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Color name
RGB 153 146 25

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 153 146 25 it is the complementary color RGB 102 109 230. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 153 146 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 153 146 25 shade: RGB 158 146 20, RGB 175 164 39, RGB 192 182 58, RGB 209 200 77 and RGB 226 218 96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 153 146 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 153 146 25 shade: RGB 153 146 25, RGB 136 128 6, RGB 119 110 0, RGB 102 92 0 and RGB 85 74 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 153 146 25 shade: RGB 153 146 24, RGB 153 111 24, RGB 153 77 24, RGB 153 42 24 and RGB 153 24 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 153 146 25 shade: RGB 153 146 24, RGB 125 153 24, RGB 91 153 24, RGB 56 153 24 and RGB 24 153 28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 153 146 25 shade matches the following richer shades: RGB 153 146 24 and RGB 167 159 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 153 146 25 shade: RGB 153 146 24, RGB 139 133 39, RGB 124 120 53, RGB 110 107 68 and RGB 95 95 82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 153 146 25 shade: RGB 153 76 24, RGB 153 110 24, RGB 153 144 24, RGB 127 153 24 and RGB 93 153 24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 153 146 25 shade: RGB 82 78 13, RGB 118 112 19, RGB 153 146 24, RGB 188 180 30 and RGB 220 210 40

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 153 146 25 shade: RGB 153 146 25, RGB 24 153 42 and RGB 93 24 153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 153 146 25 shade: RGB 153 146 25, RGB 24 153 144 and RGB 144 24 153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 153 146 25 shade: RGB 153 146 25, RGB 24 153 42, RGB 24 33 153 and RGB 153 24 136

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 153 146 25 shade: RGB 153 146 25, RGB 24 153 80, RGB 24 33 153 and RGB 153 24 97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 84 / 40

HEX #999219

RGB 153 146 25

HSL 56.72, 0.72%, 0.35%

LAB 59.34, -10.53, 58.45

 

Complementary color

CMYK 56 / 53 / 0 / 10

HEX #666DE6

RGB 102 109 230

HSL 236.72, 0.72%, 0.65%

LAB 51.24, 31.52, -62.48

 

CMYK 0 / 8 / 87 / 38

HEX #9E9214

RGB 158 146 20

HSL 54.78, 0.78%, 0.35%

LAB 59.78, -8.39, 60.24

 

CMYK 0 / 6 / 78 / 31

HEX #AFA427

RGB 175 164 39

HSL 55.15, 0.64%, 0.42%

LAB 66.38, -9.71, 61.22

 

CMYK 0 / 5 / 70 / 25

HEX #C0B63A

RGB 192 182 58

HSL 55.52, 0.54%, 0.49%

LAB 72.87, -10.79, 61.18

 

CMYK 0 / 4 / 63 / 18

HEX #D1C84D

RGB 209 200 77

HSL 55.91, 0.59%, 0.56%

LAB 79.27, -11.68, 60.58

 

CMYK 0 / 4 / 58 / 11

HEX #E2DA60

RGB 226 218 96

HSL 56.31, 0.69%, 0.63%

LAB 85.58, -12.43, 59.69

 

CMYK 0 / 5 / 84 / 40

HEX #999219

RGB 153 146 25

HSL 56.72, 0.72%, 0.35%

LAB 59.34, -10.53, 58.45

 

CMYK 0 / 6 / 96 / 47

HEX #888006

RGB 136 128 6

HSL 56.31, 0.92%, 0.28%

LAB 52.6, -9.08, 56.43

 

CMYK 0 / 8 / 100 / 53

HEX #776E00

RGB 119 110 0

HSL 55.46, 1%, 0.23%

LAB 45.74, -7.28, 51.85

 

CMYK 0 / 10 / 100 / 60

HEX #665C00

RGB 102 92 0

HSL 54.12, 1%, 0.2%

LAB 38.69, -5.27, 46.01

 

CMYK 0 / 13 / 100 / 67

HEX #554A00

RGB 85 74 0

HSL 52.24, 1%, 0.17%

LAB 31.41, -3.15, 39.98

 

