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Color name
RGB 153 70 15

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 153 70 15 it is the complementary color RGB 102 185 240. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 153 70 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 153 70 15 shade: RGB 158 70 10, RGB 175 88 29, RGB 192 106 48, RGB 209 124 67 and RGB 226 142 86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 153 70 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 153 70 15 shade: RGB 153 70 15, RGB 136 52 0, RGB 119 34 0, RGB 102 16 0 and RGB 85 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 153 70 15 shade: RGB 153 70 15, RGB 153 32 15 and RGB 153 15 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 153 70 15 shade: RGB 153 70 15, RGB 153 107 15, RGB 153 144 15, RGB 124 153 15 and RGB 87 153 15

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 153 70 15 shade matches the following richer shades: RGB 153 70 15 and RGB 166 67 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 153 70 15 shade: RGB 153 70 15, RGB 139 72 28, RGB 125 75 42, RGB 112 78 55 and RGB 98 81 69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 153 70 15 shade: RGB 153 15 35, RGB 153 31 15, RGB 153 68 15, RGB 153 104 15 and RGB 153 141 15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 153 70 15 shade: RGB 78 35 7, RGB 115 52 11, RGB 153 70 15, RGB 190 87 18 and RGB 228 104 22

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 153 70 15 shade: RGB 153 70 15, RGB 72 153 15 and RGB 15 17 153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 153 70 15 shade: RGB 153 70 15, RGB 15 153 68 and RGB 68 15 153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 153 70 15 shade: RGB 153 70 15, RGB 72 153 15, RGB 15 100 153 and RGB 95 15 153

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 153 70 15 shade: RGB 153 70 15, RGB 31 153 15, RGB 15 100 153 and RGB 137 15 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 90 / 40

HEX #99460F

RGB 153 70 15

HSL 23.91, 0.82%, 0.33%

LAB 39.89, 31.74, 45.43

 

Complementary color

CMYK 58 / 23 / 0 / 6

HEX #66B9F0

RGB 102 185 240

HSL 203.91, 0.82%, 0.67%

LAB 72.1, -9.63, -35

 

CMYK 0 / 56 / 94 / 38

HEX #9E460A

RGB 158 70 10

HSL 24.32, 0.88%, 0.33%

LAB 40.69, 33.7, 47.96

 

CMYK 0 / 50 / 83 / 31

HEX #AF581D

RGB 175 88 29

HSL 24.25, 0.72%, 0.4%

LAB 47.21, 31.67, 47.54

 

CMYK 0 / 45 / 75 / 25

HEX #C06A30

RGB 192 106 48

HSL 24.17, 0.6%, 0.47%

LAB 53.74, 29.81, 46.1

 

CMYK 0 / 41 / 68 / 18

HEX #D17C43

RGB 209 124 67

HSL 24.08, 0.61%, 0.54%

LAB 60.23, 28.16, 44.41

 

CMYK 0 / 37 / 62 / 11

HEX #E28E56

RGB 226 142 86

HSL 24, 0.71%, 0.61%

LAB 66.66, 26.69, 42.7

 

CMYK 0 / 54 / 90 / 40

HEX #99460F

RGB 153 70 15

HSL 23.91, 0.82%, 0.33%

LAB 39.89, 31.74, 45.43

 

CMYK 0 / 62 / 100 / 47

HEX #883400

RGB 136 52 0

HSL 22.94, 1%, 0.27%

LAB 33.33, 33.82, 44.81

 

CMYK 0 / 71 / 100 / 53

HEX #772200

RGB 119 34 0

HSL 17.14, 1%, 0.23%

LAB 26.92, 35.74, 38.6

 

CMYK 0 / 84 / 100 / 60

HEX #661000

RGB 102 16 0

HSL 9.41, 1%, 0.2%

LAB 20.81, 36.64, 31.33

 

CMYK 0 / 100 / 100 / 67

HEX #550000

RGB 85 0 0

HSL 0, 1%, 0.17%

LAB 15.12, 36.01, 23.57

 

