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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 153 226 249 it is the complementary color RGB 102 29 6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 153 226 249. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 153 226 249 shade: RGB 158 226 244, RGB 175 244 255, RGB 192 255 255, RGB 209 255 255 and RGB 226 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 153 226 249. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 153 226 249 shade: RGB 153 226 249, RGB 136 208 230, RGB 119 190 211, RGB 102 172 192 and RGB 85 154 173

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 153 226 249 shade: RGB 153 226 249, RGB 153 200 249, RGB 153 174 249, RGB 158 153 249 and RGB 184 153 249

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 153 226 249 shade: RGB 153 226 249, RGB 153 200 249, RGB 153 174 249 and RGB 153 153 249

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 153 226 249 shade matches the following richer shades: RGB 153 226 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 153 226 249 shade: RGB 153 226 249, RGB 162 221 240, RGB 171 217 231, RGB 179 212 223 and RGB 188 208 214

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 153 226 249 shade: RGB 153 249 220, RGB 153 249 245, RGB 153 226 249, RGB 153 201 249 and RGB 153 176 249

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 153 226 249 shade: RGB 75 204 244, RGB 114 215 246, RGB 153 226 249, RGB 192 237 251 and RGB 231 248 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 153 226 249 shade: RGB 153 226 249, RGB 195 153 249 and RGB 249 233 153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 153 226 249 shade: RGB 153 226 249, RGB 249 153 226 and RGB 226 249 153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 153 226 249 shade: RGB 153 226 249, RGB 195 153 249, RGB 249 176 153 and RGB 207 249 153

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 153 226 249 shade: RGB 153 226 249, RGB 223 153 249, RGB 249 176 153 and RGB 179 249 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 9 / 0 / 2

HEX #99E2F9

RGB 153 226 249

HSL 194.38, 0.89%, 0.79%

LAB 86.01, -16.98, -18.35

 

Complementary color

CMYK 0 / 72 / 94 / 60

HEX #661D06

RGB 102 29 6

HSL 14.38, 0.89%, 0.21%

LAB 22.71, 31.69, 30.92

 

CMYK 35 / 7 / 0 / 4

HEX #9EE2F4

RGB 158 226 244

HSL 192.56, 0.8%, 0.79%

LAB 86.1, -16.91, -15.55

 

CMYK 31 / 4 / 0 / 0

HEX #AFF4FF

RGB 175 244 255

HSL 188.25, 1%, 0.84%

LAB 92.15, -18.79, -12.17

 

CMYK 25 / 0 / 0 / 0

HEX #C0FFFF

RGB 192 255 255

HSL 180, 1%, 0.88%

LAB 95.97, -19.49, -6.39

 

CMYK 18 / 0 / 0 / 0

HEX #D1FFFF

RGB 209 255 255

HSL 180, 1%, 0.91%

LAB 96.94, -14.52, -4.86

 

CMYK 11 / 0 / 0 / 0

HEX #E2FFFF

RGB 226 255 255

HSL 180, 1%, 0.94%

LAB 98, -9.32, -3.18

 

CMYK 39 / 9 / 0 / 2

HEX #99E2F9

RGB 153 226 249

HSL 194.38, 0.89%, 0.79%

LAB 86.01, -16.98, -18.35

 

CMYK 41 / 10 / 0 / 10

HEX #88D0E6

RGB 136 208 230

HSL 194.04, 0.65%, 0.72%

LAB 79.65, -16.91, -17.94

 

CMYK 44 / 10 / 0 / 17

HEX #77BED3

RGB 119 190 211

HSL 193.7, 0.51%, 0.65%

LAB 73.19, -16.81, -17.52

 

CMYK 47 / 10 / 0 / 25

HEX #66ACC0

RGB 102 172 192

HSL 193.33, 0.42%, 0.58%

LAB 66.62, -16.66, -17.09

 

CMYK 51 / 11 / 0 / 32

HEX #559AAD

RGB 85 154 173

HSL 192.95, 0.35%, 0.51%

LAB 59.94, -16.46, -16.64

 

