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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 152 188 164 it is the complementary color RGB 103 67 91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 152 188 164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 152 188 164 shade: RGB 157 188 159, RGB 174 206 178, RGB 191 224 197, RGB 208 242 216 and RGB 225 255 235

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 152 188 164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 152 188 164 shade: RGB 152 188 164, RGB 135 170 145, RGB 118 152 126, RGB 101 134 107 and RGB 84 116 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 152 188 164 shade: RGB 153 188 164, RGB 153 188 155, RGB 160 188 153, RGB 169 188 153 and RGB 179 188 153

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 152 188 164 shade: RGB 153 188 164, RGB 153 188 174, RGB 153 188 184, RGB 153 183 188 and RGB 153 173 188

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 152 188 164 shade matches the following richer shades: RGB 153 188 164, RGB 139 202 160, RGB 125 215 155, RGB 112 229 151 and RGB 98 242 146

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 152 188 164 shade: RGB 153 188 164, RGB 166 174 169, RGB 180 161 174, RGB 194 147 178 and RGB 207 134 183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 152 188 164 shade: RGB 160 188 153, RGB 153 188 155, RGB 153 188 164, RGB 153 188 174 and RGB 153 188 183

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 152 188 164 shade: RGB 103 155 120, RGB 128 172 142, RGB 153 188 164, RGB 178 204 187 and RGB 203 221 209

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 152 188 164 shade: RGB 152 188 164, RGB 153 169 188 and RGB 188 153 155

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 152 188 164 shade: RGB 152 188 164, RGB 164 153 188 and RGB 188 164 153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 152 188 164 shade: RGB 152 188 164, RGB 153 169 188, RGB 188 153 176 and RGB 188 172 153

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 152 188 164 shade: RGB 152 188 164, RGB 153 159 188, RGB 188 153 176 and RGB 188 182 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 13 / 26

HEX #98BCA4

RGB 152 188 164

HSL 140, 0.21%, 0.67%

LAB 73.1, -16.91, 8.17

 

Complementary color

CMYK 0 / 35 / 12 / 60

HEX #67435B

RGB 103 67 91

HSL 320, 0.21%, 0.33%

LAB 33.25, 19.67, -7.88

 

CMYK 16 / 0 / 15 / 26

HEX #9DBC9F

RGB 157 188 159

HSL 123.87, 0.19%, 0.68%

LAB 73.31, -16.14, 11.22

 

CMYK 16 / 0 / 14 / 19

HEX #AECEB2

RGB 174 206 178

HSL 127.5, 0.25%, 0.75%

LAB 79.82, -16.04, 10.4

 

CMYK 15 / 0 / 12 / 12

HEX #BFE0C5

RGB 191 224 197

HSL 130.91, 0.35%, 0.81%

LAB 86.22, -15.95, 9.61

 

CMYK 14 / 0 / 11 / 5

HEX #D0F2D8

RGB 208 242 216

HSL 134.12, 0.57%, 0.88%

LAB 92.52, -15.88, 8.86

 

CMYK 12 / 0 / 8 / 0

HEX #E1FFEB

RGB 225 255 235

HSL 140, 1%, 0.94%

LAB 97.44, -13.36, 6.28

 

CMYK 19 / 0 / 13 / 26

HEX #98BCA4

RGB 152 188 164

HSL 140, 0.21%, 0.67%

LAB 73.1, -16.91, 8.17

 

CMYK 21 / 0 / 15 / 33

HEX #87AA91

RGB 135 170 145

HSL 137.14, 0.17%, 0.6%

LAB 66.48, -17.06, 8.99

 

CMYK 22 / 0 / 17 / 40

HEX #76987E

RGB 118 152 126

HSL 134.12, 0.14%, 0.53%

LAB 59.72, -17.24, 9.87

 

CMYK 25 / 0 / 20 / 47

HEX #65866B

RGB 101 134 107

HSL 130.91, 0.14%, 0.46%

LAB 52.82, -17.44, 10.81

 

CMYK 28 / 0 / 24 / 55

HEX #547458

RGB 84 116 88

HSL 127.5, 0.16%, 0.39%

LAB 45.74, -17.67, 11.84

 

CMYK 19 / 0 / 13 / 26

HEX #99BCA4

RGB 153 188 164

HSL 138.86, 0.21%, 0.67%

LAB 73.17, -16.58, 8.27

 

