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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 153 219 75 it is the complementary color RGB 102 36 180. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 153 219 75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 153 219 75 shade: RGB 158 219 70, RGB 175 237 89, RGB 192 255 108, RGB 209 255 127 and RGB 226 255 146

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 153 219 75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 153 219 75 shade: RGB 153 219 75, RGB 136 201 56, RGB 119 183 37, RGB 102 165 18 and RGB 85 147 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 153 219 75 shade: RGB 153 219 76, RGB 192 219 76, RGB 219 208 76, RGB 219 169 76 and RGB 219 130 76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 153 219 75 shade: RGB 153 219 76, RGB 115 219 76, RGB 76 219 76, RGB 76 219 114 and RGB 76 219 153

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 153 219 75 shade matches the following richer shades: RGB 153 219 76, RGB 155 236 58 and RGB 156 254 41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 153 219 75 shade: RGB 153 219 76, RGB 152 202 93, RGB 150 184 110, RGB 149 167 128 and RGB 148 150 145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 153 219 75 shade: RGB 219 207 76, RGB 193 219 76, RGB 155 219 76, RGB 116 219 76 and RGB 78 219 76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 153 219 75 shade: RGB 112 178 35, RGB 134 212 41, RGB 153 219 76, RGB 173 226 110 and RGB 192 233 145

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 153 219 75 shade: RGB 153 219 75, RGB 76 219 169 and RGB 219 76 212

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 153 219 75 shade: RGB 153 219 75, RGB 76 155 219 and RGB 219 76 155

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 153 219 75 shade: RGB 153 219 75, RGB 76 219 169, RGB 140 76 219 and RGB 219 76 126

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 153 219 75 shade: RGB 153 219 75, RGB 76 219 212, RGB 140 76 219 and RGB 219 76 83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 66 / 14

HEX #99DB4B

RGB 153 219 75

HSL 87.5, 0.67%, 0.58%

LAB 80.71, -42.97, 61.76

 

Complementary color

CMYK 43 / 80 / 0 / 29

HEX #6624B4

RGB 102 36 180

HSL 267.5, 0.67%, 0.42%

LAB 32.66, 56.49, -63.8

 

CMYK 28 / 0 / 68 / 14

HEX #9EDB46

RGB 158 219 70

HSL 84.56, 0.67%, 0.57%

LAB 80.95, -41.51, 64.03

 

CMYK 26 / 0 / 62 / 7

HEX #AFED59

RGB 175 237 89

HSL 85.14, 0.8%, 0.64%

LAB 87.19, -41.81, 63.45

 

CMYK 25 / 0 / 58 / 0

HEX #C0FF6C

RGB 192 255 108

HSL 85.71, 1%, 0.71%

LAB 93.37, -42.01, 62.62

 

CMYK 18 / 0 / 50 / 0

HEX #D1FF7F

RGB 209 255 127

HSL 81.56, 1%, 0.75%

LAB 94.57, -34.09, 55.86

 

CMYK 11 / 0 / 43 / 0

HEX #E2FF92

RGB 226 255 146

HSL 75.96, 1%, 0.79%

LAB 95.9, -25.87, 48.85

 

CMYK 30 / 0 / 66 / 14

HEX #99DB4B

RGB 153 219 75

HSL 87.5, 0.67%, 0.58%

LAB 80.71, -42.97, 61.76

 

CMYK 32 / 0 / 72 / 21

HEX #88C938

RGB 136 201 56

HSL 86.9, 0.57%, 0.5%

LAB 74.38, -42.61, 62.12

 

CMYK 35 / 0 / 80 / 28

HEX #77B725

RGB 119 183 37

HSL 86.3, 0.66%, 0.43%

LAB 67.96, -42.09, 61.85

 

CMYK 38 / 0 / 89 / 35

HEX #66A512

RGB 102 165 18

HSL 85.71, 0.8%, 0.36%

LAB 61.46, -41.31, 60.46

 

CMYK 42 / 0 / 100 / 42

HEX #559300

RGB 85 147 0

HSL 85.31, 1%, 0.29%

LAB 54.86, -40.26, 57.67

 

