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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 152 50 62 it is the complementary color RGB 103 205 193. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 152 50 62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 152 50 62 shade: RGB 157 50 57, RGB 174 68 76, RGB 191 86 95, RGB 208 104 114 and RGB 225 122 133

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 152 50 62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 152 50 62 shade: RGB 152 50 62, RGB 135 32 43, RGB 118 14 24, RGB 101 0 5 and RGB 84 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 152 50 62 shade: RGB 153 51 63 and RGB 153 51 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 152 50 62 shade: RGB 153 51 63, RGB 153 51 90, RGB 153 51 118, RGB 153 51 145 and RGB 132 51 153

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 152 50 62 shade matches the following richer shades: RGB 153 51 63, RGB 169 34 50, RGB 186 17 37 and RGB 202 1 25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 152 50 62 shade: RGB 153 51 63, RGB 136 67 75, RGB 119 84 88, RGB 103 100 100 and RGB 86 117 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 152 50 62 shade: RGB 153 51 119, RGB 153 51 91, RGB 153 51 64, RGB 153 64 51 and RGB 153 91 51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 152 50 62 shade: RGB 91 30 37, RGB 122 40 50, RGB 153 51 63, RGB 183 61 75 and RGB 199 87 100

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 152 50 62 shade: RGB 152 50 62, RGB 146 153 51 and RGB 51 105 153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 152 50 62 shade: RGB 152 50 62, RGB 64 153 51 and RGB 51 64 153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 152 50 62 shade: RGB 152 50 62, RGB 146 153 51, RGB 51 153 139 and RGB 57 51 153

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 152 50 62 shade: RGB 152 50 62, RGB 115 153 51, RGB 51 153 139 and RGB 88 51 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 59 / 40

HEX #98323E

RGB 152 50 62

HSL 352.94, 0.5%, 0.4%

LAB 36.56, 43.39, 16.41

 

Complementary color

CMYK 50 / 0 / 6 / 20

HEX #67CDC1

RGB 103 205 193

HSL 172.94, 0.5%, 0.6%

LAB 76.31, -32.65, -3.18

 

CMYK 0 / 68 / 64 / 38

HEX #9D3239

RGB 157 50 57

HSL 356.07, 0.52%, 0.41%

LAB 37.38, 44.74, 20.8

 

CMYK 0 / 61 / 56 / 32

HEX #AE444C

RGB 174 68 76

HSL 355.47, 0.44%, 0.47%

LAB 43.73, 43.97, 17.93

 

CMYK 0 / 55 / 50 / 25

HEX #BF565F

RGB 191 86 95

HSL 354.86, 0.45%, 0.54%

LAB 50.17, 42.99, 15.62

 

CMYK 0 / 50 / 45 / 18

HEX #D06872

RGB 208 104 114

HSL 354.23, 0.53%, 0.61%

LAB 56.61, 41.96, 13.7

 

CMYK 0 / 46 / 41 / 12

HEX #E17A85

RGB 225 122 133

HSL 353.59, 0.63%, 0.68%

LAB 63.03, 40.94, 12.07

 

CMYK 0 / 67 / 59 / 40

HEX #98323E

RGB 152 50 62

HSL 352.94, 0.5%, 0.4%

LAB 36.56, 43.39, 16.41

 

CMYK 0 / 76 / 68 / 47

HEX #87202B

RGB 135 32 43

HSL 353.59, 0.62%, 0.33%

LAB 30.3, 43.68, 19.85

 

CMYK 0 / 88 / 80 / 54

HEX #760E18

RGB 118 14 24

HSL 354.23, 0.79%, 0.26%

LAB 24.42, 42.98, 24.34

 

CMYK 0 / 100 / 95 / 60

HEX #650005

RGB 101 0 5

HSL 357.03, 1%, 0.2%

LAB 19.13, 40.72, 27.33

 

CMYK 0 / 100 / 100 / 67

HEX #540000

RGB 84 0 0

HSL 0, 1%, 0.16%

LAB 14.87, 35.72, 23.19

 