CMYK 19 / 0 / 18 / 26

HEX #99BC9B

RGB 153 188 155

HSL 123.43, 0.21%, 0.67%

LAB 72.96, -18.25, 12.86

 

CMYK 15 / 0 / 19 / 26

HEX #A0BC99

RGB 160 188 153

HSL 108, 0.21%, 0.67%

LAB 73.38, -16.16, 14.59

 

CMYK 10 / 0 / 19 / 26

HEX #A9BC99

RGB 169 188 153

HSL 92.57, 0.21%, 0.67%

LAB 74, -12.93, 15.56

 

CMYK 5 / 0 / 19 / 26

HEX #B3BC99

RGB 179 188 153

HSL 75.43, 0.21%, 0.67%

LAB 74.73, -9.27, 16.69

 

CMYK 19 / 0 / 13 / 26

HEX #99BCA4

RGB 153 188 164

HSL 138.86, 0.21%, 0.67%

LAB 73.17, -16.58, 8.27

 

CMYK 19 / 0 / 7 / 26

HEX #99BCAE

RGB 153 188 174

HSL 156, 0.21%, 0.67%

LAB 73.41, -14.62, 3.18

 

CMYK 19 / 0 / 2 / 26

HEX #99BCB8

RGB 153 188 184

HSL 173.14, 0.21%, 0.67%

LAB 73.67, -12.55, -1.89

 

CMYK 19 / 3 / 0 / 26

HEX #99B7BC

RGB 153 183 188

HSL 188.57, 0.21%, 0.67%

LAB 72.41, -9.06, -5.94

 

CMYK 19 / 8 / 0 / 26

HEX #99ADBC

RGB 153 173 188

HSL 205.71, 0.21%, 0.67%

LAB 69.68, -3.69, -10

 

CMYK 19 / 0 / 13 / 26

HEX #99BCA4

RGB 153 188 164

HSL 138.86, 0.21%, 0.67%

LAB 73.17, -16.58, 8.27

 

CMYK 31 / 0 / 21 / 21

HEX #8BCAA0

RGB 139 202 160

HSL 140, 0.37%, 0.67%

LAB 76.23, -28.85, 14.66

 

CMYK 42 / 0 / 28 / 16

HEX #7DD79B

RGB 125 215 155

HSL 140, 0.53%, 0.67%

LAB 79.23, -39.96, 21.37

 

CMYK 51 / 0 / 34 / 10

HEX #70E597

RGB 112 229 151

HSL 140, 0.69%, 0.67%

LAB 82.76, -50.11, 28.16

 

CMYK 60 / 0 / 40 / 5

HEX #62F292

RGB 98 242 146

HSL 140, 0.85%, 0.67%

LAB 86.09, -59.29, 35.04

 

CMYK 19 / 0 / 13 / 26

HEX #99BCA4

RGB 153 188 164

HSL 138.86, 0.21%, 0.67%

LAB 73.17, -16.58, 8.27

 

CMYK 5 / 0 / 3 / 32

HEX #A6AEA9

RGB 166 174 169

HSL 142.5, 0.05%, 0.67%

LAB 70.35, -3.76, 1.58

 

CMYK 0 / 11 / 3 / 29

HEX #B4A1AE

RGB 180 161 174

HSL 318.95, 0.11%, 0.67%

LAB 68.2, 9.26, -4.19

 

CMYK 0 / 24 / 8 / 24

HEX #C293B2

RGB 194 147 178

HSL 320.43, 0.28%, 0.67%

LAB 66.18, 22.72, -9.29

 

CMYK 0 / 35 / 12 / 19

HEX #CF86B7

RGB 207 134 183

HSL 319.73, 0.43%, 0.67%

LAB 64.75, 35.19, -14.1

 

CMYK 15 / 0 / 19 / 26

HEX #A0BC99

RGB 160 188 153

HSL 108, 0.21%, 0.67%

LAB 73.38, -16.16, 14.59

 

CMYK 19 / 0 / 18 / 26

HEX #99BC9B

RGB 153 188 155

HSL 123.43, 0.21%, 0.67%

LAB 72.96, -18.25, 12.86

 

CMYK 19 / 0 / 13 / 26

HEX #99BCA4

RGB 153 188 164

HSL 138.86, 0.21%, 0.67%

LAB 73.17, -16.58, 8.27

 

