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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 153 123 111 it is the complementary color RGB 102 132 144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 153 123 111. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 153 123 111 shade: RGB 158 123 106, RGB 175 141 125, RGB 192 159 144, RGB 209 177 163 and RGB 226 195 182

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 153 123 111. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 153 123 111 shade: RGB 153 123 111, RGB 136 105 92, RGB 119 87 73, RGB 102 69 54 and RGB 85 51 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 153 123 111 shade: RGB 153 123 111, RGB 153 112 111 and RGB 153 111 111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 153 123 111 shade: RGB 153 123 111, RGB 153 134 111, RGB 153 146 111, RGB 149 153 111 and RGB 138 153 111

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 153 123 111 shade matches the following richer shades: RGB 153 123 111, RGB 173 115 91, RGB 193 106 72, RGB 212 98 52 and RGB 232 89 32

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 153 123 111 shade: RGB 153 123 111, RGB 133 132 131, RGB 113 140 151, RGB 93 149 171 and RGB 74 157 191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 153 123 111 shade: RGB 153 111 122, RGB 153 112 111, RGB 153 123 111, RGB 153 134 111 and RGB 153 145 111

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 153 123 111 shade: RGB 106 84 75, RGB 131 103 92, RGB 153 123 111, RGB 170 145 135 and RGB 187 167 160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 153 123 111 shade: RGB 153 123 111, RGB 133 153 111 and RGB 111 116 153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 153 123 111 shade: RGB 153 123 111, RGB 111 153 123 and RGB 123 111 153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 153 123 111 shade: RGB 153 123 111, RGB 133 153 111, RGB 111 141 153 and RGB 131 111 153

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 153 123 111 shade: RGB 153 123 111, RGB 120 153 111, RGB 111 141 153 and RGB 144 111 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 27 / 40

HEX #997B6F

RGB 153 123 111

HSL 17.14, 0.17%, 0.52%

LAB 54.12, 9.75, 10.95

 

Complementary color

CMYK 29 / 8 / 0 / 44

HEX #668490

RGB 102 132 144

HSL 197.14, 0.17%, 0.48%

LAB 53.32, -7.65, -9.92

 

CMYK 0 / 22 / 33 / 38

HEX #9E7B6A

RGB 158 123 106

HSL 19.62, 0.21%, 0.52%

LAB 54.53, 11.08, 14.5

 

CMYK 0 / 19 / 29 / 31

HEX #AF8D7D

RGB 175 141 125

HSL 19.2, 0.24%, 0.59%

LAB 61.35, 10.44, 13.4

 

CMYK 0 / 17 / 25 / 25

HEX #C09F90

RGB 192 159 144

HSL 18.75, 0.28%, 0.66%

LAB 68.03, 9.88, 12.39

 

CMYK 0 / 15 / 22 / 18

HEX #D1B1A3

RGB 209 177 163

HSL 18.26, 0.33%, 0.73%

LAB 74.6, 9.38, 11.45

 

CMYK 0 / 14 / 19 / 11

HEX #E2C3B6

RGB 226 195 182

HSL 17.73, 0.43%, 0.8%

LAB 81.06, 8.94, 10.58

 

CMYK 0 / 20 / 27 / 40

HEX #997B6F

RGB 153 123 111

HSL 17.14, 0.17%, 0.52%

LAB 54.12, 9.75, 10.95

 

CMYK 0 / 23 / 32 / 47

HEX #88695C

RGB 136 105 92

HSL 17.73, 0.19%, 0.45%

LAB 47.12, 10.4, 12.06

 

CMYK 0 / 27 / 39 / 53

HEX #775749

RGB 119 87 73

HSL 18.26, 0.24%, 0.38%

LAB 39.95, 11.19, 13.31

 

CMYK 0 / 32 / 47 / 60

HEX #664536

RGB 102 69 54

HSL 18.75, 0.31%, 0.31%

LAB 32.58, 12.17, 14.76

 

CMYK 0 / 40 / 59 / 67

HEX #553323

RGB 85 51 35

HSL 19.2, 0.42%, 0.24%

LAB 25.01, 13.43, 16.51

 

