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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 152 139 77 it is the complementary color RGB 103 116 178. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 152 139 77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 152 139 77 shade: RGB 157 139 72, RGB 174 157 91, RGB 191 175 110, RGB 208 193 129 and RGB 225 211 148

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 152 139 77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 152 139 77 shade: RGB 152 139 77, RGB 135 121 58, RGB 118 103 39, RGB 101 85 20 and RGB 84 67 1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 152 139 77 shade: RGB 152 139 76, RGB 152 119 76, RGB 152 98 76, RGB 152 78 76 and RGB 152 76 76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 152 139 77 shade: RGB 152 139 76, RGB 145 152 76, RGB 124 152 76, RGB 104 152 76 and RGB 84 152 76

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 152 139 77 shade matches the following richer shades: RGB 152 139 76, RGB 171 151 58, RGB 189 163 39, RGB 208 175 21 and RGB 226 188 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 152 139 77 shade: RGB 152 139 76, RGB 134 127 95, RGB 115 115 114, RGB 96 103 132 and RGB 78 90 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 152 139 77 shade: RGB 152 98 76, RGB 152 118 76, RGB 152 138 76, RGB 146 152 76 and RGB 126 152 76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 152 139 77 shade: RGB 97 89 49, RGB 125 114 63, RGB 152 139 76, RGB 174 161 95 and RGB 188 177 123

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 152 139 77 shade: RGB 152 139 77, RGB 76 152 78 and RGB 108 76 152

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 152 139 77 shade: RGB 152 139 77, RGB 76 152 138 and RGB 138 76 152

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 152 139 77 shade: RGB 152 139 77, RGB 76 152 78, RGB 76 90 152 and RGB 152 76 151

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 152 139 77 shade: RGB 152 139 77, RGB 76 152 100, RGB 76 90 152 and RGB 152 76 128

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 49 / 40

HEX #988B4D

RGB 152 139 77

HSL 49.6, 0.33%, 0.45%

LAB 57.73, -3.88, 34.72

 

Complementary color

CMYK 42 / 35 / 0 / 30

HEX #6774B2

RGB 103 116 178

HSL 229.6, 0.33%, 0.55%

LAB 50.2, 11.42, -34.46

 

CMYK 0 / 11 / 54 / 38

HEX #9D8B48

RGB 157 139 72

HSL 47.29, 0.37%, 0.45%

LAB 58.13, -2.17, 37.92

 

CMYK 0 / 10 / 48 / 32

HEX #AE9D5B

RGB 174 157 91

HSL 47.71, 0.34%, 0.52%

LAB 64.86, -2.87, 36.62

 

CMYK 0 / 8 / 42 / 25

HEX #BFAF6E

RGB 191 175 110

HSL 48.15, 0.39%, 0.59%

LAB 71.46, -3.45, 35.36

 

CMYK 0 / 7 / 38 / 18

HEX #D0C181

RGB 208 193 129

HSL 48.61, 0.46%, 0.66%

LAB 77.95, -3.94, 34.14

 

CMYK 0 / 6 / 34 / 12

HEX #E1D394

RGB 225 211 148

HSL 49.09, 0.56%, 0.73%

LAB 84.35, -4.35, 32.99

 

CMYK 0 / 9 / 49 / 40

HEX #988B4D

RGB 152 139 77

HSL 49.6, 0.33%, 0.45%

LAB 57.73, -3.88, 34.72

 

CMYK 0 / 10 / 57 / 47

HEX #87793A

RGB 135 121 58

HSL 49.09, 0.4%, 0.38%

LAB 50.84, -3.15, 36.01

 

CMYK 0 / 13 / 67 / 54

HEX #766727

RGB 118 103 39

HSL 48.61, 0.5%, 0.31%

LAB 43.8, -2.21, 37.2

 

CMYK 0 / 16 / 80 / 60

HEX #655514

RGB 101 85 20

HSL 48.15, 0.67%, 0.24%

LAB 36.58, -0.95, 37.9

 

CMYK 0 / 20 / 99 / 67

HEX #544301

RGB 84 67 1

HSL 47.71, 0.98%, 0.17%

LAB 29.16, 0.69, 37.85

 

CMYK 0 / 9 / 50 / 40

HEX #988B4C

RGB 152 139 76

HSL 49.74, 0.33%, 0.45%

LAB 57.72, -3.98, 35.23

 

