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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 153 156 188 it is the complementary color RGB 102 99 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 153 156 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 153 156 188 shade: RGB 158 156 183, RGB 175 174 202, RGB 192 192 221, RGB 209 210 240 and RGB 226 228 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 153 156 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 153 156 188 shade: RGB 153 156 188, RGB 136 138 169, RGB 119 120 150, RGB 102 102 131 and RGB 85 84 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 153 156 188 shade: RGB 153 156 188, RGB 159 153 188, RGB 169 153 188, RGB 178 153 188 and RGB 188 153 188

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 153 156 188 shade: RGB 153 156 188 and RGB 153 153 188

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 153 156 188 shade matches the following richer shades: RGB 153 156 188, RGB 139 144 202, RGB 125 133 215, RGB 112 122 229 and RGB 98 111 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 153 156 188 shade: RGB 153 156 188, RGB 166 167 174, RGB 180 178 161, RGB 194 190 147 and RGB 207 201 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 153 156 188 shade: RGB 153 175 188, RGB 153 166 188, RGB 153 156 188, RGB 159 153 188 and RGB 168 153 188

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 153 156 188 shade: RGB 103 107 155, RGB 128 131 172, RGB 153 156 188, RGB 178 180 204 and RGB 203 204 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 153 156 188 shade: RGB 153 156 188, RGB 188 153 184 and RGB 170 188 153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 153 156 188 shade: RGB 153 156 188, RGB 188 153 156 and RGB 156 188 153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 153 156 188 shade: RGB 153 156 188, RGB 188 153 184, RGB 188 184 153 and RGB 153 188 156

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 153 156 188 shade: RGB 153 156 188, RGB 188 153 174, RGB 188 184 153 and RGB 153 188 167

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 17 / 0 / 26

HEX #999CBC

RGB 153 156 188

HSL 234.86, 0.21%, 0.67%

LAB 65.11, 5.7, -16.87

 

Complementary color

CMYK 0 / 3 / 34 / 60

HEX #666343

RGB 102 99 67

HSL 54.86, 0.21%, 0.33%

LAB 41.46, -4.34, 18.65

 

CMYK 14 / 15 / 0 / 28

HEX #9E9CB7

RGB 158 156 183

HSL 244.44, 0.16%, 0.66%

LAB 65.33, 6.23, -13.7

 

CMYK 13 / 14 / 0 / 21

HEX #AFAECA

RGB 175 174 202

HSL 242.14, 0.21%, 0.74%

LAB 71.99, 5.96, -14.07

 

CMYK 13 / 13 / 0 / 13

HEX #C0C0DD

RGB 192 192 221

HSL 240, 0.3%, 0.81%

LAB 78.54, 5.71, -14.44

 

CMYK 13 / 13 / 0 / 6

HEX #D1D2F0

RGB 209 210 240

HSL 238.06, 0.51%, 0.88%

LAB 84.97, 5.48, -14.82

 

CMYK 11 / 11 / 0 / 0

HEX #E2E4FF

RGB 226 228 255

HSL 235.86, 1%, 0.94%

LAB 91.18, 4.45, -13.28

 

CMYK 19 / 17 / 0 / 26

HEX #999CBC

RGB 153 156 188

HSL 234.86, 0.21%, 0.67%

LAB 65.11, 5.7, -16.87

 

CMYK 20 / 18 / 0 / 34

HEX #888AA9

RGB 136 138 169

HSL 236.36, 0.16%, 0.6%

LAB 58.3, 5.99, -16.58

 

CMYK 21 / 20 / 0 / 41

HEX #777896

RGB 119 120 150

HSL 238.06, 0.13%, 0.53%

LAB 51.33, 6.32, -16.3

 

CMYK 22 / 22 / 0 / 49

HEX #666683

RGB 102 102 131

HSL 240, 0.12%, 0.46%

LAB 44.18, 6.69, -16.05

 

CMYK 24 / 25 / 0 / 56

HEX #555470

RGB 85 84 112

HSL 242.14, 0.14%, 0.38%

LAB 36.82, 7.11, -15.84

 

