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Color name
RGB 152 65 111

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 152 65 111 it is the complementary color RGB 103 190 144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 152 65 111. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 152 65 111 shade: RGB 157 65 106, RGB 174 83 125, RGB 191 101 144, RGB 208 119 163 and RGB 225 137 182

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 152 65 111. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 152 65 111 shade: RGB 152 65 111, RGB 135 47 92, RGB 118 29 73, RGB 101 11 54 and RGB 84 0 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 152 65 111 shade: RGB 153 65 112, RGB 153 65 88 and RGB 153 65 65

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 152 65 111 shade: RGB 153 65 112, RGB 153 65 135, RGB 147 65 153, RGB 123 65 153 and RGB 100 65 153

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 152 65 111 shade matches the following richer shades: RGB 153 65 112, RGB 171 48 113, RGB 188 30 114 and RGB 206 12 115

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 152 65 111 shade: RGB 153 65 112, RGB 135 83 111, RGB 118 101 110, RGB 100 119 109 and RGB 82 136 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 152 65 111 shade: RGB 147 65 153, RGB 153 65 135, RGB 153 65 112, RGB 153 65 89 and RGB 153 65 65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 152 65 111 shade: RGB 95 41 69, RGB 124 53 91, RGB 153 65 112, RGB 180 80 133 and RGB 192 109 153

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 152 65 111 shade: RGB 152 65 111, RGB 153 124 65 and RGB 65 147 153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 152 65 111 shade: RGB 152 65 111, RGB 112 153 65 and RGB 65 112 153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 152 65 111 shade: RGB 152 65 111, RGB 153 124 65, RGB 65 153 106 and RGB 65 95 153

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 152 65 111 shade: RGB 152 65 111, RGB 153 150 65, RGB 65 153 106 and RGB 65 68 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 27 / 40

HEX #98416F

RGB 152 65 111

HSL 328.28, 0.4%, 0.43%

LAB 40.58, 41.7, -8.74

 

Complementary color

CMYK 46 / 0 / 24 / 25

HEX #67BE90

RGB 103 190 144

HSL 148.28, 0.4%, 0.57%

LAB 70.68, -36.86, 15.23

 

CMYK 0 / 59 / 32 / 38

HEX #9D416A

RGB 157 65 106

HSL 333.26, 0.41%, 0.44%

LAB 41.2, 42.68, -4.63

 

CMYK 0 / 52 / 28 / 32

HEX #AE537D

RGB 174 83 125

HSL 332.31, 0.36%, 0.5%

LAB 47.84, 41.97, -6.11

 

CMYK 0 / 47 / 25 / 25

HEX #BF6590

RGB 191 101 144

HSL 331.33, 0.41%, 0.57%

LAB 54.45, 41.17, -7.32

 

CMYK 0 / 43 / 22 / 18

HEX #D077A3

RGB 208 119 163

HSL 330.34, 0.49%, 0.64%

LAB 61, 40.35, -8.33

 

CMYK 0 / 39 / 19 / 12

HEX #E189B6

RGB 225 137 182

HSL 329.32, 0.59%, 0.71%

LAB 67.48, 39.54, -9.22

 

CMYK 0 / 57 / 27 / 40

HEX #98416F

RGB 152 65 111

HSL 328.28, 0.4%, 0.43%

LAB 40.58, 41.7, -8.74

 

CMYK 0 / 65 / 32 / 47

HEX #872F5C

RGB 135 47 92

HSL 329.32, 0.48%, 0.36%

LAB 33.89, 42.16, -7.07

 

CMYK 0 / 75 / 38 / 54

HEX #761D49

RGB 118 29 73

HSL 330.34, 0.61%, 0.29%

LAB 27.33, 42.09, -4.76

 

CMYK 0 / 89 / 47 / 60

HEX #650B36

RGB 101 11 54

HSL 331.33, 0.8%, 0.22%

LAB 21.1, 40.83, -1.37

 

CMYK 0 / 100 / 58 / 67

HEX #540023

RGB 84 0 35

HSL 335, 1%, 0.16%

LAB 15.52, 37.47, 3.69

 

