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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 153 30 71 it is the complementary color RGB 102 225 184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 153 30 71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 153 30 71 shade: RGB 158 30 66, RGB 175 48 85, RGB 192 66 104, RGB 209 84 123 and RGB 226 102 142

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 153 30 71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 153 30 71 shade: RGB 153 30 71, RGB 136 12 52, RGB 119 0 33, RGB 102 0 14 and RGB 85 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 153 30 71 shade: RGB 153 30 71, RGB 153 30 38 and RGB 153 30 30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 153 30 71 shade: RGB 153 30 71, RGB 153 30 104, RGB 153 30 137, RGB 135 30 153 and RGB 102 30 153

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 153 30 71 shade matches the following richer shades: RGB 153 30 71, RGB 168 15 66 and RGB 183 0 61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 153 30 71 shade: RGB 153 30 71, RGB 138 45 76, RGB 123 60 81, RGB 108 74 86 and RGB 93 89 91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 153 30 71 shade: RGB 153 30 136, RGB 153 30 104, RGB 153 30 71, RGB 153 30 38 and RGB 153 54 30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 153 30 71 shade: RGB 84 16 39, RGB 118 23 55, RGB 153 30 71, RGB 187 37 87 and RGB 214 51 105

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 153 30 71 shade: RGB 153 30 71, RGB 153 136 30 and RGB 30 120 153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 153 30 71 shade: RGB 153 30 71, RGB 71 153 30 and RGB 30 71 153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 153 30 71 shade: RGB 153 30 71, RGB 153 136 30, RGB 30 153 112 and RGB 30 46 153

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 153 30 71 shade: RGB 153 30 71, RGB 132 153 30, RGB 30 153 112 and RGB 50 30 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 54 / 40

HEX #991E47

RGB 153 30 71

HSL 340, 0.67%, 0.36%

LAB 34.31, 51.79, 7.54

 

Complementary color

CMYK 55 / 0 / 18 / 12

HEX #66E1B8

RGB 102 225 184

HSL 160, 0.67%, 0.64%

LAB 81.91, -44.07, 9.73

 

CMYK 0 / 81 / 58 / 38

HEX #9E1E42

RGB 158 30 66

HSL 343.13, 0.68%, 0.37%

LAB 35.18, 52.83, 12.17

 

CMYK 0 / 73 / 51 / 31

HEX #AF3055

RGB 175 48 85

HSL 342.52, 0.57%, 0.44%

LAB 41.03, 53.42, 8.66

 

CMYK 0 / 66 / 46 / 25

HEX #C04268

RGB 192 66 104

HSL 341.9, 0.5%, 0.51%

LAB 47.11, 53.32, 5.92

 

CMYK 0 / 60 / 41 / 18

HEX #D1547B

RGB 209 84 123

HSL 341.28, 0.58%, 0.57%

LAB 53.3, 52.84, 3.73

 

CMYK 0 / 55 / 37 / 11

HEX #E2668E

RGB 226 102 142

HSL 340.65, 0.68%, 0.64%

LAB 59.55, 52.15, 1.93

 

CMYK 0 / 80 / 54 / 40

HEX #991E47

RGB 153 30 71

HSL 340, 0.67%, 0.36%

LAB 34.31, 51.79, 7.54

 

CMYK 0 / 91 / 62 / 47

HEX #880C34

RGB 136 12 52

HSL 340.65, 0.84%, 0.29%

LAB 28.76, 50.02, 11.91

 

CMYK 0 / 100 / 72 / 53

HEX #770021

RGB 119 0 33

HSL 343.36, 1%, 0.23%

LAB 23.78, 46.59, 17.62

 

CMYK 0 / 100 / 86 / 60

HEX #66000E

RGB 102 0 14

HSL 351.76, 1%, 0.2%

LAB 19.46, 41.24, 23.91

 

CMYK 0 / 100 / 100 / 67

HEX #550000

RGB 85 0 0

HSL 0, 1%, 0.17%

LAB 15.12, 36.01, 23.57

 