CMYK 0 / 5 / 84 / 40

HEX #999218

RGB 153 146 24

HSL 56.74, 0.73%, 0.35%

LAB 59.34, -10.56, 58.71

 

CMYK 0 / 27 / 84 / 40

HEX #996F18

RGB 153 111 24

HSL 40.47, 0.73%, 0.35%

LAB 49.75, 8.89, 50.51

 

CMYK 0 / 50 / 84 / 40

HEX #994D18

RGB 153 77 24

HSL 24.65, 0.73%, 0.35%

LAB 41.45, 28.2, 43.22

 

CMYK 0 / 73 / 84 / 40

HEX #992A18

RGB 153 42 24

HSL 8.37, 0.73%, 0.35%

LAB 34.99, 45.08, 37.36

 

CMYK 0 / 84 / 84 / 40

HEX #991818

RGB 153 24 24

HSL 0, 0.73%, 0.35%

LAB 32.9, 50.92, 35.41

 

CMYK 0 / 5 / 84 / 40

HEX #999218

RGB 153 146 24

HSL 56.74, 0.73%, 0.35%

LAB 59.34, -10.56, 58.71

 

CMYK 18 / 0 / 84 / 40

HEX #7D9918

RGB 125 153 24

HSL 73.02, 0.73%, 0.35%

LAB 59.17, -26.53, 57.69

 

CMYK 41 / 0 / 84 / 40

HEX #5B9918

RGB 91 153 24

HSL 88.84, 0.73%, 0.35%

LAB 57.15, -39.95, 55.13

 

CMYK 63 / 0 / 84 / 40

HEX #389918

RGB 56 153 24

HSL 105.12, 0.73%, 0.35%

LAB 55.78, -50.53, 53.39

 

CMYK 84 / 0 / 82 / 40

HEX #18991C

RGB 24 153 28

HSL 121.86, 0.73%, 0.35%

LAB 55.13, -55.94, 51.42

 

CMYK 0 / 5 / 84 / 40

HEX #999218

RGB 153 146 24

HSL 56.74, 0.73%, 0.35%

LAB 59.34, -10.56, 58.71

 

CMYK 0 / 5 / 94 / 35

HEX #A79F0A

RGB 167 159 10

HSL 56.94, 0.89%, 0.35%

LAB 64.19, -11.41, 65.85

 

CMYK 0 / 5 / 84 / 40

HEX #999218

RGB 153 146 24

HSL 56.74, 0.73%, 0.35%

LAB 59.34, -10.56, 58.71

 

CMYK 0 / 4 / 72 / 45

HEX #8B8527

RGB 139 133 39

HSL 56.4, 0.56%, 0.35%

LAB 54.46, -9.31, 48.82

 

CMYK 0 / 3 / 57 / 51

HEX #7C7835

RGB 124 120 53

HSL 56.62, 0.4%, 0.35%

LAB 49.47, -8.01, 36.72

 

CMYK 0 / 3 / 38 / 57

HEX #6E6B44

RGB 110 107 68

HSL 55.71, 0.24%, 0.35%

LAB 44.59, -5.32, 22.3

 

CMYK 0 / 0 / 14 / 63

HEX #5F5F52

RGB 95 95 82

HSL 60, 0.07%, 0.35%

LAB 39.96, -2.56, 7.45

 

CMYK 0 / 50 / 84 / 40

HEX #994C18

RGB 153 76 24

HSL 24.19, 0.73%, 0.35%

LAB 41.23, 28.75, 43.03

 

CMYK 0 / 28 / 84 / 40

HEX #996E18

RGB 153 110 24

HSL 40, 0.73%, 0.35%

LAB 49.48, 9.47, 50.29

 

CMYK 0 / 6 / 84 / 40

HEX #999018

RGB 153 144 24

HSL 55.81, 0.73%, 0.35%

LAB 58.77, -9.49, 58.23

 

CMYK 17 / 0 / 84 / 40

HEX #7F9918

RGB 127 153 24

HSL 72.09, 0.73%, 0.35%

LAB 59.31, -25.68, 57.86

 