CMYK 0 / 20 / 27 / 40

HEX #997B6F

RGB 153 123 111

HSL 17.14, 0.17%, 0.52%

LAB 54.12, 9.75, 10.95

 

CMYK 0 / 27 / 27 / 40

HEX #99706F

RGB 153 112 111

HSL 1.43, 0.17%, 0.52%

LAB 51.28, 16.08, 6.93

 

CMYK 0 / 27 / 27 / 40

HEX #996F6F

RGB 153 111 111

HSL 0, 0.17%, 0.52%

LAB 51.02, 16.65, 6.57

 

CMYK 0 / 20 / 27 / 40

HEX #997B6F

RGB 153 123 111

HSL 17.14, 0.17%, 0.52%

LAB 54.12, 9.75, 10.95

 

CMYK 0 / 12 / 27 / 40

HEX #99866F

RGB 153 134 111

HSL 32.86, 0.17%, 0.52%

LAB 57.05, 3.49, 15.04

 

CMYK 0 / 5 / 27 / 40

HEX #99926F

RGB 153 146 111

HSL 50, 0.17%, 0.52%

LAB 60.32, -3.2, 19.53

 

CMYK 3 / 0 / 27 / 40

HEX #95996F

RGB 149 153 111

HSL 65.71, 0.17%, 0.52%

LAB 61.93, -8.62, 21.65

 

CMYK 10 / 0 / 27 / 40

HEX #8A996F

RGB 138 153 111

HSL 81.43, 0.17%, 0.52%

LAB 61.07, -12.97, 20.35

 

CMYK 0 / 20 / 27 / 40

HEX #997B6F

RGB 153 123 111

HSL 17.14, 0.17%, 0.52%

LAB 54.12, 9.75, 10.95

 

CMYK 0 / 34 / 47 / 32

HEX #AD735B

RGB 173 115 91

HSL 17.56, 0.33%, 0.52%

LAB 53.92, 20.05, 22.6

 

CMYK 0 / 45 / 63 / 24

HEX #C16A48

RGB 193 106 72

HSL 16.86, 0.49%, 0.52%

LAB 54.15, 31.58, 34.12

 

CMYK 0 / 54 / 75 / 17

HEX #D46234

RGB 212 98 52

HSL 17.25, 0.65%, 0.52%

LAB 55.05, 42.08, 46.44

 

CMYK 0 / 62 / 86 / 9

HEX #E85920

RGB 232 89 32

HSL 17.1, 0.81%, 0.52%

LAB 56.49, 52.99, 57.83

 

CMYK 0 / 20 / 27 / 40

HEX #997B6F

RGB 153 123 111

HSL 17.14, 0.17%, 0.52%

LAB 54.12, 9.75, 10.95

 

CMYK 0 / 1 / 2 / 48

HEX #858483

RGB 133 132 131

HSL 30, 0.01%, 0.52%

LAB 55.2, 0.18, 0.66

 

CMYK 25 / 7 / 0 / 41

HEX #718C97

RGB 113 140 151

HSL 197.37, 0.15%, 0.52%

LAB 56.59, -6.93, -9

 

CMYK 46 / 13 / 0 / 33

HEX #5D95AB

RGB 93 149 171

HSL 196.92, 0.32%, 0.52%

LAB 58.75, -12.4, -17.28

 

CMYK 61 / 18 / 0 / 25

HEX #4A9DBF

RGB 74 157 191

HSL 197.44, 0.48%, 0.52%

LAB 61.07, -14.94, -25.1

 

CMYK 0 / 27 / 20 / 40

HEX #996F7A

RGB 153 111 122

HSL 344.29, 0.17%, 0.52%

LAB 51.32, 18.37, 0.5

 

CMYK 0 / 27 / 27 / 40

HEX #99706F

RGB 153 112 111

HSL 1.43, 0.17%, 0.52%

LAB 51.28, 16.08, 6.93

 

CMYK 0 / 20 / 27 / 40

HEX #997B6F

RGB 153 123 111

HSL 17.14, 0.17%, 0.52%

LAB 54.12, 9.75, 10.95

 

CMYK 0 / 12 / 27 / 40

HEX #99866F

RGB 153 134 111

HSL 32.86, 0.17%, 0.52%

LAB 57.05, 3.49, 15.04

 

