYK 11 / 0 / 44 / 0

HEX #E3FF8F

RGB 227 255 143

HSL 75, 1%, 0.78%

LAB 95.93, -25.82, 50.33

 

CMYK 39 / 0 / 72 / 1

HEX #9AFD48

RGB 154 253 72

HSL 92.82, 0.98%, 0.64%

LAB 90.59, -56.84, 73.02

 

CMYK 42 / 0 / 77 / 8

HEX #89EB35

RGB 137 235 53

HSL 92.31, 0.82%, 0.56%

LAB 84.48, -56.33, 72.85

 

CMYK 45 / 0 / 84 / 15

HEX #78D922

RGB 120 217 34

HSL 91.8, 0.73%, 0.49%

LAB 78.31, -55.61, 71.9

 

CMYK 48 / 0 / 92 / 22

HEX #67C70F

RGB 103 199 15

HSL 91.3, 0.86%, 0.42%

LAB 72.07, -54.61, 69.78

 

CMYK 52 / 0 / 100 / 29

HEX #56B500

RGB 86 181 0

HSL 91.49, 1%, 0.35%

LAB 65.77, -53.28, 66.22

 

CMYK 39 / 0 / 71 / 1

HEX #9AFD49

RGB 154 253 73

HSL 93, 0.98%, 0.64%

LAB 90.6, -56.78, 72.69

 

CMYK 20 / 0 / 71 / 1

HEX #CBFD49

RGB 203 253 73

HSL 76.67, 0.98%, 0.64%

LAB 93.2, -39.51, 76.14

 

CMYK 1 / 0 / 71 / 1

HEX #FBFD49

RGB 251 253 73

HSL 60.67, 0.98%, 0.64%

LAB 96.51, -20.64, 80.48

 

CMYK 0 / 19 / 71 / 1

HEX #FDCE49

RGB 253 206 73

HSL 44.33, 0.98%, 0.64%

LAB 84.74, 3.51, 69.08

 

CMYK 0 / 38 / 71 / 1

HEX #FD9D49

RGB 253 157 73

HSL 28, 0.98%, 0.64%

LAB 73.21, 29.02, 57.26

 

CMYK 39 / 0 / 71 / 1

HEX #9AFD49

RGB 154 253 73

HSL 93, 0.98%, 0.64%

LAB 90.6, -56.78, 72.69

 

CMYK 58 / 0 / 71 / 1

HEX #6AFD49

RGB 106 253 73

HSL 109, 0.98%, 0.64%

LAB 88.83, -70.18, 70.32

 

CMYK 71 / 0 / 65 / 1

HEX #49FD58

RGB 73 253 88

HSL 125, 0.98%, 0.64%

LAB 88.15, -75.36, 63.8

 

CMYK 71 / 0 / 46 / 1

HEX #49FD89

RGB 73 253 137

HSL 141.33, 0.98%, 0.64%

LAB 88.67, -69.17, 42.67

 

CMYK 71 / 0 / 27 / 1

HEX #49FDB9

RGB 73 253 185

HSL 157.33, 0.98%, 0.64%

LAB 89.47, -60.28, 19.77

 

CMYK 39 / 0 / 71 / 1

HEX #9AFD49

RGB 154 253 73

HSL 93, 0.98%, 0.64%

LAB 90.6, -56.78, 72.69

 

CMYK 39 / 0 / 71 / 1

HEX #9AFD49

RGB 154 253 73

HSL 93, 0.98%, 0.64%

LAB 90.6, -56.78, 72.69

 

CMYK 34 / 0 / 63 / 7

HEX #9CEE58

RGB 156 238 88

HSL 92.8, 0.82%, 0.64%

LAB 86.47, -48.97, 62.77

 

CMYK 30 / 0 / 54 / 13

HEX #9DDF66

RGB 157 223 102

HSL 92.73, 0.65%, 0.64%

LAB 82.33, -40.91, 52.03

 

CMYK 24 / 0 / 44 / 18

HEX #9ED075

RGB 158 208 117

HSL 92.97, 0.49%, 0.64%

LAB 78.27, -32.04, 39.92

 

CMYK 17 / 0 / 32 / 24

HEX #A0C184

RGB 160 193 132

HSL 92.46, 0.33%, 0.64%

LAB 74.37, -22.04, 27.18

 

CMYK 0 / 0 / 71 / 1

HEX #FDFD49

RGB 253 253 73

HSL 60, 0.98%, 0.64%

LAB 96.66, -19.84, 80.68

 

