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Color name
RGB 152 253 59

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 152 253 59 it is the complementary color RGB 103 2 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 152 253 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 152 253 59 shade: RGB 157 253 54, RGB 174 255 73, RGB 191 255 92, RGB 208 255 111 and RGB 225 255 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 152 253 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 152 253 59 shade: RGB 152 253 59, RGB 135 235 40, RGB 118 217 21, RGB 101 199 2 and RGB 84 181 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 152 253 59 shade: RGB 151 253 58, RGB 204 253 58, RGB 253 249 58, RGB 253 196 58 and RGB 253 144 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 152 253 59 shade: RGB 151 253 58, RGB 98 253 58, RGB 58 253 69, RGB 58 253 122 and RGB 58 253 174

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 152 253 59 shade matches the following richer shades: RGB 151 253 58

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 152 253 59 shade: RGB 151 253 58, RGB 152 236 74, RGB 152 220 90, RGB 153 204 106 and RGB 154 188 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 152 253 59 shade: RGB 253 249 58, RGB 204 253 58, RGB 152 253 58, RGB 100 253 58 and RGB 58 253 67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 152 253 59 shade: RGB 109 226 2, RGB 130 252 17, RGB 151 253 58, RGB 172 253 98 and RGB 194 253 139

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 152 253 59 shade: RGB 152 253 59, RGB 58 253 197 and RGB 253 58 230

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 152 253 59 shade: RGB 152 253 59, RGB 58 152 253 and RGB 253 58 152

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 152 253 59 shade: RGB 152 253 59, RGB 58 253 197, RGB 158 58 253 and RGB 253 58 113

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 152 253 59 shade: RGB 152 253 59, RGB 58 249 253, RGB 158 58 253 and RGB 253 61 58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 77 / 1

HEX #98FD3B

RGB 152 253 59

HSL 91.24, 0.98%, 0.61%

LAB 90.43, -58.22, 76.94

 

Complementary color

CMYK 47 / 99 / 0 / 23

HEX #6702C4

RGB 103 2 196

HSL 271.24, 0.98%, 0.39%

LAB 31.61, 68.43, -74.99

 

CMYK 38 / 0 / 79 / 1

HEX #9DFD36

RGB 157 253 54

HSL 88.94, 0.98%, 0.6%

LAB 90.64, -56.83, 78.61

 

CMYK 32 / 0 / 71 / 0

HEX #AEFF49

RGB 174 255 73

HSL 86.7, 1%, 0.64%

LAB 92.13, -50.9, 74.54

 

CMYK 25 / 0 / 64 / 0

HEX #BFFF5C

RGB 191 255 92

HSL 83.56, 1%, 0.68%

LAB 93.18, -43.64, 68.95

 

CMYK 18 / 0 / 56 / 0

HEX #D0FF6F

RGB 208 255 111

HSL 79.58, 1%, 0.72%

LAB 94.35, -35.92, 62.7

 

CMYK 12 / 0 / 49 / 0

HEX #E1FF82

RGB 225 255 130

HSL 74.4, 1%, 0.75%

LAB 95.64, -27.87, 56.01

 

CMYK 40 / 0 / 77 / 1

HEX #98FD3B

RGB 152 253 59

HSL 91.24, 0.98%, 0.61%

LAB 90.43, -58.22, 76.94

 

CMYK 43 / 0 / 83 / 8

HEX #87EB28

RGB 135 235 40

HSL 90.77, 0.83%, 0.54%

LAB 84.34, -57.55, 76.09

 

CMYK 46 / 0 / 90 / 15

HEX #76D915

RGB 118 217 21

HSL 90.31, 0.82%, 0.47%

LAB 78.19, -56.63, 74.21

 

CMYK 49 / 0 / 99 / 22

HEX #65C702

RGB 101 199 2

HSL 89.85, 0.98%, 0.39%

LAB 71.97, -55.45, 71.11

 

CMYK 54 / 0 / 100 / 29

HEX #54B500

RGB 84 181 0

HSL 92.15, 1%, 0.35%

LAB 65.7, -53.85, 66.13

 