CMYK 0 / 54 / 90 / 40

HEX #99460F

RGB 153 70 15

HSL 23.91, 0.82%, 0.33%

LAB 39.89, 31.74, 45.43

 

CMYK 0 / 79 / 90 / 40

HEX #99200F

RGB 153 32 15

HSL 7.39, 0.82%, 0.33%

LAB 33.65, 48.42, 40.59

 

CMYK 0 / 90 / 90 / 40

HEX #990F0F

RGB 153 15 15

HSL 0, 0.82%, 0.33%

LAB 32.14, 52.68, 39.43

 

CMYK 0 / 54 / 90 / 40

HEX #99460F

RGB 153 70 15

HSL 23.91, 0.82%, 0.33%

LAB 39.89, 31.74, 45.43

 

CMYK 0 / 30 / 90 / 40

HEX #996B0F

RGB 153 107 15

HSL 40, 0.82%, 0.33%

LAB 48.66, 10.94, 52.31

 

CMYK 0 / 6 / 90 / 40

HEX #99900F

RGB 153 144 15

HSL 56.09, 0.82%, 0.33%

LAB 58.75, -9.72, 60.27

 

CMYK 19 / 0 / 90 / 40

HEX #7C990F

RGB 124 153 15

HSL 72.61, 0.82%, 0.33%

LAB 59.07, -27.22, 59.57

 

CMYK 43 / 0 / 90 / 40

HEX #57990F

RGB 87 153 15

HSL 88.7, 0.82%, 0.33%

LAB 56.92, -41.69, 56.91

 

CMYK 0 / 54 / 90 / 40

HEX #99460F

RGB 153 70 15

HSL 23.91, 0.82%, 0.33%

LAB 39.89, 31.74, 45.43

 

CMYK 0 / 60 / 99 / 35

HEX #A64301

RGB 166 67 1

HSL 24, 0.99%, 0.33%

LAB 41.41, 38.27, 51.76

 

CMYK 0 / 54 / 90 / 40

HEX #99460F

RGB 153 70 15

HSL 23.91, 0.82%, 0.33%

LAB 39.89, 31.74, 45.43

 

CMYK 0 / 48 / 80 / 45

HEX #8B481C

RGB 139 72 28

HSL 23.78, 0.66%, 0.33%

LAB 38.21, 25.09, 37.59

 

CMYK 0 / 40 / 66 / 51

HEX #7D4B2A

RGB 125 75 42

HSL 23.86, 0.5%, 0.33%

LAB 37.04, 17.9, 28.25

 

CMYK 0 / 30 / 51 / 56

HEX #704E37

RGB 112 78 55

HSL 24.21, 0.34%, 0.33%

LAB 36.31, 11.33, 19.28

 

CMYK 0 / 17 / 30 / 62

HEX #625145

RGB 98 81 69

HSL 24.83, 0.17%, 0.33%

LAB 35.81, 5.02, 9.7

 

CMYK 0 / 90 / 77 / 40

HEX #990F23

RGB 153 15 35

HSL 351.3, 0.82%, 0.33%

LAB 32.34, 53.24, 28.3

 

CMYK 0 / 80 / 90 / 40

HEX #991F0F

RGB 153 31 15

HSL 6.96, 0.82%, 0.33%

LAB 33.53, 48.73, 40.5

 

CMYK 0 / 56 / 90 / 40

HEX #99440F

RGB 153 68 15

HSL 23.04, 0.82%, 0.33%

LAB 39.48, 32.79, 45.11

 

CMYK 0 / 32 / 90 / 40

HEX #99680F

RGB 153 104 15

HSL 38.7, 0.82%, 0.33%

LAB 47.89, 12.67, 51.7

 

CMYK 0 / 8 / 90 / 40

HEX #998D0F

RGB 153 141 15

HSL 54.78, 0.82%, 0.33%

LAB 57.9, -8.1, 59.6

 

