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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 153 140 88 it is the complementary color RGB 102 115 167. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 153 140 88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 153 140 88 shade: RGB 158 140 83, RGB 175 158 102, RGB 192 176 121, RGB 209 194 140 and RGB 226 212 159

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 153 140 88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 153 140 88 shade: RGB 153 140 88, RGB 136 122 69, RGB 119 104 50, RGB 102 86 31 and RGB 85 68 12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 153 140 88 shade: RGB 152 139 87, RGB 152 121 87, RGB 152 104 87 and RGB 152 87 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 153 140 88 shade: RGB 152 139 87, RGB 147 152 87, RGB 130 152 87, RGB 112 152 87 and RGB 95 152 87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 153 140 88 shade matches the following richer shades: RGB 152 139 87, RGB 171 150 68, RGB 190 162 48, RGB 210 174 29 and RGB 229 185 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 153 140 88 shade: RGB 152 139 87, RGB 132 127 106, RGB 113 115 126, RGB 94 104 145 and RGB 74 92 165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 153 140 88 shade: RGB 152 104 87, RGB 152 122 87, RGB 152 139 87, RGB 147 152 87 and RGB 130 152 87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 153 140 88 shade: RGB 99 91 57, RGB 126 115 72, RGB 152 139 87, RGB 171 159 109 and RGB 186 176 135

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 153 140 88 shade: RGB 153 140 88, RGB 87 152 87 and RGB 113 87 152

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 153 140 88 shade: RGB 153 140 88, RGB 87 152 139 and RGB 139 87 152

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 153 140 88 shade: RGB 153 140 88, RGB 87 152 87, RGB 87 100 152 and RGB 152 87 152

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 153 140 88 shade: RGB 153 140 88, RGB 87 152 106, RGB 87 100 152 and RGB 152 87 132

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 42 / 40

HEX #998C58

RGB 153 140 88

HSL 48, 0.27%, 0.47%

LAB 58.26, -2.84, 29.51

 

Complementary color

CMYK 39 / 31 / 0 / 35

HEX #6673A7

RGB 102 115 167

HSL 228, 0.27%, 0.53%

LAB 49.35, 8.55, -29.41

 

CMYK 0 / 11 / 47 / 38

HEX #9E8C53

RGB 158 140 83

HSL 45.6, 0.31%, 0.47%

LAB 58.65, -1.23, 32.79

 

CMYK 0 / 10 / 42 / 31

HEX #AF9E66

RGB 175 158 102

HSL 46.03, 0.31%, 0.54%

LAB 65.38, -1.84, 31.5

 

CMYK 0 / 8 / 37 / 25

HEX #C0B079

RGB 192 176 121

HSL 46.48, 0.36%, 0.61%

LAB 71.99, -2.34, 30.28

 

CMYK 0 / 7 / 33 / 18

HEX #D1C28C

RGB 209 194 140

HSL 46.96, 0.43%, 0.68%

LAB 78.48, -2.76, 29.12

 

CMYK 0 / 6 / 30 / 11

HEX #E2D49F

RGB 226 212 159

HSL 47.46, 0.54%, 0.75%

LAB 84.87, -3.12, 28.02

 

CMYK 0 / 8 / 42 / 40

HEX #998C58

RGB 153 140 88

HSL 48, 0.27%, 0.47%

LAB 58.26, -2.84, 29.51

 

CMYK 0 / 10 / 49 / 47

HEX #887A45

RGB 136 122 69

HSL 47.46, 0.33%, 0.4%

LAB 51.36, -2.23, 30.83

 

CMYK 0 / 13 / 58 / 53

HEX #776832

RGB 119 104 50

HSL 46.96, 0.41%, 0.33%

LAB 44.31, -1.46, 32.18

 

CMYK 0 / 16 / 70 / 60

HEX #66561F

RGB 102 86 31

HSL 46.48, 0.53%, 0.26%

LAB 37.08, -0.42, 33.42

 

CMYK 0 / 20 / 86 / 67

HEX #55440C

RGB 85 68 12

HSL 46.03, 0.75%, 0.19%

LAB 29.64, 1.01, 34.02

 

