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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 152 129 134 it is the complementary color RGB 103 126 121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 152 129 134. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 152 129 134 shade: RGB 157 129 129, RGB 174 147 148, RGB 191 165 167, RGB 208 183 186 and RGB 225 201 205

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 152 129 134. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 152 129 134 shade: RGB 152 129 134, RGB 135 111 115, RGB 118 93 96, RGB 101 75 77 and RGB 84 57 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 152 129 134 shade: RGB 151 128 133 and RGB 151 128 128

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 152 129 134 shade: RGB 151 128 133, RGB 151 128 139, RGB 151 128 146, RGB 151 128 151 and RGB 144 128 151

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 152 129 134 shade matches the following richer shades: RGB 151 128 133, RGB 170 110 123, RGB 188 91 112, RGB 207 73 102 and RGB 225 54 91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 152 129 134 shade: RGB 151 128 133, RGB 133 147 144, RGB 114 165 154, RGB 96 184 165 and RGB 77 203 175

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 152 129 134 shade: RGB 151 128 146, RGB 151 128 140, RGB 151 128 134, RGB 151 129 128 and RGB 151 135 128

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 152 129 134 shade: RGB 108 89 93, RGB 131 107 112, RGB 151 128 133, RGB 170 151 155 and RGB 188 174 177

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 152 129 134 shade: RGB 152 129 134, RGB 151 150 128 and RGB 128 143 151

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 152 129 134 shade: RGB 152 129 134, RGB 134 151 128 and RGB 128 134 151

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 152 129 134 shade: RGB 152 129 134, RGB 151 150 128, RGB 128 151 146 and RGB 128 129 151

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 152 129 134 shade: RGB 152 129 134, RGB 145 151 128, RGB 128 151 146 and RGB 134 128 151

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 12 / 40

HEX #988186

RGB 152 129 134

HSL 346.96, 0.1%, 0.55%

LAB 56.18, 9.65, 0.56

 

Complementary color

CMYK 18 / 0 / 4 / 51

HEX #677E79

RGB 103 126 121

HSL 166.96, 0.1%, 0.45%

LAB 50.9, -9.42, -0.06

 

CMYK 0 / 18 / 18 / 38

HEX #9D8181

RGB 157 129 129

HSL 0, 0.13%, 0.56%

LAB 56.54, 10.73, 4.03

 

CMYK 0 / 16 / 15 / 32

HEX #AE9394

RGB 174 147 148

HSL 357.78, 0.14%, 0.63%

LAB 63.35, 10.24, 3.22

 

CMYK 0 / 14 / 13 / 25

HEX #BFA5A7

RGB 191 165 167

HSL 355.38, 0.17%, 0.7%

LAB 70.02, 9.81, 2.47

 

CMYK 0 / 12 / 11 / 18

HEX #D0B7BA

RGB 208 183 186

HSL 352.8, 0.21%, 0.77%

LAB 76.57, 9.42, 1.75

 

CMYK 0 / 11 / 9 / 12

HEX #E1C9CD

RGB 225 201 205

HSL 350, 0.29%, 0.84%

LAB 83.01, 9.07, 1.07

 

CMYK 0 / 15 / 12 / 40

HEX #988186

RGB 152 129 134

HSL 346.96, 0.1%, 0.55%

LAB 56.18, 9.65, 0.56

 

CMYK 0 / 18 / 15 / 47

HEX #876F73

RGB 135 111 115

HSL 350, 0.1%, 0.48%

LAB 49.2, 10.13, 1.33

 

CMYK 0 / 21 / 19 / 54

HEX #765D60

RGB 118 93 96

HSL 352.8, 0.12%, 0.41%

LAB 42.04, 10.69, 2.16

 

CMYK 0 / 26 / 24 / 60

HEX #654B4D

RGB 101 75 77

HSL 355.38, 0.15%, 0.35%

LAB 34.67, 11.35, 3.1

 

CMYK 0 / 32 / 31 / 67

HEX #54393A

RGB 84 57 58

HSL 357.78, 0.19%, 0.28%

LAB 27.06, 12.16, 4.19

 

