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Color name
RGB 154 137 225

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 154 137 225 it is the complementary color RGB 101 118 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 154 137 225. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 154 137 225 shade: RGB 159 137 220, RGB 176 155 239, RGB 193 173 255, RGB 210 191 255 and RGB 227 209 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 154 137 225. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 154 137 225 shade: RGB 154 137 225, RGB 137 119 206, RGB 120 101 187, RGB 103 83 168 and RGB 86 65 149

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 154 137 225 shade: RGB 154 137 224, RGB 177 137 224, RGB 201 137 224, RGB 224 137 224 and RGB 224 137 200

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 154 137 225 shade: RGB 154 137 224 and RGB 137 137 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 154 137 225 shade matches the following richer shades: RGB 154 137 224, RGB 146 125 236 and RGB 139 113 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 154 137 225 shade: RGB 154 137 224, RGB 161 149 212, RGB 168 161 200, RGB 176 173 188 and RGB 183 185 176

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 154 137 225 shade: RGB 137 167 224, RGB 137 144 224, RGB 153 137 224, RGB 176 137 224 and RGB 199 137 224

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 154 137 225 shade: RGB 98 71 207, RGB 126 104 216, RGB 154 137 224, RGB 182 170 233 and RGB 210 203 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 154 137 225 shade: RGB 154 137 225, RGB 224 137 191 and RGB 156 224 137

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 154 137 225 shade: RGB 154 137 225, RGB 224 153 137 and RGB 137 224 153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 154 137 225 shade: RGB 154 137 225, RGB 224 137 191, RGB 208 224 137 and RGB 137 224 170

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 154 137 225 shade: RGB 154 137 225, RGB 224 137 165, RGB 208 224 137 and RGB 137 224 197

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 39 / 0 / 12

HEX #9A89E1

RGB 154 137 225

HSL 251.59, 0.59%, 0.71%

LAB 61.82, 25.85, -42.59

 

Complementary color

CMYK 14 / 0 / 75 / 54

HEX #65761E

RGB 101 118 30

HSL 71.59, 0.59%, 0.29%

LAB 46.73, -19.02, 43.71

 

CMYK 28 / 38 / 0 / 14

HEX #9F89DC

RGB 159 137 220

HSL 255.9, 0.54%, 0.7%

LAB 62.02, 26, -39.46

 

CMYK 26 / 35 / 0 / 6

HEX #B09BEF

RGB 176 155 239

HSL 255, 0.72%, 0.77%

LAB 68.68, 25.28, -39.43

 

CMYK 24 / 32 / 0 / 0

HEX #C1ADFF

RGB 193 173 255

HSL 254.63, 1%, 0.84%

LAB 75.1, 23.93, -38.01

 

CMYK 18 / 25 / 0 / 0

HEX #D2BFFF

RGB 210 191 255

HSL 257.81, 1%, 0.87%

LAB 80.84, 19.13, -29.05

 

CMYK 11 / 18 / 0 / 0

HEX #E3D1FF

RGB 227 209 255

HSL 263.48, 1%, 0.91%

LAB 86.58, 14.76, -20.19

 

CMYK 32 / 39 / 0 / 12

HEX #9A89E1

RGB 154 137 225

HSL 251.59, 0.59%, 0.71%

LAB 61.82, 25.85, -42.59

 

CMYK 33 / 42 / 0 / 19

HEX #8977CE

RGB 137 119 206

HSL 252.41, 0.47%, 0.64%

LAB 55.04, 26.7, -42.7

 

CMYK 36 / 46 / 0 / 27

HEX #7865BB

RGB 120 101 187

HSL 253.26, 0.39%, 0.56%

LAB 48.12, 27.66, -42.87

 

CMYK 39 / 51 / 0 / 34

HEX #6753A8

RGB 103 83 168

HSL 254.12, 0.34%, 0.49%

LAB 41.05, 28.74, -43.07

 