CMYK 19 / 17 / 0 / 26

HEX #999CBC

RGB 153 156 188

HSL 234.86, 0.21%, 0.67%

LAB 65.11, 5.7, -16.87

 

CMYK 15 / 19 / 0 / 26

HEX #9F99BC

RGB 159 153 188

HSL 250.29, 0.21%, 0.67%

LAB 64.79, 9.35, -17.3

 

CMYK 10 / 19 / 0 / 26

HEX #A999BC

RGB 169 153 188

HSL 267.43, 0.21%, 0.67%

LAB 65.63, 12.67, -15.95

 

CMYK 5 / 19 / 0 / 26

HEX #B299BC

RGB 178 153 188

HSL 282.86, 0.21%, 0.67%

LAB 66.43, 15.71, -14.67

 

CMYK 0 / 19 / 0 / 26

HEX #BC99BC

RGB 188 153 188

HSL 300, 0.21%, 0.67%

LAB 67.36, 19.14, -13.18

 

CMYK 19 / 17 / 0 / 26

HEX #999CBC

RGB 153 156 188

HSL 234.86, 0.21%, 0.67%

LAB 65.11, 5.7, -16.87

 

CMYK 19 / 19 / 0 / 26

HEX #9999BC

RGB 153 153 188

HSL 240, 0.21%, 0.67%

LAB 64.31, 7.39, -18.08

 

CMYK 19 / 17 / 0 / 26

HEX #999CBC

RGB 153 156 188

HSL 234.86, 0.21%, 0.67%

LAB 65.11, 5.7, -16.87

 

CMYK 31 / 29 / 0 / 21

HEX #8B90CA

RGB 139 144 202

HSL 235.24, 0.37%, 0.67%

LAB 61.39, 11.62, -30.49

 

CMYK 42 / 38 / 0 / 16

HEX #7D85D7

RGB 125 133 215

HSL 234.67, 0.53%, 0.67%

LAB 58.08, 17.74, -43.05

 

CMYK 51 / 47 / 0 / 10

HEX #707AE5

RGB 112 122 229

HSL 234.87, 0.69%, 0.67%

LAB 55.09, 25.4, -55.69

 

CMYK 60 / 54 / 0 / 5

HEX #626FF2

RGB 98 111 242

HSL 234.58, 0.85%, 0.67%

LAB 52.26, 33.44, -67.56

 

CMYK 19 / 17 / 0 / 26

HEX #999CBC

RGB 153 156 188

HSL 234.86, 0.21%, 0.67%

LAB 65.11, 5.7, -16.87

 

CMYK 5 / 4 / 0 / 32

HEX #A6A7AE

RGB 166 167 174

HSL 232.5, 0.05%, 0.67%

LAB 68.61, 1.01, -3.73

 

CMYK 0 / 1 / 11 / 29

HEX #B4B2A1

RGB 180 178 161

HSL 53.68, 0.11%, 0.67%

LAB 72.31, -2.3, 8.94

 

CMYK 0 / 2 / 24 / 24

HEX #C2BE93

RGB 194 190 147

HSL 54.89, 0.28%, 0.67%

LAB 76.32, -5.55, 22.28

 

CMYK 0 / 3 / 35 / 19

HEX #CFC986

RGB 207 201 134

HSL 55.07, 0.43%, 0.67%

LAB 80.04, -7.89, 34.27

 

CMYK 19 / 7 / 0 / 26

HEX #99AFBC

RGB 153 175 188

HSL 202.29, 0.21%, 0.67%

LAB 70.22, -4.78, -9.19

 

CMYK 19 / 12 / 0 / 26

HEX #99A6BC

RGB 153 166 188

HSL 217.71, 0.21%, 0.67%

LAB 67.78, 0.14, -12.84

 

CMYK 19 / 17 / 0 / 26

HEX #999CBC

RGB 153 156 188

HSL 234.86, 0.21%, 0.67%

LAB 65.11, 5.7, -16.87

 

CMYK 15 / 19 / 0 / 26

HEX #9F99BC

RGB 159 153 188

HSL 250.29, 0.21%, 0.67%

LAB 64.79, 9.35, -17.3

 

