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Color name
RGB 153 190 94

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 153 190 94 it is the complementary color RGB 102 65 161. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 153 190 94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 153 190 94 shade: RGB 158 190 89, RGB 175 208 108, RGB 192 226 127, RGB 209 244 146 and RGB 226 255 165

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 153 190 94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 153 190 94 shade: RGB 153 190 94, RGB 136 172 75, RGB 119 154 56, RGB 102 136 37 and RGB 85 118 18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 153 190 94 shade: RGB 153 189 95, RGB 179 189 95, RGB 189 175 95, RGB 189 150 95 and RGB 189 124 95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 153 190 94 shade: RGB 153 189 95, RGB 128 189 95, RGB 102 189 95, RGB 95 189 114 and RGB 95 189 139

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 153 190 94 shade matches the following richer shades: RGB 153 189 95, RGB 157 208 77, RGB 161 226 59 and RGB 166 244 41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 153 190 94 shade: RGB 153 189 95, RGB 149 171 113, RGB 145 153 131, RGB 141 135 150 and RGB 136 117 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 153 190 94 shade: RGB 189 175 95, RGB 178 189 95, RGB 153 189 95, RGB 128 189 95 and RGB 103 189 95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 153 190 94 shade: RGB 111 144 58, RGB 133 173 70, RGB 153 189 95, RGB 172 201 124 and RGB 190 213 154

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 153 190 94 shade: RGB 153 190 94, RGB 95 189 150 and RGB 188 95 189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 153 190 94 shade: RGB 153 190 94, RGB 95 153 189 and RGB 189 95 153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 153 190 94 shade: RGB 153 190 94, RGB 95 189 150, RGB 131 95 189 and RGB 189 95 134

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 153 190 94 shade: RGB 153 190 94, RGB 95 189 178, RGB 131 95 189 and RGB 189 95 106

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 51 / 25

HEX #99BE5E

RGB 153 190 94

HSL 83.13, 0.42%, 0.56%

LAB 72.5, -28.03, 44.07

 

Complementary color

CMYK 37 / 60 / 0 / 37

HEX #6641A1

RGB 102 65 161

HSL 263.13, 0.42%, 0.44%

LAB 36.33, 37.27, -46.48

 

CMYK 17 / 0 / 53 / 25

HEX #9EBE59

RGB 158 190 89

HSL 79.01, 0.44%, 0.55%

LAB 72.77, -26.6, 46.87

 

CMYK 16 / 0 / 48 / 18

HEX #AFD06C

RGB 175 208 108

HSL 79.8, 0.52%, 0.62%

LAB 79.22, -26.76, 45.75

 

CMYK 15 / 0 / 44 / 11

HEX #C0E27F

RGB 192 226 127

HSL 80.61, 0.63%, 0.69%

LAB 85.57, -26.87, 44.61

 

CMYK 14 / 0 / 40 / 4

HEX #D1F492

RGB 209 244 146

HSL 81.43, 0.82%, 0.76%

LAB 91.83, -26.94, 43.48

 

CMYK 11 / 0 / 35 / 0

HEX #E2FFA5

RGB 226 255 165

HSL 79.33, 1%, 0.82%

LAB 96.16, -23.67, 39.96

 

CMYK 19 / 0 / 51 / 25

HEX #99BE5E

RGB 153 190 94

HSL 83.13, 0.42%, 0.56%

LAB 72.5, -28.03, 44.07

 

CMYK 21 / 0 / 56 / 33

HEX #88AC4B

RGB 136 172 75

HSL 82.27, 0.39%, 0.48%

LAB 65.94, -27.89, 45.17

 

CMYK 23 / 0 / 64 / 40

HEX #779A38

RGB 119 154 56

HSL 81.43, 0.47%, 0.41%

LAB 59.27, -27.65, 46.12

 

CMYK 25 / 0 / 73 / 47

HEX #668825

RGB 102 136 37

HSL 80.61, 0.57%, 0.34%

LAB 52.47, -27.25, 46.68

 

CMYK 28 / 0 / 85 / 54

HEX #557612

RGB 85 118 18

HSL 79.8, 0.74%, 0.27%

LAB 45.54, -26.62, 46.31

 

CMYK 19 / 0 / 50 / 26

HEX #99BD5F

RGB 153 189 95

HSL 82.98, 0.42%, 0.56%

LAB 72.22, -27.44, 43.25

 