CMYK 0 / 22 / 50 / 40

HEX #98774C

RGB 152 119 76

HSL 33.95, 0.33%, 0.45%

LAB 52.28, 7.26, 28.47

 

CMYK 0 / 36 / 50 / 40

HEX #98624C

RGB 152 98 76

HSL 17.37, 0.33%, 0.45%

LAB 46.89, 19.34, 21.52

 

CMYK 0 / 49 / 50 / 40

HEX #984E4C

RGB 152 78 76

HSL 1.58, 0.33%, 0.45%

LAB 42.22, 30.62, 15.3

 

CMYK 0 / 50 / 50 / 40

HEX #984C4C

RGB 152 76 76

HSL 0, 0.33%, 0.45%

LAB 41.79, 31.71, 14.71

 

CMYK 0 / 9 / 50 / 40

HEX #988B4C

RGB 152 139 76

HSL 49.74, 0.33%, 0.45%

LAB 57.72, -3.98, 35.23

 

CMYK 5 / 0 / 50 / 40

HEX #91984C

RGB 145 152 76

HSL 65.53, 0.33%, 0.45%

LAB 60.78, -14, 38.79

 

CMYK 18 / 0 / 50 / 40

HEX #7C984C

RGB 124 152 76

HSL 82.11, 0.33%, 0.45%

LAB 59.22, -22.69, 36.53

 

CMYK 32 / 0 / 50 / 40

HEX #68984C

RGB 104 152 76

HSL 97.89, 0.33%, 0.45%

LAB 57.96, -30.39, 34.71

 

CMYK 45 / 0 / 50 / 40

HEX #54984C

RGB 84 152 76

HSL 113.68, 0.33%, 0.45%

LAB 56.94, -37.24, 33.23

 

CMYK 0 / 9 / 50 / 40

HEX #988B4C

RGB 152 139 76

HSL 49.74, 0.33%, 0.45%

LAB 57.72, -3.98, 35.23

 

CMYK 0 / 12 / 66 / 33

HEX #AB973A

RGB 171 151 58

HSL 49.38, 0.49%, 0.45%

LAB 62.59, -3.6, 50.03

 

CMYK 0 / 14 / 79 / 26

HEX #BDA327

RGB 189 163 39

HSL 49.6, 0.66%, 0.45%

LAB 67.4, -2.97, 62.63

 

CMYK 0 / 16 / 90 / 18

HEX #D0AF15

RGB 208 175 21

HSL 49.41, 0.82%, 0.45%

LAB 72.31, -1.4, 71.99

 

CMYK 0 / 17 / 99 / 11

HEX #E2BC02

RGB 226 188 2

HSL 49.82, 0.98%, 0.45%

LAB 77.36, -0.54, 78.92

 

CMYK 0 / 9 / 50 / 40

HEX #988B4C

RGB 152 139 76

HSL 49.74, 0.33%, 0.45%

LAB 57.72, -3.98, 35.23

 

CMYK 0 / 5 / 29 / 47

HEX #867F5F

RGB 134 127 95

HSL 49.23, 0.17%, 0.45%

LAB 53.03, -2.71, 18.39

 

CMYK 0 / 0 / 1 / 55

HEX #737372

RGB 115 115 114

HSL 60, 0%, 0.45%

LAB 48.41, -0.2, 0.55

 

CMYK 27 / 22 / 0 / 48

HEX #606784

RGB 96 103 132

HSL 228.33, 0.16%, 0.45%

LAB 44.02, 4.33, -16.95

 

CMYK 48 / 40 / 0 / 41

HEX #4E5A97

RGB 78 90 151

HSL 230.14, 0.32%, 0.45%

LAB 39.86, 12.71, -34.95

 

CMYK 0 / 36 / 50 / 40

HEX #98624C

RGB 152 98 76

HSL 17.37, 0.33%, 0.45%

LAB 46.89, 19.34, 21.52

 

CMYK 0 / 22 / 50 / 40

HEX #98764C

RGB 152 118 76

HSL 33.16, 0.33%, 0.45%

LAB 52.01, 7.83, 28.14

 

CMYK 0 / 9 / 50 / 40

HEX #988A4C

RGB 152 138 76

HSL 48.95, 0.33%, 0.45%

LAB 57.44, -3.43, 34.89

 

