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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 152 40 204 it is the complementary color RGB 103 215 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 152 40 204. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 152 40 204 shade: RGB 157 40 199, RGB 174 58 218, RGB 191 76 237, RGB 208 94 255 and RGB 225 112 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 152 40 204. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 152 40 204 shade: RGB 152 40 204, RGB 135 22 185, RGB 118 4 166, RGB 101 0 147 and RGB 84 0 128

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 152 40 204 shade: RGB 152 40 204, RGB 196 40 204, RGB 204 40 167, RGB 204 40 123 and RGB 204 40 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 152 40 204 shade: RGB 152 40 204, RGB 108 40 204, RGB 63 40 204 and RGB 40 40 204

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 152 40 204 shade matches the following richer shades: RGB 152 40 204, RGB 159 20 224 and RGB 166 0 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 152 40 204 shade: RGB 152 40 204, RGB 145 60 184, RGB 137 80 164, RGB 130 99 144 and RGB 123 119 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 152 40 204 shade: RGB 62 40 204, RGB 105 40 204, RGB 149 40 204, RGB 193 40 204 and RGB 204 40 171

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 152 40 204 shade: RGB 101 26 135, RGB 126 33 169, RGB 152 40 204, RGB 170 68 218 and RGB 186 102 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 152 40 204 shade: RGB 152 40 204, RGB 204 40 62 and RGB 40 204 84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 152 40 204 shade: RGB 152 40 204, RGB 204 149 40 and RGB 40 204 149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 152 40 204 shade: RGB 152 40 204, RGB 204 40 62, RGB 95 204 40 and RGB 40 204 182

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 152 40 204 shade: RGB 152 40 204, RGB 204 67 40, RGB 95 204 40 and RGB 40 177 204

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 80 / 0 / 20

HEX #9828CC

RGB 152 40 204

HSL 280.98, 0.67%, 0.48%

LAB 42.08, 68.32, -62.22

 

Complementary color

CMYK 52 / 0 / 76 / 16

HEX #67D733

RGB 103 215 51

HSL 100.98, 0.67%, 0.52%

LAB 77.12, -59.08, 65.98

 

CMYK 21 / 80 / 0 / 22

HEX #9D28C7

RGB 157 40 199

HSL 284.15, 0.67%, 0.47%

LAB 42.47, 68.2, -58.65

 

CMYK 20 / 73 / 0 / 15

HEX #AE3ADA

RGB 174 58 218

HSL 283.5, 0.68%, 0.54%

LAB 48.37, 69.01, -59.94

 

CMYK 19 / 68 / 0 / 7

HEX #BF4CED

RGB 191 76 237

HSL 282.86, 0.82%, 0.61%

LAB 54.41, 69.2, -60.84

 

CMYK 18 / 63 / 0 / 0

HEX #D05EFF

RGB 208 94 255

HSL 282.48, 1%, 0.68%

LAB 60.46, 68.79, -61.01

 

CMYK 12 / 56 / 0 / 0

HEX #E170FF

RGB 225 112 255

HSL 287.41, 1%, 0.72%

LAB 65.61, 64.65, -52.69

 

CMYK 25 / 80 / 0 / 20

HEX #9828CC

RGB 152 40 204

HSL 280.98, 0.67%, 0.48%

LAB 42.08, 68.32, -62.22

 

CMYK 27 / 88 / 0 / 27

HEX #8716B9

RGB 135 22 185

HSL 281.6, 0.79%, 0.41%

LAB 36.42, 66.59, -60.43

 

CMYK 29 / 98 / 0 / 35

HEX #7604A6

RGB 118 4 166

HSL 282.22, 0.95%, 0.33%

LAB 31.09, 63.54, -57.88

 

CMYK 31 / 100 / 0 / 42

HEX #650093

RGB 101 0 147

HSL 281.22, 1%, 0.29%

LAB 26.37, 58.29, -54.11

 

CMYK 34 / 100 / 0 / 50

HEX #540080

RGB 84 0 128

HSL 279.38, 1%, 0.25%

LAB 21.74, 52.29, -49.91

 