CMYK 30 / 0 / 65 / 14

HEX #99DB4C

RGB 153 219 76

HSL 87.69, 0.67%, 0.58%

LAB 80.71, -42.89, 61.37

 

CMYK 12 / 0 / 65 / 14

HEX #C0DB4C

RGB 192 219 76

HSL 71.33, 0.67%, 0.58%

LAB 83.12, -28.04, 64.64

 

CMYK 0 / 5 / 65 / 14

HEX #DBD04C

RGB 219 208 76

HSL 55.38, 0.67%, 0.58%

LAB 82.21, -11.6, 64.34

 

CMYK 0 / 23 / 65 / 14

HEX #DBA94C

RGB 219 169 76

HSL 39.02, 0.67%, 0.58%

LAB 72.2, 8.67, 53.67

 

CMYK 0 / 41 / 65 / 14

HEX #DB824C

RGB 219 130 76

HSL 22.66, 0.67%, 0.58%

LAB 62.97, 29.58, 43.29

 

CMYK 30 / 0 / 65 / 14

HEX #99DB4C

RGB 153 219 76

HSL 87.69, 0.67%, 0.58%

LAB 80.71, -42.89, 61.37

 

CMYK 47 / 0 / 65 / 14

HEX #73DB4C

RGB 115 219 76

HSL 103.64, 0.67%, 0.58%

LAB 78.94, -55.33, 58.94

 

CMYK 65 / 0 / 65 / 14

HEX #4CDB4C

RGB 76 219 76

HSL 120, 0.67%, 0.58%

LAB 77.71, -64.95, 57.25

 

CMYK 65 / 0 / 48 / 14

HEX #4CDB72

RGB 76 219 114

HSL 135.94, 0.67%, 0.58%

LAB 78.12, -60.22, 40.5

 

CMYK 65 / 0 / 30 / 14

HEX #4CDB99

RGB 76 219 153

HSL 152.31, 0.67%, 0.58%

LAB 78.75, -53.26, 21.5

 

CMYK 30 / 0 / 65 / 14

HEX #99DB4C

RGB 153 219 76

HSL 87.69, 0.67%, 0.58%

LAB 80.71, -42.89, 61.37

 

CMYK 34 / 0 / 75 / 7

HEX #9BEC3A

RGB 155 236 58

HSL 87.3, 0.82%, 0.58%

LAB 85.64, -50.49, 72.75

 

CMYK 39 / 0 / 84 / 0

HEX #9CFE29

RGB 156 254 41

HSL 87.61, 0.99%, 0.58%

LAB 90.83, -58.06, 81.91

 

CMYK 30 / 0 / 65 / 14

HEX #99DB4C

RGB 153 219 76

HSL 87.69, 0.67%, 0.58%

LAB 80.71, -42.89, 61.37

 

CMYK 25 / 0 / 54 / 21

HEX #98CA5D

RGB 152 202 93

HSL 87.52, 0.51%, 0.58%

LAB 75.89, -34.16, 48.56

 

CMYK 18 / 0 / 40 / 28

HEX #96B86E

RGB 150 184 110

HSL 87.57, 0.34%, 0.58%

LAB 70.8, -24.36, 33.87

 

CMYK 11 / 0 / 23 / 35

HEX #95A780

RGB 149 167 128

HSL 87.69, 0.18%, 0.58%

LAB 66.2, -13.47, 18.12

 

CMYK 1 / 0 / 3 / 41

HEX #949691

RGB 148 150 145

HSL 84, 0.02%, 0.58%

LAB 61.79, -1.68, 2.37

 

CMYK 0 / 5 / 65 / 14

HEX #DBCF4C

RGB 219 207 76

HSL 54.97, 0.67%, 0.58%

LAB 81.95, -11.1, 64.06

 

CMYK 12 / 0 / 65 / 14

HEX #C1DB4C

RGB 193 219 76

HSL 70.91, 0.67%, 0.58%

LAB 83.19, -27.64, 64.73

 

CMYK 29 / 0 / 65 / 14

HEX #9BDB4C

RGB 155 219 76

HSL 86.85, 0.67%, 0.58%

LAB 80.82, -42.17, 61.52

 

CMYK 47 / 0 / 65 / 14

HEX #74DB4C

RGB 116 219 76

HSL 103.22, 0.67%, 0.58%

LAB 78.98, -55.03, 59

 

