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Color name
RGB 153 56 46

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 153 56 46 it is the complementary color RGB 102 199 209. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 153 56 46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 153 56 46 shade: RGB 158 56 41, RGB 175 74 60, RGB 192 92 79, RGB 209 110 98 and RGB 226 128 117

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 153 56 46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 153 56 46 shade: RGB 153 56 46, RGB 136 38 27, RGB 119 20 8, RGB 102 2 0 and RGB 85 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 153 56 46 shade: RGB 153 55 45 and RGB 153 45 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 153 56 46 shade: RGB 153 55 45, RGB 153 84 45, RGB 153 113 45, RGB 153 142 45 and RGB 134 153 45

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 153 56 46 shade matches the following richer shades: RGB 153 55 45, RGB 169 42 29 and RGB 185 29 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 153 56 46 shade: RGB 153 55 45, RGB 137 68 61, RGB 120 81 77, RGB 104 95 94 and RGB 88 108 110

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 153 56 46 shade: RGB 153 45 94, RGB 153 45 65, RGB 153 54 45, RGB 153 83 45 and RGB 153 111 45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 153 56 46 shade: RGB 89 32 26, RGB 121 44 36, RGB 153 55 45, RGB 184 67 55 and RGB 202 90 78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 153 56 46 shade: RGB 153 56 46, RGB 122 153 45 and RGB 45 79 153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 153 56 46 shade: RGB 153 56 46, RGB 45 153 54 and RGB 54 45 153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 153 56 46 shade: RGB 153 56 46, RGB 122 153 45, RGB 45 144 153 and RGB 76 45 153

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 153 56 46 shade: RGB 153 56 46, RGB 90 153 45, RGB 45 144 153 and RGB 108 45 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 70 / 40

HEX #99382E

RGB 153 56 46

HSL 5.61, 0.54%, 0.39%

LAB 37.48, 39.96, 27.52

 

Complementary color

CMYK 51 / 5 / 0 / 18

HEX #66C7D1

RGB 102 199 209

HSL 185.61, 0.54%, 0.61%

LAB 75, -25.8, -13.78

 

CMYK 0 / 65 / 74 / 38

HEX #9E3829

RGB 158 56 41

HSL 7.69, 0.59%, 0.39%

LAB 38.3, 41.53, 31.65

 

CMYK 0 / 58 / 66 / 31

HEX #AF4A3C

RGB 175 74 60

HSL 7.3, 0.49%, 0.46%

LAB 44.71, 40.3, 28.83

 

CMYK 0 / 52 / 59 / 25

HEX #C05C4F

RGB 192 92 79

HSL 6.9, 0.47%, 0.53%

LAB 51.18, 39.02, 26.43

 

CMYK 0 / 47 / 53 / 18

HEX #D16E62

RGB 209 110 98

HSL 6.49, 0.55%, 0.6%

LAB 57.64, 37.76, 24.38

 

CMYK 0 / 43 / 48 / 11

HEX #E28075

RGB 226 128 117

HSL 6.06, 0.65%, 0.67%

LAB 64.07, 36.58, 22.6

 

CMYK 0 / 63 / 70 / 40

HEX #99382E

RGB 153 56 46

HSL 5.61, 0.54%, 0.39%

LAB 37.48, 39.96, 27.52

 

CMYK 0 / 72 / 80 / 47

HEX #88261B

RGB 136 38 27

HSL 6.06, 0.67%, 0.32%

LAB 31.11, 40.92, 30.78

 

CMYK 0 / 83 / 93 / 53

HEX #771408

RGB 119 20 8

HSL 6.49, 0.87%, 0.25%

LAB 25.08, 41.17, 33.65

 

CMYK 0 / 98 / 100 / 60

HEX #660200

RGB 102 2 0

HSL 1.18, 1%, 0.2%

LAB 19.51, 40.36, 29.86

 