CMYK 5 / 0 / 50 / 26

HEX #B3BD5F

RGB 179 189 95

HSL 66.38, 0.42%, 0.56%

LAB 74.06, -17.13, 45.9

 

CMYK 0 / 7 / 50 / 26

HEX #BDAF5F

RGB 189 175 95

HSL 51.06, 0.42%, 0.56%

LAB 71.08, -5.78, 42.51

 

CMYK 0 / 21 / 50 / 26

HEX #BD965F

RGB 189 150 95

HSL 35.11, 0.42%, 0.56%

LAB 64.53, 7.68, 34.43

 

CMYK 0 / 34 / 50 / 26

HEX #BD7C5F

RGB 189 124 95

HSL 18.51, 0.42%, 0.56%

LAB 58.09, 22.04, 26.18

 

CMYK 19 / 0 / 50 / 26

HEX #99BD5F

RGB 153 189 95

HSL 82.98, 0.42%, 0.56%

LAB 72.22, -27.44, 43.25

 

CMYK 32 / 0 / 50 / 26

HEX #80BD5F

RGB 128 189 95

HSL 98.94, 0.42%, 0.56%

LAB 70.74, -36.63, 41.1

 

CMYK 46 / 0 / 50 / 26

HEX #66BD5F

RGB 102 189 95

HSL 115.53, 0.42%, 0.56%

LAB 69.5, -45.04, 39.3

 

CMYK 50 / 0 / 40 / 26

HEX #5FBD72

RGB 95 189 114

HSL 132.13, 0.42%, 0.56%

LAB 69.5, -44.15, 29.56

 

CMYK 50 / 0 / 26 / 26

HEX #5FBD8B

RGB 95 189 139

HSL 148.09, 0.42%, 0.56%

LAB 69.96, -39.51, 16.88

 

CMYK 19 / 0 / 50 / 26

HEX #99BD5F

RGB 153 189 95

HSL 82.98, 0.42%, 0.56%

LAB 72.22, -27.44, 43.25

 

CMYK 25 / 0 / 63 / 18

HEX #9DD04D

RGB 157 208 77

HSL 83.36, 0.58%, 0.56%

LAB 77.77, -36.47, 57.86

 

CMYK 29 / 0 / 74 / 11

HEX #A1E23B

RGB 161 226 59

HSL 83.35, 0.74%, 0.56%

LAB 83.07, -44.11, 70.07

 

CMYK 32 / 0 / 83 / 4

HEX #A6F429

RGB 166 244 41

HSL 83.05, 0.9%, 0.56%

LAB 88.43, -50.65, 80.02

 

CMYK 19 / 0 / 50 / 26

HEX #99BD5F

RGB 153 189 95

HSL 82.98, 0.42%, 0.56%

LAB 72.22, -27.44, 43.25

 

CMYK 13 / 0 / 34 / 33

HEX #95AB71

RGB 149 171 113

HSL 82.76, 0.26%, 0.56%

LAB 67.06, -17.81, 27.41

 

CMYK 5 / 0 / 14 / 40

HEX #919983

RGB 145 153 131

HSL 81.82, 0.1%, 0.56%

LAB 62.03, -7, 10.59

 

CMYK 6 / 10 / 0 / 41

HEX #8D8796

RGB 141 135 150

HSL 264, 0.07%, 0.56%

LAB 57.26, 5.23, -7.2

 

CMYK 19 / 30 / 0 / 34

HEX #8875A8

RGB 136 117 168

HSL 262.35, 0.23%, 0.56%

LAB 52.71, 18.01, -24.55

 

CMYK 0 / 7 / 50 / 26

HEX #BDAF5F

RGB 189 175 95

HSL 51.06, 0.42%, 0.56%

LAB 71.08, -5.78, 42.51

 

CMYK 6 / 0 / 50 / 26

HEX #B2BD5F

RGB 178 189 95

HSL 67.02, 0.42%, 0.56%

LAB 73.99, -17.54, 45.79

 

CMYK 19 / 0 / 50 / 26

HEX #99BD5F

RGB 153 189 95

HSL 82.98, 0.42%, 0.56%

LAB 72.22, -27.44, 43.25

 

