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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 154 176 177 it is the complementary color RGB 101 79 78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 154 176 177. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 154 176 177 shade: RGB 159 176 172, RGB 176 194 191, RGB 193 212 210, RGB 210 230 229 and RGB 227 248 248

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 154 176 177. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 154 176 177 shade: RGB 154 176 177, RGB 137 158 158, RGB 120 140 139, RGB 103 122 120 and RGB 86 104 101

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 154 176 177 shade: RGB 154 176 177, RGB 154 170 177, RGB 154 163 177, RGB 154 157 177 and RGB 156 154 177

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 154 176 177 shade: RGB 154 176 177, RGB 154 170 177, RGB 154 163 177, RGB 154 157 177 and RGB 154 154 177

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 154 176 177 shade matches the following richer shades: RGB 154 176 177, RGB 139 189 191, RGB 125 202 206, RGB 110 215 220 and RGB 96 229 235

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 154 176 177 shade: RGB 154 176 177, RGB 168 163 162, RGB 183 149 148, RGB 197 136 134 and RGB 211 123 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 154 176 177 shade: RGB 154 177 165, RGB 154 177 171, RGB 154 176 177, RGB 154 170 177 and RGB 154 164 177

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 154 176 177 shade: RGB 108 139 140, RGB 130 158 159, RGB 154 176 177, RGB 177 194 195 and RGB 200 212 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 154 176 177 shade: RGB 154 176 177, RGB 159 154 177 and RGB 177 168 154

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 154 176 177 shade: RGB 154 176 177, RGB 177 154 176 and RGB 176 177 154

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 154 176 177 shade: RGB 154 176 177, RGB 159 154 177, RGB 177 154 154 and RGB 171 177 154

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 154 176 177 shade: RGB 154 176 177, RGB 166 154 177, RGB 177 154 154 and RGB 164 177 154

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 1 / 0 / 31

HEX #9AB0B1

RGB 154 176 177

HSL 182.61, 0.13%, 0.65%

LAB 70.24, -7.35, -3.08

 

Complementary color

CMYK 0 / 22 / 23 / 60

HEX #654F4E

RGB 101 79 78

HSL 2.61, 0.13%, 0.35%

LAB 35.81, 9.04, 4.1

 

CMYK 10 / 0 / 2 / 31

HEX #9FB0AC

RGB 159 176 172

HSL 165.88, 0.1%, 0.66%

LAB 70.46, -6.68, 0.02

 

CMYK 9 / 0 / 2 / 24

HEX #B0C2BF

RGB 176 194 191

HSL 170, 0.13%, 0.73%

LAB 77.03, -6.71, -0.6

 

CMYK 9 / 0 / 1 / 17

HEX #C1D4D2

RGB 193 212 210

HSL 173.68, 0.18%, 0.79%

LAB 83.48, -6.74, -1.2

 

CMYK 9 / 0 / 0 / 10

HEX #D2E6E5

RGB 210 230 229

HSL 177, 0.29%, 0.86%

LAB 89.84, -6.78, -1.79

 

CMYK 8 / 0 / 0 / 3

HEX #E3F8F8

RGB 227 248 248

HSL 180, 0.6%, 0.93%

LAB 96.1, -6.83, -2.35

 

CMYK 13 / 1 / 0 / 31

HEX #9AB0B1

RGB 154 176 177

HSL 182.61, 0.13%, 0.65%

LAB 70.24, -7.35, -3.08

 

CMYK 13 / 0 / 0 / 38

HEX #899E9E

RGB 137 158 158

HSL 180, 0.1%, 0.58%

LAB 63.54, -7.35, -2.5

 

CMYK 14 / 0 / 1 / 45

HEX #788C8B

RGB 120 140 139

HSL 177, 0.08%, 0.51%

LAB 56.7, -7.36, -1.89

 

CMYK 16 / 0 / 2 / 52

HEX #677A78

RGB 103 122 120

HSL 173.68, 0.08%, 0.44%

LAB 49.69, -7.39, -1.25

 

CMYK 17 / 0 / 3 / 59

HEX #566865

RGB 86 104 101

HSL 170, 0.09%, 0.37%

LAB 42.49, -7.44, -0.58

 

CMYK 13 / 1 / 0 / 31

HEX #9AB0B1

RGB 154 176 177

HSL 182.61, 0.13%, 0.65%

LAB 70.24, -7.35, -3.08

 