CMYK 0 / 58 / 27 / 40

HEX #994170

RGB 153 65 112

HSL 327.95, 0.4%, 0.43%

LAB 40.77, 42.17, -9.06

 

CMYK 0 / 58 / 42 / 40

HEX #994158

RGB 153 65 88

HSL 344.32, 0.4%, 0.43%

LAB 40.01, 39.11, 4.8

 

CMYK 0 / 58 / 58 / 40

HEX #994141

RGB 153 65 65

HSL 0, 0.4%, 0.43%

LAB 39.47, 36.87, 18.41

 

CMYK 0 / 58 / 27 / 40

HEX #994170

RGB 153 65 112

HSL 327.95, 0.4%, 0.43%

LAB 40.77, 42.17, -9.06

 

CMYK 0 / 58 / 12 / 40

HEX #994187

RGB 153 65 135

HSL 312.27, 0.4%, 0.43%

LAB 41.69, 45.72, -21.8

 

CMYK 4 / 58 / 0 / 40

HEX #934199

RGB 147 65 153

HSL 295.91, 0.4%, 0.43%

LAB 41.66, 47.22, -32.82

 

CMYK 20 / 58 / 0 / 40

HEX #7B4199

RGB 123 65 153

HSL 279.55, 0.4%, 0.43%

LAB 38.36, 40.66, -38.26

 

CMYK 35 / 58 / 0 / 40

HEX #644199

RGB 100 65 153

HSL 263.86, 0.4%, 0.43%

LAB 35.58, 34.61, -42.86

 

CMYK 0 / 58 / 27 / 40

HEX #994170

RGB 153 65 112

HSL 327.95, 0.4%, 0.43%

LAB 40.77, 42.17, -9.06

 

CMYK 0 / 72 / 34 / 33

HEX #AB3071

RGB 171 48 113

HSL 328.29, 0.56%, 0.43%

LAB 41.16, 55.09, -8.79

 

CMYK 0 / 84 / 39 / 26

HEX #BC1E72

RGB 188 30 114

HSL 328.1, 0.72%, 0.43%

LAB 42.51, 64.87, -7.06

 

CMYK 0 / 94 / 44 / 19

HEX #CE0C73

RGB 206 12 115

HSL 328.14, 0.89%, 0.43%

LAB 45.11, 71.95, -3.44

 

CMYK 0 / 58 / 27 / 40

HEX #994170

RGB 153 65 112

HSL 327.95, 0.4%, 0.43%

LAB 40.77, 42.17, -9.06

 

CMYK 0 / 39 / 18 / 47

HEX #87536F

RGB 135 83 111

HSL 327.69, 0.24%, 0.43%

LAB 41.98, 25.91, -6.9

 

CMYK 0 / 14 / 7 / 54

HEX #76656E

RGB 118 101 110

HSL 328.24, 0.08%, 0.43%

LAB 44.64, 8.46, -2.55

 

CMYK 16 / 0 / 8 / 53

HEX #64776D

RGB 100 119 109

HSL 148.42, 0.09%, 0.43%

LAB 48.27, -9.17, 3.16

 

CMYK 40 / 0 / 21 / 47

HEX #52886C

RGB 82 136 108

HSL 148.89, 0.25%, 0.43%

LAB 52.38, -24.6, 9.47

 

CMYK 4 / 58 / 0 / 40

HEX #934199

RGB 147 65 153

HSL 295.91, 0.4%, 0.43%

LAB 41.66, 47.22, -32.82

 

CMYK 0 / 58 / 12 / 40

HEX #994187

RGB 153 65 135

HSL 312.27, 0.4%, 0.43%

LAB 41.69, 45.72, -21.8

 

CMYK 0 / 58 / 27 / 40

HEX #994170

RGB 153 65 112

HSL 327.95, 0.4%, 0.43%

LAB 40.77, 42.17, -9.06

 

CMYK 0 / 58 / 42 / 40

HEX #994159

RGB 153 65 89

HSL 343.64, 0.4%, 0.43%

LAB 40.04, 39.23, 4.21

 