CMYK 0 / 15 / 12 / 41

HEX #978085

RGB 151 128 133

HSL 346.96, 0.1%, 0.55%

LAB 55.8, 9.67, 0.57

 

CMYK 0 / 15 / 15 / 41

HEX #978080

RGB 151 128 128

HSL 0, 0.1%, 0.55%

LAB 55.66, 8.8, 3.27

 

CMYK 0 / 15 / 12 / 41

HEX #978085

RGB 151 128 133

HSL 346.96, 0.1%, 0.55%

LAB 55.8, 9.67, 0.57

 

CMYK 0 / 15 / 8 / 41

HEX #97808B

RGB 151 128 139

HSL 331.3, 0.1%, 0.55%

LAB 55.97, 10.75, -2.66

 

CMYK 0 / 15 / 3 / 41

HEX #978092

RGB 151 128 146

HSL 313.04, 0.1%, 0.55%

LAB 56.18, 12.07, -6.4

 

CMYK 0 / 15 / 0 / 41

HEX #978097

RGB 151 128 151

HSL 300, 0.1%, 0.55%

LAB 56.34, 13.05, -9.05

 

CMYK 5 / 15 / 0 / 41

HEX #908097

RGB 144 128 151

HSL 281.74, 0.1%, 0.55%

LAB 55.69, 10.54, -10.1

 

CMYK 0 / 15 / 12 / 41

HEX #978085

RGB 151 128 133

HSL 346.96, 0.1%, 0.55%

LAB 55.8, 9.67, 0.57

 

CMYK 0 / 35 / 28 / 33

HEX #AA6E7B

RGB 170 110 123

HSL 347, 0.26%, 0.55%

LAB 53.09, 25.64, 2.73

 

CMYK 0 / 52 / 40 / 26

HEX #BC5B70

RGB 188 91 112

HSL 347.01, 0.42%, 0.55%

LAB 51.09, 41.15, 6.68

 

CMYK 0 / 65 / 51 / 19

HEX #CF4966

RGB 207 73 102

HSL 347.01, 0.58%, 0.55%

LAB 50.68, 54.97, 12.53

 

CMYK 0 / 76 / 60 / 12

HEX #E1365B

RGB 225 54 91

HSL 347.02, 0.74%, 0.55%

LAB 51.15, 66.38, 20.33

 

CMYK 0 / 15 / 12 / 41

HEX #978085

RGB 151 128 133

HSL 346.96, 0.1%, 0.55%

LAB 55.8, 9.67, 0.57

 

CMYK 10 / 0 / 2 / 42

HEX #859390

RGB 133 147 144

HSL 167.14, 0.06%, 0.55%

LAB 59.77, -5.63, -0.14

 

CMYK 31 / 0 / 7 / 35

HEX #72A59A

RGB 114 165 154

HSL 167.06, 0.22%, 0.55%

LAB 64.02, -19.38, 0.27

 

CMYK 48 / 0 / 10 / 28

HEX #60B8A5

RGB 96 184 165

HSL 167.05, 0.38%, 0.55%

LAB 69.1, -31.15, 1.48

 

CMYK 62 / 0 / 14 / 20

HEX #4DCBAF

RGB 77 203 175

HSL 166.67, 0.55%, 0.55%

LAB 74.44, -41.41, 3.7

 

CMYK 0 / 15 / 3 / 41

HEX #978092

RGB 151 128 146

HSL 313.04, 0.1%, 0.55%

LAB 56.18, 12.07, -6.4

 

CMYK 0 / 15 / 7 / 41

HEX #97808C

RGB 151 128 140

HSL 328.7, 0.1%, 0.55%

LAB 56, 10.94, -3.19

 

CMYK 0 / 15 / 11 / 41

HEX #978086

RGB 151 128 134

HSL 344.35, 0.1%, 0.55%

LAB 55.83, 9.84, 0.03

 

CMYK 0 / 15 / 15 / 41

HEX #978180

RGB 151 129 128

HSL 2.61, 0.1%, 0.55%

LAB 55.93, 8.22, 3.65

 

