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Color name
RGB 151 141 228

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 151 141 228 it is the complementary color RGB 104 114 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 151 141 228. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 151 141 228 shade: RGB 156 141 223, RGB 173 159 242, RGB 190 177 255, RGB 207 195 255 and RGB 224 213 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 151 141 228. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 151 141 228 shade: RGB 151 141 228, RGB 134 123 209, RGB 117 105 190, RGB 100 87 171 and RGB 83 69 152

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 151 141 228 shade: RGB 149 139 227, RGB 173 139 227, RGB 197 139 227, RGB 221 139 227 and RGB 227 139 210

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 151 141 228 shade: RGB 149 139 227 and RGB 139 139 227

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 151 141 228 shade matches the following richer shades: RGB 149 139 227, RGB 140 127 239 and RGB 131 116 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 151 141 228 shade: RGB 149 139 227, RGB 158 150 216, RGB 167 162 204, RGB 176 173 193 and RGB 185 185 181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 151 141 228 shade: RGB 139 177 227, RGB 139 154 227, RGB 148 139 227, RGB 171 139 227 and RGB 195 139 227

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 151 141 228 shade: RGB 88 72 212, RGB 119 105 220, RGB 149 139 227, RGB 179 172 235 and RGB 210 206 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 151 141 228 shade: RGB 151 141 228, RGB 227 139 201 and RGB 165 227 139

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 151 141 228 shade: RGB 151 141 228, RGB 227 148 139 and RGB 139 227 148

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 151 141 228 shade: RGB 151 141 228, RGB 227 139 201, RGB 219 227 139 and RGB 139 227 165

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 151 141 228 shade: RGB 151 141 228, RGB 227 139 174, RGB 219 227 139 and RGB 139 227 192

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 38 / 0 / 11

HEX #978DE4

RGB 151 141 228

HSL 246.9, 0.62%, 0.72%

LAB 62.7, 23.5, -42.89

 

Complementary color

CMYK 9 / 0 / 76 / 55

HEX #68721B

RGB 104 114 27

HSL 66.9, 0.62%, 0.28%

LAB 45.71, -15.7, 43.95

 

CMYK 30 / 37 / 0 / 13

HEX #9C8DDF

RGB 156 141 223

HSL 250.98, 0.56%, 0.71%

LAB 62.88, 23.6, -39.8

 

CMYK 29 / 34 / 0 / 5

HEX #AD9FF2

RGB 173 159 242

HSL 250.12, 0.76%, 0.79%

LAB 69.53, 22.91, -39.76

 

CMYK 25 / 31 / 0 / 0

HEX #BEB1FF

RGB 190 177 255

HSL 250, 1%, 0.85%

LAB 75.83, 20.86, -36.91

 

CMYK 19 / 24 / 0 / 0

HEX #CFC3FF

RGB 207 195 255

HSL 252, 1%, 0.88%

LAB 81.57, 16.06, -27.95

 

CMYK 12 / 16 / 0 / 0

HEX #E0D5FF

RGB 224 213 255

HSL 255.71, 1%, 0.92%

LAB 87.32, 11.69, -19.1

 

CMYK 34 / 38 / 0 / 11

HEX #978DE4

RGB 151 141 228

HSL 246.9, 0.62%, 0.72%

LAB 62.7, 23.5, -42.89

 

CMYK 36 / 41 / 0 / 18

HEX #867BD1

RGB 134 123 209

HSL 247.67, 0.48%, 0.65%

LAB 55.92, 24.34, -43.02

 

CMYK 38 / 45 / 0 / 25

HEX #7569BE

RGB 117 105 190

HSL 248.47, 0.4%, 0.58%

LAB 49.01, 25.29, -43.2

 

CMYK 42 / 49 / 0 / 33

HEX #6457AB

RGB 100 87 171

HSL 249.29, 0.33%, 0.51%

LAB 41.95, 26.39, -43.44

 