CMYK 0 / 9 / 43 / 40

HEX #988B57

RGB 152 139 87

HSL 48, 0.27%, 0.47%

LAB 57.87, -2.83, 29.54

 

CMYK 0 / 20 / 43 / 40

HEX #987957

RGB 152 121 87

HSL 31.38, 0.27%, 0.47%

LAB 52.99, 7.31, 23.21

 

CMYK 0 / 32 / 43 / 40

HEX #986857

RGB 152 104 87

HSL 15.69, 0.27%, 0.47%

LAB 48.59, 17.09, 17.33

 

CMYK 0 / 43 / 43 / 40

HEX #985757

RGB 152 87 87

HSL 0, 0.27%, 0.47%

LAB 44.49, 26.81, 11.71

 

CMYK 0 / 9 / 43 / 40

HEX #988B57

RGB 152 139 87

HSL 48, 0.27%, 0.47%

LAB 57.87, -2.83, 29.54

 

CMYK 3 / 0 / 43 / 40

HEX #939857

RGB 147 152 87

HSL 64.62, 0.27%, 0.47%

LAB 61.09, -11.99, 33.51

 

CMYK 14 / 0 / 43 / 40

HEX #829857

RGB 130 152 87

HSL 80.31, 0.27%, 0.47%

LAB 59.79, -18.97, 31.61

 

CMYK 26 / 0 / 43 / 40

HEX #709857

RGB 112 152 87

HSL 96.92, 0.27%, 0.47%

LAB 58.59, -25.97, 29.84

 

CMYK 38 / 0 / 43 / 40

HEX #5F9857

RGB 95 152 87

HSL 112.62, 0.27%, 0.47%

LAB 57.63, -32.03, 28.42

 

CMYK 0 / 9 / 43 / 40

HEX #988B57

RGB 152 139 87

HSL 48, 0.27%, 0.47%

LAB 57.87, -2.83, 29.54

 

CMYK 0 / 12 / 60 / 33

HEX #AB9644

RGB 171 150 68

HSL 47.77, 0.43%, 0.47%

LAB 62.41, -2.37, 45.21

 

CMYK 0 / 15 / 75 / 25

HEX #BEA230

RGB 190 162 48

HSL 48.17, 0.6%, 0.47%

LAB 67.28, -1.64, 59.43

 

CMYK 0 / 17 / 86 / 18

HEX #D2AE1D

RGB 210 174 29

HSL 48.07, 0.76%, 0.47%

LAB 72.27, 0.17, 70.36

 

CMYK 0 / 19 / 96 / 10

HEX #E5B909

RGB 229 185 9

HSL 48, 0.92%, 0.47%

LAB 76.91, 2.39, 78

 

CMYK 0 / 9 / 43 / 40

HEX #988B57

RGB 152 139 87

HSL 48, 0.27%, 0.47%

LAB 57.87, -2.83, 29.54

 

CMYK 0 / 4 / 20 / 48

HEX #847F6A

RGB 132 127 106

HSL 48.46, 0.11%, 0.47%

LAB 53.09, -1.85, 12.11

 

CMYK 10 / 9 / 0 / 51

HEX #71737E

RGB 113 115 126

HSL 230.77, 0.05%, 0.47%

LAB 48.61, 1.6, -6.31

 

CMYK 35 / 28 / 0 / 43

HEX #5E6891

RGB 94 104 145

HSL 228.24, 0.21%, 0.47%

LAB 44.69, 6.63, -23.71

 

CMYK 55 / 44 / 0 / 35

HEX #4A5CA5

RGB 74 92 165

HSL 228.13, 0.38%, 0.47%

LAB 40.94, 15.08, -41.61

 

CMYK 0 / 32 / 43 / 40

HEX #986857

RGB 152 104 87

HSL 15.69, 0.27%, 0.47%

LAB 48.59, 17.09, 17.33

 

CMYK 0 / 20 / 43 / 40

HEX #987A57

RGB 152 122 87

HSL 32.31, 0.27%, 0.47%

LAB 53.26, 6.74, 23.56

 

CMYK 0 / 9 / 43 / 40

HEX #988B57

RGB 152 139 87

HSL 48, 0.27%, 0.47%

LAB 57.87, -2.83, 29.54

 

