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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 151 20 187 it is the complementary color RGB 104 235 68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 151 20 187. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 151 20 187 shade: RGB 156 20 182, RGB 173 38 201, RGB 190 56 220, RGB 207 74 239 and RGB 224 92 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 151 20 187. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 151 20 187 shade: RGB 151 20 187, RGB 134 2 168, RGB 117 0 149, RGB 100 0 130 and RGB 83 0 111

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 151 20 187 shade: RGB 152 19 189, RGB 189 19 180, RGB 189 19 134, RGB 189 19 88 and RGB 189 19 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 151 20 187 shade: RGB 152 19 189, RGB 107 19 189, RGB 61 19 189 and RGB 19 19 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 151 20 187 shade matches the following richer shades: RGB 152 19 189 and RGB 162 2 206

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 151 20 187 shade: RGB 152 19 189, RGB 143 36 172, RGB 133 53 155, RGB 123 70 138 and RGB 114 87 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 151 20 187 shade: RGB 62 19 189, RGB 107 19 189, RGB 152 19 189, RGB 189 19 180 and RGB 189 19 135

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 151 20 187 shade: RGB 92 12 114, RGB 122 15 151, RGB 152 19 189, RGB 182 23 226 and RGB 196 57 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 151 20 187 shade: RGB 151 20 187, RGB 189 19 22 and RGB 19 189 84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 151 20 187 shade: RGB 151 20 187, RGB 189 152 19 and RGB 19 189 152

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 151 20 187 shade: RGB 151 20 187, RGB 189 19 22, RGB 56 189 19 and RGB 19 189 186

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 151 20 187 shade: RGB 151 20 187, RGB 189 67 19, RGB 56 189 19 and RGB 19 141 189

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 89 / 0 / 27

HEX #9714BB

RGB 151 20 187

HSL 287.07, 0.81%, 0.41%

LAB 39.01, 69.78, -57.27

 

Complementary color

CMYK 56 / 0 / 71 / 8

HEX #68EB44

RGB 104 235 68

HSL 107.07, 0.81%, 0.59%

LAB 83.32, -64.82, 66.45

 

CMYK 14 / 89 / 0 / 29

HEX #9C14B6

RGB 156 20 182

HSL 290.37, 0.8%, 0.4%

LAB 39.49, 69.69, -53.51

 

CMYK 14 / 81 / 0 / 21

HEX #AD26C9

RGB 173 38 201

HSL 289.69, 0.68%, 0.47%

LAB 44.92, 71.94, -55.73

 

CMYK 14 / 75 / 0 / 14

HEX #BE38DC

RGB 190 56 220

HSL 289.02, 0.7%, 0.54%

LAB 50.62, 73.15, -57.33

 

CMYK 13 / 69 / 0 / 6

HEX #CF4AEF

RGB 207 74 239

HSL 288.36, 0.84%, 0.61%

LAB 56.48, 73.67, -58.51

 

CMYK 12 / 64 / 0 / 0

HEX #E05CFF

RGB 224 92 255

HSL 288.59, 1%, 0.68%

LAB 62.27, 73.17, -57.99

 

CMYK 19 / 89 / 0 / 27

HEX #9714BB

RGB 151 20 187

HSL 287.07, 0.81%, 0.41%

LAB 39.01, 69.78, -57.27

 

CMYK 20 / 99 / 0 / 34

HEX #8602A8

RGB 134 2 168

HSL 287.71, 0.98%, 0.33%

LAB 33.86, 66.38, -54.47

 

CMYK 21 / 100 / 0 / 42

HEX #750095

RGB 117 0 149

HSL 287.11, 1%, 0.29%

LAB 29.29, 60.81, -50.46

 

CMYK 23 / 100 / 0 / 49

HEX #640082

RGB 100 0 130

HSL 286.15, 1%, 0.25%

LAB 24.71, 54.82, -46.22

 

CMYK 25 / 100 / 0 / 56

HEX #53006F

RGB 83 0 111

HSL 284.86, 1%, 0.22%

LAB 19.99, 48.67, -41.87

 