CMYK 0 / 100 / 100 / 67

HEX #550000

RGB 85 0 0

HSL 0, 1%, 0.17%

LAB 15.12, 36.01, 23.57

 

CMYK 0 / 64 / 71 / 40

HEX #99372D

RGB 153 55 45

HSL 5.56, 0.55%, 0.39%

LAB 37.29, 40.37, 27.9

 

CMYK 0 / 71 / 71 / 40

HEX #992D2D

RGB 153 45 45

HSL 0, 0.55%, 0.39%

LAB 35.67, 44.74, 25.97

 

CMYK 0 / 64 / 71 / 40

HEX #99372D

RGB 153 55 45

HSL 5.56, 0.55%, 0.39%

LAB 37.29, 40.37, 27.9

 

CMYK 0 / 45 / 71 / 40

HEX #99542D

RGB 153 84 45

HSL 21.67, 0.55%, 0.39%

LAB 43.22, 25.26, 34.7

 

CMYK 0 / 26 / 71 / 40

HEX #99712D

RGB 153 113 45

HSL 37.78, 0.55%, 0.39%

LAB 50.42, 8.68, 42.53

 

CMYK 0 / 7 / 71 / 40

HEX #998E2D

RGB 153 142 45

HSL 53.89, 0.55%, 0.39%

LAB 58.33, -7.53, 50.66

 

CMYK 12 / 0 / 71 / 40

HEX #86992D

RGB 134 153 45

HSL 70.56, 0.55%, 0.39%

LAB 59.93, -21.69, 51.74

 

CMYK 0 / 64 / 71 / 40

HEX #99372D

RGB 153 55 45

HSL 5.56, 0.55%, 0.39%

LAB 37.29, 40.37, 27.9

 

CMYK 0 / 75 / 83 / 34

HEX #A92A1D

RGB 169 42 29

HSL 5.57, 0.71%, 0.39%

LAB 38.16, 50.51, 38.83

 

CMYK 0 / 84 / 93 / 27

HEX #B91D0D

RGB 185 29 13

HSL 5.58, 0.87%, 0.39%

LAB 39.95, 58.78, 48.9

 

CMYK 0 / 64 / 71 / 40

HEX #99372D

RGB 153 55 45

HSL 5.56, 0.55%, 0.39%

LAB 37.29, 40.37, 27.9

 

CMYK 0 / 50 / 55 / 46

HEX #89443D

RGB 137 68 61

HSL 5.53, 0.38%, 0.39%

LAB 37.46, 28.66, 17.77

 

CMYK 0 / 33 / 36 / 53

HEX #78514D

RGB 120 81 77

HSL 5.58, 0.22%, 0.39%

LAB 38.57, 15.79, 8.96

 

CMYK 0 / 9 / 10 / 59

HEX #685F5E

RGB 104 95 94

HSL 6, 0.05%, 0.39%

LAB 41.11, 3.4, 1.87

 

CMYK 20 / 2 / 0 / 57

HEX #586C6E

RGB 88 108 110

HSL 185.45, 0.11%, 0.39%

LAB 44.13, -6.93, -3.6

 

CMYK 0 / 71 / 39 / 40

HEX #992D5E

RGB 153 45 94

HSL 332.78, 0.55%, 0.39%

LAB 36.85, 48.82, -3.6

 

CMYK 0 / 71 / 58 / 40

HEX #992D41

RGB 153 45 65

HSL 348.89, 0.55%, 0.39%

LAB 36.04, 46.05, 13.83

 

CMYK 0 / 65 / 71 / 40

HEX #99362D

RGB 153 54 45

HSL 5, 0.55%, 0.39%

LAB 37.11, 40.83, 27.69

 

CMYK 0 / 46 / 71 / 40

HEX #99532D

RGB 153 83 45

HSL 21.11, 0.55%, 0.39%

LAB 42.99, 25.82, 34.45

 

CMYK 0 / 27 / 71 / 40

HEX #996F2D

RGB 153 111 45

HSL 36.67, 0.55%, 0.39%

LAB 49.89, 9.83, 41.97

 