CMYK 25 / 80 / 0 / 20

HEX #9828CC

RGB 152 40 204

HSL 280.98, 0.67%, 0.48%

LAB 42.08, 68.32, -62.22

 

CMYK 4 / 80 / 0 / 20

HEX #C428CC

RGB 196 40 204

HSL 297.07, 0.67%, 0.48%

LAB 49.02, 76.13, -50.68

 

CMYK 0 / 80 / 18 / 20

HEX #CC28A7

RGB 204 40 167

HSL 313.54, 0.67%, 0.48%

LAB 48.44, 72.36, -29.89

 

CMYK 0 / 80 / 40 / 20

HEX #CC287B

RGB 204 40 123

HSL 329.63, 0.67%, 0.48%

LAB 46.69, 67.3, -6.06

 

CMYK 0 / 80 / 61 / 20

HEX #CC284F

RGB 204 40 79

HSL 345.73, 0.67%, 0.48%

LAB 45.52, 63.79, 19.44

 

CMYK 25 / 80 / 0 / 20

HEX #9828CC

RGB 152 40 204

HSL 280.98, 0.67%, 0.48%

LAB 42.08, 68.32, -62.22

 

CMYK 47 / 80 / 0 / 20

HEX #6C28CC

RGB 108 40 204

HSL 264.88, 0.67%, 0.48%

LAB 36.11, 61.68, -72.22

 

CMYK 69 / 80 / 0 / 20

HEX #3F28CC

RGB 63 40 204

HSL 248.41, 0.67%, 0.48%

LAB 31.66, 56.79, -79.72

 

CMYK 80 / 80 / 0 / 20

HEX #2828CC

RGB 40 40 204

HSL 240, 0.67%, 0.48%

LAB 30.23, 55.24, -82.13

 

CMYK 25 / 80 / 0 / 20

HEX #9828CC

RGB 152 40 204

HSL 280.98, 0.67%, 0.48%

LAB 42.08, 68.32, -62.22

 

CMYK 29 / 91 / 0 / 12

HEX #9F14E0

RGB 159 20 224

HSL 280.88, 0.84%, 0.48%

LAB 43.14, 77.78, -71.95

 

CMYK 32 / 100 / 0 / 4

HEX #A600F4

RGB 166 0 244

HSL 280.82, 1%, 0.48%

LAB 45.14, 84.52, -79.99

 

CMYK 25 / 80 / 0 / 20

HEX #9828CC

RGB 152 40 204

HSL 280.98, 0.67%, 0.48%

LAB 42.08, 68.32, -62.22

 

CMYK 21 / 67 / 0 / 28

HEX #913CB8

RGB 145 60 184

HSL 281.13, 0.51%, 0.48%

LAB 42.33, 55.33, -50.21

 

CMYK 16 / 51 / 0 / 36

HEX #8950A4

RGB 137 80 164

HSL 280.71, 0.34%, 0.48%

LAB 43.85, 38.85, -36.03

 

CMYK 10 / 31 / 0 / 44

HEX #826390

RGB 130 99 144

HSL 281.33, 0.19%, 0.48%

LAB 46.56, 21.18, -19.97

 

CMYK 2 / 5 / 0 / 51

HEX #7B777D

RGB 123 119 125

HSL 280, 0.02%, 0.48%

LAB 50.55, 2.73, -2.74

 

CMYK 70 / 80 / 0 / 20

HEX #3E28CC

RGB 62 40 204

HSL 248.05, 0.67%, 0.48%

LAB 31.58, 56.71, -79.85

 

CMYK 49 / 80 / 0 / 20

HEX #6928CC

RGB 105 40 204

HSL 263.78, 0.67%, 0.48%

LAB 35.75, 61.29, -72.82

 

CMYK 27 / 80 / 0 / 20

HEX #9528CC

RGB 149 40 204

HSL 279.88, 0.67%, 0.48%

LAB 41.64, 67.82, -62.96

 

CMYK 5 / 80 / 0 / 20

HEX #C128CC

RGB 193 40 204

HSL 295.98, 0.67%, 0.48%

LAB 48.53, 75.57, -51.5

 

