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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 153 129 165 it is the complementary color RGB 102 126 90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 153 129 165. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 153 129 165 shade: RGB 158 129 160, RGB 175 147 179, RGB 192 165 198, RGB 209 183 217 and RGB 226 201 236

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 153 129 165. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 153 129 165 shade: RGB 153 129 165, RGB 136 111 146, RGB 119 93 127, RGB 102 75 108 and RGB 85 57 89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 153 129 165 shade: RGB 153 129 166, RGB 163 129 166, RGB 166 129 158, RGB 166 129 148 and RGB 166 129 138

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 153 129 165 shade: RGB 153 129 166, RGB 144 129 166, RGB 134 129 166 and RGB 129 129 166

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 153 129 165 shade matches the following richer shades: RGB 153 129 166, RGB 159 112 183, RGB 165 95 200, RGB 171 77 218 and RGB 177 60 235

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 153 129 165 shade: RGB 153 129 166, RGB 148 147 148, RGB 142 164 131, RGB 136 181 114 and RGB 130 199 96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 153 129 165 shade: RGB 134 129 166, RGB 144 129 166, RGB 153 129 166, RGB 163 129 166 and RGB 166 129 158

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 153 129 165 shade: RGB 112 88 124, RGB 134 105 148, RGB 153 129 166, RGB 173 153 183 and RGB 192 177 200

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 153 129 165 shade: RGB 153 129 165, RGB 166 129 134 and RGB 129 166 139

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 153 129 165 shade: RGB 153 129 165, RGB 166 153 129 and RGB 129 166 153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 153 129 165 shade: RGB 153 129 165, RGB 166 129 134, RGB 141 166 129 and RGB 129 166 161

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 153 129 165 shade: RGB 153 129 165, RGB 166 135 129, RGB 141 166 129 and RGB 129 160 166

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 22 / 0 / 35

HEX #9981A5

RGB 153 129 165

HSL 280, 0.17%, 0.58%

LAB 57.26, 16.04, -15.72

 

Complementary color

CMYK 19 / 0 / 29 / 51

HEX #667E5A

RGB 102 126 90

HSL 100, 0.17%, 0.42%

LAB 50.08, -15.91, 16.83

 

CMYK 1 / 19 / 0 / 37

HEX #9E81A0

RGB 158 129 160

HSL 296.13, 0.14%, 0.57%

LAB 57.57, 16.76, -12.33

 

CMYK 2 / 18 / 0 / 30

HEX #AF93B3

RGB 175 147 179

HSL 292.5, 0.17%, 0.64%

LAB 64.35, 16.25, -12.78

 

CMYK 3 / 17 / 0 / 22

HEX #C0A5C6

RGB 192 165 198

HSL 289.09, 0.22%, 0.71%

LAB 71, 15.79, -13.21

 

CMYK 4 / 16 / 0 / 15

HEX #D1B7D9

RGB 209 183 217

HSL 285.88, 0.31%, 0.78%

LAB 77.54, 15.36, -13.63

 

CMYK 4 / 15 / 0 / 7

HEX #E2C9EC

RGB 226 201 236

HSL 282.86, 0.48%, 0.86%

LAB 83.96, 14.97, -14.05

 

CMYK 7 / 22 / 0 / 35

HEX #9981A5

RGB 153 129 165

HSL 280, 0.17%, 0.58%

LAB 57.26, 16.04, -15.72

 

CMYK 7 / 24 / 0 / 43

HEX #886F92

RGB 136 111 146

HSL 282.86, 0.14%, 0.5%

LAB 50.31, 16.58, -15.37

 

CMYK 6 / 27 / 0 / 50

HEX #775D7F

RGB 119 93 127

HSL 285.88, 0.15%, 0.43%

LAB 43.19, 17.19, -15.02

 

CMYK 6 / 31 / 0 / 58

HEX #664B6C

RGB 102 75 108

HSL 289.09, 0.18%, 0.36%

LAB 35.87, 17.88, -14.66

 

CMYK 4 / 36 / 0 / 65

HEX #553959

RGB 85 57 89

HSL 292.5, 0.22%, 0.29%

LAB 28.32, 18.66, -14.29

 