CMYK 13 / 4 / 0 / 31

HEX #9AAAB1

RGB 154 170 177

HSL 198.26, 0.13%, 0.65%

LAB 68.6, -4.12, -5.5

 

CMYK 13 / 8 / 0 / 31

HEX #9AA3B1

RGB 154 163 177

HSL 216.52, 0.13%, 0.65%

LAB 66.7, -0.29, -8.32

 

CMYK 13 / 11 / 0 / 31

HEX #9A9DB1

RGB 154 157 177

HSL 232.17, 0.13%, 0.65%

LAB 65.09, 3.03, -10.73

 

CMYK 12 / 13 / 0 / 31

HEX #9C9AB1

RGB 156 154 177

HSL 245.22, 0.13%, 0.65%

LAB 64.45, 5.39, -11.68

 

CMYK 13 / 1 / 0 / 31

HEX #9AB0B1

RGB 154 176 177

HSL 182.61, 0.13%, 0.65%

LAB 70.24, -7.35, -3.08

 

CMYK 13 / 4 / 0 / 31

HEX #9AAAB1

RGB 154 170 177

HSL 198.26, 0.13%, 0.65%

LAB 68.6, -4.12, -5.5

 

CMYK 13 / 8 / 0 / 31

HEX #9AA3B1

RGB 154 163 177

HSL 216.52, 0.13%, 0.65%

LAB 66.7, -0.29, -8.32

 

CMYK 13 / 11 / 0 / 31

HEX #9A9DB1

RGB 154 157 177

HSL 232.17, 0.13%, 0.65%

LAB 65.09, 3.03, -10.73

 

CMYK 13 / 13 / 0 / 31

HEX #9A9AB1

RGB 154 154 177

HSL 240, 0.13%, 0.65%

LAB 64.29, 4.71, -11.93

 

CMYK 13 / 1 / 0 / 31

HEX #9AB0B1

RGB 154 176 177

HSL 182.61, 0.13%, 0.65%

LAB 70.24, -7.35, -3.08

 

CMYK 27 / 1 / 0 / 25

HEX #8BBDBF

RGB 139 189 191

HSL 182.31, 0.29%, 0.65%

LAB 73.32, -15.83, -6.33

 

CMYK 39 / 2 / 0 / 19

HEX #7DCACE

RGB 125 202 206

HSL 182.96, 0.45%, 0.65%

LAB 76.71, -22.7, -9.5

 

CMYK 50 / 2 / 0 / 14

HEX #6ED7DC

RGB 110 215 220

HSL 182.73, 0.61%, 0.65%

LAB 80.23, -29.01, -11.84

 

CMYK 59 / 3 / 0 / 8

HEX #60E5EB

RGB 96 229 235

HSL 182.59, 0.78%, 0.65%

LAB 84.24, -34.33, -13.85

 

CMYK 13 / 1 / 0 / 31

HEX #9AB0B1

RGB 154 176 177

HSL 182.61, 0.13%, 0.65%

LAB 70.24, -7.35, -3.08

 

CMYK 0 / 3 / 4 / 34

HEX #A8A3A2

RGB 168 163 162

HSL 10, 0.03%, 0.65%

LAB 67.37, 1.62, 1.15

 

CMYK 0 / 19 / 19 / 28

HEX #B79594

RGB 183 149 148

HSL 1.71, 0.2%, 0.65%

LAB 64.72, 12.54, 5.32

 

CMYK 0 / 31 / 32 / 23

HEX #C58886

RGB 197 136 134

HSL 1.9, 0.35%, 0.65%

LAB 62.68, 23.09, 10.51

 

CMYK 0 / 42 / 44 / 17

HEX #D37B77

RGB 211 123 119

HSL 2.61, 0.51%, 0.65%

LAB 61.09, 33.72, 17.07

 

CMYK 13 / 0 / 7 / 31

HEX #9AB1A5

RGB 154 177 165

HSL 148.7, 0.13%, 0.65%

LAB 70.2, -10.31, 3.46

 

CMYK 13 / 0 / 3 / 31

HEX #9AB1AB

RGB 154 177 171

HSL 164.35, 0.13%, 0.65%

LAB 70.35, -9.12, 0.38

 

CMYK 13 / 1 / 0 / 31

HEX #9AB0B1

RGB 154 176 177

HSL 182.61, 0.13%, 0.65%

LAB 70.24, -7.35, -3.08

 

