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Color name
RGB 152 221 105

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 152 221 105 it is the complementary color RGB 103 34 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 152 221 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 152 221 105 shade: RGB 157 221 100, RGB 174 239 119, RGB 191 255 138, RGB 208 255 157 and RGB 225 255 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 152 221 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 152 221 105 shade: RGB 152 221 105, RGB 135 203 86, RGB 118 185 67, RGB 101 167 48 and RGB 84 149 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 152 221 105 shade: RGB 152 221 105, RGB 183 221 105, RGB 214 221 105, RGB 221 196 105 and RGB 221 165 105

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 152 221 105 shade: RGB 152 221 105, RGB 121 221 105, RGB 105 221 120, RGB 105 221 152 and RGB 105 221 183

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 152 221 105 shade matches the following richer shades: RGB 152 221 105, RGB 149 235 90 and RGB 146 250 75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 152 221 105 shade: RGB 152 221 105, RGB 155 206 120, RGB 157 191 135, RGB 160 176 149 and RGB 163 161 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 152 221 105 shade: RGB 215 221 105, RGB 184 221 105, RGB 153 221 105, RGB 122 221 105 and RGB 105 221 118

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 152 221 105 shade: RGB 107 198 45, RGB 129 213 71, RGB 152 221 105, RGB 175 228 138 and RGB 198 236 172

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 152 221 105 shade: RGB 152 221 105, RGB 105 221 195 and RGB 221 105 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 152 221 105 shade: RGB 152 221 105, RGB 105 153 221 and RGB 221 105 153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 152 221 105 shade: RGB 152 221 105, RGB 105 221 195, RGB 172 105 221 and RGB 221 105 130

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 152 221 105 shade: RGB 152 221 105, RGB 105 211 221, RGB 172 105 221 and RGB 221 115 105

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 52 / 13

HEX #98DD69

RGB 152 221 105

HSL 95.69, 0.63%, 0.64%

LAB 81.52, -41.45, 49.62

 

Complementary color

CMYK 31 / 77 / 0 / 41

HEX #672296

RGB 103 34 150

HSL 275.69, 0.63%, 0.36%

LAB 29.98, 50.31, -50.05

 

CMYK 29 / 0 / 55 / 13

HEX #9DDD64

RGB 157 221 100

HSL 91.74, 0.64%, 0.63%

LAB 81.73, -40.23, 52.25

 

CMYK 27 / 0 / 50 / 6

HEX #AEEF77

RGB 174 239 119

HSL 92.5, 0.79%, 0.7%

LAB 88, -40.25, 51.16

 

CMYK 25 / 0 / 46 / 0

HEX #BFFF8A

RGB 191 255 138

HSL 92.82, 1%, 0.77%

LAB 93.64, -39.33, 49.36

 

CMYK 18 / 0 / 38 / 0

HEX #D0FF9D

RGB 208 255 157

HSL 88.78, 1%, 0.81%

LAB 94.89, -31.1, 42.02

 

CMYK 12 / 0 / 31 / 0

HEX #E1FFB0

RGB 225 255 176

HSL 82.78, 1%, 0.85%

LAB 96.27, -22.61, 34.64

 

CMYK 31 / 0 / 52 / 13

HEX #98DD69

RGB 152 221 105

HSL 95.69, 0.63%, 0.64%

LAB 81.52, -41.45, 49.62

 

CMYK 33 / 0 / 58 / 20

HEX #87CB56

RGB 135 203 86

HSL 94.87, 0.53%, 0.57%

LAB 75.16, -41.42, 50.69

 

CMYK 36 / 0 / 64 / 27

HEX #76B943

RGB 118 185 67

HSL 94.07, 0.47%, 0.49%

LAB 68.72, -41.29, 51.62

 

CMYK 40 / 0 / 71 / 35

HEX #65A730

RGB 101 167 48

HSL 93.28, 0.55%, 0.42%

LAB 62.18, -41, 52.21

 

CMYK 44 / 0 / 81 / 42

HEX #54951D

RGB 84 149 29

HSL 92.5, 0.67%, 0.35%

LAB 55.55, -40.48, 52.12

 