CMYK 42 / 56 / 0 / 42

HEX #564195

RGB 86 65 149

HSL 255, 0.39%, 0.42%

LAB 33.83, 29.98, -43.31

 

CMYK 31 / 39 / 0 / 12

HEX #9A89E0

RGB 154 137 224

HSL 251.72, 0.58%, 0.71%

LAB 61.78, 25.6, -42.1

 

CMYK 21 / 39 / 0 / 12

HEX #B189E0

RGB 177 137 224

HSL 267.59, 0.58%, 0.71%

LAB 63.85, 32.16, -38.7

 

CMYK 10 / 39 / 0 / 12

HEX #C989E0

RGB 201 137 224

HSL 284.14, 0.58%, 0.71%

LAB 66.28, 39.28, -34.73

 

CMYK 0 / 39 / 0 / 12

HEX #E089E0

RGB 224 137 224

HSL 300, 0.58%, 0.71%

LAB 68.84, 46.22, -30.57

 

CMYK 0 / 39 / 11 / 12

HEX #E089C8

RGB 224 137 200

HSL 316.55, 0.58%, 0.71%

LAB 67.95, 42.06, -18.6

 

CMYK 31 / 39 / 0 / 12

HEX #9A89E0

RGB 154 137 224

HSL 251.72, 0.58%, 0.71%

LAB 61.78, 25.6, -42.1

 

CMYK 39 / 39 / 0 / 12

HEX #8989E0

RGB 137 137 224

HSL 240, 0.58%, 0.71%

LAB 60.42, 21.02, -44.33

 

CMYK 31 / 39 / 0 / 12

HEX #9A89E0

RGB 154 137 224

HSL 251.72, 0.58%, 0.71%

LAB 61.78, 25.6, -42.1

 

CMYK 38 / 47 / 0 / 7

HEX #927DEC

RGB 146 125 236

HSL 251.35, 0.74%, 0.71%

LAB 58.82, 33.57, -53.5

 

CMYK 44 / 54 / 0 / 3

HEX #8B71F8

RGB 139 113 248

HSL 251.56, 0.91%, 0.71%

LAB 56.16, 42.12, -64.44

 

CMYK 31 / 39 / 0 / 12

HEX #9A89E0

RGB 154 137 224

HSL 251.72, 0.58%, 0.71%

LAB 61.78, 25.6, -42.1

 

CMYK 24 / 30 / 0 / 17

HEX #A195D4

RGB 161 149 212

HSL 251.43, 0.42%, 0.71%

LAB 64.82, 17.78, -30.63

 

CMYK 16 / 20 / 0 / 22

HEX #A8A1C8

RGB 168 161 200

HSL 250.77, 0.26%, 0.71%

LAB 68.01, 10.45, -19.04

 

CMYK 6 / 8 / 0 / 26

HEX #B0ADBC

RGB 176 173 188

HSL 252, 0.1%, 0.71%

LAB 71.38, 3.96, -7.27

 

CMYK 1 / 0 / 5 / 27

HEX #B7B9B0

RGB 183 185 176

HSL 73.33, 0.06%, 0.71%

LAB 74.76, -2.34, 4.31

 

CMYK 39 / 25 / 0 / 12

HEX #89A7E0

RGB 137 167 224

HSL 219.31, 0.58%, 0.71%

LAB 68.27, 3.78, -32.07

 

CMYK 39 / 36 / 0 / 12

HEX #8990E0

RGB 137 144 224

HSL 235.17, 0.58%, 0.71%

LAB 62.21, 16.94, -41.52

 

CMYK 32 / 39 / 0 / 12

HEX #9989E0

RGB 153 137 224

HSL 251.03, 0.58%, 0.71%

LAB 61.69, 25.32, -42.24

 

CMYK 21 / 39 / 0 / 12

HEX #B089E0

RGB 176 137 224

HSL 266.9, 0.58%, 0.71%

LAB 63.76, 31.86, -38.86

 

CMYK 11 / 39 / 0 / 12

HEX #C789E0

RGB 199 137 224

HSL 282.76, 0.58%, 0.71%

LAB 66.07, 38.68, -35.08

 

