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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 153 101 109 it is the complementary color RGB 102 154 146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 153 101 109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 153 101 109 shade: RGB 158 101 104, RGB 175 119 123, RGB 192 137 142, RGB 209 155 161 and RGB 226 173 180

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 153 101 109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 153 101 109 shade: RGB 153 101 109, RGB 136 83 90, RGB 119 65 71, RGB 102 47 52 and RGB 85 29 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 153 101 109 shade: RGB 153 102 109 and RGB 153 102 102

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 153 101 109 shade: RGB 153 102 109, RGB 153 102 123, RGB 153 102 137, RGB 153 102 151 and RGB 141 102 153

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 153 101 109 shade matches the following richer shades: RGB 153 102 109, RGB 173 81 95, RGB 194 60 81, RGB 214 40 66 and RGB 235 19 52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 153 101 109 shade: RGB 153 102 109, RGB 132 122 124, RGB 111 143 138, RGB 91 163 152 and RGB 70 184 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 153 101 109 shade: RGB 153 102 137, RGB 153 102 124, RGB 153 102 110, RGB 153 107 102 and RGB 153 120 102

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 153 101 109 shade: RGB 103 68 74, RGB 128 85 92, RGB 153 102 109, RGB 169 126 133 and RGB 186 151 156

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 153 101 109 shade: RGB 153 101 109, RGB 151 153 102 and RGB 102 130 153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 153 101 109 shade: RGB 153 101 109, RGB 110 153 102 and RGB 102 110 153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 153 101 109 shade: RGB 153 101 109, RGB 151 153 102, RGB 102 153 144 and RGB 103 102 153

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 153 101 109 shade: RGB 153 101 109, RGB 136 153 102, RGB 102 153 144 and RGB 118 102 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 29 / 40

HEX #99656D

RGB 153 101 109

HSL 350.77, 0.2%, 0.5%

LAB 48.49, 22.12, 4.13

 

Complementary color

CMYK 34 / 0 / 5 / 40

HEX #669A92

RGB 102 154 146

HSL 170.77, 0.2%, 0.5%

LAB 59.9, -19.12, -1.32

 

CMYK 0 / 36 / 34 / 38

HEX #9E6568

RGB 158 101 104

HSL 356.84, 0.23%, 0.51%

LAB 48.98, 23.4, 7.9

 

CMYK 0 / 32 / 30 / 31

HEX #AF777B

RGB 175 119 123

HSL 355.71, 0.26%, 0.58%

LAB 55.82, 22.52, 6.74

 

CMYK 0 / 29 / 26 / 25

HEX #C0898E

RGB 192 137 142

HSL 354.55, 0.3%, 0.65%

LAB 62.55, 21.73, 5.71

 

CMYK 0 / 26 / 23 / 18

HEX #D19BA1

RGB 209 155 161

HSL 353.33, 0.37%, 0.71%

LAB 69.16, 21.02, 4.78

 

CMYK 0 / 23 / 20 / 11

HEX #E2ADB4

RGB 226 173 180

HSL 352.08, 0.48%, 0.78%

LAB 75.67, 20.38, 3.92

 

CMYK 0 / 34 / 29 / 40

HEX #99656D

RGB 153 101 109

HSL 350.77, 0.2%, 0.5%

LAB 48.49, 22.12, 4.13

 

CMYK 0 / 39 / 34 / 47

HEX #88535A

RGB 136 83 90

HSL 352.08, 0.24%, 0.43%

LAB 41.47, 23.05, 5.31

 

CMYK 0 / 45 / 40 / 53

HEX #774147

RGB 119 65 71

HSL 353.33, 0.29%, 0.36%

LAB 34.31, 24.09, 6.71

 

CMYK 0 / 54 / 49 / 60

HEX #662F34

RGB 102 47 52

HSL 354.55, 0.37%, 0.29%

LAB 27.03, 25.24, 8.5

 

CMYK 0 / 66 / 61 / 67

HEX #551D21

RGB 85 29 33

HSL 355.71, 0.49%, 0.22%

LAB 19.72, 26.38, 10.95

 

