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Color name
RGB 151 20 128

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 151 20 128 it is the complementary color RGB 104 235 127. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 151 20 128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 151 20 128 shade: RGB 156 20 123, RGB 173 38 142, RGB 190 56 161, RGB 207 74 180 and RGB 224 92 199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 151 20 128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 151 20 128 shade: RGB 151 20 128, RGB 134 2 109, RGB 117 0 90, RGB 100 0 71 and RGB 83 0 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 151 20 128 shade: RGB 153 19 130, RGB 153 19 94, RGB 153 19 58, RGB 153 19 22 and RGB 153 19 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 151 20 128 shade: RGB 153 19 130, RGB 140 19 153, RGB 104 19 153, RGB 68 19 153 and RGB 32 19 153

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 151 20 128 shade matches the following richer shades: RGB 153 19 130 and RGB 167 5 139

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 151 20 128 shade: RGB 153 19 130, RGB 139 33 120, RGB 125 47 111, RGB 111 62 102 and RGB 97 76 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 151 20 128 shade: RGB 104 19 153, RGB 140 19 153, RGB 153 19 131, RGB 153 19 95 and RGB 153 19 59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 151 20 128 shade: RGB 80 10 68, RGB 116 15 99, RGB 153 19 130, RGB 189 24 160 and RGB 225 30 191

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 151 20 128 shade: RGB 151 20 128, RGB 153 68 19 and RGB 19 153 122

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 151 20 128 shade: RGB 151 20 128, RGB 131 153 19 and RGB 19 131 153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 151 20 128 shade: RGB 151 20 128, RGB 153 68 19, RGB 19 153 42 and RGB 19 104 153

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 151 20 128 shade: RGB 151 20 128, RGB 153 108 19, RGB 19 153 42 and RGB 19 64 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 15 / 41

HEX #971480

RGB 151 20 128

HSL 310.53, 0.77%, 0.34%

LAB 35.28, 60.18, -27.51

 

Complementary color

CMYK 56 / 0 / 46 / 8

HEX #68EB7F

RGB 104 235 127

HSL 130.53, 0.77%, 0.66%

LAB 83.91, -58.31, 41.62

 

CMYK 0 / 87 / 21 / 39

HEX #9C147B

RGB 156 20 123

HSL 314.56, 0.77%, 0.35%

LAB 35.98, 60.58, -23.21

 

CMYK 0 / 78 / 18 / 32

HEX #AD268E

RGB 173 38 142

HSL 313.78, 0.64%, 0.41%

LAB 41.57, 62.57, -26

 

CMYK 0 / 71 / 15 / 25

HEX #BE38A1

RGB 190 56 161

HSL 312.99, 0.54%, 0.48%

LAB 47.43, 63.53, -28.09

 

CMYK 0 / 64 / 13 / 19

HEX #CF4AB4

RGB 207 74 180

HSL 312.18, 0.58%, 0.55%

LAB 53.45, 63.82, -29.68

 

CMYK 0 / 59 / 11 / 12

HEX #E05CC7

RGB 224 92 199

HSL 311.36, 0.68%, 0.62%

LAB 59.55, 63.7, -30.93

 

CMYK 0 / 87 / 15 / 41

HEX #971480

RGB 151 20 128

HSL 310.53, 0.77%, 0.34%

LAB 35.28, 60.18, -27.51

 

CMYK 0 / 99 / 19 / 47

HEX #86026D

RGB 134 2 109

HSL 311.36, 0.97%, 0.27%

LAB 29.95, 56.97, -24.08

 

CMYK 0 / 100 / 23 / 54

HEX #75005A

RGB 117 0 90

HSL 313.85, 1%, 0.23%

LAB 25.32, 51.31, -19.18

 

CMYK 0 / 100 / 29 / 61

HEX #640047

RGB 100 0 71

HSL 317.4, 1%, 0.2%

LAB 20.69, 45.19, -13.83

 

CMYK 0 / 100 / 37 / 67

HEX #530034

RGB 83 0 52

HSL 322.41, 1%, 0.16%

LAB 15.94, 38.93, -8.11

 