CMYK 40 / 0 / 77 / 1

HEX #97FD3A

RGB 151 253 58

HSL 91.38, 0.98%, 0.61%

LAB 90.38, -58.59, 77.17

 

CMYK 19 / 0 / 77 / 1

HEX #CCFD3A

RGB 204 253 58

HSL 75.08, 0.98%, 0.61%

LAB 93.19, -39.84, 80.78

 

CMYK 0 / 2 / 77 / 1

HEX #FDF93A

RGB 253 249 58

HSL 58.77, 0.98%, 0.61%

LAB 95.56, -18.5, 84.2

 

CMYK 0 / 23 / 77 / 1

HEX #FDC43A

RGB 253 196 58

HSL 42.46, 0.98%, 0.61%

LAB 82.2, 8.04, 72.11

 

CMYK 0 / 43 / 77 / 1

HEX #FD903A

RGB 253 144 58

HSL 26.46, 0.98%, 0.61%

LAB 70.27, 35.1, 60.85

 

CMYK 40 / 0 / 77 / 1

HEX #97FD3A

RGB 151 253 58

HSL 91.38, 0.98%, 0.61%

LAB 90.38, -58.59, 77.17

 

CMYK 61 / 0 / 77 / 1

HEX #62FD3A

RGB 98 253 58

HSL 107.69, 0.98%, 0.61%

LAB 88.52, -72.96, 74.74

 

CMYK 77 / 0 / 73 / 1

HEX #3AFD45

RGB 58 253 69

HSL 123.38, 0.98%, 0.61%

LAB 87.77, -79.1, 70.28

 

CMYK 77 / 0 / 52 / 1

HEX #3AFD7A

RGB 58 253 122

HSL 139.69, 0.98%, 0.61%

LAB 88.24, -73.4, 49.16

 

CMYK 77 / 0 / 31 / 1

HEX #3AFDAE

RGB 58 253 174

HSL 155.69, 0.98%, 0.61%

LAB 89.02, -64.39, 24.72

 

CMYK 40 / 0 / 77 / 1

HEX #97FD3A

RGB 151 253 58

HSL 91.38, 0.98%, 0.61%

LAB 90.38, -58.59, 77.17

 

CMYK 40 / 0 / 77 / 1

HEX #97FD3A

RGB 151 253 58

HSL 91.38, 0.98%, 0.61%

LAB 90.38, -58.59, 77.17

 

CMYK 36 / 0 / 69 / 7

HEX #98EC4A

RGB 152 236 74

HSL 91.11, 0.81%, 0.61%

LAB 85.59, -50.55, 67.21

 

CMYK 31 / 0 / 59 / 14

HEX #98DC5A

RGB 152 220 90

HSL 91.38, 0.65%, 0.61%

LAB 81.07, -42.51, 55.89

 

CMYK 25 / 0 / 48 / 20

HEX #99CC6A

RGB 153 204 106

HSL 91.22, 0.49%, 0.61%

LAB 76.68, -33.31, 43.31

 

CMYK 18 / 0 / 35 / 26

HEX #9ABC7A

RGB 154 188 122

HSL 90.91, 0.33%, 0.61%

LAB 72.39, -23.21, 29.74

 

CMYK 0 / 2 / 77 / 1

HEX #FDF93A

RGB 253 249 58

HSL 58.77, 0.98%, 0.61%

LAB 95.56, -18.5, 84.2

 

CMYK 19 / 0 / 77 / 1

HEX #CCFD3A

RGB 204 253 58

HSL 75.08, 0.98%, 0.61%

LAB 93.19, -39.84, 80.78

 

CMYK 40 / 0 / 77 / 1

HEX #98FD3A

RGB 152 253 58

HSL 91.08, 0.98%, 0.61%

LAB 90.43, -58.27, 77.22

 

CMYK 60 / 0 / 77 / 1

HEX #64FD3A

RGB 100 253 58

HSL 107.08, 0.98%, 0.61%

LAB 88.57, -72.52, 74.81

 