CMYK 39 / 0 / 84 / 40

HEX #5D9918

RGB 93 153 24

HSL 87.91, 0.73%, 0.35%

LAB 57.25, -39.23, 55.26

 

CMYK 0 / 5 / 84 / 68

HEX #524E0D

RGB 82 78 13

HSL 56.52, 0.73%, 0.19%

LAB 32.42, -6.6, 36.03

 

CMYK 0 / 5 / 84 / 54

HEX #767013

RGB 118 112 19

HSL 56.36, 0.72%, 0.27%

LAB 46.29, -8.39, 47.68

 

CMYK 0 / 5 / 84 / 40

HEX #999218

RGB 153 146 24

HSL 56.74, 0.73%, 0.35%

LAB 59.34, -10.56, 58.71

 

CMYK 0 / 4 / 84 / 26

HEX #BCB41E

RGB 188 180 30

HSL 56.96, 0.72%, 0.43%

LAB 71.84, -12.59, 68.95

 

CMYK 0 / 5 / 82 / 14

HEX #DCD228

RGB 220 210 40

HSL 56.67, 0.72%, 0.51%

LAB 82.63, -13.71, 76.67

 

CMYK 0 / 5 / 84 / 40

HEX #999219

RGB 153 146 25

HSL 56.72, 0.72%, 0.35%

LAB 59.34, -10.53, 58.45

 

CMYK 84 / 0 / 73 / 40

HEX #18992A

RGB 24 153 42

HSL 128.37, 0.73%, 0.35%

LAB 55.22, -54.86, 46.62

 

CMYK 39 / 84 / 0 / 40

HEX #5D1899

RGB 93 24 153

HSL 272.09, 0.73%, 0.35%

LAB 27.52, 53.02, -55.97

 

CMYK 0 / 5 / 84 / 40

HEX #999219

RGB 153 146 25

HSL 56.72, 0.72%, 0.35%

LAB 59.34, -10.53, 58.45

 

CMYK 84 / 0 / 6 / 40

HEX #189990

RGB 24 153 144

HSL 175.81, 0.73%, 0.35%

LAB 57.07, -34.32, -4.63

 

CMYK 6 / 84 / 0 / 40

HEX #901899

RGB 144 24 153

HSL 295.81, 0.73%, 0.35%

LAB 35.76, 61.78, -42.23

 

CMYK 0 / 5 / 84 / 40

HEX #999219

RGB 153 146 25

HSL 56.72, 0.72%, 0.35%

LAB 59.34, -10.53, 58.45

 

CMYK 84 / 0 / 73 / 40

HEX #18992A

RGB 24 153 42

HSL 128.37, 0.73%, 0.35%

LAB 55.22, -54.86, 46.62

 

CMYK 84 / 78 / 0 / 40

HEX #182199

RGB 24 33 153

HSL 235.81, 0.73%, 0.35%

LAB 22.24, 41.42, -64.9

 

CMYK 0 / 84 / 11 / 40

HEX #991888

RGB 153 24 136

HSL 307.91, 0.73%, 0.35%

LAB 36.37, 60.9, -30.73

 

CMYK 0 / 5 / 84 / 40

HEX #999219

RGB 153 146 25

HSL 56.72, 0.72%, 0.35%

LAB 59.34, -10.53, 58.45

 

CMYK 84 / 0 / 48 / 40

HEX #189950

RGB 24 153 80

HSL 146.05, 0.73%, 0.35%

LAB 55.64, -49.76, 29.14

 

CMYK 84 / 78 / 0 / 40

HEX #182199

RGB 24 33 153

HSL 235.81, 0.73%, 0.35%

LAB 22.24, 41.42, -64.9

 

CMYK 0 / 84 / 37 / 40

HEX #991861

RGB 153 24 97

HSL 326.05, 0.73%, 0.35%

LAB 34.58, 55.88, -8.92

 

Description

Color code: RGB 153 146 25 | qconv.com Color code: RGB 153 146 25 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 146 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 146 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 84 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 84% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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