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Color name
RGB 152 145 21

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 152 145 21 it is the complementary color RGB 103 110 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 152 145 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 152 145 21 shade: RGB 157 145 16, RGB 174 163 35, RGB 191 181 54, RGB 208 199 73 and RGB 225 217 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 152 145 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 152 145 21 shade: RGB 152 145 21, RGB 135 127 2, RGB 118 109 0, RGB 101 91 0 and RGB 84 73 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 152 145 21 shade: RGB 152 145 20, RGB 152 110 20, RGB 152 74 20, RGB 152 38 20 and RGB 152 20 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 152 145 21 shade: RGB 152 145 20, RGB 124 152 20, RGB 88 152 20, RGB 53 152 20 and RGB 20 152 24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 152 145 21 shade matches the following richer shades: RGB 152 145 20 and RGB 166 158 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 152 145 21 shade: RGB 152 145 20, RGB 138 133 34, RGB 124 120 48, RGB 110 107 62 and RGB 96 95 76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 152 145 21 shade: RGB 152 73 20, RGB 152 108 20, RGB 152 143 20, RGB 126 152 20 and RGB 91 152 20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 152 145 21 shade: RGB 79 76 10, RGB 116 110 15, RGB 152 145 20, RGB 188 180 25 and RGB 224 214 31

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 152 145 21 shade: RGB 152 145 21, RGB 20 152 38 and RGB 91 20 152

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 152 145 21 shade: RGB 152 145 21, RGB 20 152 143 and RGB 143 20 152

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 152 145 21 shade: RGB 152 145 21, RGB 20 152 38, RGB 20 29 152 and RGB 152 20 135

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 152 145 21 shade: RGB 152 145 21, RGB 20 152 77, RGB 20 29 152 and RGB 152 20 95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 86 / 40

HEX #989115

RGB 152 145 21

HSL 56.79, 0.76%, 0.34%

LAB 58.96, -10.57, 59.11

 

Complementary color

CMYK 56 / 53 / 0 / 8

HEX #676EEA

RGB 103 110 234

HSL 236.79, 0.76%, 0.66%

LAB 51.81, 32.38, -63.8

 

CMYK 0 / 8 / 90 / 38

HEX #9D9110

RGB 157 145 16

HSL 54.89, 0.82%, 0.34%

LAB 59.39, -8.4, 60.75

 

CMYK 0 / 6 / 80 / 32

HEX #AEA323

RGB 174 163 35

HSL 55.25, 0.67%, 0.41%

LAB 65.99, -9.78, 62.09

 

CMYK 0 / 5 / 72 / 25

HEX #BFB536

RGB 191 181 54

HSL 55.62, 0.56%, 0.48%

LAB 72.49, -10.9, 62.27

 

CMYK 0 / 4 / 65 / 18

HEX #D0C749

RGB 208 199 73

HSL 56, 0.59%, 0.55%

LAB 78.89, -11.84, 61.81

 

CMYK 0 / 4 / 59 / 12

HEX #E1D95C

RGB 225 217 92

HSL 56.39, 0.69%, 0.62%

LAB 85.2, -12.62, 60.99

 

CMYK 0 / 5 / 86 / 40

HEX #989115

RGB 152 145 21

HSL 56.79, 0.76%, 0.34%

LAB 58.96, -10.57, 59.11

 

CMYK 0 / 6 / 99 / 47

HEX #877F02

RGB 135 127 2

HSL 56.39, 0.97%, 0.27%

LAB 52.21, -9.07, 56.83

 

CMYK 0 / 8 / 100 / 54

HEX #766D00

RGB 118 109 0

HSL 55.42, 1%, 0.23%

LAB 45.34, -7.19, 51.52

 

CMYK 0 / 10 / 100 / 60

HEX #655B00

RGB 101 91 0

HSL 54.06, 1%, 0.2%

LAB 38.29, -5.19, 45.67

 

CMYK 0 / 13 / 100 / 67

HEX #544900

RGB 84 73 0

HSL 52.14, 1%, 0.16%

LAB 31, -3.06, 39.63

 