CMYK 45 / 55 / 0 / 40

HEX #534598

RGB 83 69 152

HSL 250.12, 0.38%, 0.43%

LAB 34.73, 27.67, -43.72

 

CMYK 34 / 39 / 0 / 11

HEX #958BE3

RGB 149 139 227

HSL 246.82, 0.61%, 0.72%

LAB 62, 23.85, -43.45

 

CMYK 24 / 39 / 0 / 11

HEX #AD8BE3

RGB 173 139 227

HSL 263.18, 0.61%, 0.72%

LAB 64.08, 30.57, -40.04

 

CMYK 13 / 39 / 0 / 11

HEX #C58BE3

RGB 197 139 227

HSL 279.55, 0.61%, 0.72%

LAB 66.43, 37.62, -36.2

 

CMYK 3 / 39 / 0 / 11

HEX #DD8BE3

RGB 221 139 227

HSL 295.91, 0.61%, 0.72%

LAB 69.03, 44.83, -31.96

 

CMYK 0 / 39 / 7 / 11

HEX #E38BD2

RGB 227 139 210

HSL 311.59, 0.61%, 0.72%

LAB 69.08, 43.66, -22.42

 

CMYK 34 / 39 / 0 / 11

HEX #958BE3

RGB 149 139 227

HSL 246.82, 0.61%, 0.72%

LAB 62, 23.85, -43.45

 

CMYK 39 / 39 / 0 / 11

HEX #8B8BE3

RGB 139 139 227

HSL 240, 0.61%, 0.72%

LAB 61.22, 21.2, -44.73

 

CMYK 34 / 39 / 0 / 11

HEX #958BE3

RGB 149 139 227

HSL 246.82, 0.61%, 0.72%

LAB 62, 23.85, -43.45

 

CMYK 41 / 47 / 0 / 6

HEX #8C7FEF

RGB 140 127 239

HSL 246.96, 0.78%, 0.72%

LAB 58.96, 31.77, -54.97

 

CMYK 48 / 54 / 0 / 2

HEX #8374FA

RGB 131 116 250

HSL 246.72, 0.93%, 0.72%

LAB 56.31, 39.26, -65.36

 

CMYK 34 / 39 / 0 / 11

HEX #958BE3

RGB 149 139 227

HSL 246.82, 0.61%, 0.72%

LAB 62, 23.85, -43.45

 

CMYK 27 / 31 / 0 / 15

HEX #9E96D8

RGB 158 150 216

HSL 247.27, 0.46%, 0.72%

LAB 64.99, 17.29, -32.61

 

CMYK 18 / 21 / 0 / 20

HEX #A7A2CC

RGB 167 162 204

HSL 247.14, 0.29%, 0.72%

LAB 68.33, 10.46, -20.78

 

CMYK 9 / 10 / 0 / 24

HEX #B0ADC1

RGB 176 173 193

HSL 249, 0.14%, 0.72%

LAB 71.53, 4.97, -9.8

 

CMYK 0 / 0 / 2 / 27

HEX #B9B9B5

RGB 185 185 181

HSL 60, 0.03%, 0.72%

LAB 75.04, -0.73, 2.02

 

CMYK 39 / 22 / 0 / 11

HEX #8BB1E3

RGB 139 177 227

HSL 214.09, 0.61%, 0.72%

LAB 71.2, -0.44, -29.18

 

CMYK 39 / 32 / 0 / 11

HEX #8B9AE3

RGB 139 154 227

HSL 229.77, 0.61%, 0.72%

LAB 65.08, 12.52, -38.68

 

CMYK 35 / 39 / 0 / 11

HEX #948BE3

RGB 148 139 227

HSL 246.14, 0.61%, 0.72%

LAB 61.92, 23.58, -43.58

 

CMYK 25 / 39 / 0 / 11

HEX #AB8BE3

RGB 171 139 227

HSL 261.82, 0.61%, 0.72%

LAB 63.89, 30, -40.35

 

CMYK 14 / 39 / 0 / 11

HEX #C38BE3

RGB 195 139 227

HSL 278.18, 0.61%, 0.72%

LAB 66.22, 37.02, -36.53

 