CMYK 31 / 0 / 52 / 13

HEX #98DD69

RGB 152 221 105

HSL 95.69, 0.63%, 0.64%

LAB 81.52, -41.45, 49.62

 

CMYK 17 / 0 / 52 / 13

HEX #B7DD69

RGB 183 221 105

HSL 79.66, 0.63%, 0.64%

LAB 83.34, -30.19, 52.23

 

CMYK 3 / 0 / 52 / 13

HEX #D6DD69

RGB 214 221 105

HSL 63.62, 0.63%, 0.64%

LAB 85.52, -18.07, 55.33

 

CMYK 0 / 11 / 52 / 13

HEX #DDC469

RGB 221 196 105

HSL 47.07, 0.63%, 0.64%

LAB 79.54, -2.59, 48.44

 

CMYK 0 / 25 / 52 / 13

HEX #DDA569

RGB 221 165 105

HSL 31.03, 0.63%, 0.64%

LAB 71.76, 13.79, 38.95

 

CMYK 31 / 0 / 52 / 13

HEX #98DD69

RGB 152 221 105

HSL 95.69, 0.63%, 0.64%

LAB 81.52, -41.45, 49.62

 

CMYK 45 / 0 / 52 / 13

HEX #79DD69

RGB 121 221 105

HSL 111.72, 0.63%, 0.64%

LAB 80.07, -51.34, 47.54

 

CMYK 52 / 0 / 46 / 13

HEX #69DD78

RGB 105 221 120

HSL 127.76, 0.63%, 0.64%

LAB 79.65, -53.68, 39.67

 

CMYK 52 / 0 / 31 / 13

HEX #69DD98

RGB 105 221 152

HSL 144.31, 0.63%, 0.64%

LAB 80.17, -48.3, 24.1

 

CMYK 52 / 0 / 17 / 13

HEX #69DDB7

RGB 105 221 183

HSL 160.34, 0.63%, 0.64%

LAB 80.81, -41.89, 8.71

 

CMYK 31 / 0 / 52 / 13

HEX #98DD69

RGB 152 221 105

HSL 95.69, 0.63%, 0.64%

LAB 81.52, -41.45, 49.62

 

CMYK 37 / 0 / 62 / 8

HEX #95EB5A

RGB 149 235 90

HSL 95.59, 0.78%, 0.64%

LAB 85.27, -49.89, 60.54

 

CMYK 42 / 0 / 70 / 2

HEX #92FA4B

RGB 146 250 75

HSL 95.66, 0.95%, 0.64%

LAB 89.39, -58.01, 70.66

 

CMYK 31 / 0 / 52 / 13

HEX #98DD69

RGB 152 221 105

HSL 95.69, 0.63%, 0.64%

LAB 81.52, -41.45, 49.62

 

CMYK 25 / 0 / 42 / 19

HEX #9BCE78

RGB 155 206 120

HSL 95.58, 0.47%, 0.64%

LAB 77.56, -31.79, 37.48

 

CMYK 18 / 0 / 29 / 25

HEX #9DBF87

RGB 157 191 135

HSL 96.43, 0.3%, 0.64%

LAB 73.66, -21.69, 24.61

 

CMYK 9 / 0 / 15 / 31

HEX #A0B095

RGB 160 176 149

HSL 95.56, 0.15%, 0.64%

LAB 69.96, -10.62, 11.97

 

CMYK 1 / 2 / 0 / 36

HEX #A3A1A4

RGB 163 161 164

HSL 280, 0.02%, 0.64%

LAB 66.49, 1.29, -1.31

 

CMYK 3 / 0 / 52 / 13

HEX #D7DD69

RGB 215 221 105

HSL 63.1, 0.63%, 0.64%

LAB 85.59, -17.67, 55.44

 

CMYK 17 / 0 / 52 / 13

HEX #B8DD69

RGB 184 221 105

HSL 79.14, 0.63%, 0.64%

LAB 83.4, -29.81, 52.32

 

CMYK 31 / 0 / 52 / 13

HEX #99DD69

RGB 153 221 105

HSL 95.17, 0.63%, 0.64%

LAB 81.57, -41.1, 49.7

 

CMYK 45 / 0 / 52 / 13

HEX #7ADD69

RGB 122 221 105

HSL 111.21, 0.63%, 0.64%

LAB 80.11, -51.05, 47.6

 