CMYK 0 / 5 / 87 / 40

HEX #989114

RGB 152 145 20

HSL 56.82, 0.77%, 0.34%

LAB 58.95, -10.59, 59.34

 

CMYK 0 / 28 / 87 / 40

HEX #986E14

RGB 152 110 20

HSL 40.91, 0.77%, 0.34%

LAB 49.35, 8.88, 51.4

 

CMYK 0 / 51 / 87 / 40

HEX #984A14

RGB 152 74 20

HSL 24.55, 0.77%, 0.34%

LAB 40.61, 29.3, 44.08

 

CMYK 0 / 75 / 87 / 40

HEX #982614

RGB 152 38 20

HSL 8.18, 0.77%, 0.34%

LAB 34.22, 46.15, 38.61

 

CMYK 0 / 87 / 87 / 40

HEX #981414

RGB 152 20 20

HSL 0, 0.77%, 0.34%

LAB 32.32, 51.49, 36.97

 

CMYK 0 / 5 / 87 / 40

HEX #989114

RGB 152 145 20

HSL 56.82, 0.77%, 0.34%

LAB 58.95, -10.59, 59.34

 

CMYK 18 / 0 / 87 / 40

HEX #7C9814

RGB 124 152 20

HSL 72.73, 0.77%, 0.34%

LAB 58.78, -26.6, 58.3

 

CMYK 42 / 0 / 87 / 40

HEX #589814

RGB 88 152 20

HSL 89.09, 0.77%, 0.34%

LAB 56.67, -40.76, 55.65

 

CMYK 65 / 0 / 87 / 40

HEX #359814

RGB 53 152 20

HSL 105, 0.77%, 0.34%

LAB 55.34, -51.07, 53.98

 

CMYK 87 / 0 / 84 / 40

HEX #149818

RGB 20 152 24

HSL 121.82, 0.77%, 0.34%

LAB 54.73, -56.28, 52.17

 

CMYK 0 / 5 / 87 / 40

HEX #989114

RGB 152 145 20

HSL 56.82, 0.77%, 0.34%

LAB 58.95, -10.59, 59.34

 

CMYK 0 / 5 / 96 / 35

HEX #A69E06

RGB 166 158 6

HSL 57, 0.93%, 0.34%

LAB 63.81, -11.39, 66.06

 

CMYK 0 / 5 / 87 / 40

HEX #989114

RGB 152 145 20

HSL 56.82, 0.77%, 0.34%

LAB 58.95, -10.59, 59.34

 

CMYK 0 / 4 / 75 / 46

HEX #8A8522

RGB 138 133 34

HSL 57.12, 0.6%, 0.34%

LAB 54.34, -10.02, 50.59

 

CMYK 0 / 3 / 61 / 51

HEX #7C7830

RGB 124 120 48

HSL 56.84, 0.44%, 0.34%

LAB 49.41, -8.42, 39.13

 

CMYK 0 / 3 / 44 / 57

HEX #6E6B3E

RGB 110 107 62

HSL 56.25, 0.28%, 0.34%

LAB 44.49, -6.06, 25.6

 

CMYK 0 / 1 / 21 / 62

HEX #605F4C

RGB 96 95 76

HSL 57, 0.12%, 0.34%

LAB 39.9, -3.2, 11.05

 

CMYK 0 / 52 / 87 / 40

HEX #984914

RGB 152 73 20

HSL 24.09, 0.77%, 0.34%

LAB 40.4, 29.84, 43.9

 

CMYK 0 / 29 / 87 / 40

HEX #986C14

RGB 152 108 20

HSL 40, 0.77%, 0.34%

LAB 48.82, 10.03, 50.97

 

CMYK 0 / 6 / 87 / 40

HEX #988F14

RGB 152 143 20

HSL 55.91, 0.77%, 0.34%

LAB 58.39, -9.52, 58.88

 

CMYK 17 / 0 / 87 / 40

HEX #7E9814

RGB 126 152 20

HSL 71.82, 0.77%, 0.34%

LAB 58.92, -25.75, 58.47

 