CMYK 0 / 67 / 59 / 40

HEX #99333F

RGB 153 51 63

HSL 352.94, 0.5%, 0.4%

LAB 36.93, 43.37, 16.29

 

CMYK 0 / 67 / 67 / 40

HEX #993333

RGB 153 51 51

HSL 0, 0.5%, 0.4%

LAB 36.7, 42.54, 23.53

 

CMYK 0 / 67 / 59 / 40

HEX #99333F

RGB 153 51 63

HSL 352.94, 0.5%, 0.4%

LAB 36.93, 43.37, 16.29

 

CMYK 0 / 67 / 41 / 40

HEX #99335A

RGB 153 51 90

HSL 337.06, 0.5%, 0.4%

LAB 37.62, 45.9, 0.08

 

CMYK 0 / 67 / 23 / 40

HEX #993376

RGB 153 51 118

HSL 320.59, 0.5%, 0.4%

LAB 38.63, 49.44, -16.03

 

CMYK 0 / 67 / 5 / 40

HEX #993391

RGB 153 51 145

HSL 304.71, 0.5%, 0.4%

LAB 39.89, 53.65, -30.71

 

CMYK 14 / 67 / 0 / 40

HEX #843399

RGB 132 51 153

HSL 287.65, 0.5%, 0.4%

LAB 37.07, 49.91, -40.25

 

CMYK 0 / 67 / 59 / 40

HEX #99333F

RGB 153 51 63

HSL 352.94, 0.5%, 0.4%

LAB 36.93, 43.37, 16.29

 

CMYK 0 / 80 / 70 / 34

HEX #A92232

RGB 169 34 50

HSL 352.89, 0.67%, 0.4%

LAB 37.5, 53.91, 25.82

 

CMYK 0 / 91 / 80 / 27

HEX #BA1125

RGB 186 17 37

HSL 352.9, 0.83%, 0.4%

LAB 39.54, 61.85, 36.91

 

CMYK 0 / 100 / 88 / 21

HEX #CA0119

RGB 202 1 25

HSL 352.84, 0.99%, 0.4%

LAB 42.23, 67.41, 47.04

 

CMYK 0 / 67 / 59 / 40

HEX #99333F

RGB 153 51 63

HSL 352.94, 0.5%, 0.4%

LAB 36.93, 43.37, 16.29

 

CMYK 0 / 51 / 45 / 47

HEX #88434B

RGB 136 67 75

HSL 353.04, 0.34%, 0.4%

LAB 37.4, 30.25, 8.9

 

CMYK 0 / 29 / 26 / 53

HEX #775458

RGB 119 84 88

HSL 353.14, 0.17%, 0.4%

LAB 39.53, 15.2, 3.47

 

CMYK 0 / 3 / 3 / 60

HEX #676464

RGB 103 100 100

HSL 0, 0.01%, 0.4%

LAB 42.64, 1.18, 0.41

 

CMYK 26 / 0 / 3 / 54

HEX #567571

RGB 86 117 113

HSL 172.26, 0.15%, 0.4%

LAB 46.83, -12.04, -1.42

 

CMYK 0 / 67 / 22 / 40

HEX #993377

RGB 153 51 119

HSL 320, 0.5%, 0.4%

LAB 38.68, 49.59, -16.59

 

CMYK 0 / 67 / 41 / 40

HEX #99335B

RGB 153 51 91

HSL 336.47, 0.5%, 0.4%

LAB 37.65, 46.01, -0.51

 

CMYK 0 / 67 / 58 / 40

HEX #993340

RGB 153 51 64

HSL 352.35, 0.5%, 0.4%

LAB 36.95, 43.45, 15.68

 

CMYK 0 / 58 / 67 / 40

HEX #994033

RGB 153 64 51

HSL 7.65, 0.5%, 0.4%

LAB 39.03, 36.36, 26.4

 