CMYK 20 / 90 / 0 / 26

HEX #9813BD

RGB 152 19 189

HSL 286.94, 0.82%, 0.41%

LAB 39.27, 70.47, -58.03

 

CMYK 0 / 90 / 5 / 26

HEX #BD13B4

RGB 189 19 180

HSL 303.18, 0.82%, 0.41%

LAB 45.05, 75.21, -43.09

 

CMYK 0 / 90 / 29 / 26

HEX #BD1386

RGB 189 19 134

HSL 319.41, 0.82%, 0.41%

LAB 42.77, 69.25, -19.01

 

CMYK 0 / 90 / 53 / 26

HEX #BD1358

RGB 189 19 88

HSL 335.65, 0.82%, 0.41%

LAB 41.2, 64.94, 7.39

 

CMYK 0 / 90 / 77 / 26

HEX #BD132B

RGB 189 19 43

HSL 351.53, 0.82%, 0.41%

LAB 40.34, 62.52, 34.44

 

CMYK 20 / 90 / 0 / 26

HEX #9813BD

RGB 152 19 189

HSL 286.94, 0.82%, 0.41%

LAB 39.27, 70.47, -58.03

 

CMYK 43 / 90 / 0 / 26

HEX #6B13BD

RGB 107 19 189

HSL 271.06, 0.82%, 0.41%

LAB 32.4, 64.42, -69.53

 

CMYK 68 / 90 / 0 / 26

HEX #3D13BD

RGB 61 19 189

HSL 254.82, 0.82%, 0.41%

LAB 27.11, 60.36, -78.46

 

CMYK 90 / 90 / 0 / 26

HEX #1313BD

RGB 19 19 189

HSL 240, 0.82%, 0.41%

LAB 24.57, 58.68, -82.75

 

CMYK 20 / 90 / 0 / 26

HEX #9813BD

RGB 152 19 189

HSL 286.94, 0.82%, 0.41%

LAB 39.27, 70.47, -58.03

 

CMYK 21 / 99 / 0 / 19

HEX #A202CE

RGB 162 2 206

HSL 287.06, 0.98%, 0.41%

LAB 41.5, 76.98, -64.25

 

CMYK 20 / 90 / 0 / 26

HEX #9813BD

RGB 152 19 189

HSL 286.94, 0.82%, 0.41%

LAB 39.27, 70.47, -58.03

 

CMYK 17 / 79 / 0 / 33

HEX #8F24AC

RGB 143 36 172

HSL 287.21, 0.65%, 0.41%

LAB 37.99, 61.72, -50.1

 

CMYK 14 / 66 / 0 / 39

HEX #85359B

RGB 133 53 155

HSL 287.06, 0.49%, 0.41%

LAB 37.66, 49.65, -40.5

 

CMYK 11 / 49 / 0 / 46

HEX #7B468A

RGB 123 70 138

HSL 286.76, 0.33%, 0.41%

LAB 38.6, 34.55, -28.77

 

CMYK 6 / 28 / 0 / 53

HEX #725779

RGB 114 87 121

HSL 287.65, 0.16%, 0.41%

LAB 40.86, 17.72, -14.97

 

CMYK 67 / 90 / 0 / 26

HEX #3E13BD

RGB 62 19 189

HSL 255.18, 0.82%, 0.41%

LAB 27.2, 60.42, -78.31

 

CMYK 43 / 90 / 0 / 26

HEX #6B13BD

RGB 107 19 189

HSL 271.06, 0.82%, 0.41%

LAB 32.4, 64.42, -69.53

 

CMYK 20 / 90 / 0 / 26

HEX #9813BD

RGB 152 19 189

HSL 286.94, 0.82%, 0.41%

LAB 39.27, 70.47, -58.03

 

CMYK 0 / 90 / 5 / 26

HEX #BD13B4

RGB 189 19 180

HSL 303.18, 0.82%, 0.41%

LAB 45.05, 75.21, -43.09

 

