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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 151 42 93 it is the complementary color RGB 104 213 162. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 151 42 93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 151 42 93 shade: RGB 156 42 88, RGB 173 60 107, RGB 190 78 126, RGB 207 96 145 and RGB 224 114 164

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 151 42 93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 151 42 93 shade: RGB 151 42 93, RGB 134 24 74, RGB 117 6 55, RGB 100 0 36 and RGB 83 0 17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 151 42 93 shade: RGB 151 42 93, RGB 151 42 64 and RGB 151 42 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 151 42 93 shade: RGB 151 42 93, RGB 151 42 122, RGB 150 42 151, RGB 121 42 151 and RGB 91 42 151

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 151 42 93 shade matches the following richer shades: RGB 151 42 93, RGB 166 26 92 and RGB 182 11 91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 151 42 93 shade: RGB 151 42 93, RGB 135 58 94, RGB 119 73 95, RGB 104 89 96 and RGB 88 105 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 151 42 93 shade: RGB 149 42 151, RGB 151 42 124, RGB 151 42 95, RGB 151 42 66 and RGB 151 48 42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 151 42 93 shade: RGB 86 24 53, RGB 118 33 73, RGB 151 42 93, RGB 183 51 113 and RGB 203 72 133

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 151 42 93 shade: RGB 151 42 93, RGB 151 120 42 and RGB 42 138 151

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 151 42 93 shade: RGB 151 42 93, RGB 95 151 42 and RGB 42 95 151

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 151 42 93 shade: RGB 151 42 93, RGB 151 120 42, RGB 42 151 98 and RGB 42 73 151

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 151 42 93 shade: RGB 151 42 93, RGB 149 151 42, RGB 42 151 98 and RGB 44 42 151

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 38 / 41

HEX #972A5D

RGB 151 42 93

HSL 331.93, 0.56%, 0.38%

LAB 36.03, 49.28, -4.21

 

Complementary color

CMYK 51 / 0 / 24 / 16

HEX #68D5A2

RGB 104 213 162

HSL 151.93, 0.56%, 0.62%

LAB 77.96, -43.14, 15.79

 

CMYK 0 / 73 / 44 / 39

HEX #9C2A58

RGB 156 42 88

HSL 335.79, 0.58%, 0.39%

LAB 36.8, 50.22, 0.22

 

CMYK 0 / 65 / 38 / 32

HEX #AD3C6B

RGB 173 60 107

HSL 335.04, 0.48%, 0.46%

LAB 43.03, 50.23, -2.25

 

CMYK 0 / 59 / 34 / 25

HEX #BE4E7E

RGB 190 78 126

HSL 334.29, 0.46%, 0.53%

LAB 49.38, 49.8, -4.16

 

CMYK 0 / 54 / 30 / 19

HEX #CF6091

RGB 207 96 145

HSL 333.51, 0.54%, 0.59%

LAB 55.76, 49.15, -5.71

 

CMYK 0 / 49 / 27 / 12

HEX #E072A4

RGB 224 114 164

HSL 332.73, 0.64%, 0.66%

LAB 62.14, 48.4, -6.99

 

CMYK 0 / 72 / 38 / 41

HEX #972A5D

RGB 151 42 93

HSL 331.93, 0.56%, 0.38%

LAB 36.03, 49.28, -4.21

 

CMYK 0 / 82 / 45 / 47

HEX #86184A

RGB 134 24 74

HSL 332.73, 0.7%, 0.31%

LAB 29.95, 48.47, -1.19

 

CMYK 0 / 95 / 53 / 54

HEX #750637

RGB 117 6 55

HSL 333.51, 0.9%, 0.24%

LAB 24.28, 46.31, 2.99

 

CMYK 0 / 100 / 64 / 61

HEX #640024

RGB 100 0 36

HSL 338.4, 1%, 0.2%

LAB 19.38, 41.77, 8.91

 

CMYK 0 / 100 / 80 / 67

HEX #530011

RGB 83 0 17

HSL 347.71, 1%, 0.16%

LAB 14.84, 36.04, 15.58

 