CMYK 0 / 80 / 54 / 40

HEX #991E47

RGB 153 30 71

HSL 340, 0.67%, 0.36%

LAB 34.31, 51.79, 7.54

 

CMYK 0 / 80 / 75 / 40

HEX #991E26

RGB 153 30 38

HSL 356.1, 0.67%, 0.36%

LAB 33.65, 49.75, 27.92

 

CMYK 0 / 80 / 80 / 40

HEX #991E1E

RGB 153 30 30

HSL 0, 0.67%, 0.36%

LAB 33.55, 49.44, 32.63

 

CMYK 0 / 80 / 54 / 40

HEX #991E47

RGB 153 30 71

HSL 340, 0.67%, 0.36%

LAB 34.31, 51.79, 7.54

 

CMYK 0 / 80 / 32 / 40

HEX #991E68

RGB 153 30 104

HSL 323.9, 0.67%, 0.36%

LAB 35.4, 55.1, -12.15

 

CMYK 0 / 80 / 10 / 40

HEX #991E89

RGB 153 30 137

HSL 307.8, 0.67%, 0.36%

LAB 36.94, 59.55, -30.44

 

CMYK 12 / 80 / 0 / 40

HEX #871E99

RGB 135 30 153

HSL 291.22, 0.67%, 0.36%

LAB 34.76, 58.46, -43.91

 

CMYK 33 / 80 / 0 / 40

HEX #661E99

RGB 102 30 153

HSL 275.12, 0.67%, 0.36%

LAB 29.55, 52.36, -52.6

 

CMYK 0 / 80 / 54 / 40

HEX #991E47

RGB 153 30 71

HSL 340, 0.67%, 0.36%

LAB 34.31, 51.79, 7.54

 

CMYK 0 / 91 / 61 / 34

HEX #A80F42

RGB 168 15 66

HSL 340, 0.84%, 0.36%

LAB 36.1, 58.81, 13.76

 

CMYK 0 / 100 / 67 / 28

HEX #B7003D

RGB 183 0 61

HSL 340, 1%, 0.36%

LAB 38.56, 64.06, 20.82

 

CMYK 0 / 80 / 54 / 40

HEX #991E47

RGB 153 30 71

HSL 340, 0.67%, 0.36%

LAB 34.31, 51.79, 7.54

 

CMYK 0 / 67 / 45 / 46

HEX #8A2D4C

RGB 138 45 76

HSL 340, 0.51%, 0.36%

LAB 33.57, 42.13, 2.85

 

CMYK 0 / 51 / 34 / 52

HEX #7B3C51

RGB 123 60 81

HSL 340, 0.34%, 0.36%

LAB 34.06, 29.86, 0.03

 

CMYK 0 / 31 / 20 / 58

HEX #6C4A56

RGB 108 74 86

HSL 338.82, 0.19%, 0.36%

LAB 35.51, 16.44, -1.27

 

CMYK 0 / 4 / 2 / 64

HEX #5D595B

RGB 93 89 91

HSL 330, 0.02%, 0.36%

LAB 38.25, 2.02, -0.58

 

CMYK 0 / 80 / 11 / 40

HEX #991E88

RGB 153 30 136

HSL 308.29, 0.67%, 0.36%

LAB 36.89, 59.4, -29.91

 

CMYK 0 / 80 / 32 / 40

HEX #991E68

RGB 153 30 104

HSL 323.9, 0.67%, 0.36%

LAB 35.4, 55.1, -12.15

 

CMYK 0 / 80 / 54 / 40

HEX #991E47

RGB 153 30 71

HSL 340, 0.67%, 0.36%

LAB 34.31, 51.79, 7.54

 

CMYK 0 / 80 / 75 / 40

HEX #991E26

RGB 153 30 38

HSL 356.1, 0.67%, 0.36%

LAB 33.65, 49.75, 27.92

 

