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Color name
RGB 150 87 1

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 87 1 it is the complementary color RGB 105 168 254. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 87 1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 150 87 1 shade: RGB 155 87 0, RGB 172 105 15, RGB 189 123 34, RGB 206 141 53 and RGB 223 159 72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 87 1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 150 87 1 shade: RGB 150 87 1, RGB 133 69 0, RGB 116 51 0, RGB 99 33 0 and RGB 82 15 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 150 87 1 shade: RGB 152 88 0, RGB 152 47 0, RGB 152 6 0 and RGB 152 0 0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 150 87 1 shade: RGB 152 88 0, RGB 152 129 0, RGB 134 152 0, RGB 93 152 0 and RGB 52 152 0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 150 87 1 shade matches the following richer shades: RGB 152 88 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 150 87 1 shade: RGB 152 88 0, RGB 139 86 13, RGB 127 84 25, RGB 115 82 37 and RGB 102 80 50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 150 87 1 shade: RGB 152 5 0, RGB 152 46 0, RGB 152 86 0, RGB 152 126 0 and RGB 137 152 0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 150 87 1 shade: RGB 70 40 0, RGB 111 64 0, RGB 152 88 0, RGB 193 111 0 and RGB 234 135 1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 150 87 1 shade: RGB 150 87 1, RGB 36 152 0 and RGB 26 0 152

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 150 87 1 shade: RGB 150 87 1, RGB 0 152 86 and RGB 86 0 152

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 150 87 1 shade: RGB 150 87 1, RGB 36 152 0, RGB 0 66 152 and RGB 116 0 152

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 150 87 1 shade: RGB 150 87 1, RGB 0 152 10, RGB 0 66 152 and RGB 152 0 142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 99 / 41

HEX #965701

RGB 150 87 1

HSL 34.63, 0.99%, 0.3%

LAB 43.22, 20.79, 51.59

 

Complementary color

CMYK 59 / 34 / 0 / 0

HEX #69A8FE

RGB 105 168 254

HSL 214.63, 0.99%, 0.7%

LAB 68.14, 4.75, -48.78

 

CMYK 0 / 44 / 100 / 39

HEX #9B5700

RGB 155 87 0

HSL 33.68, 1%, 0.3%

LAB 43.92, 23.01, 52.66

 

CMYK 0 / 39 / 91 / 33

HEX #AC690F

RGB 172 105 15

HSL 34.39, 0.84%, 0.37%

LAB 50.58, 20.71, 54.83

 

CMYK 0 / 35 / 82 / 26

HEX #BD7B22

RGB 189 123 34

HSL 34.45, 0.7%, 0.44%

LAB 57.17, 18.7, 55.2

 

CMYK 0 / 32 / 74 / 19

HEX #CE8D35

RGB 206 141 53

HSL 34.51, 0.61%, 0.51%

LAB 63.7, 16.97, 54.52

 

CMYK 0 / 29 / 68 / 13

HEX #DF9F48

RGB 223 159 72

HSL 34.57, 0.7%, 0.58%

LAB 70.14, 15.48, 53.39

 

CMYK 0 / 42 / 99 / 41

HEX #965701

RGB 150 87 1

HSL 34.63, 0.99%, 0.3%

LAB 43.22, 20.79, 51.59

 

CMYK 0 / 48 / 100 / 48

HEX #854500

RGB 133 69 0

HSL 31.13, 1%, 0.26%

LAB 36.45, 23.37, 46.39

 

CMYK 0 / 56 / 100 / 55

HEX #743300

RGB 116 51 0

HSL 26.38, 1%, 0.23%

LAB 29.62, 25.98, 40.59

 

CMYK 0 / 67 / 100 / 61

HEX #632100

RGB 99 33 0

HSL 20, 1%, 0.19%

LAB 22.79, 28.38, 33.26

 

CMYK 0 / 82 / 100 / 68

HEX #520F00

RGB 82 15 0

HSL 10.98, 1%, 0.16%

LAB 16.18, 29.98, 24.76

 

CMYK 0 / 42 / 100 / 40

HEX #985800

RGB 152 88 0

HSL 34.74, 1%, 0.3%

LAB 43.73, 21.1, 52.33

 

CMYK 0 / 69 / 100 / 40

HEX #982F00

RGB 152 47 0

HSL 18.55, 1%, 0.3%

LAB 35.42, 42.22, 47.55

 

CMYK 0 / 96 / 100 / 40

HEX #980600

RGB 152 6 0

HSL 2.37, 1%, 0.3%

LAB 31.36, 53.57, 45.09

 

CMYK 0 / 100 / 100 / 40

HEX #980000

RGB 152 0 0

HSL 0, 1%, 0.3%

LAB 31.06, 54.45, 44.88

 

CMYK 0 / 42 / 100 / 40

HEX #985800

RGB 152 88 0

HSL 34.74, 1%, 0.3%

LAB 43.73, 21.1, 52.33

 

CMYK 0 / 15 / 100 / 40

HEX #988100

RGB 152 129 0

HSL 50.92, 1%, 0.3%

LAB 54.42, -2.25, 59.55

 

CMYK 12 / 0 / 100 / 40

HEX #869800

RGB 134 152 0

HSL 67.11, 1%, 0.3%

LAB 59.46, -22.69, 62.51

 

CMYK 39 / 0 / 100 / 40

HEX #5D9800

RGB 93 152 0

HSL 83.29, 1%, 0.3%

LAB 56.86, -39.48, 59.4

 

CMYK 66 / 0 / 100 / 40

HEX #349800

RGB 52 152 0

HSL 99.47, 1%, 0.3%

LAB 55.26, -51.93, 57.46

 