CMYK 0 / 72 / 38 / 41

HEX #972A5D

RGB 151 42 93

HSL 331.93, 0.56%, 0.38%

LAB 36.03, 49.28, -4.21

 

CMYK 0 / 72 / 58 / 41

HEX #972A40

RGB 151 42 64

HSL 347.89, 0.56%, 0.38%

LAB 35.21, 46.52, 13.28

 

CMYK 0 / 72 / 72 / 41

HEX #972A2A

RGB 151 42 42

HSL 0, 0.56%, 0.38%

LAB 34.81, 45.11, 26.7

 

CMYK 0 / 72 / 38 / 41

HEX #972A5D

RGB 151 42 93

HSL 331.93, 0.56%, 0.38%

LAB 36.03, 49.28, -4.21

 

CMYK 0 / 72 / 19 / 41

HEX #972A7A

RGB 151 42 122

HSL 315.96, 0.56%, 0.38%

LAB 37.19, 53.02, -20.78

 

CMYK 1 / 72 / 0 / 41

HEX #962A97

RGB 150 42 151

HSL 299.45, 0.56%, 0.38%

LAB 38.51, 57.37, -36.57

 

CMYK 20 / 72 / 0 / 41

HEX #792A97

RGB 121 42 151

HSL 283.49, 0.56%, 0.38%

LAB 33.89, 50.88, -44.21

 

CMYK 40 / 72 / 0 / 41

HEX #5B2A97

RGB 91 42 151

HSL 266.97, 0.56%, 0.38%

LAB 29.7, 44.66, -51.19

 

CMYK 0 / 72 / 38 / 41

HEX #972A5D

RGB 151 42 93

HSL 331.93, 0.56%, 0.38%

LAB 36.03, 49.28, -4.21

 

CMYK 0 / 84 / 45 / 35

HEX #A61A5C

RGB 166 26 92

HSL 331.71, 0.73%, 0.38%

LAB 37.15, 58.19, -1.6

 

CMYK 0 / 94 / 50 / 29

HEX #B60B5B

RGB 182 11 91

HSL 331.93, 0.89%, 0.38%

LAB 39.48, 64.57, 2.83

 

CMYK 0 / 72 / 38 / 41

HEX #972A5D

RGB 151 42 93

HSL 331.93, 0.56%, 0.38%

LAB 36.03, 49.28, -4.21

 

CMYK 0 / 57 / 30 / 47

HEX #873A5E

RGB 135 58 94

HSL 331.95, 0.4%, 0.38%

LAB 35.96, 37.09, -5.26

 

CMYK 0 / 39 / 20 / 53

HEX #77495F

RGB 119 73 95

HSL 331.3, 0.24%, 0.38%

LAB 36.95, 22.97, -4.66

 

CMYK 0 / 14 / 8 / 59

HEX #685960

RGB 104 89 96

HSL 332, 0.08%, 0.38%

LAB 39.47, 7.45, -1.77

 

CMYK 16 / 0 / 8 / 59

HEX #586961

RGB 88 105 97

HSL 151.76, 0.09%, 0.38%

LAB 42.82, -8.18, 2.35

 

CMYK 1 / 72 / 0 / 41

HEX #952A97

RGB 149 42 151

HSL 298.9, 0.56%, 0.38%

LAB 38.34, 57.14, -36.84

 

CMYK 0 / 72 / 18 / 41

HEX #972A7C

RGB 151 42 124

HSL 314.86, 0.56%, 0.38%

LAB 37.28, 53.31, -21.88

 

CMYK 0 / 72 / 37 / 41

HEX #972A5F

RGB 151 42 95

HSL 330.83, 0.56%, 0.38%

LAB 36.1, 49.51, -5.39

 

CMYK 0 / 72 / 56 / 41

HEX #972A42

RGB 151 42 66

HSL 346.79, 0.56%, 0.38%

LAB 35.26, 46.67, 12.05

 