CMYK 32 / 0 / 50 / 26

HEX #80BD5F

RGB 128 189 95

HSL 98.94, 0.42%, 0.56%

LAB 70.74, -36.63, 41.1

 

CMYK 46 / 0 / 50 / 26

HEX #67BD5F

RGB 103 189 95

HSL 114.89, 0.42%, 0.56%

LAB 69.54, -44.75, 39.37

 

CMYK 23 / 0 / 60 / 44

HEX #6F903A

RGB 111 144 58

HSL 83.02, 0.43%, 0.4%

LAB 55.72, -25.81, 41.11

 

CMYK 23 / 0 / 60 / 32

HEX #85AD46

RGB 133 173 70

HSL 83.3, 0.42%, 0.48%

LAB 65.99, -30.01, 47.51

 

CMYK 19 / 0 / 50 / 26

HEX #99BD5F

RGB 153 189 95

HSL 82.98, 0.42%, 0.56%

LAB 72.22, -27.44, 43.25

 

CMYK 14 / 0 / 38 / 21

HEX #ACC97C

RGB 172 201 124

HSL 82.6, 0.42%, 0.64%

LAB 77.28, -22.63, 35.31

 

CMYK 11 / 0 / 28 / 16

HEX #BED59A

RGB 190 213 154

HSL 83.39, 0.41%, 0.72%

LAB 82.31, -17.81, 26.69

 

CMYK 19 / 0 / 51 / 25

HEX #99BE5E

RGB 153 190 94

HSL 83.13, 0.42%, 0.56%

LAB 72.5, -28.03, 44.07

 

CMYK 50 / 0 / 21 / 26

HEX #5FBD96

RGB 95 189 150

HSL 155.11, 0.42%, 0.56%

LAB 70.2, -37.18, 11.25

 

CMYK 1 / 50 / 0 / 26

HEX #BC5FBD

RGB 188 95 189

HSL 299.36, 0.42%, 0.56%

LAB 54.61, 50.66, -33.29

 

CMYK 19 / 0 / 51 / 25

HEX #99BE5E

RGB 153 190 94

HSL 83.13, 0.42%, 0.56%

LAB 72.5, -28.03, 44.07

 

CMYK 50 / 19 / 0 / 26

HEX #5F99BD

RGB 95 153 189

HSL 202.98, 0.42%, 0.56%

LAB 60.68, -8.92, -24.5

 

CMYK 0 / 50 / 19 / 26

HEX #BD5F99

RGB 189 95 153

HSL 322.98, 0.42%, 0.56%

LAB 53.28, 44.92, -14.38

 

CMYK 19 / 0 / 51 / 25

HEX #99BE5E

RGB 153 190 94

HSL 83.13, 0.42%, 0.56%

LAB 72.5, -28.03, 44.07

 

CMYK 50 / 0 / 21 / 26

HEX #5FBD96

RGB 95 189 150

HSL 155.11, 0.42%, 0.56%

LAB 70.2, -37.18, 11.25

 

CMYK 31 / 50 / 0 / 26

HEX #835FBD

RGB 131 95 189

HSL 262.98, 0.42%, 0.56%

LAB 47.86, 34.68, -44.37

 

CMYK 0 / 50 / 29 / 26

HEX #BD5F86

RGB 189 95 134

HSL 335.11, 0.42%, 0.56%

LAB 52.65, 42.19, -4.12

 

CMYK 19 / 0 / 51 / 25

HEX #99BE5E

RGB 153 190 94

HSL 83.13, 0.42%, 0.56%

LAB 72.5, -28.03, 44.07

 

CMYK 50 / 0 / 6 / 26

HEX #5FBDB2

RGB 95 189 178

HSL 172.98, 0.42%, 0.56%

LAB 70.9, -30.57, -3.02

 

CMYK 31 / 50 / 0 / 26

HEX #835FBD

RGB 131 95 189

HSL 262.98, 0.42%, 0.56%

LAB 47.86, 34.68, -44.37

 

CMYK 0 / 50 / 44 / 26

HEX #BD5F6A

RGB 189 95 106

HSL 352.98, 0.42%, 0.56%

LAB 51.89, 38.81, 11.41

 

Description

Color code: RGB 153 190 94 | qconv.com Color code: RGB 153 190 94 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 190 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 190 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 51 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 51% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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