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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 9 188 it is the complementary color RGB 105 246 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 9 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 150 9 188 shade: RGB 155 9 183, RGB 172 27 202, RGB 189 45 221, RGB 206 63 240 and RGB 223 81 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 9 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 150 9 188 shade: RGB 150 9 188, RGB 133 0 169, RGB 116 0 150, RGB 99 0 131 and RGB 82 0 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 150 9 188 shade: RGB 151 8 189, RGB 189 8 179, RGB 189 8 130, RGB 189 8 81 and RGB 189 8 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 150 9 188 shade: RGB 151 8 189, RGB 102 8 189, RGB 53 8 189 and RGB 8 8 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 150 9 188 shade matches the following richer shades: RGB 151 8 189

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 150 9 188 shade: RGB 151 8 189, RGB 142 25 173, RGB 133 41 157, RGB 123 57 141 and RGB 114 73 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 150 9 188 shade: RGB 54 8 189, RGB 102 8 189, RGB 150 8 189, RGB 189 8 180 and RGB 189 8 132

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 150 9 188 shade: RGB 88 5 111, RGB 120 7 150, RGB 151 8 189, RGB 182 10 229 and RGB 200 36 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 150 9 188 shade: RGB 150 9 188, RGB 189 8 11 and RGB 8 189 78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 150 9 188 shade: RGB 150 9 188, RGB 189 150 8 and RGB 8 189 150

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 150 9 188 shade: RGB 150 9 188, RGB 189 8 11, RGB 48 189 8 and RGB 8 189 186

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 150 9 188 shade: RGB 150 9 188, RGB 189 60 8, RGB 48 189 8 and RGB 8 138 189

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 95 / 0 / 26

HEX #9609BC

RGB 150 9 188

HSL 287.26, 0.91%, 0.39%

LAB 38.39, 71.38, -58.88

 

Complementary color

CMYK 57 / 0 / 73 / 4

HEX #69F643

RGB 105 246 67

HSL 107.26, 0.91%, 0.61%

LAB 86.66, -68.46, 70.18

 

CMYK 15 / 95 / 0 / 28

HEX #9B09B7

RGB 155 9 183

HSL 290.34, 0.91%, 0.38%

LAB 38.87, 71.25, -55.11

 

CMYK 15 / 87 / 0 / 21

HEX #AC1BCA

RGB 172 27 202

HSL 289.71, 0.76%, 0.45%

LAB 43.97, 74.45, -57.85

 

CMYK 14 / 80 / 0 / 13

HEX #BD2DDD

RGB 189 45 221

HSL 289.09, 0.72%, 0.52%

LAB 49.39, 76.43, -59.88

 

CMYK 14 / 74 / 0 / 6

HEX #CE3FF0

RGB 206 63 240

HSL 288.47, 0.86%, 0.59%

LAB 55.04, 77.51, -61.39

 

CMYK 13 / 68 / 0 / 0

HEX #DF51FF

RGB 223 81 255

HSL 288.97, 1%, 0.66%

LAB 60.6, 77.26, -60.68

 

CMYK 20 / 95 / 0 / 26

HEX #9609BC

RGB 150 9 188

HSL 287.26, 0.91%, 0.39%

LAB 38.39, 71.38, -58.88

 

CMYK 21 / 100 / 0 / 34

HEX #8500A9

RGB 133 0 169

HSL 287.22, 1%, 0.33%

LAB 33.67, 66.7, -55.37

 

CMYK 23 / 100 / 0 / 41

HEX #740096

RGB 116 0 150

HSL 286.4, 1%, 0.29%

LAB 29.2, 60.85, -51.23

 

CMYK 24 / 100 / 0 / 49

HEX #630083

RGB 99 0 131

HSL 285.34, 1%, 0.26%

LAB 24.61, 54.87, -47.01

 

CMYK 27 / 100 / 0 / 56

HEX #520070

RGB 82 0 112

HSL 283.93, 1%, 0.22%

LAB 19.9, 48.73, -42.68

 