CMYK 39 / 9 / 0 / 2

HEX #99E2F9

RGB 153 226 249

HSL 194.38, 0.89%, 0.79%

LAB 86.01, -16.98, -18.35

 

CMYK 39 / 20 / 0 / 2

HEX #99C8F9

RGB 153 200 249

HSL 210.63, 0.89%, 0.79%

LAB 79, -3.45, -29.01

 

CMYK 39 / 30 / 0 / 2

HEX #99AEF9

RGB 153 174 249

HSL 226.88, 0.89%, 0.79%

LAB 72.15, 10.81, -39.6

 

CMYK 37 / 39 / 0 / 2

HEX #9E99F9

RGB 158 153 249

HSL 243.13, 0.89%, 0.79%

LAB 67.2, 24.01, -47.33

 

CMYK 26 / 39 / 0 / 2

HEX #B899F9

RGB 184 153 249

HSL 259.38, 0.89%, 0.79%

LAB 69.34, 31.06, -43.82

 

CMYK 39 / 9 / 0 / 2

HEX #99E2F9

RGB 153 226 249

HSL 194.38, 0.89%, 0.79%

LAB 86.01, -16.98, -18.35

 

CMYK 39 / 20 / 0 / 2

HEX #99C8F9

RGB 153 200 249

HSL 210.63, 0.89%, 0.79%

LAB 79, -3.45, -29.01

 

CMYK 39 / 30 / 0 / 2

HEX #99AEF9

RGB 153 174 249

HSL 226.88, 0.89%, 0.79%

LAB 72.15, 10.81, -39.6

 

CMYK 39 / 39 / 0 / 2

HEX #9999F9

RGB 153 153 249

HSL 240, 0.89%, 0.79%

LAB 66.82, 22.72, -47.95

 

CMYK 39 / 9 / 0 / 2

HEX #99E2F9

RGB 153 226 249

HSL 194.38, 0.89%, 0.79%

LAB 86.01, -16.98, -18.35

 

CMYK 39 / 9 / 0 / 2

HEX #99E2F9

RGB 153 226 249

HSL 194.38, 0.89%, 0.79%

LAB 86.01, -16.98, -18.35

 

CMYK 33 / 8 / 0 / 6

HEX #A2DDF0

RGB 162 221 240

HSL 194.62, 0.72%, 0.79%

LAB 84.84, -14.26, -15.32

 

CMYK 26 / 6 / 0 / 9

HEX #ABD9E7

RGB 171 217 231

HSL 194, 0.56%, 0.79%

LAB 83.99, -11.76, -11.76

 

CMYK 20 / 5 / 0 / 13

HEX #B3D4DF

RGB 179 212 223

HSL 195, 0.41%, 0.79%

LAB 82.91, -8.55, -9.07

 

CMYK 12 / 3 / 0 / 16

HEX #BCD0D6

RGB 188 208 214

HSL 193.85, 0.24%, 0.79%

LAB 82.19, -5.51, -5.27

 

CMYK 39 / 0 / 12 / 2

HEX #99F9DC

RGB 153 249 220

HSL 161.88, 0.89%, 0.79%

LAB 91.55, -34.81, 5

 

CMYK 39 / 0 / 2 / 2

HEX #99F9F5

RGB 153 249 245

HSL 177.5, 0.89%, 0.79%

LAB 92.18, -29.22, -7.03

 

CMYK 39 / 9 / 0 / 2

HEX #99E2F9

RGB 153 226 249

HSL 194.38, 0.89%, 0.79%

LAB 86.01, -16.98, -18.35

 

CMYK 39 / 19 / 0 / 2

HEX #99C9F9

RGB 153 201 249

HSL 210, 0.89%, 0.79%

LAB 79.26, -3.99, -28.6

 

CMYK 39 / 29 / 0 / 2

HEX #99B0F9

RGB 153 176 249

HSL 225.63, 0.89%, 0.79%

LAB 72.67, 9.69, -38.79

 