CMYK 0 / 55 / 91 / 69

HEX #4E2307

RGB 78 35 7

HSL 23.66, 0.84%, 0.17%

LAB 19.38, 18.19, 25.56

 

CMYK 0 / 55 / 90 / 55

HEX #73340B

RGB 115 52 11

HSL 23.65, 0.83%, 0.25%

LAB 29.73, 25.26, 36.16

 

CMYK 0 / 54 / 90 / 40

HEX #99460F

RGB 153 70 15

HSL 23.91, 0.82%, 0.33%

LAB 39.89, 31.74, 45.43

 

CMYK 0 / 54 / 91 / 25

HEX #BE5712

RGB 190 87 18

HSL 24.07, 0.83%, 0.41%

LAB 49.26, 38, 54.16

 

CMYK 0 / 54 / 90 / 11

HEX #E46816

RGB 228 104 22

HSL 23.88, 0.82%, 0.49%

LAB 58.46, 44.41, 62.4

 

CMYK 0 / 54 / 90 / 40

HEX #99460F

RGB 153 70 15

HSL 23.91, 0.82%, 0.33%

LAB 39.89, 31.74, 45.43

 

CMYK 53 / 0 / 90 / 40

HEX #48990F

RGB 72 153 15

HSL 95.22, 0.82%, 0.33%

LAB 56.28, -46.56, 56.12

 

CMYK 90 / 89 / 0 / 40

HEX #0F1199

RGB 15 17 153

HSL 239.13, 0.82%, 0.33%

LAB 19.23, 48.83, -69.9

 

CMYK 0 / 54 / 90 / 40

HEX #99460F

RGB 153 70 15

HSL 23.91, 0.82%, 0.33%

LAB 39.89, 31.74, 45.43

 

CMYK 90 / 0 / 56 / 40

HEX #0F9944

RGB 15 153 68

HSL 143.04, 0.82%, 0.33%

LAB 55.38, -52.52, 34.99

 

CMYK 56 / 90 / 0 / 40

HEX #440F99

RGB 68 15 153

HSL 263.04, 0.82%, 0.33%

LAB 23.24, 52.74, -63.13

 

CMYK 0 / 54 / 90 / 40

HEX #99460F

RGB 153 70 15

HSL 23.91, 0.82%, 0.33%

LAB 39.89, 31.74, 45.43

 

CMYK 53 / 0 / 90 / 40

HEX #48990F

RGB 72 153 15

HSL 95.22, 0.82%, 0.33%

LAB 56.28, -46.56, 56.12

 

CMYK 90 / 35 / 0 / 40

HEX #0F6499

RGB 15 100 153

HSL 203.04, 0.82%, 0.33%

LAB 40.44, -3.32, -35.4

 

CMYK 38 / 90 / 0 / 40

HEX #5F0F99

RGB 95 15 153

HSL 274.78, 0.82%, 0.33%

LAB 26.95, 55.86, -56.9

 

CMYK 0 / 54 / 90 / 40

HEX #99460F

RGB 153 70 15

HSL 23.91, 0.82%, 0.33%

LAB 39.89, 31.74, 45.43

 

CMYK 80 / 0 / 90 / 40

HEX #1F990F

RGB 31 153 15

HSL 113.04, 0.82%, 0.33%

LAB 55.18, -55.7, 54.74

 

CMYK 90 / 35 / 0 / 40

HEX #0F6499

RGB 15 100 153

HSL 203.04, 0.82%, 0.33%

LAB 40.44, -3.32, -35.4

 

CMYK 10 / 90 / 0 / 40

HEX #890F99

RGB 137 15 153

HSL 293.04, 0.82%, 0.33%

LAB 33.9, 62.35, -45.28

 

Description

Color code: RGB 153 70 15 | qconv.com Color code: RGB 153 70 15 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 70 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 70 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 90 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 90% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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