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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 152 69 107 it is the complementary color RGB 103 186 148. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 152 69 107. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 152 69 107 shade: RGB 157 69 102, RGB 174 87 121, RGB 191 105 140, RGB 208 123 159 and RGB 225 141 178

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 152 69 107. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 152 69 107 shade: RGB 152 69 107, RGB 135 51 88, RGB 118 33 69, RGB 101 15 50 and RGB 84 0 31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 152 69 107 shade: RGB 151 67 106, RGB 151 67 83 and RGB 151 67 67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 152 69 107 shade: RGB 151 67 106, RGB 151 67 128, RGB 151 67 151, RGB 129 67 151 and RGB 106 67 151

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 152 69 107 shade matches the following richer shades: RGB 151 67 106, RGB 169 50 104, RGB 186 32 103 and RGB 204 14 101

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 152 69 107 shade: RGB 151 67 106, RGB 133 85 107, RGB 115 103 109, RGB 98 121 110 and RGB 80 138 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 152 69 107 shade: RGB 151 67 151, RGB 151 67 129, RGB 151 67 106, RGB 151 67 84 and RGB 151 73 67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 152 69 107 shade: RGB 94 42 66, RGB 122 55 86, RGB 151 67 106, RGB 177 82 126 and RGB 190 111 147

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 152 69 107 shade: RGB 152 69 107, RGB 151 129 67 and RGB 67 140 151

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 152 69 107 shade: RGB 152 69 107, RGB 106 151 67 and RGB 67 106 151

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 152 69 107 shade: RGB 152 69 107, RGB 151 129 67, RGB 67 151 112 and RGB 67 90 151

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 152 69 107 shade: RGB 152 69 107, RGB 148 151 67, RGB 67 151 112 and RGB 70 67 151

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 30 / 40

HEX #98456B

RGB 152 69 107

HSL 332.53, 0.38%, 0.43%

LAB 41.21, 39.12, -5.33

 

Complementary color

CMYK 45 / 0 / 20 / 27

HEX #67BA94

RGB 103 186 148

HSL 152.53, 0.38%, 0.57%

LAB 69.57, -34.18, 11.5

 

CMYK 0 / 56 / 35 / 38

HEX #9D4566

RGB 157 69 102

HSL 337.5, 0.39%, 0.44%

LAB 41.82, 40.18, -1.23

 

CMYK 0 / 50 / 30 / 32

HEX #AE5779

RGB 174 87 121

HSL 336.55, 0.35%, 0.51%

LAB 48.51, 39.37, -2.71

 

CMYK 0 / 45 / 27 / 25

HEX #BF698C

RGB 191 105 140

HSL 335.58, 0.4%, 0.58%

LAB 55.15, 38.5, -3.93

 

CMYK 0 / 41 / 24 / 18

HEX #D07B9F

RGB 208 123 159

HSL 334.59, 0.47%, 0.65%

LAB 61.72, 37.65, -4.97

 

CMYK 0 / 37 / 21 / 12

HEX #E18DB2

RGB 225 141 178

HSL 333.57, 0.58%, 0.72%

LAB 68.22, 36.84, -5.88

 

CMYK 0 / 55 / 30 / 40

HEX #98456B

RGB 152 69 107

HSL 332.53, 0.38%, 0.43%

LAB 41.21, 39.12, -5.33

 

CMYK 0 / 62 / 35 / 47

HEX #873358

RGB 135 51 88

HSL 333.57, 0.45%, 0.36%

LAB 34.44, 39.77, -3.68

 

CMYK 0 / 72 / 42 / 54

HEX #762145

RGB 118 33 69

HSL 334.59, 0.56%, 0.3%

LAB 27.76, 40.02, -1.44

 

CMYK 0 / 85 / 50 / 60

HEX #650F32

RGB 101 15 50

HSL 335.58, 0.74%, 0.23%

LAB 21.35, 39.33, 1.79

 

CMYK 0 / 100 / 63 / 67

HEX #54001F

RGB 84 0 31

HSL 337.86, 1%, 0.16%

LAB 15.4, 37.16, 6.48

 