CMYK 77 / 0 / 74 / 1

HEX #3AFD43

RGB 58 253 67

HSL 122.77, 0.98%, 0.61%

LAB 87.75, -79.25, 70.93

 

CMYK 52 / 0 / 99 / 11

HEX #6DE202

RGB 109 226 2

HSL 91.34, 0.98%, 0.45%

LAB 80.54, -62.9, 78

 

CMYK 48 / 0 / 93 / 1

HEX #82FC11

RGB 130 252 17

HSL 91.15, 0.98%, 0.53%

LAB 89.11, -65.95, 83.86

 

CMYK 40 / 0 / 77 / 1

HEX #97FD3A

RGB 151 253 58

HSL 91.38, 0.98%, 0.61%

LAB 90.38, -58.59, 77.17

 

CMYK 32 / 0 / 61 / 1

HEX #ACFD62

RGB 172 253 98

HSL 91.35, 0.97%, 0.69%

LAB 91.64, -48.98, 64.58

 

CMYK 23 / 0 / 45 / 1

HEX #C2FD8B

RGB 194 253 139

HSL 91.05, 0.97%, 0.77%

LAB 93.27, -37.28, 48.47

 

CMYK 40 / 0 / 77 / 1

HEX #98FD3B

RGB 152 253 59

HSL 91.24, 0.98%, 0.61%

LAB 90.43, -58.22, 76.94

 

CMYK 77 / 0 / 22 / 1

HEX #3AFDC5

RGB 58 253 197

HSL 162.77, 0.98%, 0.61%

LAB 89.48, -59.4, 13.58

 

CMYK 0 / 77 / 9 / 1

HEX #FD3AE6

RGB 253 58 230

HSL 307.08, 0.98%, 0.61%

LAB 61.33, 86.62, -45.34

 

CMYK 40 / 0 / 77 / 1

HEX #98FD3B

RGB 152 253 59

HSL 91.24, 0.98%, 0.61%

LAB 90.43, -58.22, 76.94

 

CMYK 77 / 40 / 0 / 1

HEX #3A98FD

RGB 58 152 253

HSL 211.08, 0.98%, 0.61%

LAB 62.04, 6.7, -58.02

 

CMYK 0 / 77 / 40 / 1

HEX #FD3A98

RGB 253 58 152

HSL 331.08, 0.98%, 0.61%

LAB 58.2, 77.47, -5.37

 

CMYK 40 / 0 / 77 / 1

HEX #98FD3B

RGB 152 253 59

HSL 91.24, 0.98%, 0.61%

LAB 90.43, -58.22, 76.94

 

CMYK 77 / 0 / 22 / 1

HEX #3AFDC5

RGB 58 253 197

HSL 162.77, 0.98%, 0.61%

LAB 89.48, -59.4, 13.58

 

CMYK 38 / 77 / 0 / 1

HEX #9E3AFD

RGB 158 58 253

HSL 270.77, 0.98%, 0.61%

LAB 48.74, 73.57, -79.17

 

CMYK 0 / 77 / 55 / 1

HEX #FD3A71

RGB 253 58 113

HSL 343.08, 0.98%, 0.61%

LAB 57.17, 74.3, 16.2

 

CMYK 40 / 0 / 77 / 1

HEX #98FD3B

RGB 152 253 59

HSL 91.24, 0.98%, 0.61%

LAB 90.43, -58.22, 76.94

 

CMYK 77 / 2 / 0 / 1

HEX #3AF9FD

RGB 58 249 253

HSL 181.23, 0.98%, 0.61%

LAB 89.74, -43.33, -15.12

 

CMYK 38 / 77 / 0 / 1

HEX #9E3AFD

RGB 158 58 253

HSL 270.77, 0.98%, 0.61%

LAB 48.74, 73.57, -79.17

 

CMYK 0 / 76 / 77 / 1

HEX #FD3D3A

RGB 253 61 58

HSL 0.92, 0.98%, 0.61%

LAB 56.61, 70.68, 47.13

 

Description

Color code: RGB 152 253 59 | qconv.com Color code: RGB 152 253 59 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 253 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 253 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 77 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 77% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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