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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 152 55 109 it is the complementary color RGB 103 200 146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 152 55 109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 152 55 109 shade: RGB 157 55 104, RGB 174 73 123, RGB 191 91 142, RGB 208 109 161 and RGB 225 127 180

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 152 55 109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 152 55 109 shade: RGB 152 55 109, RGB 135 37 90, RGB 118 19 71, RGB 101 1 52 and RGB 84 0 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 152 55 109 shade: RGB 153 55 110, RGB 153 55 83, RGB 153 55 57 and RGB 153 55 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 152 55 109 shade: RGB 153 55 110, RGB 153 55 136, RGB 144 55 153, RGB 117 55 153 and RGB 91 55 153

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 152 55 109 shade matches the following richer shades: RGB 153 55 110, RGB 170 38 112, RGB 187 21 113 and RGB 204 4 115

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 152 55 109 shade: RGB 153 55 110, RGB 136 72 108, RGB 119 89 106, RGB 102 106 104 and RGB 86 123 102

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 152 55 109 shade: RGB 143 55 153, RGB 153 55 137, RGB 153 55 111, RGB 153 55 84 and RGB 153 55 58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 152 55 109 shade: RGB 93 33 66, RGB 123 44 88, RGB 153 55 110, RGB 184 66 131 and RGB 197 94 151

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 152 55 109 shade: RGB 152 55 109, RGB 153 117 55 and RGB 55 150 153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 152 55 109 shade: RGB 152 55 109, RGB 111 153 55 and RGB 55 111 153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 152 55 109 shade: RGB 152 55 109, RGB 153 117 55, RGB 55 153 97 and RGB 55 91 153

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 152 55 109 shade: RGB 152 55 109, RGB 153 147 55, RGB 55 153 97 and RGB 55 61 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 28 / 40

HEX #98376D

RGB 152 55 109

HSL 326.6, 0.47%, 0.41%

LAB 38.75, 46.16, -10.26

 

Complementary color

CMYK 49 / 0 / 27 / 22

HEX #67C892

RGB 103 200 146

HSL 146.6, 0.47%, 0.59%

LAB 73.72, -40.94, 18.38

 

CMYK 0 / 65 / 34 / 38

HEX #9D3768

RGB 157 55 104

HSL 331.18, 0.48%, 0.42%

LAB 39.41, 47.06, -6.04

 

CMYK 0 / 58 / 29 / 32

HEX #AE497B

RGB 174 73 123

HSL 330.3, 0.41%, 0.48%

LAB 45.9, 46.63, -7.79

 

CMYK 0 / 52 / 26 / 25

HEX #BF5B8E

RGB 191 91 142

HSL 329.4, 0.44%, 0.55%

LAB 52.41, 45.97, -9.18

 

CMYK 0 / 48 / 23 / 18

HEX #D06DA1

RGB 208 109 161

HSL 328.48, 0.51%, 0.62%

LAB 58.9, 45.22, -10.32

 

CMYK 0 / 44 / 20 / 12

HEX #E17FB4

RGB 225 127 180

HSL 327.55, 0.62%, 0.69%

LAB 65.34, 44.43, -11.29

 

CMYK 0 / 64 / 28 / 40

HEX #98376D

RGB 152 55 109

HSL 326.6, 0.47%, 0.41%

LAB 38.75, 46.16, -10.26

 

CMYK 0 / 73 / 33 / 47

HEX #87255A

RGB 135 37 90

HSL 327.55, 0.57%, 0.34%

LAB 32.29, 46.13, -8.19

 

CMYK 0 / 84 / 40 / 54

HEX #761347

RGB 118 19 71

HSL 328.48, 0.72%, 0.27%

LAB 26.08, 45.19, -5.28

 

CMYK 0 / 99 / 49 / 60

HEX #650134

RGB 101 1 52

HSL 329.4, 0.98%, 0.2%

LAB 20.19, 43.07, -1.31

 

CMYK 0 / 100 / 61 / 67

HEX #540021

RGB 84 0 33

HSL 336.43, 1%, 0.16%

LAB 15.46, 37.31, 5.08

 