CMYK 0 / 56 / 30 / 41

HEX #97436A

RGB 151 67 106

HSL 332.14, 0.39%, 0.43%

LAB 40.63, 39.66, -5.58

 

CMYK 0 / 56 / 45 / 41

HEX #974353

RGB 151 67 83

HSL 348.57, 0.39%, 0.43%

LAB 39.95, 36.82, 7.79

 

CMYK 0 / 56 / 56 / 41

HEX #974343

RGB 151 67 67

HSL 0, 0.39%, 0.43%

LAB 39.58, 35.26, 17.26

 

CMYK 0 / 56 / 30 / 41

HEX #97436A

RGB 151 67 106

HSL 332.14, 0.39%, 0.43%

LAB 40.63, 39.66, -5.58

 

CMYK 0 / 56 / 15 / 41

HEX #974380

RGB 151 67 128

HSL 316.43, 0.39%, 0.43%

LAB 41.46, 42.97, -17.91

 

CMYK 0 / 56 / 0 / 41

HEX #974397

RGB 151 67 151

HSL 300, 0.39%, 0.43%

LAB 42.5, 46.98, -30.25

 

CMYK 15 / 56 / 0 / 41

HEX #814397

RGB 129 67 151

HSL 284.29, 0.39%, 0.43%

LAB 39.44, 40.79, -35.29

 

CMYK 30 / 56 / 0 / 41

HEX #6A4397

RGB 106 67 151

HSL 267.86, 0.39%, 0.43%

LAB 36.58, 34.48, -40.01

 

CMYK 0 / 56 / 30 / 41

HEX #97436A

RGB 151 67 106

HSL 332.14, 0.39%, 0.43%

LAB 40.63, 39.66, -5.58

 

CMYK 0 / 70 / 38 / 34

HEX #A93268

RGB 169 50 104

HSL 332.77, 0.54%, 0.43%

LAB 40.76, 52.74, -3.81

 

CMYK 0 / 83 / 45 / 27

HEX #BA2067

RGB 186 32 103

HSL 332.34, 0.71%, 0.43%

LAB 41.92, 62.87, -1.1

 

CMYK 0 / 93 / 50 / 20

HEX #CC0E65

RGB 204 14 101

HSL 332.53, 0.87%, 0.43%

LAB 44.36, 70.14, 4.13

 

CMYK 0 / 56 / 30 / 41

HEX #97436A

RGB 151 67 106

HSL 332.14, 0.39%, 0.43%

LAB 40.63, 39.66, -5.58

 

CMYK 0 / 36 / 20 / 48

HEX #85556B

RGB 133 85 107

HSL 332.5, 0.22%, 0.43%

LAB 42.07, 23.31, -4.33

 

CMYK 0 / 10 / 5 / 55

HEX #73676D

RGB 115 103 109

HSL 330, 0.06%, 0.43%

LAB 44.87, 5.9, -1.64

 

CMYK 19 / 0 / 9 / 53

HEX #62796E

RGB 98 121 110

HSL 151.3, 0.11%, 0.43%

LAB 48.76, -10.8, 3.25

 

CMYK 42 / 0 / 19 / 46

HEX #508A70

RGB 80 138 112

HSL 153.1, 0.27%, 0.43%

LAB 53.01, -25.33, 8.03

 

CMYK 0 / 56 / 0 / 41

HEX #974397

RGB 151 67 151

HSL 300, 0.39%, 0.43%

LAB 42.5, 46.98, -30.25

 

CMYK 0 / 56 / 15 / 41

HEX #974381

RGB 151 67 129

HSL 315.71, 0.39%, 0.43%

LAB 41.5, 43.13, -18.46

 

CMYK 0 / 56 / 30 / 41

HEX #97436A

RGB 151 67 106

HSL 332.14, 0.39%, 0.43%

LAB 40.63, 39.66, -5.58

 

CMYK 0 / 56 / 44 / 41

HEX #974354

RGB 151 67 84

HSL 347.86, 0.39%, 0.43%

LAB 39.97, 36.93, 7.2

 