CMYK 0 / 33 / 29 / 40

HEX #99666D

RGB 153 102 109

HSL 351.76, 0.2%, 0.5%

LAB 48.73, 21.55, 4.48

 

CMYK 0 / 33 / 33 / 40

HEX #996666

RGB 153 102 102

HSL 0, 0.2%, 0.5%

LAB 48.55, 20.56, 8.4

 

CMYK 0 / 33 / 29 / 40

HEX #99666D

RGB 153 102 109

HSL 351.76, 0.2%, 0.5%

LAB 48.73, 21.55, 4.48

 

CMYK 0 / 33 / 20 / 40

HEX #99667B

RGB 153 102 123

HSL 335.29, 0.2%, 0.5%

LAB 49.14, 23.72, -3.3

 

CMYK 0 / 33 / 10 / 40

HEX #996689

RGB 153 102 137

HSL 318.82, 0.2%, 0.5%

LAB 49.59, 26.13, -10.95

 

CMYK 0 / 33 / 1 / 40

HEX #996697

RGB 153 102 151

HSL 302.35, 0.2%, 0.5%

LAB 50.11, 28.76, -18.45

 

CMYK 8 / 33 / 0 / 40

HEX #8D6699

RGB 141 102 153

HSL 285.88, 0.2%, 0.5%

LAB 48.84, 25.1, -21.7

 

CMYK 0 / 33 / 29 / 40

HEX #99666D

RGB 153 102 109

HSL 351.76, 0.2%, 0.5%

LAB 48.73, 21.55, 4.48

 

CMYK 0 / 53 / 45 / 32

HEX #AD515F

RGB 173 81 95

HSL 350.87, 0.36%, 0.5%

LAB 46.44, 38.98, 10.03

 

CMYK 0 / 69 / 58 / 24

HEX #C23C51

RGB 194 60 81

HSL 350.6, 0.53%, 0.5%

LAB 46.04, 54.45, 18.56

 

CMYK 0 / 81 / 69 / 16

HEX #D62842

RGB 214 40 66

HSL 351.03, 0.69%, 0.5%

LAB 47.24, 65.82, 29.97

 

CMYK 0 / 92 / 78 / 8

HEX #EB1334

RGB 235 19 52

HSL 350.83, 0.85%, 0.5%

LAB 49.95, 74.51, 42.35

 

CMYK 0 / 33 / 29 / 40

HEX #99666D

RGB 153 102 109

HSL 351.76, 0.2%, 0.5%

LAB 48.73, 21.55, 4.48

 

CMYK 0 / 8 / 6 / 48

HEX #847A7C

RGB 132 122 124

HSL 348, 0.04%, 0.5%

LAB 52.15, 4.2, 0.28

 

CMYK 22 / 0 / 3 / 44

HEX #6F8F8A

RGB 111 143 138

HSL 170.63, 0.13%, 0.5%

LAB 56.94, -12.28, -1.03

 

CMYK 44 / 0 / 7 / 36

HEX #5BA398

RGB 91 163 152

HSL 170.83, 0.28%, 0.5%

LAB 62.24, -25.31, -1.33

 

CMYK 62 / 0 / 10 / 28

HEX #46B8A6

RGB 70 184 166

HSL 170.53, 0.45%, 0.5%

LAB 68.27, -36.38, -0.39

 

CMYK 0 / 33 / 10 / 40

HEX #996689

RGB 153 102 137

HSL 318.82, 0.2%, 0.5%

LAB 49.59, 26.13, -10.95

 

CMYK 0 / 33 / 19 / 40

HEX #99667C

RGB 153 102 124

HSL 334.12, 0.2%, 0.5%

LAB 49.17, 23.88, -3.85

 

CMYK 0 / 33 / 28 / 40

HEX #99666E

RGB 153 102 110

HSL 350.59, 0.2%, 0.5%

LAB 48.76, 21.7, 3.92

 

CMYK 0 / 30 / 33 / 40

HEX #996B66

RGB 153 107 102

HSL 5.88, 0.2%, 0.5%

LAB 49.79, 17.68, 10.15

 

