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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 151 234 15 it is the complementary color RGB 104 21 240. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 151 234 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 151 234 15 shade: RGB 156 234 10, RGB 173 252 29, RGB 190 255 48, RGB 207 255 67 and RGB 224 255 86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 151 234 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 151 234 15 shade: RGB 151 234 15, RGB 134 216 0, RGB 117 198 0, RGB 100 180 0 and RGB 83 162 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 151 234 15 shade: RGB 151 234 14, RGB 210 234 14, RGB 234 199 14, RGB 234 140 14 and RGB 234 81 14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 151 234 15 shade: RGB 151 234 14, RGB 92 234 14, RGB 32 234 14, RGB 14 234 56 and RGB 14 234 115

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 151 234 15 shade matches the following richer shades: RGB 151 234 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 151 234 15 shade: RGB 151 234 14, RGB 146 214 35, RGB 141 194 55, RGB 136 174 75 and RGB 131 154 95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 151 234 15 shade: RGB 234 198 14, RGB 212 234 14, RGB 154 234 14, RGB 95 234 14 and RGB 36 234 14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 151 234 15 shade: RGB 101 157 10, RGB 126 196 12, RGB 151 234 14, RGB 168 241 49 and RGB 185 244 88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 151 234 15 shade: RGB 151 234 15, RGB 14 234 139 and RGB 227 14 234

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 151 234 15 shade: RGB 151 234 15, RGB 14 154 234 and RGB 234 14 154

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 151 234 15 shade: RGB 151 234 15, RGB 14 234 139, RGB 95 14 234 and RGB 234 14 110

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 151 234 15 shade: RGB 151 234 15, RGB 14 234 205, RGB 95 14 234 and RGB 234 14 44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 94 / 8

HEX #97EA0F

RGB 151 234 15

HSL 82.74, 0.88%, 0.49%

LAB 84.72, -52.48, 80.91

 

Complementary color

CMYK 57 / 91 / 0 / 6

HEX #6815F0

RGB 104 21 240

HSL 262.74, 0.88%, 0.51%

LAB 37.43, 75.33, -90.71

 

CMYK 33 / 0 / 96 / 8

HEX #9CEA0A

RGB 156 234 10

HSL 80.89, 0.92%, 0.48%

LAB 84.96, -50.79, 81.67

 

CMYK 31 / 0 / 88 / 1

HEX #ADFC1D

RGB 173 252 29

HSL 81.26, 0.97%, 0.55%

LAB 91.05, -51.79, 84.65

 

CMYK 25 / 0 / 81 / 0

HEX #BEFF30

RGB 190 255 48

HSL 78.84, 1%, 0.59%

LAB 92.87, -46.34, 82.79

 

CMYK 19 / 0 / 74 / 0

HEX #CFFF43

RGB 207 255 67

HSL 75.32, 1%, 0.63%

LAB 93.97, -39.18, 78.9

 

CMYK 12 / 0 / 66 / 0

HEX #E0FF56

RGB 224 255 86

HSL 71.01, 1%, 0.67%

LAB 95.18, -31.63, 73.96

 

CMYK 35 / 0 / 94 / 8

HEX #97EA0F

RGB 151 234 15

HSL 82.74, 0.88%, 0.49%

LAB 84.72, -52.48, 80.91

 

CMYK 38 / 0 / 100 / 15

HEX #86D800

RGB 134 216 0

HSL 82.78, 1%, 0.42%

LAB 78.57, -51.34, 77.08

 

CMYK 41 / 0 / 100 / 22

HEX #75C600

RGB 117 198 0

HSL 84.55, 1%, 0.39%

LAB 72.34, -49.96, 71.91

 

CMYK 44 / 0 / 100 / 29

HEX #64B400

RGB 100 180 0

HSL 86.67, 1%, 0.35%

LAB 66.02, -48.53, 66.66

RGB 100 180 0

CMYK 49 / 0 / 100 / 36

HEX #53A200

RGB 83 162 0

HSL 89.26, 1%, 0.32%

LAB 59.6, -47, 61.33

RGB 83 162 0

CMYK 35 / 0 / 94 / 8

HEX #97EA0E

RGB 151 234 14

HSL 82.64, 0.89%, 0.49%

LAB 84.72, -52.5, 81.01

 