CMYK 0 / 52 / 56 / 41

HEX #974943

RGB 151 73 67

HSL 4.29, 0.39%, 0.43%

LAB 40.82, 32.09, 18.89

 

CMYK 0 / 55 / 30 / 63

HEX #5E2A42

RGB 94 42 66

HSL 332.31, 0.38%, 0.27%

LAB 25.04, 26.8, -3.93

 

CMYK 0 / 55 / 30 / 52

HEX #7A3756

RGB 122 55 86

HSL 332.24, 0.38%, 0.35%

LAB 33.01, 32.94, -4.75

 

CMYK 0 / 56 / 30 / 41

HEX #97436A

RGB 151 67 106

HSL 332.14, 0.39%, 0.43%

LAB 40.63, 39.66, -5.58

 

CMYK 0 / 54 / 29 / 31

HEX #B1527E

RGB 177 82 126

HSL 332.21, 0.38%, 0.51%

LAB 48.12, 43.62, -6.25

 

CMYK 0 / 42 / 23 / 25

HEX #BE6F93

RGB 190 111 147

HSL 332.66, 0.38%, 0.59%

LAB 56.51, 35.97, -6.02

 

CMYK 0 / 55 / 30 / 40

HEX #98456B

RGB 152 69 107

HSL 332.53, 0.38%, 0.43%

LAB 41.21, 39.12, -5.33

 

CMYK 0 / 15 / 56 / 41

HEX #978143

RGB 151 129 67

HSL 44.29, 0.39%, 0.43%

LAB 54.75, 0.3, 36.34

 

CMYK 56 / 7 / 0 / 41

HEX #438C97

RGB 67 140 151

HSL 187.86, 0.39%, 0.43%

LAB 54.22, -19.43, -12.79

 

CMYK 0 / 55 / 30 / 40

HEX #98456B

RGB 152 69 107

HSL 332.53, 0.38%, 0.43%

LAB 41.21, 39.12, -5.33

 

CMYK 30 / 0 / 56 / 41

HEX #6A9743

RGB 106 151 67

HSL 92.14, 0.39%, 0.43%

LAB 57.66, -30.23, 38.91

 

CMYK 56 / 30 / 0 / 41

HEX #436A97

RGB 67 106 151

HSL 212.14, 0.39%, 0.43%

LAB 43.85, -0, -28.72

 

CMYK 0 / 55 / 30 / 40

HEX #98456B

RGB 152 69 107

HSL 332.53, 0.38%, 0.43%

LAB 41.21, 39.12, -5.33

 

CMYK 0 / 15 / 56 / 41

HEX #978143

RGB 151 129 67

HSL 44.29, 0.39%, 0.43%

LAB 54.75, 0.3, 36.34

 

CMYK 56 / 0 / 26 / 41

HEX #439770

RGB 67 151 112

HSL 152.14, 0.39%, 0.43%

LAB 56.58, -35.02, 12.99

 

CMYK 56 / 40 / 0 / 41

HEX #435A97

RGB 67 90 151

HSL 223.57, 0.39%, 0.43%

LAB 39.14, 10.04, -36.14

 

CMYK 0 / 55 / 30 / 40

HEX #98456B

RGB 152 69 107

HSL 332.53, 0.38%, 0.43%

LAB 41.21, 39.12, -5.33

 

CMYK 2 / 0 / 56 / 41

HEX #949743

RGB 148 151 67

HSL 62.14, 0.39%, 0.43%

LAB 60.64, -13.02, 43.13

 

CMYK 56 / 0 / 26 / 41

HEX #439770

RGB 67 151 112

HSL 152.14, 0.39%, 0.43%

LAB 56.58, -35.02, 12.99

 

CMYK 54 / 56 / 0 / 41

HEX #464397

RGB 70 67 151

HSL 242.14, 0.39%, 0.43%

LAB 33.03, 25.64, -45.9

 

Description

Color code: RGB 152 69 107 | qconv.com Color code: RGB 152 69 107 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 69 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 69 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 30 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 30% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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