CMYK 0 / 5 / 27 / 40

HEX #99916F

RGB 153 145 111

HSL 48.57, 0.17%, 0.52%

LAB 60.04, -2.65, 19.15

 

CMYK 0 / 21 / 29 / 58

HEX #6A544B

RGB 106 84 75

HSL 17.42, 0.17%, 0.35%

LAB 37.69, 7.62, 8.72

 

CMYK 0 / 21 / 30 / 49

HEX #83675C

RGB 131 103 92

HSL 16.92, 0.17%, 0.44%

LAB 46.04, 9.48, 10.48

 

CMYK 0 / 20 / 27 / 40

HEX #997B6F

RGB 153 123 111

HSL 17.14, 0.17%, 0.52%

LAB 54.12, 9.75, 10.95

 

CMYK 0 / 15 / 21 / 33

HEX #AA9187

RGB 170 145 135

HSL 17.14, 0.17%, 0.6%

LAB 62.12, 7.72, 8.77

 

CMYK 0 / 11 / 14 / 27

HEX #BBA7A0

RGB 187 167 160

HSL 15.56, 0.17%, 0.68%

LAB 69.99, 6.07, 6.25

 

CMYK 0 / 20 / 27 / 40

HEX #997B6F

RGB 153 123 111

HSL 17.14, 0.17%, 0.52%

LAB 54.12, 9.75, 10.95

 

CMYK 13 / 0 / 27 / 40

HEX #85996F

RGB 133 153 111

HSL 88.57, 0.17%, 0.52%

LAB 60.71, -14.9, 19.79

 

CMYK 27 / 24 / 0 / 40

HEX #6F7499

RGB 111 116 153

HSL 232.86, 0.17%, 0.52%

LAB 49.7, 6.83, -20.61

 

CMYK 0 / 20 / 27 / 40

HEX #997B6F

RGB 153 123 111

HSL 17.14, 0.17%, 0.52%

LAB 54.12, 9.75, 10.95

 

CMYK 27 / 0 / 20 / 40

HEX #6F997B

RGB 111 153 123

HSL 137.14, 0.17%, 0.52%

LAB 59.52, -20.76, 11.21

 

CMYK 20 / 27 / 0 / 40

HEX #7B6F99

RGB 123 111 153

HSL 257.14, 0.17%, 0.52%

LAB 49.35, 13.73, -21.06

 

CMYK 0 / 20 / 27 / 40

HEX #997B6F

RGB 153 123 111

HSL 17.14, 0.17%, 0.52%

LAB 54.12, 9.75, 10.95

 

CMYK 13 / 0 / 27 / 40

HEX #85996F

RGB 133 153 111

HSL 88.57, 0.17%, 0.52%

LAB 60.71, -14.9, 19.79

 

CMYK 27 / 8 / 0 / 40

HEX #6F8D99

RGB 111 141 153

HSL 197.14, 0.17%, 0.52%

LAB 56.81, -7.64, -9.83

 

CMYK 14 / 27 / 0 / 40

HEX #836F99

RGB 131 111 153

HSL 268.57, 0.17%, 0.52%

LAB 50.09, 16.41, -19.86

 

CMYK 0 / 20 / 27 / 40

HEX #997B6F

RGB 153 123 111

HSL 17.14, 0.17%, 0.52%

LAB 54.12, 9.75, 10.95

 

CMYK 22 / 0 / 27 / 40

HEX #78996F

RGB 120 153 111

HSL 107.14, 0.17%, 0.52%

LAB 59.82, -19.78, 18.44

 

CMYK 27 / 8 / 0 / 40

HEX #6F8D99

RGB 111 141 153

HSL 197.14, 0.17%, 0.52%

LAB 56.81, -7.64, -9.83

 

CMYK 6 / 27 / 0 / 40

HEX #906F99

RGB 144 111 153

HSL 287.14, 0.17%, 0.52%

LAB 51.38, 20.86, -17.78

 

Description

Color code: RGB 153 123 111 | qconv.com Color code: RGB 153 123 111 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 123 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 123 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 27 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 27% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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