CMYK 19 / 0 / 71 / 1

HEX #CDFD49

RGB 205 253 73

HSL 76, 0.98%, 0.64%

LAB 93.32, -38.75, 76.3

 

CMYK 38 / 0 / 71 / 1

HEX #9DFD49

RGB 157 253 73

HSL 92, 0.98%, 0.64%

LAB 90.73, -55.81, 72.87

 

CMYK 57 / 0 / 71 / 1

HEX #6DFD49

RGB 109 253 73

HSL 108, 0.98%, 0.64%

LAB 88.91, -69.47, 70.44

 

CMYK 71 / 0 / 66 / 1

HEX #49FD55

RGB 73 253 85

HSL 124, 0.98%, 0.64%

LAB 88.12, -75.64, 64.95

 

CMYK 54 / 0 / 99 / 5

HEX #6EF102

RGB 110 241 2

HSL 92.89, 0.98%, 0.48%

LAB 85.11, -67.83, 81.63

 

CMYK 48 / 0 / 87 / 1

HEX #84FC20

RGB 132 252 32

HSL 92.73, 0.97%, 0.56%

LAB 89.22, -65.03, 81.88

 

CMYK 39 / 0 / 71 / 1

HEX #9AFD49

RGB 154 253 73

HSL 93, 0.98%, 0.64%

LAB 90.6, -56.78, 72.69

 

CMYK 30 / 0 / 55 / 1

HEX #B1FD72

RGB 177 253 114

HSL 92.81, 0.97%, 0.72%

LAB 92.05, -45.83, 58.28

 

CMYK 21 / 0 / 39 / 1

HEX #C7FD9A

RGB 199 253 154

HSL 92.73, 0.96%, 0.8%

LAB 93.76, -33.72, 41.92

 

CMYK 39 / 0 / 72 / 1

HEX #9AFD48

RGB 154 253 72

HSL 92.82, 0.98%, 0.64%

LAB 90.59, -56.84, 73.02

 

CMYK 71 / 0 / 19 / 1

HEX #49FDCD

RGB 73 253 205

HSL 164, 0.98%, 0.64%

LAB 89.89, -55.82, 10.07

 

CMYK 0 / 71 / 9 / 1

HEX #FD49E5

RGB 253 73 229

HSL 308, 0.98%, 0.64%

LAB 62.76, 82.23, -42.51

 

CMYK 39 / 0 / 72 / 1

HEX #9AFD48

RGB 154 253 72

HSL 92.82, 0.98%, 0.64%

LAB 90.59, -56.84, 73.02

 

CMYK 71 / 38 / 0 / 1

HEX #499DFD

RGB 73 157 253

HSL 212, 0.98%, 0.64%

LAB 63.85, 5.56, -55.1

 

CMYK 0 / 71 / 38 / 1

HEX #FD499D

RGB 253 73 157

HSL 332, 0.98%, 0.64%

LAB 59.96, 73.43, -5.69

 

CMYK 39 / 0 / 72 / 1

HEX #9AFD48

RGB 154 253 72

HSL 92.82, 0.98%, 0.64%

LAB 90.59, -56.84, 73.02

 

CMYK 71 / 0 / 19 / 1

HEX #49FDCD

RGB 73 253 205

HSL 164, 0.98%, 0.64%

LAB 89.89, -55.82, 10.07

 

CMYK 33 / 71 / 0 / 1

HEX #A949FD

RGB 169 73 253

HSL 272, 0.98%, 0.64%

LAB 52.17, 69.53, -73.53

 

CMYK 0 / 71 / 52 / 1

HEX #FD4979

RGB 253 73 121

HSL 344, 0.98%, 0.64%

LAB 59, 70.26, 14.01

 

CMYK 39 / 0 / 72 / 1

HEX #9AFD48

RGB 154 253 72

HSL 92.82, 0.98%, 0.64%

LAB 90.59, -56.84, 73.02

 

CMYK 71 / 2 / 0 / 1

HEX #49F7FD

RGB 73 247 253

HSL 182, 0.98%, 0.64%

LAB 89.41, -40.9, -15.59

 

CMYK 33 / 71 / 0 / 1

HEX #A949FD

RGB 169 73 253

HSL 272, 0.98%, 0.64%

LAB 52.17, 69.53, -73.53

 

CMYK 0 / 69 / 71 / 1

HEX #FD4F49

RGB 253 79 73

HSL 2, 0.98%, 0.64%

LAB 58.93, 65.28, 41.56

 

Description

Color code: RGB 154 253 72 | qconv.com Color code: RGB 154 253 72 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 253 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 253 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 72 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 72% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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