CMYK 0 / 64 / 28 / 40

HEX #99376E

RGB 153 55 110

HSL 326.33, 0.47%, 0.41%

LAB 38.95, 46.6, -10.56

 

CMYK 0 / 64 / 46 / 40

HEX #993753

RGB 153 55 83

HSL 342.86, 0.47%, 0.41%

LAB 38.07, 43.37, 5.18

 

CMYK 0 / 64 / 63 / 40

HEX #993739

RGB 153 55 57

HSL 358.78, 0.47%, 0.41%

LAB 37.48, 41.12, 20.78

 

CMYK 0 / 64 / 64 / 40

HEX #993737

RGB 153 55 55

HSL 0, 0.47%, 0.41%

LAB 37.45, 40.98, 21.98

 

CMYK 0 / 64 / 28 / 40

HEX #99376E

RGB 153 55 110

HSL 326.33, 0.47%, 0.41%

LAB 38.95, 46.6, -10.56

 

CMYK 0 / 64 / 11 / 40

HEX #993788

RGB 153 55 136

HSL 310.41, 0.47%, 0.41%

LAB 40.05, 50.48, -24.96

 

CMYK 6 / 64 / 0 / 40

HEX #903799

RGB 144 55 153

HSL 294.49, 0.47%, 0.41%

LAB 39.52, 51.09, -36.24

 

CMYK 24 / 64 / 0 / 40

HEX #753799

RGB 117 55 153

HSL 277.96, 0.47%, 0.41%

LAB 35.62, 44.35, -42.67

 

CMYK 41 / 64 / 0 / 40

HEX #5B3799

RGB 91 55 153

HSL 262.04, 0.47%, 0.41%

LAB 32.38, 38.25, -48.06

 

CMYK 0 / 64 / 28 / 40

HEX #99376E

RGB 153 55 110

HSL 326.33, 0.47%, 0.41%

LAB 38.95, 46.6, -10.56

 

CMYK 0 / 78 / 34 / 33

HEX #AA2670

RGB 170 38 112

HSL 326.36, 0.63%, 0.41%

LAB 39.75, 58.05, -10.3

 

CMYK 0 / 89 / 40 / 27

HEX #BB1571

RGB 187 21 113

HSL 326.75, 0.8%, 0.41%

LAB 41.68, 66.28, -7.71

 

CMYK 0 / 98 / 44 / 20

HEX #CC0473

RGB 204 4 115

HSL 326.7, 0.96%, 0.41%

LAB 44.46, 72.23, -4.44

 

CMYK 0 / 64 / 28 / 40

HEX #99376E

RGB 153 55 110

HSL 326.33, 0.47%, 0.41%

LAB 38.95, 46.6, -10.56

 

CMYK 0 / 47 / 21 / 47

HEX #88486C

RGB 136 72 108

HSL 326.25, 0.31%, 0.41%

LAB 39.5, 32.04, -8.74

 

CMYK 0 / 25 / 11 / 53

HEX #77596A

RGB 119 89 106

HSL 326, 0.14%, 0.41%

LAB 41.39, 15.32, -4.91

 

CMYK 4 / 0 / 2 / 58

HEX #666A68

RGB 102 106 104

HSL 150, 0.02%, 0.41%

LAB 44.42, -1.95, 0.58

 

CMYK 30 / 0 / 17 / 52

HEX #567B66

RGB 86 123 102

HSL 145.95, 0.18%, 0.41%

LAB 48.39, -17.84, 7.34

 

CMYK 7 / 64 / 0 / 40

HEX #8F3799

RGB 143 55 153

HSL 293.88, 0.47%, 0.41%

LAB 39.36, 50.83, -36.49

 

CMYK 0 / 64 / 10 / 40

HEX #993789

RGB 153 55 137

HSL 309.8, 0.47%, 0.41%

LAB 40.1, 50.64, -25.5

 

CMYK 0 / 64 / 27 / 40

HEX #99376F

RGB 153 55 111

HSL 325.71, 0.47%, 0.41%

LAB 38.99, 46.73, -11.12

 

