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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 153 92 88 it is the complementary color RGB 102 163 167. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 153 92 88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 153 92 88 shade: RGB 158 92 83, RGB 175 110 102, RGB 192 128 121, RGB 209 146 140 and RGB 226 164 159

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 153 92 88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 153 92 88 shade: RGB 153 92 88, RGB 136 74 69, RGB 119 56 50, RGB 102 38 31 and RGB 85 20 12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 153 92 88 shade: RGB 152 91 87 and RGB 152 87 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 153 92 88 shade: RGB 152 91 87, RGB 152 108 87, RGB 152 126 87, RGB 152 143 87 and RGB 143 152 87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 153 92 88 shade matches the following richer shades: RGB 152 91 87, RGB 171 74 68, RGB 190 57 48, RGB 210 40 29 and RGB 229 23 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 153 92 88 shade: RGB 152 91 87, RGB 132 108 106, RGB 113 125 126, RGB 94 142 145 and RGB 74 159 165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 153 92 88 shade: RGB 152 87 118, RGB 152 87 101, RGB 152 90 87, RGB 152 107 87 and RGB 152 125 87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 153 92 88 shade: RGB 99 59 57, RGB 126 75 72, RGB 152 91 87, RGB 171 113 109 and RGB 186 138 135

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 153 92 88 shade: RGB 153 92 88, RGB 136 152 87 and RGB 87 110 152

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 153 92 88 shade: RGB 153 92 88, RGB 87 152 90 and RGB 90 87 152

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 153 92 88 shade: RGB 153 92 88, RGB 136 152 87, RGB 87 148 152 and RGB 103 87 152

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 153 92 88 shade: RGB 153 92 88, RGB 116 152 87, RGB 87 148 152 and RGB 123 87 152

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 42 / 40

HEX #995C58

RGB 153 92 88

HSL 3.69, 0.27%, 0.47%

LAB 45.81, 24.5, 12.96

 

Complementary color

CMYK 39 / 2 / 0 / 35

HEX #66A3A7

RGB 102 163 167

HSL 183.69, 0.27%, 0.53%

LAB 63.18, -18.62, -8.31

 

CMYK 0 / 42 / 47 / 38

HEX #9E5C53

RGB 158 92 83

HSL 7.2, 0.31%, 0.47%

LAB 46.38, 25.98, 16.84

 

CMYK 0 / 37 / 42 / 31

HEX #AF6E66

RGB 175 110 102

HSL 6.58, 0.31%, 0.54%

LAB 53.2, 24.87, 15.29

 

CMYK 0 / 33 / 37 / 25

HEX #C08079

RGB 192 128 121

HSL 5.92, 0.36%, 0.61%

LAB 59.91, 23.89, 13.94

 

CMYK 0 / 30 / 33 / 18

HEX #D1928C

RGB 209 146 140

HSL 5.22, 0.43%, 0.68%

LAB 66.52, 23.02, 12.75

 

CMYK 0 / 27 / 30 / 11

HEX #E2A49F

RGB 226 164 159

HSL 4.48, 0.54%, 0.75%

LAB 73.04, 22.24, 11.66

 

CMYK 0 / 40 / 42 / 40

HEX #995C58

RGB 153 92 88

HSL 3.69, 0.27%, 0.47%

LAB 45.81, 24.5, 12.96

 

CMYK 0 / 46 / 49 / 47

HEX #884A45

RGB 136 74 69

HSL 4.48, 0.33%, 0.4%

LAB 38.83, 25.66, 14.62

 

CMYK 0 / 53 / 58 / 53

HEX #773832

RGB 119 56 50

HSL 5.22, 0.41%, 0.33%

LAB 31.76, 26.96, 16.65

 

CMYK 0 / 63 / 70 / 60

HEX #66261F

RGB 102 38 31

HSL 5.92, 0.53%, 0.26%

LAB 24.67, 28.32, 19.27

 

CMYK 0 / 76 / 86 / 67

HEX #55140C

RGB 85 20 12

HSL 6.58, 0.75%, 0.19%

LAB 17.73, 29.44, 21.87

 