CMYK 4 / 0 / 50 / 40

HEX #92984C

RGB 146 152 76

HSL 64.74, 0.33%, 0.45%

LAB 60.86, -13.58, 38.9

 

CMYK 17 / 0 / 50 / 40

HEX #7E984C

RGB 126 152 76

HSL 80.53, 0.33%, 0.45%

LAB 59.36, -21.88, 36.73

 

CMYK 0 / 8 / 49 / 62

HEX #615931

RGB 97 89 49

HSL 50, 0.33%, 0.29%

LAB 37.68, -2.99, 24.22

 

CMYK 0 / 9 / 50 / 51

HEX #7D723F

RGB 125 114 63

HSL 49.35, 0.33%, 0.37%

LAB 47.95, -3.22, 29.66

 

CMYK 0 / 9 / 50 / 40

HEX #988B4C

RGB 152 139 76

HSL 49.74, 0.33%, 0.45%

LAB 57.72, -3.98, 35.23

 

CMYK 0 / 7 / 45 / 32

HEX #AEA15F

RGB 174 161 95

HSL 50.13, 0.33%, 0.53%

LAB 65.99, -4.62, 35.95

 

CMYK 0 / 6 / 35 / 26

HEX #BCB17B

RGB 188 177 123

HSL 49.85, 0.33%, 0.61%

LAB 71.94, -4.23, 29.09

 

CMYK 0 / 9 / 49 / 40

HEX #988B4D

RGB 152 139 77

HSL 49.6, 0.33%, 0.45%

LAB 57.73, -3.88, 34.72

 

CMYK 50 / 0 / 49 / 40

HEX #4C984E

RGB 76 152 78

HSL 121.58, 0.33%, 0.45%

LAB 56.63, -39.39, 31.72

 

CMYK 29 / 50 / 0 / 40

HEX #6C4C98

RGB 108 76 152

HSL 265.26, 0.33%, 0.45%

LAB 38.94, 29.96, -36.84

 

CMYK 0 / 9 / 49 / 40

HEX #988B4D

RGB 152 139 77

HSL 49.6, 0.33%, 0.45%

LAB 57.73, -3.88, 34.72

 

CMYK 50 / 0 / 9 / 40

HEX #4C988A

RGB 76 152 138

HSL 168.95, 0.33%, 0.45%

LAB 57.87, -27.12, 0.13

 

CMYK 9 / 50 / 0 / 40

HEX #8A4C98

RGB 138 76 152

HSL 288.95, 0.33%, 0.45%

LAB 42.52, 38.74, -30.95

 

CMYK 0 / 9 / 49 / 40

HEX #988B4D

RGB 152 139 77

HSL 49.6, 0.33%, 0.45%

LAB 57.73, -3.88, 34.72

 

CMYK 50 / 0 / 49 / 40

HEX #4C984E

RGB 76 152 78

HSL 121.58, 0.33%, 0.45%

LAB 56.63, -39.39, 31.72

 

CMYK 50 / 41 / 0 / 40

HEX #4C5A98

RGB 76 90 152

HSL 228.95, 0.33%, 0.45%

LAB 39.77, 12.53, -35.69

 

CMYK 0 / 50 / 1 / 40

HEX #984C97

RGB 152 76 151

HSL 300.79, 0.33%, 0.45%

LAB 44.35, 42.73, -27.36

 

CMYK 0 / 9 / 49 / 40

HEX #988B4D

RGB 152 139 77

HSL 49.6, 0.33%, 0.45%

LAB 57.73, -3.88, 34.72

 

CMYK 50 / 0 / 34 / 40

HEX #4C9864

RGB 76 152 100

HSL 138.95, 0.33%, 0.45%

LAB 56.99, -35.64, 20.32

 

CMYK 50 / 41 / 0 / 40

HEX #4C5A98

RGB 76 90 152

HSL 228.95, 0.33%, 0.45%

LAB 39.77, 12.53, -35.69

 

CMYK 0 / 50 / 16 / 40

HEX #984C80

RGB 152 76 128

HSL 318.95, 0.33%, 0.45%

LAB 43.36, 38.66, -14.98

 

Description

Color code: RGB 152 139 77 | qconv.com Color code: RGB 152 139 77 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 139 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 139 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 49 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 49% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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