CMYK 0 / 64 / 71 / 65

HEX #59201A

RGB 89 32 26

HSL 5.71, 0.55%, 0.23%

LAB 20.95, 25.85, 17.45

 

CMYK 0 / 64 / 70 / 53

HEX #792C24

RGB 121 44 36

HSL 5.65, 0.54%, 0.31%

LAB 29.4, 33.1, 22.62

 

CMYK 0 / 64 / 71 / 40

HEX #99372D

RGB 153 55 45

HSL 5.56, 0.55%, 0.39%

LAB 37.29, 40.37, 27.9

 

CMYK 0 / 64 / 70 / 28

HEX #B84337

RGB 184 67 55

HSL 5.58, 0.54%, 0.47%

LAB 44.91, 46.58, 32.34

 

CMYK 0 / 55 / 61 / 21

HEX #CA5A4E

RGB 202 90 78

HSL 5.81, 0.54%, 0.55%

LAB 52.31, 43.67, 28.76

 

CMYK 0 / 63 / 70 / 40

HEX #99382E

RGB 153 56 46

HSL 5.61, 0.54%, 0.39%

LAB 37.48, 39.96, 27.52

 

CMYK 20 / 0 / 71 / 40

HEX #7A992D

RGB 122 153 45

HSL 77.22, 0.55%, 0.39%

LAB 59.08, -26.75, 50.61

 

CMYK 71 / 48 / 0 / 40

HEX #2D4F99

RGB 45 79 153

HSL 221.11, 0.55%, 0.39%

LAB 34.9, 13.67, -44.18

 

CMYK 0 / 63 / 70 / 40

HEX #99382E

RGB 153 56 46

HSL 5.61, 0.54%, 0.39%

LAB 37.48, 39.96, 27.52

 

CMYK 71 / 0 / 65 / 40

HEX #2D9936

RGB 45 153 54

HSL 125, 0.55%, 0.39%

LAB 55.69, -50.48, 42.16

 

CMYK 65 / 71 / 0 / 40

HEX #362D99

RGB 54 45 153

HSL 245, 0.55%, 0.39%

LAB 26.62, 37.3, -57.6

 

CMYK 0 / 63 / 70 / 40

HEX #99382E

RGB 153 56 46

HSL 5.61, 0.54%, 0.39%

LAB 37.48, 39.96, 27.52

 

CMYK 20 / 0 / 71 / 40

HEX #7A992D

RGB 122 153 45

HSL 77.22, 0.55%, 0.39%

LAB 59.08, -26.75, 50.61

 

CMYK 71 / 6 / 0 / 40

HEX #2D9099

RGB 45 144 153

HSL 185, 0.55%, 0.39%

LAB 54.87, -24.84, -13.03

 

CMYK 50 / 71 / 0 / 40

HEX #4C2D99

RGB 76 45 153

HSL 257.22, 0.55%, 0.39%

LAB 28.68, 40.83, -54.16

 

CMYK 0 / 63 / 70 / 40

HEX #99382E

RGB 153 56 46

HSL 5.61, 0.54%, 0.39%

LAB 37.48, 39.96, 27.52

 

CMYK 41 / 0 / 71 / 40

HEX #5A992D

RGB 90 153 45

HSL 95, 0.55%, 0.39%

LAB 57.22, -39.05, 48.12

 

CMYK 71 / 6 / 0 / 40

HEX #2D9099

RGB 45 144 153

HSL 185, 0.55%, 0.39%

LAB 54.87, -24.84, -13.03

 

CMYK 29 / 71 / 0 / 40

HEX #6C2D99

RGB 108 45 153

HSL 275, 0.55%, 0.39%

LAB 32.62, 47.19, -47.57

 

Description

Color code: RGB 153 56 46 | qconv.com Color code: RGB 153 56 46 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 56 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 56 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 70 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 70% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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