CMYK 19 / 0 / 7 / 26

HEX #99BCAE

RGB 153 188 174

HSL 156, 0.21%, 0.67%

LAB 73.41, -14.62, 3.18

 

CMYK 19 / 0 / 3 / 26

HEX #99BCB7

RGB 153 188 183

HSL 171.43, 0.21%, 0.67%

LAB 73.65, -12.76, -1.38

 

CMYK 34 / 0 / 23 / 39

HEX #679B78

RGB 103 155 120

HSL 139.62, 0.21%, 0.51%

LAB 59.6, -25.02, 12.95

 

CMYK 26 / 0 / 17 / 33

HEX #80AC8E

RGB 128 172 142

HSL 139.09, 0.21%, 0.59%

LAB 66.56, -21.04, 10.7

 

CMYK 19 / 0 / 13 / 26

HEX #99BCA4

RGB 153 188 164

HSL 138.86, 0.21%, 0.67%

LAB 73.17, -16.58, 8.27

 

CMYK 13 / 0 / 8 / 20

HEX #B2CCBB

RGB 178 204 187

HSL 140.77, 0.2%, 0.75%

LAB 79.75, -12.01, 5.52

 

CMYK 8 / 0 / 5 / 13

HEX #CBDDD1

RGB 203 221 209

HSL 140, 0.21%, 0.83%

LAB 86.51, -8.24, 3.82

 

CMYK 19 / 0 / 13 / 26

HEX #98BCA4

RGB 152 188 164

HSL 140, 0.21%, 0.67%

LAB 73.1, -16.91, 8.17

 

CMYK 19 / 10 / 0 / 26

HEX #99A9BC

RGB 153 169 188

HSL 212.57, 0.21%, 0.67%

LAB 68.59, -1.51, -11.62

 

CMYK 0 / 19 / 18 / 26

HEX #BC999B

RGB 188 153 155

HSL 356.57, 0.21%, 0.67%

LAB 66.4, 13.33, 3.87

 

CMYK 19 / 0 / 13 / 26

HEX #98BCA4

RGB 152 188 164

HSL 140, 0.21%, 0.67%

LAB 73.1, -16.91, 8.17

 

CMYK 13 / 19 / 0 / 26

HEX #A499BC

RGB 164 153 188

HSL 258.86, 0.21%, 0.67%

LAB 65.2, 11, -16.64

 

CMYK 0 / 13 / 19 / 26

HEX #BCA499

RGB 188 164 153

HSL 18.86, 0.21%, 0.67%

LAB 69.14, 6.96, 8.92

 

CMYK 19 / 0 / 13 / 26

HEX #98BCA4

RGB 152 188 164

HSL 140, 0.21%, 0.67%

LAB 73.1, -16.91, 8.17

 

CMYK 19 / 10 / 0 / 26

HEX #99A9BC

RGB 153 169 188

HSL 212.57, 0.21%, 0.67%

LAB 68.59, -1.51, -11.62

 

CMYK 0 / 19 / 6 / 26

HEX #BC99B0

RGB 188 153 176

HSL 320.57, 0.21%, 0.67%

LAB 66.98, 16.91, -7.03

 

CMYK 0 / 9 / 19 / 26

HEX #BCAC99

RGB 188 172 153

HSL 32.57, 0.21%, 0.67%

LAB 71.21, 2.62, 11.86

 

CMYK 19 / 0 / 13 / 26

HEX #98BCA4

RGB 152 188 164

HSL 140, 0.21%, 0.67%

LAB 73.1, -16.91, 8.17

 

CMYK 19 / 15 / 0 / 26

HEX #999FBC

RGB 153 159 188

HSL 229.71, 0.21%, 0.67%

LAB 65.9, 4.02, -15.66

 

CMYK 0 / 19 / 6 / 26

HEX #BC99B0

RGB 188 153 176

HSL 320.57, 0.21%, 0.67%

LAB 66.98, 16.91, -7.03

 

CMYK 0 / 3 / 19 / 26

HEX #BCB699

RGB 188 182 153

HSL 49.71, 0.21%, 0.67%

LAB 73.83, -2.74, 15.54

 

Description

Color code: RGB 152 188 164 | qconv.com Color code: RGB 152 188 164 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 188 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 188 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 13 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 13% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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