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Color name
RGB 153 115 24

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 153 115 24 it is the complementary color RGB 102 140 231. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 153 115 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 153 115 24 shade: RGB 158 115 19, RGB 175 133 38, RGB 192 151 57, RGB 209 169 76 and RGB 226 187 95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 153 115 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 153 115 24 shade: RGB 153 115 24, RGB 136 97 5, RGB 119 79 0, RGB 102 61 0 and RGB 85 43 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 153 115 24 shade: RGB 154 116 24, RGB 154 80 24, RGB 154 45 24 and RGB 154 24 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 153 115 24 shade: RGB 154 116 24, RGB 154 151 24, RGB 122 154 24, RGB 87 154 24 and RGB 52 154 24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 153 115 24 shade matches the following richer shades: RGB 154 116 24 and RGB 168 121 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 153 115 24 shade: RGB 154 116 24, RGB 139 110 38, RGB 125 104 52, RGB 111 98 67 and RGB 96 92 81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 153 115 24 shade: RGB 154 45 24, RGB 154 80 24, RGB 154 115 24, RGB 154 150 24 and RGB 123 154 24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 153 115 24 shade: RGB 83 62 12, RGB 118 89 18, RGB 154 116 24, RGB 190 142 29 and RGB 221 167 39

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 153 115 24 shade: RGB 153 115 24, RGB 37 154 24 and RGB 63 24 154

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 153 115 24 shade: RGB 153 115 24, RGB 24 154 115 and RGB 115 24 154

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 153 115 24 shade: RGB 153 115 24, RGB 37 154 24, RGB 24 63 154 and RGB 141 24 154

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 153 115 24 shade: RGB 153 115 24, RGB 24 154 50, RGB 24 63 154 and RGB 154 24 128

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 84 / 40

HEX #997318

RGB 153 115 24

HSL 42.33, 0.73%, 0.35%

LAB 50.8, 6.61, 51.43

 

Complementary color

CMYK 56 / 39 / 0 / 9

HEX #668CE7

RGB 102 140 231

HSL 222.33, 0.73%, 0.65%

LAB 59.3, 13.13, -50.15

 

CMYK 0 / 27 / 88 / 38

HEX #9E7313

RGB 158 115 19

HSL 41.44, 0.79%, 0.35%

LAB 51.36, 8.79, 53.63

 

CMYK 0 / 24 / 78 / 31

HEX #AF8526

RGB 175 133 38

HSL 41.61, 0.64%, 0.42%

LAB 58.06, 7.06, 53.92

 

CMYK 0 / 21 / 70 / 25

HEX #C09739

RGB 192 151 57

HSL 41.78, 0.54%, 0.49%

LAB 64.67, 5.62, 53.29

 

CMYK 0 / 19 / 64 / 18

HEX #D1A94C

RGB 209 169 76

HSL 41.95, 0.59%, 0.56%

LAB 71.18, 4.41, 52.26

 

CMYK 0 / 17 / 58 / 11

HEX #E2BB5F

RGB 226 187 95

HSL 42.14, 0.69%, 0.63%

LAB 77.6, 3.38, 51.07

 

CMYK 0 / 25 / 84 / 40

HEX #997318

RGB 153 115 24

HSL 42.33, 0.73%, 0.35%

LAB 50.8, 6.61, 51.43

 

CMYK 0 / 29 / 96 / 47

HEX #886105

RGB 136 97 5

HSL 42.14, 0.93%, 0.28%

LAB 43.94, 8.54, 50.18

 

CMYK 0 / 34 / 100 / 53

HEX #774F00

RGB 119 79 0

HSL 39.83, 1%, 0.23%

LAB 36.96, 10.92, 45.73

 

CMYK 0 / 40 / 100 / 60

HEX #663D00

RGB 102 61 0

HSL 35.88, 1%, 0.2%

LAB 29.82, 13.56, 39.79

 

CMYK 0 / 49 / 100 / 67

HEX #552B00

RGB 85 43 0

HSL 30.35, 1%, 0.17%

LAB 22.51, 16.35, 32.18

 