CMYK 0 / 11 / 15 / 41

HEX #978780

RGB 151 135 128

HSL 18.26, 0.1%, 0.55%

LAB 57.53, 4.81, 5.95

 

CMYK 0 / 18 / 14 / 58

HEX #6C595D

RGB 108 89 93

HSL 347.37, 0.1%, 0.39%

LAB 39.79, 8.49, 0.6

 

CMYK 0 / 18 / 15 / 49

HEX #836B70

RGB 131 107 112

HSL 347.5, 0.1%, 0.47%

LAB 47.64, 10.38, 0.79

 

CMYK 0 / 15 / 12 / 41

HEX #978085

RGB 151 128 133

HSL 346.96, 0.1%, 0.55%

LAB 55.8, 9.67, 0.57

 

CMYK 0 / 11 / 9 / 33

HEX #AA979B

RGB 170 151 155

HSL 347.37, 0.1%, 0.63%

LAB 64.2, 7.72, 0.46

 

CMYK 0 / 7 / 6 / 26

HEX #BCAEB1

RGB 188 174 177

HSL 347.14, 0.09%, 0.71%

LAB 72.32, 5.54, 0.27

 

CMYK 0 / 15 / 12 / 40

HEX #988186

RGB 152 129 134

HSL 346.96, 0.1%, 0.55%

LAB 56.18, 9.65, 0.56

 

CMYK 0 / 1 / 15 / 41

HEX #979680

RGB 151 150 128

HSL 57.39, 0.1%, 0.55%

LAB 61.61, -3.57, 11.75

 

CMYK 15 / 5 / 0 / 41

HEX #808F97

RGB 128 143 151

HSL 200.87, 0.1%, 0.55%

LAB 58.48, -3.64, -6.07

 

CMYK 0 / 15 / 12 / 40

HEX #988186

RGB 152 129 134

HSL 346.96, 0.1%, 0.55%

LAB 56.18, 9.65, 0.56

 

CMYK 11 / 0 / 15 / 41

HEX #869780

RGB 134 151 128

HSL 104.35, 0.1%, 0.55%

LAB 60.57, -10.56, 10.09

 

CMYK 15 / 11 / 0 / 41

HEX #808697

RGB 128 134 151

HSL 224.35, 0.1%, 0.55%

LAB 55.96, 1.46, -9.83

 

CMYK 0 / 15 / 12 / 40

HEX #988186

RGB 152 129 134

HSL 346.96, 0.1%, 0.55%

LAB 56.18, 9.65, 0.56

 

CMYK 0 / 1 / 15 / 41

HEX #979680

RGB 151 150 128

HSL 57.39, 0.1%, 0.55%

LAB 61.61, -3.57, 11.75

 

CMYK 15 / 0 / 3 / 41

HEX #809792

RGB 128 151 146

HSL 166.96, 0.1%, 0.55%

LAB 60.6, -9.16, -0.1

 

CMYK 15 / 15 / 0 / 41

HEX #808197

RGB 128 129 151

HSL 237.39, 0.1%, 0.55%

LAB 54.58, 4.34, -11.9

 

CMYK 0 / 15 / 12 / 40

HEX #988186

RGB 152 129 134

HSL 346.96, 0.1%, 0.55%

LAB 56.18, 9.65, 0.56

 

CMYK 4 / 0 / 15 / 41

HEX #919780

RGB 145 151 128

HSL 75.65, 0.1%, 0.55%

LAB 61.4, -6.42, 11.39

 

CMYK 15 / 0 / 3 / 41

HEX #809792

RGB 128 151 146

HSL 166.96, 0.1%, 0.55%

LAB 60.6, -9.16, -0.1

 

CMYK 11 / 15 / 0 / 41

HEX #868097

RGB 134 128 151

HSL 255.65, 0.1%, 0.55%

LAB 54.8, 7, -11.51

 

Description

Color code: RGB 152 129 134 | qconv.com Color code: RGB 152 129 134 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 129 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 129 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 12 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 12% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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