CMYK 11 / 19 / 0 / 26

HEX #A899BC

RGB 168 153 188

HSL 265.71, 0.21%, 0.67%

LAB 65.54, 12.33, -16.09

 

CMYK 34 / 31 / 0 / 39

HEX #676B9B

RGB 103 107 155

HSL 235.38, 0.21%, 0.51%

LAB 46.67, 10.31, -26.53

 

CMYK 26 / 24 / 0 / 33

HEX #8083AC

RGB 128 131 172

HSL 235.91, 0.21%, 0.59%

LAB 55.89, 8.2, -22.03

 

CMYK 19 / 17 / 0 / 26

HEX #999CBC

RGB 153 156 188

HSL 234.86, 0.21%, 0.67%

LAB 65.11, 5.7, -16.87

 

CMYK 13 / 12 / 0 / 20

HEX #B2B4CC

RGB 178 180 204

HSL 235.38, 0.2%, 0.75%

LAB 73.85, 4.09, -12.36

 

CMYK 8 / 8 / 0 / 13

HEX #CBCCDD

RGB 203 204 221

HSL 236.67, 0.21%, 0.83%

LAB 82.43, 2.89, -8.53

 

CMYK 19 / 17 / 0 / 26

HEX #999CBC

RGB 153 156 188

HSL 234.86, 0.21%, 0.67%

LAB 65.11, 5.7, -16.87

 

CMYK 0 / 19 / 2 / 26

HEX #BC99B8

RGB 188 153 184

HSL 306.86, 0.21%, 0.67%

LAB 67.23, 18.38, -11.14

 

CMYK 10 / 0 / 19 / 26

HEX #AABC99

RGB 170 188 153

HSL 90.86, 0.21%, 0.67%

LAB 74.07, -12.57, 15.67

 

CMYK 19 / 17 / 0 / 26

HEX #999CBC

RGB 153 156 188

HSL 234.86, 0.21%, 0.67%

LAB 65.11, 5.7, -16.87

 

CMYK 0 / 19 / 17 / 26

HEX #BC999C

RGB 188 153 156

HSL 354.86, 0.21%, 0.67%

LAB 66.42, 13.49, 3.34

 

CMYK 17 / 0 / 19 / 26

HEX #9CBC99

RGB 156 188 153

HSL 114.86, 0.21%, 0.67%

LAB 73.11, -17.57, 14.18

 

CMYK 19 / 17 / 0 / 26

HEX #999CBC

RGB 153 156 188

HSL 234.86, 0.21%, 0.67%

LAB 65.11, 5.7, -16.87

 

CMYK 0 / 19 / 2 / 26

HEX #BC99B8

RGB 188 153 184

HSL 306.86, 0.21%, 0.67%

LAB 67.23, 18.38, -11.14

 

CMYK 0 / 2 / 19 / 26

HEX #BCB899

RGB 188 184 153

HSL 53.14, 0.21%, 0.67%

LAB 74.36, -3.8, 16.28

 

CMYK 19 / 0 / 17 / 26

HEX #99BC9C

RGB 153 188 156

HSL 125.14, 0.21%, 0.67%

LAB 72.98, -18.07, 12.35

 

CMYK 19 / 17 / 0 / 26

HEX #999CBC

RGB 153 156 188

HSL 234.86, 0.21%, 0.67%

LAB 65.11, 5.7, -16.87

 

CMYK 0 / 19 / 7 / 26

HEX #BC99AE

RGB 188 153 174

HSL 324, 0.21%, 0.67%

LAB 66.92, 16.55, -6

 

CMYK 0 / 2 / 19 / 26

HEX #BCB899

RGB 188 184 153

HSL 53.14, 0.21%, 0.67%

LAB 74.36, -3.8, 16.28

 

CMYK 19 / 0 / 11 / 26

HEX #99BCA7

RGB 153 188 167

HSL 144, 0.21%, 0.67%

LAB 73.24, -16, 6.74

 

Description

Color code: RGB 153 156 188 | qconv.com Color code: RGB 153 156 188 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 156 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 156 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 17 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 17% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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