CMYK 69 / 16 / 0 / 4

HEX #4BCCF4

RGB 75 204 244

HSL 194.2, 0.88%, 0.63%

LAB 76.81, -22.79, -29.96

 

CMYK 54 / 13 / 0 / 4

HEX #72D7F6

RGB 114 215 246

HSL 194.09, 0.88%, 0.71%

LAB 81.2, -21.14, -24.21

 

CMYK 39 / 9 / 0 / 2

HEX #99E2F9

RGB 153 226 249

HSL 194.38, 0.89%, 0.79%

LAB 86.01, -16.98, -18.35

 

CMYK 24 / 6 / 0 / 2

HEX #C0EDFB

RGB 192 237 251

HSL 194.24, 0.88%, 0.87%

LAB 91.12, -11.39, -11.52

 

CMYK 9 / 2 / 0 / 1

HEX #E7F8FD

RGB 231 248 253

HSL 193.64, 0.85%, 0.95%

LAB 96.5, -4.6, -4.31

 

CMYK 39 / 9 / 0 / 2

HEX #99E2F9

RGB 153 226 249

HSL 194.38, 0.89%, 0.79%

LAB 86.01, -16.98, -18.35

 

CMYK 22 / 39 / 0 / 2

HEX #C399F9

RGB 195 153 249

HSL 266.25, 0.89%, 0.79%

LAB 70.33, 34.17, -42.19

 

CMYK 0 / 6 / 39 / 2

HEX #F9E999

RGB 249 233 153

HSL 50, 0.89%, 0.79%

LAB 92.01, -5.66, 40.84

 

CMYK 39 / 9 / 0 / 2

HEX #99E2F9

RGB 153 226 249

HSL 194.38, 0.89%, 0.79%

LAB 86.01, -16.98, -18.35

 

CMYK 0 / 39 / 9 / 2

HEX #F999E2

RGB 249 153 226

HSL 314.38, 0.89%, 0.79%

LAB 75.08, 46.06, -21.84

 

CMYK 9 / 0 / 39 / 2

HEX #E2F999

RGB 226 249 153

HSL 74.38, 0.89%, 0.79%

LAB 94.41, -22.24, 43.58

 

CMYK 39 / 9 / 0 / 2

HEX #99E2F9

RGB 153 226 249

HSL 194.38, 0.89%, 0.79%

LAB 86.01, -16.98, -18.35

 

CMYK 22 / 39 / 0 / 2

HEX #C399F9

RGB 195 153 249

HSL 266.25, 0.89%, 0.79%

LAB 70.33, 34.17, -42.19

 

CMYK 0 / 29 / 39 / 2

HEX #F9B099

RGB 249 176 153

HSL 14.38, 0.89%, 0.79%

LAB 78.16, 23.85, 22.43

 

CMYK 17 / 0 / 39 / 2

HEX #CFF999

RGB 207 249 153

HSL 86.25, 0.89%, 0.79%

LAB 93.15, -29.16, 41.72

 

CMYK 39 / 9 / 0 / 2

HEX #99E2F9

RGB 153 226 249

HSL 194.38, 0.89%, 0.79%

LAB 86.01, -16.98, -18.35

 

CMYK 10 / 39 / 0 / 2

HEX #DF99F9

RGB 223 153 249

HSL 283.75, 0.89%, 0.79%

LAB 73.1, 42.3, -37.67

 

CMYK 0 / 29 / 39 / 2

HEX #F9B099

RGB 249 176 153

HSL 14.38, 0.89%, 0.79%

LAB 78.16, 23.85, 22.43

 

CMYK 28 / 0 / 39 / 2

HEX #B3F999

RGB 179 249 153

HSL 103.75, 0.89%, 0.79%

LAB 91.52, -38.83, 39.29

 

Description

Color code: RGB 153 226 249 | qconv.com Color code: RGB 153 226 249 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 226 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 226 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 9 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 9% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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