CMYK 0 / 40 / 43 / 40

HEX #985B57

RGB 152 91 87

HSL 3.69, 0.27%, 0.47%

LAB 45.42, 24.55, 13

 

CMYK 0 / 43 / 43 / 40

HEX #985757

RGB 152 87 87

HSL 0, 0.27%, 0.47%

LAB 44.49, 26.81, 11.71

 

CMYK 0 / 40 / 43 / 40

HEX #985B57

RGB 152 91 87

HSL 3.69, 0.27%, 0.47%

LAB 45.42, 24.55, 13

 

CMYK 0 / 29 / 43 / 40

HEX #986C57

RGB 152 108 87

HSL 19.38, 0.27%, 0.47%

LAB 49.6, 14.78, 18.7

 

CMYK 0 / 17 / 43 / 40

HEX #987E57

RGB 152 126 87

HSL 36, 0.27%, 0.47%

LAB 54.33, 4.46, 24.96

 

CMYK 0 / 6 / 43 / 40

HEX #988F57

RGB 152 143 87

HSL 51.69, 0.27%, 0.47%

LAB 58.98, -5.03, 30.95

 

CMYK 6 / 0 / 43 / 40

HEX #8F9857

RGB 143 152 87

HSL 68.31, 0.27%, 0.47%

LAB 60.77, -13.66, 33.04

 

CMYK 0 / 40 / 43 / 40

HEX #985B57

RGB 152 91 87

HSL 3.69, 0.27%, 0.47%

LAB 45.42, 24.55, 13

 

CMYK 0 / 57 / 60 / 33

HEX #AB4A44

RGB 171 74 68

HSL 3.5, 0.43%, 0.47%

LAB 44.19, 39.35, 23.3

 

CMYK 0 / 70 / 75 / 25

HEX #BE3930

RGB 190 57 48

HSL 3.8, 0.6%, 0.47%

LAB 44.36, 52.46, 36

 

CMYK 0 / 81 / 86 / 18

HEX #D2281D

RGB 210 40 29

HSL 3.65, 0.76%, 0.47%

LAB 46.05, 63.47, 48.92

 

CMYK 0 / 90 / 96 / 10

HEX #E51709

RGB 229 23 9

HSL 3.82, 0.92%, 0.47%

LAB 48.62, 71.69, 59.78

 

CMYK 0 / 40 / 43 / 40

HEX #985B57

RGB 152 91 87

HSL 3.69, 0.27%, 0.47%

LAB 45.42, 24.55, 13

 

CMYK 0 / 18 / 20 / 48

HEX #846C6A

RGB 132 108 106

HSL 4.62, 0.11%, 0.47%

LAB 47.84, 9.15, 4.68

 

CMYK 10 / 1 / 0 / 51

HEX #717D7E

RGB 113 125 126

HSL 184.62, 0.05%, 0.47%

LAB 51.48, -4.2, -2.06

 

CMYK 35 / 2 / 0 / 43

HEX #5E8E91

RGB 94 142 145

HSL 183.53, 0.21%, 0.47%

LAB 55.86, -15.34, -6.76

 

CMYK 55 / 4 / 0 / 35

HEX #4A9FA5

RGB 74 159 165

HSL 183.96, 0.38%, 0.47%

LAB 60.75, -23.78, -10.94

 

CMYK 0 / 43 / 22 / 40

HEX #985776

RGB 152 87 118

HSL 331.38, 0.27%, 0.47%

LAB 45.36, 31.06, -5.9

 

CMYK 0 / 43 / 34 / 40

HEX #985765

RGB 152 87 101

HSL 347.08, 0.27%, 0.47%

LAB 44.85, 28.57, 3.69

 

CMYK 0 / 41 / 43 / 40

HEX #985A57

RGB 152 90 87

HSL 2.77, 0.27%, 0.47%

LAB 45.19, 25.11, 12.68

 

CMYK 0 / 30 / 43 / 40

HEX #986B57

RGB 152 107 87

HSL 18.46, 0.27%, 0.47%

LAB 49.35, 15.36, 18.36

 