CMYK 0 / 41 / 67 / 40

HEX #995B33

RGB 153 91 51

HSL 23.53, 0.5%, 0.4%

LAB 44.93, 21.68, 33.4

 

CMYK 0 / 67 / 59 / 64

HEX #5B1E25

RGB 91 30 37

HSL 353.11, 0.5%, 0.24%

LAB 21.16, 28.59, 10.3

 

CMYK 0 / 67 / 59 / 52

HEX #7A2832

RGB 122 40 50

HSL 352.68, 0.51%, 0.32%

LAB 29.12, 36.41, 13.25

 

CMYK 0 / 67 / 59 / 40

HEX #99333F

RGB 153 51 63

HSL 352.94, 0.5%, 0.4%

LAB 36.93, 43.37, 16.29

 

CMYK 0 / 67 / 59 / 28

HEX #B73D4B

RGB 183 61 75

HSL 353.11, 0.5%, 0.48%

LAB 44.11, 50.07, 19.32

 

CMYK 0 / 56 / 50 / 22

HEX #C75764

RGB 199 87 100

HSL 353.04, 0.5%, 0.56%

LAB 51.7, 45.81, 14.94

 

CMYK 0 / 67 / 59 / 40

HEX #98323E

RGB 152 50 62

HSL 352.94, 0.5%, 0.4%

LAB 36.56, 43.39, 16.41

 

CMYK 5 / 0 / 67 / 40

HEX #929933

RGB 146 153 51

HSL 64.12, 0.5%, 0.4%

LAB 60.9, -16.12, 50.6

 

CMYK 67 / 31 / 0 / 40

HEX #336999

RGB 51 105 153

HSL 208.24, 0.5%, 0.4%

LAB 42.92, -1.99, -31.41

 

CMYK 0 / 67 / 59 / 40

HEX #98323E

RGB 152 50 62

HSL 352.94, 0.5%, 0.4%

LAB 36.56, 43.39, 16.41

 

CMYK 58 / 0 / 67 / 40

HEX #409933

RGB 64 153 51

HSL 112.35, 0.5%, 0.4%

LAB 56.2, -46.5, 44.2

 

CMYK 67 / 58 / 0 / 40

HEX #334099

RGB 51 64 153

HSL 232.35, 0.5%, 0.4%

LAB 31.04, 24.68, -50.39

 

CMYK 0 / 67 / 59 / 40

HEX #98323E

RGB 152 50 62

HSL 352.94, 0.5%, 0.4%

LAB 36.56, 43.39, 16.41

 

CMYK 5 / 0 / 67 / 40

HEX #929933

RGB 146 153 51

HSL 64.12, 0.5%, 0.4%

LAB 60.9, -16.12, 50.6

 

CMYK 67 / 0 / 9 / 40

HEX #33998B

RGB 51 153 139

HSL 171.76, 0.5%, 0.4%

LAB 57.42, -32.45, -1.21

 

CMYK 63 / 67 / 0 / 40

HEX #393399

RGB 57 51 153

HSL 243.53, 0.5%, 0.4%

LAB 28.21, 34.07, -54.99

 

CMYK 0 / 67 / 59 / 40

HEX #98323E

RGB 152 50 62

HSL 352.94, 0.5%, 0.4%

LAB 36.56, 43.39, 16.41

 

CMYK 25 / 0 / 67 / 40

HEX #739933

RGB 115 153 51

HSL 82.35, 0.5%, 0.4%

LAB 58.66, -29.17, 47.58

 

CMYK 67 / 0 / 9 / 40

HEX #33998B

RGB 51 153 139

HSL 171.76, 0.5%, 0.4%

LAB 57.42, -32.45, -1.21

 

CMYK 42 / 67 / 0 / 40

HEX #583399

RGB 88 51 153

HSL 261.76, 0.5%, 0.4%

LAB 31.21, 39.85, -49.97

 

Description

Color code: RGB 152 50 62 | qconv.com Color code: RGB 152 50 62 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 50 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 50 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 59 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 59% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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