CMYK 0 / 25 / 84 / 40

HEX #9A7418

RGB 154 116 24

HSL 42.46, 0.73%, 0.35%

LAB 51.18, 6.5, 51.8

 

CMYK 0 / 48 / 84 / 40

HEX #9A5018

RGB 154 80 24

HSL 25.85, 0.73%, 0.35%

LAB 42.27, 26.98, 44.01

 

CMYK 0 / 71 / 84 / 40

HEX #9A2D18

RGB 154 45 24

HSL 9.69, 0.73%, 0.35%

LAB 35.62, 44.23, 38.01

 

CMYK 0 / 84 / 84 / 40

HEX #9A1818

RGB 154 24 24

HSL 0, 0.73%, 0.35%

LAB 33.11, 51.22, 35.68

 

CMYK 0 / 25 / 84 / 40

HEX #9A7418

RGB 154 116 24

HSL 42.46, 0.73%, 0.35%

LAB 51.18, 6.5, 51.8

 

CMYK 0 / 2 / 84 / 40

HEX #9A9718

RGB 154 151 24

HSL 58.62, 0.73%, 0.35%

LAB 60.84, -12.76, 60.01

 

CMYK 21 / 0 / 84 / 40

HEX #7A9A18

RGB 122 154 24

HSL 74.77, 0.73%, 0.35%

LAB 59.26, -28.28, 57.69

 

CMYK 44 / 0 / 84 / 40

HEX #579A18

RGB 87 154 24

HSL 90.92, 0.73%, 0.35%

LAB 57.27, -41.78, 55.17

 

CMYK 66 / 0 / 84 / 40

HEX #349A18

RGB 52 154 24

HSL 107.08, 0.73%, 0.35%

LAB 55.99, -51.81, 53.54

 

CMYK 0 / 25 / 84 / 40

HEX #9A7418

RGB 154 116 24

HSL 42.46, 0.73%, 0.35%

LAB 51.18, 6.5, 51.8

 

CMYK 0 / 28 / 95 / 34

HEX #A87909

RGB 168 121 9

HSL 42.26, 0.9%, 0.35%

LAB 54.05, 9.81, 58.45

 

CMYK 0 / 25 / 84 / 40

HEX #9A7418

RGB 154 116 24

HSL 42.46, 0.73%, 0.35%

LAB 51.18, 6.5, 51.8

 

CMYK 0 / 21 / 73 / 45

HEX #8B6E26

RGB 139 110 38

HSL 42.77, 0.57%, 0.35%

LAB 47.98, 3.55, 42.74

 

CMYK 0 / 17 / 58 / 51

HEX #7D6834

RGB 125 104 52

HSL 42.74, 0.41%, 0.35%

LAB 44.95, 1.5, 32.02

 

CMYK 0 / 12 / 40 / 56

HEX #6F6243

RGB 111 98 67

HSL 42.27, 0.25%, 0.35%

LAB 42.03, 0.25, 19.56

 

CMYK 0 / 4 / 16 / 62

HEX #605C51

RGB 96 92 81

HSL 44, 0.08%, 0.35%

LAB 39.13, -0.52, 6.9

 

CMYK 0 / 71 / 84 / 40

HEX #9A2D18

RGB 154 45 24

HSL 9.69, 0.73%, 0.35%

LAB 35.62, 44.23, 38.01

 

CMYK 0 / 48 / 84 / 40

HEX #9A5018

RGB 154 80 24

HSL 25.85, 0.73%, 0.35%

LAB 42.27, 26.98, 44.01

 

CMYK 0 / 25 / 84 / 40

HEX #9A7318

RGB 154 115 24

HSL 42, 0.73%, 0.35%

LAB 50.92, 7.07, 51.57

 

CMYK 0 / 3 / 84 / 40

HEX #9A9618

RGB 154 150 24

HSL 58.15, 0.73%, 0.35%

LAB 60.56, -12.23, 59.78

 