CMYK 0 / 18 / 43 / 40

HEX #987D57

RGB 152 125 87

HSL 35.08, 0.27%, 0.47%

LAB 54.06, 5.03, 24.61

 

CMYK 0 / 40 / 42 / 61

HEX #633B39

RGB 99 59 57

HSL 2.86, 0.27%, 0.31%

LAB 29.6, 17.4, 8.71

 

CMYK 0 / 40 / 43 / 51

HEX #7E4B48

RGB 126 75 72

HSL 3.33, 0.27%, 0.39%

LAB 37.73, 21.26, 11.01

 

CMYK 0 / 40 / 43 / 40

HEX #985B57

RGB 152 91 87

HSL 3.69, 0.27%, 0.47%

LAB 45.42, 24.55, 13

 

CMYK 0 / 34 / 36 / 33

HEX #AB716D

RGB 171 113 109

HSL 3.87, 0.27%, 0.55%

LAB 53.57, 22.44, 11.65

 

CMYK 0 / 26 / 27 / 27

HEX #BA8A87

RGB 186 138 135

HSL 3.53, 0.27%, 0.63%

LAB 61.97, 17.86, 8.77

 

CMYK 0 / 40 / 42 / 40

HEX #995C58

RGB 153 92 88

HSL 3.69, 0.27%, 0.47%

LAB 45.81, 24.5, 12.96

 

CMYK 11 / 0 / 43 / 40

HEX #889857

RGB 136 152 87

HSL 74.77, 0.27%, 0.47%

LAB 60.23, -16.54, 32.25

 

CMYK 43 / 28 / 0 / 40

HEX #576E98

RGB 87 110 152

HSL 218.77, 0.27%, 0.47%

LAB 46.24, 2.97, -25.51

 

CMYK 0 / 40 / 42 / 40

HEX #995C58

RGB 153 92 88

HSL 3.69, 0.27%, 0.47%

LAB 45.81, 24.5, 12.96

 

CMYK 43 / 0 / 41 / 40

HEX #57985A

RGB 87 152 90

HSL 122.77, 0.27%, 0.47%

LAB 57.29, -34.17, 26.28

 

CMYK 41 / 43 / 0 / 40

HEX #5A5798

RGB 90 87 152

HSL 242.77, 0.27%, 0.47%

LAB 40.01, 18.11, -35.25

 

CMYK 0 / 40 / 42 / 40

HEX #995C58

RGB 153 92 88

HSL 3.69, 0.27%, 0.47%

LAB 45.81, 24.5, 12.96

 

CMYK 11 / 0 / 43 / 40

HEX #889857

RGB 136 152 87

HSL 74.77, 0.27%, 0.47%

LAB 60.23, -16.54, 32.25

 

CMYK 43 / 3 / 0 / 40

HEX #579498

RGB 87 148 152

HSL 183.69, 0.27%, 0.47%

LAB 57.53, -18.63, -8.31

 

CMYK 32 / 43 / 0 / 40

HEX #675798

RGB 103 87 152

HSL 254.77, 0.27%, 0.47%

LAB 41.16, 21.81, -33.36

 

CMYK 0 / 40 / 42 / 40

HEX #995C58

RGB 153 92 88

HSL 3.69, 0.27%, 0.47%

LAB 45.81, 24.5, 12.96

 

CMYK 24 / 0 / 43 / 40

HEX #749857

RGB 116 152 87

HSL 93.23, 0.27%, 0.47%

LAB 58.84, -24.45, 30.21

 

CMYK 43 / 3 / 0 / 40

HEX #579498

RGB 87 148 152

HSL 183.69, 0.27%, 0.47%

LAB 57.53, -18.63, -8.31

 

CMYK 19 / 43 / 0 / 40

HEX #7B5798

RGB 123 87 152

HSL 273.23, 0.27%, 0.47%

LAB 43.2, 27.87, -30.01

 

Description

Color code: RGB 153 92 88 | qconv.com Color code: RGB 153 92 88 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 92 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 92 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 42 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 42% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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