CMYK 0 / 88 / 15 / 40

HEX #991382

RGB 153 19 130

HSL 310.3, 0.78%, 0.34%

LAB 35.69, 61.08, -28.07

 

CMYK 0 / 88 / 39 / 40

HEX #99135E

RGB 153 19 94

HSL 326.42, 0.78%, 0.34%

LAB 34.08, 56.67, -7.73

 

CMYK 0 / 88 / 62 / 40

HEX #99133A

RGB 153 19 58

HSL 342.54, 0.78%, 0.34%

LAB 33.01, 53.63, 14.28

 

CMYK 0 / 88 / 86 / 40

HEX #991316

RGB 153 19 22

HSL 358.66, 0.78%, 0.34%

LAB 32.47, 52.04, 36.11

 

CMYK 0 / 88 / 88 / 40

HEX #991313

RGB 153 19 19

HSL 0, 0.78%, 0.34%

LAB 32.45, 51.97, 37.69

 

CMYK 0 / 88 / 15 / 40

HEX #991382

RGB 153 19 130

HSL 310.3, 0.78%, 0.34%

LAB 35.69, 61.08, -28.07

 

CMYK 8 / 88 / 0 / 40

HEX #8C1399

RGB 140 19 153

HSL 294.18, 0.78%, 0.34%

LAB 34.68, 62.13, -43.99

 

CMYK 32 / 88 / 0 / 40

HEX #681399

RGB 104 19 153

HSL 278.06, 0.78%, 0.34%

LAB 28.67, 56.14, -54.03

 

CMYK 56 / 88 / 0 / 40

HEX #441399

RGB 68 19 153

HSL 261.94, 0.78%, 0.34%

LAB 23.65, 51.5, -62.45

 

CMYK 79 / 88 / 0 / 40

HEX #201399

RGB 32 19 153

HSL 245.82, 0.78%, 0.34%

LAB 20.33, 48.68, -68.05

 

CMYK 0 / 88 / 15 / 40

HEX #991382

RGB 153 19 130

HSL 310.3, 0.78%, 0.34%

LAB 35.69, 61.08, -28.07

 

CMYK 0 / 97 / 17 / 35

HEX #A7058B

RGB 167 5 139

HSL 310.37, 0.94%, 0.34%

LAB 38.18, 67.06, -29.55

 

CMYK 0 / 88 / 15 / 40

HEX #991382

RGB 153 19 130

HSL 310.3, 0.78%, 0.34%

LAB 35.69, 61.08, -28.07

 

CMYK 0 / 76 / 14 / 45

HEX #8B2178

RGB 139 33 120

HSL 310.75, 0.62%, 0.34%

LAB 33.84, 52.83, -24.9

 

CMYK 0 / 62 / 11 / 51

HEX #7D2F6F

RGB 125 47 111

HSL 310.77, 0.45%, 0.34%

LAB 33.01, 41.96, -20.7

 

CMYK 0 / 44 / 8 / 56

HEX #6F3E66

RGB 111 62 102

HSL 311.02, 0.28%, 0.34%

LAB 33.53, 27.76, -14.36

 

CMYK 0 / 22 / 4 / 62

HEX #614C5D

RGB 97 76 93

HSL 311.43, 0.12%, 0.34%

LAB 35, 12.11, -6.59

 

CMYK 32 / 88 / 0 / 40

HEX #681399

RGB 104 19 153

HSL 278.06, 0.78%, 0.34%

LAB 28.67, 56.14, -54.03

 

CMYK 8 / 88 / 0 / 40

HEX #8C1399

RGB 140 19 153

HSL 294.18, 0.78%, 0.34%

LAB 34.68, 62.13, -43.99

 

CMYK 0 / 88 / 14 / 40

HEX #991383

RGB 153 19 131

HSL 309.85, 0.78%, 0.34%

LAB 35.75, 61.22, -28.61

 

CMYK 0 / 88 / 38 / 40

HEX #99135F

RGB 153 19 95

HSL 325.97, 0.78%, 0.34%

LAB 34.12, 56.77, -8.32

 