CMYK 20 / 0 / 84 / 40

HEX #7B9A18

RGB 123 154 24

HSL 74.31, 0.73%, 0.35%

LAB 59.33, -27.86, 57.78

 

CMYK 0 / 25 / 86 / 67

HEX #533E0C

RGB 83 62 12

HSL 42.25, 0.75%, 0.19%

LAB 27.6, 3.75, 32.06

 

CMYK 0 / 25 / 85 / 54

HEX #765912

RGB 118 89 18

HSL 42.6, 0.74%, 0.27%

LAB 39.65, 4.92, 42.18

 

CMYK 0 / 25 / 84 / 40

HEX #9A7418

RGB 154 116 24

HSL 42.46, 0.73%, 0.35%

LAB 51.18, 6.5, 51.8

 

CMYK 0 / 25 / 85 / 25

HEX #BE8E1D

RGB 190 142 29

HSL 42.11, 0.74%, 0.43%

LAB 61.98, 8.52, 61.04

 

CMYK 0 / 24 / 82 / 13

HEX #DDA727

RGB 221 167 39

HSL 42.2, 0.73%, 0.51%

LAB 71.66, 8.95, 67.62

 

CMYK 0 / 25 / 84 / 40

HEX #997318

RGB 153 115 24

HSL 42.33, 0.73%, 0.35%

LAB 50.8, 6.61, 51.43

 

CMYK 76 / 0 / 84 / 40

HEX #259A18

RGB 37 154 24

HSL 114, 0.73%, 0.35%

LAB 55.66, -54.7, 53.11

 

CMYK 59 / 84 / 0 / 40

HEX #3F189A

RGB 63 24 154

HSL 258, 0.73%, 0.35%

LAB 23.81, 49.41, -62.81

 

CMYK 0 / 25 / 84 / 40

HEX #997318

RGB 153 115 24

HSL 42.33, 0.73%, 0.35%

LAB 50.8, 6.61, 51.43

 

CMYK 84 / 0 / 25 / 40

HEX #189A73

RGB 24 154 115

HSL 162, 0.73%, 0.35%

LAB 56.63, -42.69, 11.22

 

CMYK 25 / 84 / 0 / 40

HEX #73189A

RGB 115 24 154

HSL 282, 0.73%, 0.35%

LAB 30.95, 56.74, -50.84

 

CMYK 0 / 25 / 84 / 40

HEX #997318

RGB 153 115 24

HSL 42.33, 0.73%, 0.35%

LAB 50.8, 6.61, 51.43

 

CMYK 76 / 0 / 84 / 40

HEX #259A18

RGB 37 154 24

HSL 114, 0.73%, 0.35%

LAB 55.66, -54.7, 53.11

 

CMYK 84 / 59 / 0 / 40

HEX #183F9A

RGB 24 63 154

HSL 222, 0.73%, 0.35%

LAB 29.62, 22.37, -53.38

 

CMYK 8 / 84 / 0 / 40

HEX #8D189A

RGB 141 24 154

HSL 294, 0.73%, 0.35%

LAB 35.3, 61.39, -43.6

 

CMYK 0 / 25 / 84 / 40

HEX #997318

RGB 153 115 24

HSL 42.33, 0.73%, 0.35%

LAB 50.8, 6.61, 51.43

 

CMYK 84 / 0 / 68 / 40

HEX #189A32

RGB 24 154 50

HSL 132, 0.73%, 0.35%

LAB 55.62, -54.38, 43.74

 

CMYK 84 / 59 / 0 / 40

HEX #183F9A

RGB 24 63 154

HSL 222, 0.73%, 0.35%

LAB 29.62, 22.37, -53.38

 

CMYK 0 / 84 / 17 / 40

HEX #9A1880

RGB 154 24 128

HSL 312, 0.73%, 0.35%

LAB 36.14, 59.97, -26.11

 

Description

Color code: RGB 153 115 24 | qconv.com Color code: RGB 153 115 24 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 115 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 115 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 84 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 84% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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