CMYK 20 / 96 / 0 / 26

HEX #9708BD

RGB 151 8 189

HSL 287.4, 0.92%, 0.39%

LAB 38.6, 71.82, -59.12

 

CMYK 0 / 96 / 5 / 26

HEX #BD08B3

RGB 189 8 179

HSL 303.31, 0.92%, 0.39%

LAB 44.59, 76.27, -43.25

 

CMYK 0 / 96 / 31 / 26

HEX #BD0882

RGB 189 8 130

HSL 319.56, 0.92%, 0.39%

LAB 42.16, 70.1, -17.49

 

CMYK 0 / 96 / 57 / 26

HEX #BD0851

RGB 189 8 81

HSL 335.8, 0.92%, 0.39%

LAB 40.55, 65.81, 10.93

 

CMYK 0 / 96 / 83 / 26

HEX #BD0821

RGB 189 8 33

HSL 351.71, 0.92%, 0.39%

LAB 39.75, 63.62, 39.61

 

CMYK 20 / 96 / 0 / 26

HEX #9708BD

RGB 151 8 189

HSL 287.4, 0.92%, 0.39%

LAB 38.6, 71.82, -59.12

 

CMYK 46 / 96 / 0 / 26

HEX #6608BD

RGB 102 8 189

HSL 271.16, 0.92%, 0.39%

LAB 31.05, 65.9, -71.78

 

CMYK 72 / 96 / 0 / 26

HEX #3508BD

RGB 53 8 189

HSL 254.92, 0.92%, 0.39%

LAB 25.58, 62.52, -81.02

 

CMYK 96 / 96 / 0 / 26

HEX #0808BD

RGB 8 8 189

HSL 240, 0.92%, 0.39%

LAB 23.34, 61.44, -84.82

 

CMYK 20 / 96 / 0 / 26

HEX #9708BD

RGB 151 8 189

HSL 287.4, 0.92%, 0.39%

LAB 38.6, 71.82, -59.12

 

CMYK 20 / 96 / 0 / 26

HEX #9708BD

RGB 151 8 189

HSL 287.4, 0.92%, 0.39%

LAB 38.6, 71.82, -59.12

 

CMYK 18 / 86 / 0 / 32

HEX #8E19AD

RGB 142 25 173

HSL 287.43, 0.75%, 0.39%

LAB 36.86, 64.74, -52.53

 

CMYK 15 / 74 / 0 / 38

HEX #85299D

RGB 133 41 157

HSL 287.59, 0.59%, 0.39%

LAB 36, 55.09, -44.37

 

CMYK 13 / 60 / 0 / 45

HEX #7B398D

RGB 123 57 141

HSL 287.14, 0.42%, 0.39%

LAB 36.1, 42.22, -34.55

 

CMYK 9 / 42 / 0 / 51

HEX #72497D

RGB 114 73 125

HSL 287.31, 0.26%, 0.39%

LAB 37.52, 27.07, -22.56

 

CMYK 71 / 96 / 0 / 26

HEX #3608BD

RGB 54 8 189

HSL 255.25, 0.92%, 0.39%

LAB 25.66, 62.56, -80.88

 

CMYK 46 / 96 / 0 / 26

HEX #6608BD

RGB 102 8 189

HSL 271.16, 0.92%, 0.39%

LAB 31.05, 65.9, -71.78

 

CMYK 21 / 96 / 0 / 26

HEX #9608BD

RGB 150 8 189

HSL 287.07, 0.92%, 0.39%

LAB 38.43, 71.68, -59.4

 

CMYK 0 / 96 / 5 / 26

HEX #BD08B4

RGB 189 8 180

HSL 302.98, 0.92%, 0.39%

LAB 44.64, 76.42, -43.75

 

CMYK 0 / 96 / 30 / 26

HEX #BD0884

RGB 189 8 132

HSL 318.9, 0.92%, 0.39%

LAB 42.24, 70.32, -18.59

 