CMYK 0 / 65 / 80 / 40

HEX #99361E

RGB 153 54 30

HSL 11.71, 0.67%, 0.36%

LAB 36.94, 40.15, 36.08

 

CMYK 0 / 81 / 54 / 67

HEX #541027

RGB 84 16 39

HSL 339.71, 0.68%, 0.2%

LAB 17.47, 32.61, 3.55

 

CMYK 0 / 81 / 53 / 54

HEX #761737

RGB 118 23 55

HSL 339.79, 0.67%, 0.28%

LAB 25.98, 42.35, 5.44

 

CMYK 0 / 80 / 54 / 40

HEX #991E47

RGB 153 30 71

HSL 340, 0.67%, 0.36%

LAB 34.31, 51.79, 7.54

 

CMYK 0 / 80 / 53 / 27

HEX #BB2557

RGB 187 37 87

HSL 340, 0.67%, 0.44%

LAB 42.12, 60.51, 9.26

 

CMYK 0 / 76 / 51 / 16

HEX #D63369

RGB 214 51 105

HSL 340.12, 0.67%, 0.52%

LAB 49.11, 65.24, 8.69

 

CMYK 0 / 80 / 54 / 40

HEX #991E47

RGB 153 30 71

HSL 340, 0.67%, 0.36%

LAB 34.31, 51.79, 7.54

 

CMYK 0 / 11 / 80 / 40

HEX #99881E

RGB 153 136 30

HSL 51.71, 0.67%, 0.36%

LAB 56.56, -4.95, 54.53

 

CMYK 80 / 22 / 0 / 40

HEX #1E7899

RGB 30 120 153

HSL 196.1, 0.67%, 0.36%

LAB 46.99, -13.87, -25.12

 

CMYK 0 / 80 / 54 / 40

HEX #991E47

RGB 153 30 71

HSL 340, 0.67%, 0.36%

LAB 34.31, 51.79, 7.54

 

CMYK 54 / 0 / 80 / 40

HEX #47991E

RGB 71 153 30

HSL 100, 0.67%, 0.36%

LAB 56.3, -46.19, 52.32

 

CMYK 80 / 54 / 0 / 40

HEX #1E4799

RGB 30 71 153

HSL 220, 0.67%, 0.36%

LAB 31.99, 17.06, -48.9

 

CMYK 0 / 80 / 54 / 40

HEX #991E47

RGB 153 30 71

HSL 340, 0.67%, 0.36%

LAB 34.31, 51.79, 7.54

 

CMYK 0 / 11 / 80 / 40

HEX #99881E

RGB 153 136 30

HSL 51.71, 0.67%, 0.36%

LAB 56.56, -4.95, 54.53

 

CMYK 80 / 0 / 27 / 40

HEX #1E9970

RGB 30 153 112

HSL 160, 0.67%, 0.36%

LAB 56.32, -42.4, 12.48

 

CMYK 80 / 70 / 0 / 40

HEX #1E2E99

RGB 30 46 153

HSL 232.2, 0.67%, 0.36%

LAB 25.35, 33.93, -59.75

 

CMYK 0 / 80 / 54 / 40

HEX #991E47

RGB 153 30 71

HSL 340, 0.67%, 0.36%

LAB 34.31, 51.79, 7.54

 

CMYK 14 / 0 / 80 / 40

HEX #84991E

RGB 132 153 30

HSL 70.24, 0.67%, 0.36%

LAB 59.69, -23.31, 56.68

 

CMYK 80 / 0 / 27 / 40

HEX #1E9970

RGB 30 153 112

HSL 160, 0.67%, 0.36%

LAB 56.32, -42.4, 12.48

 

CMYK 67 / 80 / 0 / 40

HEX #321E99

RGB 50 30 153

HSL 249.76, 0.67%, 0.36%

LAB 23.36, 45.08, -62.99

 

Description

Color code: RGB 153 30 71 | qconv.com Color code: RGB 153 30 71 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 30 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 30 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 54 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 54% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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