CMYK 0 / 42 / 100 / 40

HEX #985800

RGB 152 88 0

HSL 34.74, 1%, 0.3%

LAB 43.73, 21.1, 52.33

 

CMYK 0 / 42 / 100 / 40

HEX #985800

RGB 152 88 0

HSL 34.74, 1%, 0.3%

LAB 43.73, 21.1, 52.33

 

CMYK 0 / 38 / 91 / 45

HEX #8B560D

RGB 139 86 13

HSL 34.76, 0.83%, 0.3%

LAB 41.49, 16.55, 46.44

 

CMYK 0 / 34 / 80 / 50

HEX #7F5419

RGB 127 84 25

HSL 34.71, 0.67%, 0.3%

LAB 39.45, 12.51, 39.6

 

CMYK 0 / 29 / 68 / 55

HEX #735225

RGB 115 82 37

HSL 34.62, 0.51%, 0.3%

LAB 37.5, 8.69, 31.21

 

CMYK 0 / 22 / 51 / 60

HEX #665032

RGB 102 80 50

HSL 34.62, 0.34%, 0.3%

LAB 35.58, 4.92, 21.12

 

CMYK 0 / 97 / 100 / 40

HEX #980500

RGB 152 5 0

HSL 1.97, 1%, 0.3%

LAB 31.31, 53.71, 45.06

 

CMYK 0 / 70 / 100 / 40

HEX #982E00

RGB 152 46 0

HSL 18.16, 1%, 0.3%

LAB 35.26, 42.64, 47.47

 

CMYK 0 / 43 / 100 / 40

HEX #985600

RGB 152 86 0

HSL 33.95, 1%, 0.3%

LAB 43.26, 22.24, 52.03

 

CMYK 0 / 17 / 100 / 40

HEX #987E00

RGB 152 126 0

HSL 49.74, 1%, 0.3%

LAB 53.6, -0.57, 58.97

 

CMYK 10 / 0 / 100 / 40

HEX #899800

RGB 137 152 0

HSL 65.92, 1%, 0.3%

LAB 59.68, -21.36, 62.78

 

CMYK 0 / 43 / 100 / 73

HEX #462800

RGB 70 40 0

HSL 34.29, 1%, 0.14%

LAB 19.31, 10.68, 27.98

 

CMYK 0 / 42 / 100 / 56

HEX #6F4000

RGB 111 64 0

HSL 34.59, 1%, 0.22%

LAB 31.91, 16.1, 41.89

 

CMYK 0 / 42 / 100 / 40

HEX #985800

RGB 152 88 0

HSL 34.74, 1%, 0.3%

LAB 43.73, 21.1, 52.33

 

CMYK 0 / 42 / 100 / 24

HEX #C16F00

RGB 193 111 0

HSL 34.51, 1%, 0.38%

LAB 54.77, 26.37, 62.12

 

CMYK 0 / 42 / 100 / 8

HEX #EA8701

RGB 234 135 1

HSL 34.51, 0.99%, 0.46%

LAB 65.61, 30.88, 71.53

 

CMYK 0 / 42 / 99 / 41

HEX #965701

RGB 150 87 1

HSL 34.63, 0.99%, 0.3%

LAB 43.22, 20.79, 51.59

 

CMYK 76 / 0 / 100 / 40

HEX #249800

RGB 36 152 0

HSL 105.79, 1%, 0.3%

LAB 54.9, -55.07, 57.01

 

CMYK 83 / 100 / 0 / 40

HEX #1A0098

RGB 26 0 152

HSL 250.26, 1%, 0.3%

LAB 17.86, 54.18, -71.57

 

CMYK 0 / 42 / 99 / 41

HEX #965701

RGB 150 87 1

HSL 34.63, 0.99%, 0.3%

LAB 43.22, 20.79, 51.59

 

CMYK 100 / 0 / 43 / 40

HEX #009856

RGB 0 152 86

HSL 153.95, 1%, 0.3%

LAB 55.2, -49.91, 25.34

 

CMYK 43 / 100 / 0 / 40

HEX #560098

RGB 86 0 152

HSL 273.95, 1%, 0.3%

LAB 24.47, 57.66, -60.41

 

CMYK 0 / 42 / 99 / 41

HEX #965701

RGB 150 87 1

HSL 34.63, 0.99%, 0.3%

LAB 43.22, 20.79, 51.59

 

CMYK 76 / 0 / 100 / 40

HEX #249800

RGB 36 152 0

HSL 105.79, 1%, 0.3%

LAB 54.9, -55.07, 57.01

 

CMYK 100 / 57 / 0 / 40

HEX #004298

RGB 0 66 152

HSL 213.95, 1%, 0.3%

LAB 29.82, 18.05, -51.85

 

CMYK 24 / 100 / 0 / 40

HEX #740098

RGB 116 0 152

HSL 285.79, 1%, 0.3%

LAB 29.36, 61.23, -52.19

 

CMYK 0 / 42 / 99 / 41

HEX #965701

RGB 150 87 1

HSL 34.63, 0.99%, 0.3%

LAB 43.22, 20.79, 51.59

 

CMYK 100 / 0 / 93 / 40

HEX #00980A

RGB 0 152 10

HSL 123.95, 1%, 0.3%

LAB 54.53, -58.28, 54.95

 

CMYK 100 / 57 / 0 / 40

HEX #004298

RGB 0 66 152

HSL 213.95, 1%, 0.3%

LAB 29.82, 18.05, -51.85

 

CMYK 0 / 100 / 7 / 40

HEX #98008E

RGB 152 0 142

HSL 303.95, 1%, 0.3%

LAB 35.26, 65.29, -36.2

 

Description

Color code: RGB 150 87 1 | qconv.com Color code: RGB 150 87 1 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 87 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 87 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 99 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 99% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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