CMYK 53 / 66 / 0 / 19

HEX #6247CF

RGB 98 71 207

HSL 251.91, 0.59%, 0.55%

LAB 40.59, 46.13, -66.67

 

CMYK 42 / 52 / 0 / 15

HEX #7E68D8

RGB 126 104 216

HSL 251.79, 0.59%, 0.63%

LAB 51.03, 35.44, -54.82

 

CMYK 31 / 39 / 0 / 12

HEX #9A89E0

RGB 154 137 224

HSL 251.72, 0.58%, 0.71%

LAB 61.78, 25.6, -42.1

 

CMYK 22 / 27 / 0 / 9

HEX #B6AAE9

RGB 182 170 233

HSL 251.43, 0.59%, 0.79%

LAB 72.61, 17.25, -30.02

 

CMYK 13 / 16 / 0 / 5

HEX #D2CBF1

RGB 210 203 241

HSL 251.05, 0.58%, 0.87%

LAB 83.32, 9.72, -17.82

 

CMYK 32 / 39 / 0 / 12

HEX #9A89E1

RGB 154 137 225

HSL 251.59, 0.59%, 0.71%

LAB 61.82, 25.85, -42.59

 

CMYK 0 / 39 / 15 / 12

HEX #E089BF

RGB 224 137 191

HSL 322.76, 0.58%, 0.71%

LAB 67.65, 40.6, -14.03

 

CMYK 30 / 0 / 39 / 12

HEX #9CE089

RGB 156 224 137

HSL 106.9, 0.58%, 0.71%

LAB 83.01, -37.42, 35.96

 

CMYK 32 / 39 / 0 / 12

HEX #9A89E1

RGB 154 137 225

HSL 251.59, 0.59%, 0.71%

LAB 61.82, 25.85, -42.59

 

CMYK 0 / 32 / 39 / 12

HEX #E09989

RGB 224 153 137

HSL 11.03, 0.58%, 0.71%

LAB 69.78, 24.66, 19.2

 

CMYK 39 / 0 / 32 / 12

HEX #89E099

RGB 137 224 153

HSL 131.03, 0.58%, 0.71%

LAB 82.34, -40.88, 26.74

 

CMYK 32 / 39 / 0 / 12

HEX #9A89E1

RGB 154 137 225

HSL 251.59, 0.59%, 0.71%

LAB 61.82, 25.85, -42.59

 

CMYK 0 / 39 / 15 / 12

HEX #E089BF

RGB 224 137 191

HSL 322.76, 0.58%, 0.71%

LAB 67.65, 40.6, -14.03

 

CMYK 7 / 0 / 39 / 12

HEX #D0E089

RGB 208 224 137

HSL 71.03, 0.58%, 0.71%

LAB 86.27, -18.72, 40.8

 

CMYK 39 / 0 / 24 / 12

HEX #89E0AA

RGB 137 224 170

HSL 142.76, 0.58%, 0.71%

LAB 82.66, -37.82, 18.34

 

CMYK 32 / 39 / 0 / 12

HEX #9A89E1

RGB 154 137 225

HSL 251.59, 0.59%, 0.71%

LAB 61.82, 25.85, -42.59

 

CMYK 0 / 39 / 26 / 12

HEX #E089A5

RGB 224 137 165

HSL 340.69, 0.58%, 0.71%

LAB 66.87, 36.74, -0.59

 

CMYK 7 / 0 / 39 / 12

HEX #D0E089

RGB 208 224 137

HSL 71.03, 0.58%, 0.71%

LAB 86.27, -18.72, 40.8

 

CMYK 39 / 0 / 12 / 12

HEX #89E0C5

RGB 137 224 197

HSL 161.38, 0.58%, 0.71%

LAB 83.26, -32.33, 4.98

 

Description

Color code: RGB 154 137 225 | qconv.com Color code: RGB 154 137 225 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 137 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 137 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 39 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 39% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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