CMYK 0 / 64 / 45 / 40

HEX #993754

RGB 153 55 84

HSL 342.24, 0.47%, 0.41%

LAB 38.1, 43.48, 4.58

 

CMYK 0 / 64 / 62 / 40

HEX #99373A

RGB 153 55 58

HSL 358.16, 0.47%, 0.41%

LAB 37.5, 41.19, 20.18

 

CMYK 0 / 65 / 29 / 64

HEX #5D2142

RGB 93 33 66

HSL 327, 0.48%, 0.25%

LAB 23.03, 31.32, -6.96

 

CMYK 0 / 64 / 28 / 52

HEX #7B2C58

RGB 123 44 88

HSL 326.58, 0.47%, 0.33%

LAB 31.15, 39.16, -8.81

 

CMYK 0 / 64 / 28 / 40

HEX #99376E

RGB 153 55 110

HSL 326.33, 0.47%, 0.41%

LAB 38.95, 46.6, -10.56

 

CMYK 0 / 64 / 29 / 28

HEX #B84283

RGB 184 66 131

HSL 326.95, 0.47%, 0.49%

LAB 46.61, 53.91, -11.41

 

CMYK 0 / 52 / 23 / 23

HEX #C55E97

RGB 197 94 151

HSL 326.8, 0.47%, 0.57%

LAB 54.14, 47.7, -11.79

 

CMYK 0 / 64 / 28 / 40

HEX #98376D

RGB 152 55 109

HSL 326.6, 0.47%, 0.41%

LAB 38.75, 46.16, -10.26

 

CMYK 0 / 24 / 64 / 40

HEX #997537

RGB 153 117 55

HSL 37.96, 0.47%, 0.41%

LAB 51.58, 7.04, 38.89

 

CMYK 64 / 2 / 0 / 40

HEX #379699

RGB 55 150 153

HSL 181.84, 0.47%, 0.41%

LAB 57, -26.31, -9.8

 

CMYK 0 / 64 / 28 / 40

HEX #98376D

RGB 152 55 109

HSL 326.6, 0.47%, 0.41%

LAB 38.75, 46.16, -10.26

 

CMYK 27 / 0 / 64 / 40

HEX #6F9937

RGB 111 153 55

HSL 85.71, 0.47%, 0.41%

LAB 58.45, -30.43, 45.53

 

CMYK 64 / 27 / 0 / 40

HEX #376F99

RGB 55 111 153

HSL 205.71, 0.47%, 0.41%

LAB 44.92, -4.88, -28.29

 

CMYK 0 / 64 / 28 / 40

HEX #98376D

RGB 152 55 109

HSL 326.6, 0.47%, 0.41%

LAB 38.75, 46.16, -10.26

 

CMYK 0 / 24 / 64 / 40

HEX #997537

RGB 153 117 55

HSL 37.96, 0.47%, 0.41%

LAB 51.58, 7.04, 38.89

 

CMYK 64 / 0 / 37 / 40

HEX #379961

RGB 55 153 97

HSL 145.71, 0.47%, 0.41%

LAB 56.54, -41.74, 21.25

 

CMYK 64 / 41 / 0 / 40

HEX #375B99

RGB 55 91 153

HSL 217.96, 0.47%, 0.41%

LAB 38.89, 7.56, -37.78

 

CMYK 0 / 64 / 28 / 40

HEX #98376D

RGB 152 55 109

HSL 326.6, 0.47%, 0.41%

LAB 38.75, 46.16, -10.26

 

CMYK 0 / 4 / 64 / 40

HEX #999337

RGB 153 147 55

HSL 56.33, 0.47%, 0.41%

LAB 59.81, -9.61, 47.92

 

CMYK 64 / 0 / 37 / 40

HEX #379961

RGB 55 153 97

HSL 145.71, 0.47%, 0.41%

LAB 56.54, -41.74, 21.25

 

CMYK 64 / 60 / 0 / 40

HEX #373D99

RGB 55 61 153

HSL 236.33, 0.47%, 0.41%

LAB 30.52, 27.33, -51.24

 

Description

Color code: RGB 152 55 109 | qconv.com Color code: RGB 152 55 109 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 55 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 55 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 28 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 28% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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