CMYK 52 / 0 / 47 / 13

HEX #69DD76

RGB 105 221 118

HSL 126.72, 0.63%, 0.64%

LAB 79.63, -53.97, 40.62

 

CMYK 46 / 0 / 77 / 22

HEX #6BC62D

RGB 107 198 45

HSL 95.69, 0.63%, 0.48%

LAB 72.03, -51.85, 63.04

 

CMYK 39 / 0 / 67 / 16

HEX #81D547

RGB 129 213 71

HSL 95.49, 0.63%, 0.56%

LAB 77.7, -49.01, 59.79

 

CMYK 31 / 0 / 52 / 13

HEX #98DD69

RGB 152 221 105

HSL 95.69, 0.63%, 0.64%

LAB 81.52, -41.45, 49.62

 

CMYK 23 / 0 / 39 / 11

HEX #AFE48A

RGB 175 228 138

HSL 95.33, 0.63%, 0.72%

LAB 85.22, -32.63, 38.52

 

CMYK 16 / 0 / 27 / 7

HEX #C6ECAC

RGB 198 236 172

HSL 95.63, 0.63%, 0.8%

LAB 89.38, -23.58, 27.08

 

CMYK 31 / 0 / 52 / 13

HEX #98DD69

RGB 152 221 105

HSL 95.69, 0.63%, 0.64%

LAB 81.52, -41.45, 49.62

 

CMYK 52 / 0 / 12 / 13

HEX #69DDC3

RGB 105 221 195

HSL 166.55, 0.63%, 0.64%

LAB 81.1, -39.12, 2.76

 

CMYK 0 / 52 / 10 / 13

HEX #DD69C7

RGB 221 105 199

HSL 311.38, 0.63%, 0.64%

LAB 61.31, 57, -28.24

 

CMYK 31 / 0 / 52 / 13

HEX #98DD69

RGB 152 221 105

HSL 95.69, 0.63%, 0.64%

LAB 81.52, -41.45, 49.62

 

CMYK 52 / 31 / 0 / 13

HEX #6999DD

RGB 105 153 221

HSL 215.17, 0.63%, 0.64%

LAB 62.51, 3.03, -39.52

 

CMYK 0 / 52 / 31 / 13

HEX #DD6999

RGB 221 105 153

HSL 335.17, 0.63%, 0.64%

LAB 59.69, 50.39, -4.33

 

CMYK 31 / 0 / 52 / 13

HEX #98DD69

RGB 152 221 105

HSL 95.69, 0.63%, 0.64%

LAB 81.52, -41.45, 49.62

 

CMYK 52 / 0 / 12 / 13

HEX #69DDC3

RGB 105 221 195

HSL 166.55, 0.63%, 0.64%

LAB 81.1, -39.12, 2.76

 

CMYK 22 / 52 / 0 / 13

HEX #AC69DD

RGB 172 105 221

HSL 274.66, 0.63%, 0.64%

LAB 56.18, 47.65, -49.15

 

CMYK 0 / 52 / 41 / 13

HEX #DD6982

RGB 221 105 130

HSL 347.07, 0.63%, 0.64%

LAB 59.05, 47.71, 8.1

 

CMYK 31 / 0 / 52 / 13

HEX #98DD69

RGB 152 221 105

HSL 95.69, 0.63%, 0.64%

LAB 81.52, -41.45, 49.62

 

CMYK 52 / 5 / 0 / 13

HEX #69D3DD

RGB 105 211 221

HSL 185.17, 0.63%, 0.64%

LAB 78.93, -27.84, -14.33

 

CMYK 22 / 52 / 0 / 13

HEX #AC69DD

RGB 172 105 221

HSL 274.66, 0.63%, 0.64%

LAB 56.18, 47.65, -49.15

 

CMYK 0 / 48 / 52 / 13

HEX #DD7369

RGB 221 115 105

HSL 5.17, 0.63%, 0.64%

LAB 60.47, 40.32, 24.44

 

Description

Color code: RGB 152 221 105 | qconv.com Color code: RGB 152 221 105 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 221 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 221 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 52 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 52% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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