CMYK 21 / 95 / 0 / 56

HEX #58056F

RGB 88 5 111

HSL 286.98, 0.91%, 0.23%

LAB 21.32, 48.19, -39.66

 

CMYK 20 / 95 / 0 / 41

HEX #780796

RGB 120 7 150

HSL 287.41, 0.91%, 0.31%

LAB 30.27, 60.31, -49.46

 

CMYK 20 / 96 / 0 / 26

HEX #9708BD

RGB 151 8 189

HSL 287.4, 0.92%, 0.39%

LAB 38.6, 71.82, -59.12

 

CMYK 21 / 96 / 0 / 10

HEX #B60AE5

RGB 182 10 229

HSL 287.12, 0.92%, 0.47%

LAB 46.74, 82.92, -68.79

 

CMYK 18 / 85 / 0 / 4

HEX #C824F4

RGB 200 36 244

HSL 287.31, 0.9%, 0.55%

LAB 51.92, 84.36, -68.71

 

CMYK 20 / 95 / 0 / 26

HEX #9609BC

RGB 150 9 188

HSL 287.26, 0.91%, 0.39%

LAB 38.39, 71.38, -58.88

 

CMYK 0 / 96 / 94 / 26

HEX #BD080B

RGB 189 8 11

HSL 359.01, 0.92%, 0.39%

LAB 39.61, 63.22, 49.83

 

CMYK 96 / 0 / 59 / 26

HEX #08BD4E

RGB 8 189 78

HSL 143.2, 0.92%, 0.39%

LAB 67.27, -63.18, 44.31

 

CMYK 20 / 95 / 0 / 26

HEX #9609BC

RGB 150 9 188

HSL 287.26, 0.91%, 0.39%

LAB 38.39, 71.38, -58.88

 

CMYK 0 / 21 / 96 / 26

HEX #BD9608

RGB 189 150 8

HSL 47.07, 0.92%, 0.39%

LAB 63.88, 3.31, 66.83

 

CMYK 96 / 0 / 21 / 26

HEX #08BD96

RGB 8 189 150

HSL 167.07, 0.92%, 0.39%

LAB 68.5, -49.05, 8.6

 

CMYK 20 / 95 / 0 / 26

HEX #9609BC

RGB 150 9 188

HSL 287.26, 0.91%, 0.39%

LAB 38.39, 71.38, -58.88

 

CMYK 0 / 96 / 94 / 26

HEX #BD080B

RGB 189 8 11

HSL 359.01, 0.92%, 0.39%

LAB 39.61, 63.22, 49.83

 

CMYK 75 / 0 / 96 / 26

HEX #30BD08

RGB 48 189 8

HSL 106.74, 0.92%, 0.39%

LAB 67.31, -64.39, 66.06

 

CMYK 96 / 0 / 2 / 26

HEX #08BDBA

RGB 8 189 186

HSL 179.01, 0.92%, 0.39%

LAB 69.46, -39.04, -9.72

 

CMYK 20 / 95 / 0 / 26

HEX #9609BC

RGB 150 9 188

HSL 287.26, 0.91%, 0.39%

LAB 38.39, 71.38, -58.88

 

CMYK 0 / 68 / 96 / 26

HEX #BD3C08

RGB 189 60 8

HSL 17.24, 0.92%, 0.39%

LAB 44.33, 49.93, 53.53

 

CMYK 75 / 0 / 96 / 26

HEX #30BD08

RGB 48 189 8

HSL 106.74, 0.92%, 0.39%

LAB 67.31, -64.39, 66.06

 

CMYK 96 / 27 / 0 / 26

HEX #088ABD

RGB 8 138 189

HSL 196.91, 0.92%, 0.39%

LAB 53.92, -12.29, -35.17

 

Description

Color code: RGB 150 9 188 | qconv.com Color code: RGB 150 9 188 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 9 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 9 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 95 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 95% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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