CMYK 0 / 68 / 72 / 41

HEX #97302A

RGB 151 48 42

HSL 3.3, 0.56%, 0.38%

LAB 35.71, 42.64, 27.76

 

CMYK 0 / 72 / 38 / 66

HEX #561835

RGB 86 24 53

HSL 331.94, 0.56%, 0.22%

LAB 19.59, 31.49, -3.25

 

CMYK 0 / 72 / 38 / 54

HEX #762149

RGB 118 33 73

HSL 331.76, 0.56%, 0.3%

LAB 27.9, 40.49, -3.91

 

CMYK 0 / 72 / 38 / 41

HEX #972A5D

RGB 151 42 93

HSL 331.93, 0.56%, 0.38%

LAB 36.03, 49.28, -4.21

 

CMYK 0 / 72 / 38 / 28

HEX #B73371

RGB 183 51 113

HSL 331.82, 0.56%, 0.46%

LAB 43.69, 57.38, -4.78

 

CMYK 0 / 65 / 34 / 20

HEX #CB4885

RGB 203 72 133

HSL 332.06, 0.56%, 0.54%

LAB 50.72, 57.27, -6.15

 

CMYK 0 / 72 / 38 / 41

HEX #972A5D

RGB 151 42 93

HSL 331.93, 0.56%, 0.38%

LAB 36.03, 49.28, -4.21

 

CMYK 0 / 21 / 72 / 41

HEX #97782A

RGB 151 120 42

HSL 42.94, 0.56%, 0.38%

LAB 52.04, 3.61, 45.51

 

CMYK 72 / 9 / 0 / 41

HEX #2A8A97

RGB 42 138 151

HSL 187.16, 0.56%, 0.38%

LAB 52.84, -22.81, -14.95

 

CMYK 0 / 72 / 38 / 41

HEX #972A5D

RGB 151 42 93

HSL 331.93, 0.56%, 0.38%

LAB 36.03, 49.28, -4.21

 

CMYK 37 / 0 / 72 / 41

HEX #5F972A

RGB 95 151 42

HSL 90.83, 0.56%, 0.38%

LAB 56.81, -36.61, 48.97

 

CMYK 72 / 37 / 0 / 41

HEX #2A5F97

RGB 42 95 151

HSL 210.83, 0.56%, 0.38%

LAB 39.43, 2, -35.75

 

CMYK 0 / 72 / 38 / 41

HEX #972A5D

RGB 151 42 93

HSL 331.93, 0.56%, 0.38%

LAB 36.03, 49.28, -4.21

 

CMYK 0 / 21 / 72 / 41

HEX #97782A

RGB 151 120 42

HSL 42.94, 0.56%, 0.38%

LAB 52.04, 3.61, 45.51

 

CMYK 72 / 0 / 35 / 41

HEX #2A9762

RGB 42 151 98

HSL 150.83, 0.56%, 0.38%

LAB 55.59, -43.11, 19.36

 

CMYK 72 / 52 / 0 / 41

HEX #2A4997

RGB 42 73 151

HSL 222.94, 0.56%, 0.38%

LAB 32.9, 16.47, -46.2

 

CMYK 0 / 72 / 38 / 41

HEX #972A5D

RGB 151 42 93

HSL 331.93, 0.56%, 0.38%

LAB 36.03, 49.28, -4.21

 

CMYK 1 / 0 / 72 / 41

HEX #95972A

RGB 149 151 42

HSL 61.1, 0.56%, 0.38%

LAB 60.51, -14.27, 53.87

 

CMYK 72 / 0 / 35 / 41

HEX #2A9762

RGB 42 151 98

HSL 150.83, 0.56%, 0.38%

LAB 55.59, -43.11, 19.36

 

CMYK 71 / 72 / 0 / 41

HEX #2C2A97

RGB 44 42 151

HSL 241.1, 0.56%, 0.38%

LAB 25.03, 37.14, -59.02

 

Description

Color code: RGB 151 42 93 | qconv.com Color code: RGB 151 42 93 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 42 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 42 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 38 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 38% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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