CMYK 64 / 0 / 65 / 14

HEX #4EDB4C

RGB 78 219 76

HSL 119.16, 0.67%, 0.58%

LAB 77.76, -64.55, 57.31

 

CMYK 37 / 0 / 80 / 30

HEX #70B223

RGB 112 178 35

HSL 87.69, 0.67%, 0.42%

LAB 66.06, -42.57, 60.55

 

CMYK 37 / 0 / 81 / 17

HEX #86D429

RGB 134 212 41

HSL 87.37, 0.68%, 0.5%

LAB 77.47, -48.73, 69.69

 

CMYK 30 / 0 / 65 / 14

HEX #99DB4C

RGB 153 219 76

HSL 87.69, 0.67%, 0.58%

LAB 80.71, -42.89, 61.37

 

CMYK 23 / 0 / 51 / 11

HEX #ADE26E

RGB 173 226 110

HSL 87.41, 0.67%, 0.66%

LAB 84.18, -35.72, 50.75

 

CMYK 18 / 0 / 38 / 9

HEX #C0E991

RGB 192 233 145

HSL 87.95, 0.67%, 0.74%

LAB 87.74, -28.02, 38.49

 

CMYK 30 / 0 / 66 / 14

HEX #99DB4B

RGB 153 219 75

HSL 87.5, 0.67%, 0.58%

LAB 80.71, -42.97, 61.76

 

CMYK 65 / 0 / 23 / 14

HEX #4CDBA9

RGB 76 219 169

HSL 159.02, 0.67%, 0.58%

LAB 79.08, -49.83, 13.54

 

CMYK 0 / 65 / 3 / 14

HEX #DB4CD4

RGB 219 76 212

HSL 302.94, 0.67%, 0.58%

LAB 57.06, 70.95, -42.27

 

CMYK 30 / 0 / 66 / 14

HEX #99DB4B

RGB 153 219 75

HSL 87.5, 0.67%, 0.58%

LAB 80.71, -42.97, 61.76

 

CMYK 65 / 29 / 0 / 14

HEX #4C9BDB

RGB 76 155 219

HSL 206.85, 0.67%, 0.58%

LAB 61.73, -4.41, -39.71

 

CMYK 0 / 65 / 29 / 14

HEX #DB4C9B

RGB 219 76 155

HSL 326.85, 0.67%, 0.58%

LAB 54.65, 62.88, -13.05

 

CMYK 30 / 0 / 66 / 14

HEX #99DB4B

RGB 153 219 75

HSL 87.5, 0.67%, 0.58%

LAB 80.71, -42.97, 61.76

 

CMYK 65 / 0 / 23 / 14

HEX #4CDBA9

RGB 76 219 169

HSL 159.02, 0.67%, 0.58%

LAB 79.08, -49.83, 13.54

 

CMYK 36 / 65 / 0 / 14

HEX #8C4CDB

RGB 140 76 219

HSL 266.85, 0.67%, 0.58%

LAB 46.79, 54.71, -63.28

 

CMYK 0 / 65 / 42 / 14

HEX #DB4C7E

RGB 219 76 126

HSL 339.02, 0.67%, 0.58%

LAB 53.75, 59.67, 2.78

 

CMYK 30 / 0 / 66 / 14

HEX #99DB4B

RGB 153 219 75

HSL 87.5, 0.67%, 0.58%

LAB 80.71, -42.97, 61.76

 

CMYK 65 / 0 / 3 / 14

HEX #4CDBD4

RGB 76 219 212

HSL 177.06, 0.67%, 0.58%

LAB 80.15, -39.15, -7.78

 

CMYK 36 / 65 / 0 / 14

HEX #8C4CDB

RGB 140 76 219

HSL 266.85, 0.67%, 0.58%

LAB 46.79, 54.71, -63.28

 

CMYK 0 / 65 / 62 / 14

HEX #DB4C53

RGB 219 76 83

HSL 357.06, 0.67%, 0.58%

LAB 52.79, 56.19, 27.03

 

Description

Color code: RGB 153 219 75 | qconv.com Color code: RGB 153 219 75 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 219 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 219 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 66 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 66% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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