CMYK 13 / 4 / 0 / 31

HEX #9AAAB1

RGB 154 170 177

HSL 198.26, 0.13%, 0.65%

LAB 68.6, -4.12, -5.5

 

CMYK 13 / 7 / 0 / 31

HEX #9AA4B1

RGB 154 164 177

HSL 213.91, 0.13%, 0.65%

LAB 66.97, -0.84, -7.92

 

CMYK 23 / 1 / 0 / 45

HEX #6C8B8C

RGB 108 139 140

HSL 181.88, 0.13%, 0.49%

LAB 55.63, -10.62, -4.12

 

CMYK 18 / 1 / 0 / 38

HEX #829E9F

RGB 130 158 159

HSL 182.07, 0.13%, 0.57%

LAB 63.1, -9.47, -3.77

 

CMYK 13 / 1 / 0 / 31

HEX #9AB0B1

RGB 154 176 177

HSL 182.61, 0.13%, 0.65%

LAB 70.24, -7.35, -3.08

 

CMYK 9 / 1 / 0 / 24

HEX #B1C2C3

RGB 177 194 195

HSL 183.33, 0.13%, 0.73%

LAB 77.2, -5.59, -2.49

 

CMYK 6 / 0 / 0 / 16

HEX #C8D4D5

RGB 200 212 213

HSL 184.62, 0.13%, 0.81%

LAB 84.05, -3.85, -1.9

 

CMYK 13 / 1 / 0 / 31

HEX #9AB0B1

RGB 154 176 177

HSL 182.61, 0.13%, 0.65%

LAB 70.24, -7.35, -3.08

 

CMYK 10 / 13 / 0 / 31

HEX #9F9AB1

RGB 159 154 177

HSL 253.04, 0.13%, 0.65%

LAB 64.69, 6.4, -11.29

 

CMYK 0 / 5 / 13 / 31

HEX #B1A89A

RGB 177 168 154

HSL 36.52, 0.13%, 0.65%

LAB 69.24, 0.8, 8.38

 

CMYK 13 / 1 / 0 / 31

HEX #9AB0B1

RGB 154 176 177

HSL 182.61, 0.13%, 0.65%

LAB 70.24, -7.35, -3.08

 

CMYK 0 / 13 / 1 / 31

HEX #B19AB0

RGB 177 154 176

HSL 302.61, 0.13%, 0.65%

LAB 66.21, 12.45, -8.3

 

CMYK 1 / 0 / 13 / 31

HEX #B0B19A

RGB 176 177 154

HSL 62.61, 0.13%, 0.65%

LAB 71.56, -4.42, 11.66

 

CMYK 13 / 1 / 0 / 31

HEX #9AB0B1

RGB 154 176 177

HSL 182.61, 0.13%, 0.65%

LAB 70.24, -7.35, -3.08

 

CMYK 10 / 13 / 0 / 31

HEX #9F9AB1

RGB 159 154 177

HSL 253.04, 0.13%, 0.65%

LAB 64.69, 6.4, -11.29

 

CMYK 0 / 13 / 13 / 31

HEX #B19A9A

RGB 177 154 154

HSL 0, 0.13%, 0.65%

LAB 65.59, 8.48, 3.12

 

CMYK 3 / 0 / 13 / 31

HEX #ABB19A

RGB 171 177 154

HSL 75.65, 0.13%, 0.65%

LAB 71.17, -6.26, 11.05

 

CMYK 13 / 1 / 0 / 31

HEX #9AB0B1

RGB 154 176 177

HSL 182.61, 0.13%, 0.65%

LAB 70.24, -7.35, -3.08

 

CMYK 6 / 13 / 0 / 31

HEX #A69AB1

RGB 166 154 177

HSL 271.3, 0.13%, 0.65%

LAB 65.27, 8.81, -10.35

 

CMYK 0 / 13 / 13 / 31

HEX #B19A9A

RGB 177 154 154

HSL 0, 0.13%, 0.65%

LAB 65.59, 8.48, 3.12

 

CMYK 7 / 0 / 13 / 31

HEX #A4B19A

RGB 164 177 154

HSL 93.91, 0.13%, 0.65%

LAB 70.64, -8.82, 10.23

 

Description

Color code: RGB 154 176 177 | qconv.com Color code: RGB 154 176 177 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 176 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 176 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 1 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 1% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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