CMYK 0 / 58 / 58 / 40

HEX #994141

RGB 153 65 65

HSL 0, 0.4%, 0.43%

LAB 39.47, 36.87, 18.41

 

CMYK 0 / 57 / 27 / 63

HEX #5F2945

RGB 95 41 69

HSL 328.89, 0.4%, 0.27%

LAB 25.1, 28.21, -5.84

 

CMYK 0 / 57 / 27 / 51

HEX #7C355B

RGB 124 53 91

HSL 327.89, 0.4%, 0.35%

LAB 33.11, 35.44, -7.79

 

CMYK 0 / 58 / 27 / 40

HEX #994170

RGB 153 65 112

HSL 327.95, 0.4%, 0.43%

LAB 40.77, 42.17, -9.06

 

CMYK 0 / 56 / 26 / 29

HEX #B45085

RGB 180 80 133

HSL 328.2, 0.4%, 0.51%

LAB 48.43, 46.55, -9.95

 

CMYK 0 / 43 / 20 / 25

HEX #C06D99

RGB 192 109 153

HSL 328.19, 0.4%, 0.59%

LAB 56.53, 38.64, -9.45

 

CMYK 0 / 57 / 27 / 40

HEX #98416F

RGB 152 65 111

HSL 328.28, 0.4%, 0.43%

LAB 40.58, 41.7, -8.74

 

CMYK 0 / 19 / 58 / 40

HEX #997C41

RGB 153 124 65

HSL 40.23, 0.4%, 0.43%

LAB 53.57, 3.84, 36.03

 

CMYK 58 / 4 / 0 / 40

HEX #419399

RGB 65 147 153

HSL 184.09, 0.4%, 0.43%

LAB 56.38, -22.92, -10.71

 

CMYK 0 / 57 / 27 / 40

HEX #98416F

RGB 152 65 111

HSL 328.28, 0.4%, 0.43%

LAB 40.58, 41.7, -8.74

 

CMYK 27 / 0 / 58 / 40

HEX #709941

RGB 112 153 65

HSL 87.95, 0.4%, 0.43%

LAB 58.61, -29.1, 41.09

 

CMYK 58 / 27 / 0 / 40

HEX #417099

RGB 65 112 153

HSL 207.95, 0.4%, 0.43%

LAB 45.65, -3.42, -27.11

 

CMYK 0 / 57 / 27 / 40

HEX #98416F

RGB 152 65 111

HSL 328.28, 0.4%, 0.43%

LAB 40.58, 41.7, -8.74

 

CMYK 0 / 19 / 58 / 40

HEX #997C41

RGB 153 124 65

HSL 40.23, 0.4%, 0.43%

LAB 53.57, 3.84, 36.03

 

CMYK 58 / 0 / 31 / 40

HEX #41996A

RGB 65 153 106

HSL 147.95, 0.4%, 0.43%

LAB 57.02, -37.69, 16.96

 

CMYK 58 / 38 / 0 / 40

HEX #415F99

RGB 65 95 153

HSL 219.55, 0.4%, 0.43%

LAB 40.59, 7.08, -35.05

 

CMYK 0 / 57 / 27 / 40

HEX #98416F

RGB 152 65 111

HSL 328.28, 0.4%, 0.43%

LAB 40.58, 41.7, -8.74

 

CMYK 0 / 2 / 58 / 40

HEX #999641

RGB 153 150 65

HSL 57.95, 0.4%, 0.43%

LAB 60.75, -10.48, 44.33

 

CMYK 58 / 0 / 31 / 40

HEX #41996A

RGB 65 153 106

HSL 147.95, 0.4%, 0.43%

LAB 57.02, -37.69, 16.96

 

CMYK 58 / 56 / 0 / 40

HEX #414499

RGB 65 68 153

HSL 237.95, 0.4%, 0.43%

LAB 33.04, 24.62, -47.11

 

Description

Color code: RGB 152 65 111 | qconv.com Color code: RGB 152 65 111 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 65 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 65 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 27 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 27% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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