CMYK 0 / 88 / 61 / 40

HEX #99133B

RGB 153 19 59

HSL 342.09, 0.78%, 0.34%

LAB 33.04, 53.69, 13.65

 

CMYK 0 / 88 / 15 / 69

HEX #500A44

RGB 80 10 68

HSL 310.29, 0.78%, 0.18%

LAB 17.18, 37.34, -17.55

 

CMYK 0 / 87 / 15 / 55

HEX #740F63

RGB 116 15 99

HSL 310.1, 0.77%, 0.26%

LAB 26.61, 49.4, -23.1

 

CMYK 0 / 88 / 15 / 40

HEX #991382

RGB 153 19 130

HSL 310.3, 0.78%, 0.34%

LAB 35.69, 61.08, -28.07

 

CMYK 0 / 87 / 15 / 26

HEX #BD18A0

RGB 189 24 160

HSL 310.55, 0.77%, 0.42%

LAB 44.25, 71.65, -32.48

 

CMYK 0 / 87 / 15 / 12

HEX #E11EBF

RGB 225 30 191

HSL 310.46, 0.76%, 0.5%

LAB 52.62, 81.78, -37.15

 

CMYK 0 / 87 / 15 / 41

HEX #971480

RGB 151 20 128

HSL 310.53, 0.77%, 0.34%

LAB 35.28, 60.18, -27.51

 

CMYK 0 / 56 / 88 / 40

HEX #994413

RGB 153 68 19

HSL 21.94, 0.78%, 0.34%

LAB 39.5, 32.89, 43.61

 

CMYK 88 / 0 / 20 / 40

HEX #13997A

RGB 19 153 122

HSL 166.12, 0.78%, 0.34%

LAB 56.41, -40.89, 6.95

 

CMYK 0 / 87 / 15 / 41

HEX #971480

RGB 151 20 128

HSL 310.53, 0.77%, 0.34%

LAB 35.28, 60.18, -27.51

 

CMYK 14 / 0 / 88 / 40

HEX #839913

RGB 131 153 19

HSL 69.85, 0.78%, 0.34%

LAB 59.58, -24.12, 59.39

 

CMYK 88 / 14 / 0 / 40

HEX #138399

RGB 19 131 153

HSL 189.85, 0.78%, 0.34%

LAB 50.3, -20.87, -20.03

 

CMYK 0 / 87 / 15 / 41

HEX #971480

RGB 151 20 128

HSL 310.53, 0.77%, 0.34%

LAB 35.28, 60.18, -27.51

 

CMYK 0 / 56 / 88 / 40

HEX #994413

RGB 153 68 19

HSL 21.94, 0.78%, 0.34%

LAB 39.5, 32.89, 43.61

 

CMYK 88 / 0 / 73 / 40

HEX #13992A

RGB 19 153 42

HSL 130.3, 0.78%, 0.34%

LAB 55.16, -55.36, 46.54

 

CMYK 88 / 32 / 0 / 40

HEX #136899

RGB 19 104 153

HSL 201.94, 0.78%, 0.34%

LAB 41.75, -5.49, -33.32

 

CMYK 0 / 87 / 15 / 41

HEX #971480

RGB 151 20 128

HSL 310.53, 0.77%, 0.34%

LAB 35.28, 60.18, -27.51

 

CMYK 0 / 29 / 88 / 40

HEX #996C13

RGB 153 108 19

HSL 39.85, 0.78%, 0.34%

LAB 48.94, 10.47, 51.41

 

CMYK 88 / 0 / 73 / 40

HEX #13992A

RGB 19 153 42

HSL 130.3, 0.78%, 0.34%

LAB 55.16, -55.36, 46.54

 

CMYK 88 / 58 / 0 / 40

HEX #134099

RGB 19 64 153

HSL 219.85, 0.78%, 0.34%

LAB 29.68, 20.88, -52.68

 

Description

Color code: RGB 151 20 128 | qconv.com Color code: RGB 151 20 128 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 20 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 20 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 15 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 15% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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