CMYK 0 / 22 / 33 / 40

HEX #997866

RGB 153 120 102

HSL 21.18, 0.2%, 0.5%

LAB 53.13, 10.19, 14.8

 

CMYK 0 / 34 / 28 / 60

HEX #67444A

RGB 103 68 74

HSL 349.71, 0.2%, 0.34%

LAB 32.95, 16.05, 2.55

 

CMYK 0 / 34 / 28 / 50

HEX #80555C

RGB 128 85 92

HSL 350.23, 0.2%, 0.42%

LAB 40.99, 18.92, 3.25

 

CMYK 0 / 33 / 29 / 40

HEX #99666D

RGB 153 102 109

HSL 351.76, 0.2%, 0.5%

LAB 48.73, 21.55, 4.48

 

CMYK 0 / 25 / 21 / 34

HEX #A97E85

RGB 169 126 133

HSL 350.23, 0.2%, 0.58%

LAB 57.12, 17.73, 2.72

 

CMYK 0 / 19 / 16 / 27

HEX #BA979C

RGB 186 151 156

HSL 351.43, 0.2%, 0.66%

LAB 65.73, 13.85, 2.31

 

CMYK 0 / 34 / 29 / 40

HEX #99656D

RGB 153 101 109

HSL 350.77, 0.2%, 0.5%

LAB 48.49, 22.12, 4.13

 

CMYK 1 / 0 / 33 / 40

HEX #979966

RGB 151 153 102

HSL 62.35, 0.2%, 0.5%

LAB 61.93, -9.05, 26.62

 

CMYK 33 / 15 / 0 / 40

HEX #668299

RGB 102 130 153

HSL 207.06, 0.2%, 0.5%

LAB 53.05, -4.18, -15.56

 

CMYK 0 / 34 / 29 / 40

HEX #99656D

RGB 153 101 109

HSL 350.77, 0.2%, 0.5%

LAB 48.49, 22.12, 4.13

 

CMYK 28 / 0 / 33 / 40

HEX #6E9966

RGB 110 153 102

HSL 110.59, 0.2%, 0.5%

LAB 59.03, -24.91, 22.24

 

CMYK 33 / 28 / 0 / 40

HEX #666E99

RGB 102 110 153

HSL 230.59, 0.2%, 0.5%

LAB 47.34, 7.64, -24.32

 

CMYK 0 / 34 / 29 / 40

HEX #99656D

RGB 153 101 109

HSL 350.77, 0.2%, 0.5%

LAB 48.49, 22.12, 4.13

 

CMYK 1 / 0 / 33 / 40

HEX #979966

RGB 151 153 102

HSL 62.35, 0.2%, 0.5%

LAB 61.93, -9.05, 26.62

 

CMYK 33 / 0 / 6 / 40

HEX #669990

RGB 102 153 144

HSL 169.41, 0.2%, 0.5%

LAB 59.54, -19.07, -0.7

 

CMYK 33 / 33 / 0 / 40

HEX #676699

RGB 103 102 153

HSL 241.18, 0.2%, 0.5%

LAB 45.2, 12.82, -27.62

 

CMYK 0 / 34 / 29 / 40

HEX #99656D

RGB 153 101 109

HSL 350.77, 0.2%, 0.5%

LAB 48.49, 22.12, 4.13

 

CMYK 11 / 0 / 33 / 40

HEX #889966

RGB 136 153 102

HSL 80, 0.2%, 0.5%

LAB 60.76, -15.09, 24.86

 

CMYK 33 / 0 / 6 / 40

HEX #669990

RGB 102 153 144

HSL 169.41, 0.2%, 0.5%

LAB 59.54, -19.07, -0.7

 

CMYK 23 / 33 / 0 / 40

HEX #766699

RGB 118 102 153

HSL 258.82, 0.2%, 0.5%

LAB 46.52, 17.51, -25.48

 

Description

Color code: RGB 153 101 109 | qconv.com Color code: RGB 153 101 109 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 101 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 101 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 29 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 29% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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