CMYK 3 / 0 / 43 / 40

HEX #939857

RGB 147 152 87

HSL 64.62, 0.27%, 0.47%

LAB 61.09, -11.99, 33.51

 

CMYK 14 / 0 / 43 / 40

HEX #829857

RGB 130 152 87

HSL 80.31, 0.27%, 0.47%

LAB 59.79, -18.97, 31.61

 

CMYK 0 / 8 / 42 / 61

HEX #635B39

RGB 99 91 57

HSL 48.57, 0.27%, 0.31%

LAB 38.6, -2.31, 20.77

 

CMYK 0 / 9 / 43 / 51

HEX #7E7348

RGB 126 115 72

HSL 47.78, 0.27%, 0.39%

LAB 48.47, -2.35, 25.32

 

CMYK 0 / 9 / 43 / 40

HEX #988B57

RGB 152 139 87

HSL 48, 0.27%, 0.47%

LAB 57.87, -2.83, 29.54

 

CMYK 0 / 7 / 36 / 33

HEX #AB9F6D

RGB 171 159 109

HSL 48.39, 0.27%, 0.55%

LAB 65.4, -3.21, 27.7

 

CMYK 0 / 5 / 27 / 27

HEX #BAB087

RGB 186 176 135

HSL 48.24, 0.27%, 0.63%

LAB 71.72, -2.93, 22.33

 

CMYK 0 / 8 / 42 / 40

HEX #998C58

RGB 153 140 88

HSL 48, 0.27%, 0.47%

LAB 58.26, -2.84, 29.51

 

CMYK 43 / 0 / 43 / 40

HEX #579857

RGB 87 152 87

HSL 120, 0.27%, 0.47%

LAB 57.24, -34.65, 27.83

 

CMYK 26 / 43 / 0 / 40

HEX #715798

RGB 113 87 152

HSL 264, 0.27%, 0.47%

LAB 42.15, 24.79, -31.74

 

CMYK 0 / 8 / 42 / 40

HEX #998C58

RGB 153 140 88

HSL 48, 0.27%, 0.47%

LAB 58.26, -2.84, 29.51

 

CMYK 43 / 0 / 9 / 40

HEX #57988B

RGB 87 152 139

HSL 168, 0.27%, 0.47%

LAB 58.36, -24.04, 0.33

 

CMYK 9 / 43 / 0 / 40

HEX #8B5798

RGB 139 87 152

HSL 288, 0.27%, 0.47%

LAB 45.04, 32.9, -27

 

CMYK 0 / 8 / 42 / 40

HEX #998C58

RGB 153 140 88

HSL 48, 0.27%, 0.47%

LAB 58.26, -2.84, 29.51

 

CMYK 43 / 0 / 43 / 40

HEX #579857

RGB 87 152 87

HSL 120, 0.27%, 0.47%

LAB 57.24, -34.65, 27.83

 

CMYK 43 / 34 / 0 / 40

HEX #576498

RGB 87 100 152

HSL 228, 0.27%, 0.47%

LAB 43.37, 9.12, -29.98

 

CMYK 0 / 43 / 0 / 40

HEX #985798

RGB 152 87 152

HSL 300, 0.27%, 0.47%

LAB 46.66, 37.04, -24.37

 

CMYK 0 / 8 / 42 / 40

HEX #998C58

RGB 153 140 88

HSL 48, 0.27%, 0.47%

LAB 58.26, -2.84, 29.51

 

CMYK 43 / 0 / 30 / 40

HEX #57986A

RGB 87 152 106

HSL 137.54, 0.27%, 0.47%

LAB 57.58, -31.31, 17.86

 

CMYK 43 / 34 / 0 / 40

HEX #576498

RGB 87 100 152

HSL 228, 0.27%, 0.47%

LAB 43.37, 9.12, -29.98

 

CMYK 0 / 43 / 13 / 40

HEX #985784

RGB 152 87 132

HSL 318.46, 0.27%, 0.47%

LAB 45.85, 33.37, -13.63

 

Description

Color code: RGB 153 140 88 | qconv.com Color code: RGB 153 140 88 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 140 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 140 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 42 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 42% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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