CMYK 0 / 80 / 16 / 20

HEX #CC28AB

RGB 204 40 171

HSL 312.07, 0.67%, 0.48%

LAB 48.63, 72.88, -31.96

 

CMYK 25 / 81 / 0 / 47

HEX #651A87

RGB 101 26 135

HSL 281.28, 0.68%, 0.32%

LAB 27.45, 49.62, -44.89

 

CMYK 25 / 80 / 0 / 34

HEX #7E21A9

RGB 126 33 169

HSL 281.03, 0.67%, 0.4%

LAB 34.78, 58.97, -53.63

 

CMYK 25 / 80 / 0 / 20

HEX #9828CC

RGB 152 40 204

HSL 280.98, 0.67%, 0.48%

LAB 42.08, 68.32, -62.22

 

CMYK 22 / 69 / 0 / 15

HEX #AA44DA

RGB 170 68 218

HSL 280.8, 0.67%, 0.56%

LAB 49.18, 64.32, -58.66

 

CMYK 17 / 54 / 0 / 12

HEX #BA66E0

RGB 186 102 224

HSL 281.31, 0.66%, 0.64%

LAB 57.39, 53.47, -48.82

 

CMYK 25 / 80 / 0 / 20

HEX #9828CC

RGB 152 40 204

HSL 280.98, 0.67%, 0.48%

LAB 42.08, 68.32, -62.22

 

CMYK 0 / 80 / 70 / 20

HEX #CC283E

RGB 204 40 62

HSL 351.95, 0.67%, 0.48%

LAB 45.22, 62.87, 29.46

 

CMYK 80 / 0 / 59 / 20

HEX #28CC54

RGB 40 204 84

HSL 136.1, 0.67%, 0.48%

LAB 72.41, -64.76, 47.64

 

CMYK 25 / 80 / 0 / 20

HEX #9828CC

RGB 152 40 204

HSL 280.98, 0.67%, 0.48%

LAB 42.08, 68.32, -62.22

 

CMYK 0 / 27 / 80 / 20

HEX #CC9528

RGB 204 149 40

HSL 39.88, 0.67%, 0.48%

LAB 65.35, 11.24, 61.04

 

CMYK 80 / 0 / 27 / 20

HEX #28CC95

RGB 40 204 149

HSL 159.88, 0.67%, 0.48%

LAB 73.42, -53.16, 16.13

 

CMYK 25 / 80 / 0 / 20

HEX #9828CC

RGB 152 40 204

HSL 280.98, 0.67%, 0.48%

LAB 42.08, 68.32, -62.22

 

CMYK 0 / 80 / 70 / 20

HEX #CC283E

RGB 204 40 62

HSL 351.95, 0.67%, 0.48%

LAB 45.22, 62.87, 29.46

 

CMYK 53 / 0 / 80 / 20

HEX #5FCC28

RGB 95 204 40

HSL 99.88, 0.67%, 0.48%

LAB 73.4, -57.89, 65.63

 

CMYK 80 / 0 / 11 / 20

HEX #28CCB6

RGB 40 204 182

HSL 171.95, 0.67%, 0.48%

LAB 74.2, -44.94, -0.52

 

CMYK 25 / 80 / 0 / 20

HEX #9828CC

RGB 152 40 204

HSL 280.98, 0.67%, 0.48%

LAB 42.08, 68.32, -62.22

 

CMYK 0 / 67 / 80 / 20

HEX #CC4328

RGB 204 67 40

HSL 9.88, 0.67%, 0.48%

LAB 48.27, 52.86, 45.15

 

CMYK 53 / 0 / 80 / 20

HEX #5FCC28

RGB 95 204 40

HSL 99.88, 0.67%, 0.48%

LAB 73.4, -57.89, 65.63

 

CMYK 80 / 13 / 0 / 20

HEX #28B1CC

RGB 40 177 204

HSL 189.88, 0.67%, 0.48%

LAB 66.71, -25.84, -23.76

 

Description

Color code: RGB 152 40 204 | qconv.com Color code: RGB 152 40 204 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 40 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 40 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 80 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 80% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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