CMYK 40 / 0 / 87 / 40

HEX #5B9814

RGB 91 152 20

HSL 87.73, 0.77%, 0.34%

LAB 56.81, -39.69, 55.83

 

CMYK 0 / 4 / 87 / 69

HEX #4F4C0A

RGB 79 76 10

HSL 57.39, 0.78%, 0.17%

LAB 31.47, -7.05, 36.12

 

CMYK 0 / 5 / 87 / 55

HEX #746E0F

RGB 116 110 15

HSL 56.44, 0.77%, 0.26%

LAB 45.5, -8.35, 48.07

 

CMYK 0 / 5 / 87 / 40

HEX #989114

RGB 152 145 20

HSL 56.82, 0.77%, 0.34%

LAB 58.95, -10.59, 59.34

 

CMYK 0 / 4 / 87 / 26

HEX #BCB419

RGB 188 180 25

HSL 57.06, 0.77%, 0.42%

LAB 71.83, -12.71, 70.05

 

CMYK 0 / 4 / 86 / 12

HEX #E0D61F

RGB 224 214 31

HSL 56.89, 0.76%, 0.5%

LAB 83.99, -14.23, 79.93

 

CMYK 0 / 5 / 86 / 40

HEX #989115

RGB 152 145 21

HSL 56.79, 0.76%, 0.34%

LAB 58.96, -10.57, 59.11

 

CMYK 87 / 0 / 75 / 40

HEX #149826

RGB 20 152 38

HSL 128.18, 0.77%, 0.34%

LAB 54.81, -55.31, 47.71

 

CMYK 40 / 87 / 0 / 40

HEX #5B1498

RGB 91 20 152

HSL 272.27, 0.77%, 0.34%

LAB 26.71, 53.76, -56.69

 

CMYK 0 / 5 / 86 / 40

HEX #989115

RGB 152 145 21

HSL 56.79, 0.76%, 0.34%

LAB 58.96, -10.57, 59.11

 

CMYK 87 / 0 / 6 / 40

HEX #14988F

RGB 20 152 143

HSL 175.91, 0.77%, 0.34%

LAB 56.67, -34.46, -4.65

 

CMYK 6 / 87 / 0 / 40

HEX #8F1498

RGB 143 20 152

HSL 295.91, 0.77%, 0.34%

LAB 35.22, 62.3, -42.5

 

CMYK 0 / 5 / 86 / 40

HEX #989115

RGB 152 145 21

HSL 56.79, 0.76%, 0.34%

LAB 58.96, -10.57, 59.11

 

CMYK 87 / 0 / 75 / 40

HEX #149826

RGB 20 152 38

HSL 128.18, 0.77%, 0.34%

LAB 54.81, -55.31, 47.71

 

CMYK 87 / 81 / 0 / 40

HEX #141D98

RGB 20 29 152

HSL 235.91, 0.77%, 0.34%

LAB 21.19, 43.08, -66.03

 

CMYK 0 / 87 / 11 / 40

HEX #981487

RGB 152 20 135

HSL 307.73, 0.77%, 0.34%

LAB 35.84, 61.39, -30.96

 

CMYK 0 / 5 / 86 / 40

HEX #989115

RGB 152 145 21

HSL 56.79, 0.76%, 0.34%

LAB 58.96, -10.57, 59.11

 

CMYK 87 / 0 / 49 / 40

HEX #14984D

RGB 20 152 77

HSL 145.91, 0.77%, 0.34%

LAB 55.22, -50.31, 30.18

 

CMYK 87 / 81 / 0 / 40

HEX #141D98

RGB 20 29 152

HSL 235.91, 0.77%, 0.34%

LAB 21.19, 43.08, -66.03

 

CMYK 0 / 87 / 38 / 40

HEX #98145F

RGB 152 20 95

HSL 325.91, 0.77%, 0.34%

LAB 33.99, 56.32, -8.54

 

Description

Color code: RGB 152 145 21 | qconv.com Color code: RGB 152 145 21 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 145 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 145 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 86 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 86% 40% C M Y K

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Provide designers and agencies with accurate color values.

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