CMYK 10 / 0 / 94 / 8

HEX #D2EA0E

RGB 210 234 14

HSL 66.55, 0.89%, 0.49%

LAB 88.25, -29.97, 85.28

 

CMYK 0 / 15 / 94 / 8

HEX #EAC70E

RGB 234 199 14

HSL 50.45, 0.89%, 0.49%

LAB 80.94, -2.64, 80.63

 

CMYK 0 / 40 / 94 / 8

HEX #EA8C0E

RGB 234 140 14

HSL 34.36, 0.89%, 0.49%

LAB 66.73, 28.38, 70.4

 

CMYK 0 / 65 / 94 / 8

HEX #EA510E

RGB 234 81 14

HSL 18.27, 0.89%, 0.49%

LAB 55.49, 56.78, 62.95

 

CMYK 35 / 0 / 94 / 8

HEX #97EA0E

RGB 151 234 14

HSL 82.64, 0.89%, 0.49%

LAB 84.72, -52.5, 81.01

 

CMYK 61 / 0 / 94 / 8

HEX #5CEA0E

RGB 92 234 14

HSL 98.73, 0.89%, 0.49%

LAB 82.46, -69.76, 78.24

 

CMYK 86 / 0 / 94 / 8

HEX #20EA0E

RGB 32 234 14

HSL 115.09, 0.89%, 0.49%

LAB 81.39, -79, 76.93

 

CMYK 94 / 0 / 76 / 8

HEX #0EEA38

RGB 14 234 56

HSL 131.45, 0.89%, 0.49%

LAB 81.41, -78.26, 68.04

 

CMYK 94 / 0 / 51 / 8

HEX #0EEA73

RGB 14 234 115

HSL 147.55, 0.89%, 0.49%

LAB 81.93, -71.78, 44.6

 

CMYK 35 / 0 / 94 / 8

HEX #97EA0E

RGB 151 234 14

HSL 82.64, 0.89%, 0.49%

LAB 84.72, -52.5, 81.01

 

CMYK 35 / 0 / 94 / 8

HEX #97EA0E

RGB 151 234 14

HSL 82.64, 0.89%, 0.49%

LAB 84.72, -52.5, 81.01

 

CMYK 32 / 0 / 84 / 16

HEX #92D623

RGB 146 214 35

HSL 82.79, 0.72%, 0.49%

LAB 78.65, -45.53, 72.45

 

CMYK 27 / 0 / 72 / 24

HEX #8DC237

RGB 141 194 55

HSL 82.88, 0.56%, 0.49%

LAB 72.58, -37.75, 60.78

 

CMYK 22 / 0 / 57 / 32

HEX #88AE4B

RGB 136 174 75

HSL 83.03, 0.4%, 0.49%

LAB 66.53, -28.85, 45.85

 

CMYK 15 / 0 / 38 / 40

HEX #839A5F

RGB 131 154 95

HSL 83.39, 0.24%, 0.49%

LAB 60.57, -18.56, 28.34

 

CMYK 0 / 15 / 94 / 8

HEX #EAC60E

RGB 234 198 14

HSL 50.18, 0.89%, 0.49%

LAB 80.69, -2.13, 80.44

 

CMYK 9 / 0 / 94 / 8

HEX #D4EA0E

RGB 212 234 14

HSL 66, 0.89%, 0.49%

LAB 88.39, -29.16, 85.45

 

CMYK 34 / 0 / 94 / 8

HEX #9AEA0E

RGB 154 234 14

HSL 81.82, 0.89%, 0.49%

LAB 84.87, -51.45, 81.19

 

CMYK 59 / 0 / 94 / 8

HEX #5FEA0E

RGB 95 234 14

HSL 97.91, 0.89%, 0.49%

LAB 82.55, -69.06, 78.35

 