CMYK 0 / 90 / 29 / 26

HEX #BD1387

RGB 189 19 135

HSL 319.06, 0.82%, 0.41%

LAB 42.81, 69.36, -19.56

 

CMYK 19 / 89 / 0 / 55

HEX #5C0C72

RGB 92 12 114

HSL 287.06, 0.81%, 0.25%

LAB 22.84, 47.84, -39.11

 

CMYK 19 / 90 / 0 / 41

HEX #7A0F97

RGB 122 15 151

HSL 287.21, 0.82%, 0.33%

LAB 31.15, 59.47, -48.64

 

CMYK 20 / 90 / 0 / 26

HEX #9813BD

RGB 152 19 189

HSL 286.94, 0.82%, 0.41%

LAB 39.27, 70.47, -58.03

 

CMYK 19 / 90 / 0 / 11

HEX #B617E2

RGB 182 23 226

HSL 287, 0.82%, 0.49%

LAB 47.04, 80.85, -66.59

 

CMYK 16 / 76 / 0 / 8

HEX #C439EA

RGB 196 57 234

HSL 287.12, 0.81%, 0.57%

LAB 52.51, 76.49, -62.17

 

CMYK 19 / 89 / 0 / 27

HEX #9714BB

RGB 151 20 187

HSL 287.07, 0.81%, 0.41%

LAB 39.01, 69.78, -57.27

 

CMYK 0 / 90 / 88 / 26

HEX #BD1316

RGB 189 19 22

HSL 358.94, 0.82%, 0.41%

LAB 40.15, 61.98, 45.65

 

CMYK 90 / 0 / 56 / 26

HEX #13BD54

RGB 19 189 84

HSL 142.94, 0.82%, 0.41%

LAB 67.41, -61.79, 41.66

 

CMYK 19 / 89 / 0 / 27

HEX #9714BB

RGB 151 20 187

HSL 287.07, 0.81%, 0.41%

LAB 39.01, 69.78, -57.27

 

CMYK 0 / 20 / 90 / 26

HEX #BD9813

RGB 189 152 19

HSL 46.94, 0.82%, 0.41%

LAB 64.42, 2.39, 65.43

 

CMYK 90 / 0 / 20 / 26

HEX #13BD98

RGB 19 189 152

HSL 166.94, 0.82%, 0.41%

LAB 68.61, -48.07, 7.68

 

CMYK 19 / 89 / 0 / 27

HEX #9714BB

RGB 151 20 187

HSL 287.07, 0.81%, 0.41%

LAB 39.01, 69.78, -57.27

 

CMYK 0 / 90 / 88 / 26

HEX #BD1316

RGB 189 19 22

HSL 358.94, 0.82%, 0.41%

LAB 40.15, 61.98, 45.65

 

CMYK 70 / 0 / 90 / 26

HEX #38BD13

RGB 56 189 19

HSL 106.94, 0.82%, 0.41%

LAB 67.49, -62.74, 64.75

 

CMYK 90 / 0 / 2 / 26

HEX #13BDBA

RGB 19 189 186

HSL 178.94, 0.82%, 0.41%

LAB 69.53, -38.63, -9.62

 

CMYK 19 / 89 / 0 / 27

HEX #9714BB

RGB 151 20 187

HSL 287.07, 0.81%, 0.41%

LAB 39.01, 69.78, -57.27

 

CMYK 0 / 65 / 90 / 26

HEX #BD4313

RGB 189 67 19

HSL 16.94, 0.82%, 0.41%

LAB 45.47, 47.12, 50.94

 

CMYK 70 / 0 / 90 / 26

HEX #38BD13

RGB 56 189 19

HSL 106.94, 0.82%, 0.41%

LAB 67.49, -62.74, 64.75

 

CMYK 90 / 25 / 0 / 26

HEX #138DBD

RGB 19 141 189

HSL 196.94, 0.82%, 0.41%

LAB 54.93, -13.49, -33.59

 

Description

Color code: RGB 151 20 187 | qconv.com Color code: RGB 151 20 187 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 20 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 20 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 89 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 89% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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