CMYK 8 / 22 / 0 / 35

HEX #9981A6

RGB 153 129 166

HSL 278.92, 0.17%, 0.58%

LAB 57.29, 16.25, -16.24

 

CMYK 2 / 22 / 0 / 35

HEX #A381A6

RGB 163 129 166

HSL 295.14, 0.17%, 0.58%

LAB 58.26, 19.71, -14.68

 

CMYK 0 / 22 / 5 / 35

HEX #A6819E

RGB 166 129 158

HSL 312.97, 0.17%, 0.58%

LAB 58.3, 19.22, -10.01

 

CMYK 0 / 22 / 11 / 35

HEX #A68194

RGB 166 129 148

HSL 329.19, 0.17%, 0.58%

LAB 57.99, 17.4, -4.72

 

CMYK 0 / 22 / 17 / 35

HEX #A6818A

RGB 166 129 138

HSL 345.41, 0.17%, 0.58%

LAB 57.7, 15.68, 0.63

 

CMYK 8 / 22 / 0 / 35

HEX #9981A6

RGB 153 129 166

HSL 278.92, 0.17%, 0.58%

LAB 57.29, 16.25, -16.24

 

CMYK 13 / 22 / 0 / 35

HEX #9081A6

RGB 144 129 166

HSL 264.32, 0.17%, 0.58%

LAB 56.47, 13.18, -17.57

 

CMYK 19 / 22 / 0 / 35

HEX #8681A6

RGB 134 129 166

HSL 248.11, 0.17%, 0.58%

LAB 55.61, 9.84, -18.97

 

CMYK 22 / 22 / 0 / 35

HEX #8181A6

RGB 129 129 166

HSL 240, 0.17%, 0.58%

LAB 55.2, 8.21, -19.63

 

CMYK 8 / 22 / 0 / 35

HEX #9981A6

RGB 153 129 166

HSL 278.92, 0.17%, 0.58%

LAB 57.29, 16.25, -16.24

 

CMYK 13 / 39 / 0 / 28

HEX #9F70B7

RGB 159 112 183

HSL 279.72, 0.33%, 0.58%

LAB 54.43, 31.65, -30.38

 

CMYK 18 / 53 / 0 / 22

HEX #A55FC8

RGB 165 95 200

HSL 280, 0.49%, 0.58%

LAB 52.23, 46.45, -43.53

 

CMYK 22 / 65 / 0 / 15

HEX #AB4DDA

RGB 171 77 218

HSL 280, 0.66%, 0.58%

LAB 50.72, 60.63, -56.18

 

CMYK 25 / 74 / 0 / 8

HEX #B13CEB

RGB 177 60 235

HSL 280.11, 0.81%, 0.58%

LAB 50.19, 72.21, -66.62

 

CMYK 8 / 22 / 0 / 35

HEX #9981A6

RGB 153 129 166

HSL 278.92, 0.17%, 0.58%

LAB 57.29, 16.25, -16.24

 

CMYK 0 / 1 / 0 / 42

HEX #949394

RGB 148 147 148

HSL 300, 0%, 0.58%

LAB 61.05, 0.56, -0.41

 

CMYK 13 / 0 / 20 / 36

HEX #8EA483

RGB 142 164 131

HSL 100, 0.15%, 0.58%

LAB 64.92, -14, 14.61

 

CMYK 25 / 0 / 37 / 29

HEX #88B572

RGB 136 181 114

HSL 100.3, 0.31%, 0.58%

LAB 69.11, -27.5, 29.42

 

CMYK 35 / 0 / 52 / 22

HEX #82C760

RGB 130 199 96

HSL 100.19, 0.48%, 0.58%

LAB 73.83, -40.3, 44.39

 

CMYK 19 / 22 / 0 / 35

HEX #8681A6

RGB 134 129 166

HSL 248.11, 0.17%, 0.58%

LAB 55.61, 9.84, -18.97

 

CMYK 13 / 22 / 0 / 35

HEX #9081A6

RGB 144 129 166

HSL 264.32, 0.17%, 0.58%

LAB 56.47, 13.18, -17.57

 

CMYK 8 / 22 / 0 / 35

HEX #9981A6

RGB 153 129 166

HSL 278.92, 0.17%, 0.58%

LAB 57.29, 16.25, -16.24

 