CMYK 85 / 0 / 94 / 8

HEX #24EA0E

RGB 36 234 14

HSL 114, 0.89%, 0.49%

LAB 81.43, -78.66, 76.98

 

CMYK 36 / 0 / 94 / 38

HEX #659D0A

RGB 101 157 10

HSL 82.86, 0.88%, 0.33%

LAB 58.88, -38.44, 59.66

 

CMYK 36 / 0 / 94 / 23

HEX #7EC40C

RGB 126 196 12

HSL 82.83, 0.88%, 0.41%

LAB 72.19, -45.82, 70.68

 

CMYK 35 / 0 / 94 / 8

HEX #97EA0E

RGB 151 234 14

HSL 82.64, 0.89%, 0.49%

LAB 84.72, -52.5, 81.01

 

CMYK 30 / 0 / 80 / 5

HEX #A8F131

RGB 168 241 49

HSL 82.81, 0.87%, 0.57%

LAB 87.71, -48.4, 77.48

 

CMYK 24 / 0 / 64 / 4

HEX #B9F458

RGB 185 244 88

HSL 82.69, 0.88%, 0.65%

LAB 89.73, -41.31, 66.75

 

CMYK 35 / 0 / 94 / 8

HEX #97EA0F

RGB 151 234 15

HSL 82.74, 0.88%, 0.49%

LAB 84.72, -52.48, 80.91

 

CMYK 94 / 0 / 41 / 8

HEX #0EEA8B

RGB 14 234 139

HSL 154.09, 0.89%, 0.49%

LAB 82.27, -67.74, 33.28

 

CMYK 3 / 94 / 0 / 8

HEX #E30EEA

RGB 227 14 234

HSL 298.09, 0.89%, 0.49%

LAB 54.64, 90.01, -58.48

 

CMYK 35 / 0 / 94 / 8

HEX #97EA0F

RGB 151 234 15

HSL 82.74, 0.88%, 0.49%

LAB 84.72, -52.48, 80.91

 

CMYK 94 / 34 / 0 / 8

HEX #0E9AEA

RGB 14 154 234

HSL 201.82, 0.89%, 0.49%

LAB 60.91, -4.5, -49.41

 

CMYK 0 / 94 / 34 / 8

HEX #EA0E9A

RGB 234 14 154

HSL 321.82, 0.89%, 0.49%

LAB 51.99, 81.37, -16.23

 

CMYK 35 / 0 / 94 / 8

HEX #97EA0F

RGB 151 234 15

HSL 82.74, 0.88%, 0.49%

LAB 84.72, -52.48, 80.91

 

CMYK 94 / 0 / 41 / 8

HEX #0EEA8B

RGB 14 234 139

HSL 154.09, 0.89%, 0.49%

LAB 82.27, -67.74, 33.28

 

CMYK 59 / 94 / 0 / 8

HEX #5F0EEA

RGB 95 14 234

HSL 262.09, 0.89%, 0.49%

LAB 35.38, 74.59, -90.74

 

CMYK 0 / 94 / 53 / 8

HEX #EA0E6E

RGB 234 14 110

HSL 333.82, 0.89%, 0.49%

LAB 50.61, 77.66, 8.3

 

CMYK 35 / 0 / 94 / 8

HEX #97EA0F

RGB 151 234 15

HSL 82.74, 0.88%, 0.49%

LAB 84.72, -52.48, 80.91

 

CMYK 94 / 0 / 12 / 8

HEX #0EEACD

RGB 14 234 205

HSL 172.09, 0.89%, 0.49%

LAB 83.62, -52.79, 0.94

 

CMYK 59 / 94 / 0 / 8

HEX #5F0EEA

RGB 95 14 234

HSL 262.09, 0.89%, 0.49%

LAB 35.38, 74.59, -90.74

 

CMYK 0 / 94 / 81 / 8

HEX #EA0E2C

RGB 234 14 44

HSL 351.82, 0.89%, 0.49%

LAB 49.48, 74.57, 46.22

 

Description

Color code: RGB 151 234 15 | qconv.com Color code: RGB 151 234 15 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 234 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 234 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 94 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 94% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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