CMYK 58 / 66 / 0 / 17

HEX #5848D4

RGB 88 72 212

HSL 246.86, 0.62%, 0.56%

LAB 40.35, 45.44, -69.98

 

CMYK 46 / 52 / 0 / 14

HEX #7769DC

RGB 119 105 220

HSL 247.3, 0.62%, 0.64%

LAB 50.91, 34.4, -57.3

 

CMYK 34 / 39 / 0 / 11

HEX #958BE3

RGB 149 139 227

HSL 246.82, 0.61%, 0.72%

LAB 62, 23.85, -43.45

 

CMYK 24 / 27 / 0 / 8

HEX #B3ACEB

RGB 179 172 235

HSL 246.67, 0.61%, 0.8%

LAB 72.95, 15.7, -30.62

 

CMYK 14 / 15 / 0 / 5

HEX #D2CEF3

RGB 210 206 243

HSL 246.49, 0.61%, 0.88%

LAB 84.13, 8.53, -17.66

 

CMYK 34 / 38 / 0 / 11

HEX #978DE4

RGB 151 141 228

HSL 246.9, 0.62%, 0.72%

LAB 62.7, 23.5, -42.89

 

CMYK 0 / 39 / 11 / 11

HEX #E38BC9

RGB 227 139 201

HSL 317.73, 0.61%, 0.72%

LAB 68.76, 42.15, -17.9

 

CMYK 27 / 0 / 39 / 11

HEX #A5E38B

RGB 165 227 139

HSL 102.27, 0.61%, 0.72%

LAB 84.38, -35.49, 36.82

 

CMYK 34 / 38 / 0 / 11

HEX #978DE4

RGB 151 141 228

HSL 246.9, 0.62%, 0.72%

LAB 62.7, 23.5, -42.89

 

CMYK 0 / 35 / 39 / 11

HEX #E3948B

RGB 227 148 139

HSL 6.14, 0.61%, 0.72%

LAB 69.02, 28.71, 17.1

 

CMYK 39 / 0 / 35 / 11

HEX #8BE394

RGB 139 227 148

HSL 126.14, 0.61%, 0.72%

LAB 83.21, -42.44, 30.49

 

CMYK 34 / 38 / 0 / 11

HEX #978DE4

RGB 151 141 228

HSL 246.9, 0.62%, 0.72%

LAB 62.7, 23.5, -42.89

 

CMYK 0 / 39 / 11 / 11

HEX #E38BC9

RGB 227 139 201

HSL 317.73, 0.61%, 0.72%

LAB 68.76, 42.15, -17.9

 

CMYK 4 / 0 / 39 / 11

HEX #DBE38B

RGB 219 227 139

HSL 65.45, 0.61%, 0.72%

LAB 87.9, -15.76, 42.05

 

CMYK 39 / 0 / 27 / 11

HEX #8BE3A5

RGB 139 227 165

HSL 137.73, 0.61%, 0.72%

LAB 83.52, -39.52, 22.15

 

CMYK 34 / 38 / 0 / 11

HEX #978DE4

RGB 151 141 228

HSL 246.9, 0.62%, 0.72%

LAB 62.7, 23.5, -42.89

 

CMYK 0 / 39 / 23 / 11

HEX #E38BAE

RGB 227 139 174

HSL 336.14, 0.61%, 0.72%

LAB 67.91, 38, -4.07

 

CMYK 4 / 0 / 39 / 11

HEX #DBE38B

RGB 219 227 139

HSL 65.45, 0.61%, 0.72%

LAB 87.9, -15.76, 42.05

 

CMYK 39 / 0 / 15 / 11

HEX #8BE3C0

RGB 139 227 192

HSL 156.14, 0.61%, 0.72%

LAB 84.09, -34.26, 8.82

 

Description

Color code: RGB 151 141 228 | qconv.com Color code: RGB 151 141 228 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 141 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 141 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 38 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 38% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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