CMYK 2 / 22 / 0 / 35

HEX #A381A6

RGB 163 129 166

HSL 295.14, 0.17%, 0.58%

LAB 58.26, 19.71, -14.68

 

CMYK 0 / 22 / 5 / 35

HEX #A6819E

RGB 166 129 158

HSL 312.97, 0.17%, 0.58%

LAB 58.3, 19.22, -10.01

 

CMYK 10 / 29 / 0 / 51

HEX #70587C

RGB 112 88 124

HSL 280, 0.17%, 0.42%

LAB 41.02, 17.07, -16.56

 

CMYK 9 / 29 / 0 / 42

HEX #866994

RGB 134 105 148

HSL 280.47, 0.17%, 0.5%

LAB 48.65, 19.87, -19.1

 

CMYK 8 / 22 / 0 / 35

HEX #9981A6

RGB 153 129 166

HSL 278.92, 0.17%, 0.58%

LAB 57.29, 16.25, -16.24

 

CMYK 5 / 16 / 0 / 28

HEX #AD99B7

RGB 173 153 183

HSL 280, 0.17%, 0.66%

LAB 65.82, 13, -12.84

 

CMYK 4 / 12 / 0 / 22

HEX #C0B1C8

RGB 192 177 200

HSL 279.13, 0.17%, 0.74%

LAB 74.08, 9.6, -9.71

 

CMYK 7 / 22 / 0 / 35

HEX #9981A5

RGB 153 129 165

HSL 280, 0.17%, 0.58%

LAB 57.26, 16.04, -15.72

 

CMYK 0 / 22 / 19 / 35

HEX #A68186

RGB 166 129 134

HSL 351.89, 0.17%, 0.58%

LAB 57.59, 15.03, 2.77

 

CMYK 22 / 0 / 16 / 35

HEX #81A68B

RGB 129 166 139

HSL 136.22, 0.17%, 0.58%

LAB 64.81, -18.21, 9.89

 

CMYK 7 / 22 / 0 / 35

HEX #9981A5

RGB 153 129 165

HSL 280, 0.17%, 0.58%

LAB 57.26, 16.04, -15.72

 

CMYK 0 / 8 / 22 / 35

HEX #A69981

RGB 166 153 129

HSL 38.92, 0.17%, 0.58%

LAB 63.73, 0.79, 14.35

 

CMYK 22 / 0 / 8 / 35

HEX #81A699

RGB 129 166 153

HSL 158.92, 0.17%, 0.58%

LAB 65.15, -15.37, 2.59

 

CMYK 7 / 22 / 0 / 35

HEX #9981A5

RGB 153 129 165

HSL 280, 0.17%, 0.58%

LAB 57.26, 16.04, -15.72

 

CMYK 0 / 22 / 19 / 35

HEX #A68186

RGB 166 129 134

HSL 351.89, 0.17%, 0.58%

LAB 57.59, 15.03, 2.77

 

CMYK 15 / 0 / 22 / 35

HEX #8DA681

RGB 141 166 129

HSL 100.54, 0.17%, 0.58%

LAB 65.37, -15.76, 16.34

 

CMYK 22 / 0 / 3 / 35

HEX #81A6A1

RGB 129 166 161

HSL 171.89, 0.17%, 0.58%

LAB 65.37, -13.64, -1.56

 

CMYK 7 / 22 / 0 / 35

HEX #9981A5

RGB 153 129 165

HSL 280, 0.17%, 0.58%

LAB 57.26, 16.04, -15.72

 

CMYK 0 / 19 / 22 / 35

HEX #A68781

RGB 166 135 129

HSL 9.73, 0.17%, 0.58%

LAB 58.99, 10.84, 7.67

 

CMYK 15 / 0 / 22 / 35

HEX #8DA681

RGB 141 166 129

HSL 100.54, 0.17%, 0.58%

LAB 65.37, -15.76, 16.34

 

CMYK 22 / 4 / 0 / 35

HEX #81A0A6

RGB 129 160 166

HSL 189.73, 0.17%, 0.58%

LAB 63.8, -9.3, -6.66

 

Description

Color code: RGB 153 129 165 | qconv.com Color code: RGB 153 129 165 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 129 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 129 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 22 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 22% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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