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Color name
RGB 150 76 152

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 76 152 it is the complementary color RGB 105 179 103. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 76 152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 150 76 152 shade: RGB 155 76 147, RGB 172 94 166, RGB 189 112 185, RGB 206 130 204 and RGB 223 148 223

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 76 152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 150 76 152 shade: RGB 150 76 152, RGB 133 58 133, RGB 116 40 114, RGB 99 22 95 and RGB 82 4 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 150 76 152 shade: RGB 150 76 152, RGB 152 76 134, RGB 152 76 113, RGB 152 76 93 and RGB 152 76 76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 150 76 152 shade: RGB 150 76 152, RGB 130 76 152, RGB 109 76 152, RGB 89 76 152 and RGB 76 76 152

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 150 76 152 shade matches the following richer shades: RGB 150 76 152, RGB 168 58 171, RGB 185 39 189, RGB 203 21 208 and RGB 220 2 226

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 150 76 152 shade: RGB 150 76 152, RGB 133 95 134, RGB 115 114 115, RGB 97 132 96 and RGB 80 151 78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 150 76 152 shade: RGB 109 76 152, RGB 129 76 152, RGB 150 76 152, RGB 152 76 134 and RGB 152 76 114

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 150 76 152 shade: RGB 96 49 97, RGB 123 63 125, RGB 150 76 152, RGB 172 95 174 and RGB 186 123 188

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 150 76 152 shade: RGB 150 76 152, RGB 152 89 76 and RGB 76 152 119

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 150 76 152 shade: RGB 150 76 152, RGB 152 150 76 and RGB 76 152 150

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 150 76 152 shade: RGB 150 76 152, RGB 152 89 76, RGB 79 152 76 and RGB 76 139 152

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 150 76 152 shade: RGB 150 76 152, RGB 152 112 76, RGB 79 152 76 and RGB 76 117 152

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 50 / 0 / 40

HEX #964C98

RGB 150 76 152

HSL 298.42, 0.33%, 0.45%

LAB 44.12, 42.32, -28.34

 

Complementary color

CMYK 41 / 0 / 42 / 30

HEX #69B367

RGB 105 179 103

HSL 118.42, 0.33%, 0.55%

LAB 66.69, -38.67, 31.72

 

CMYK 0 / 51 / 5 / 39

HEX #9B4C93

RGB 155 76 147

HSL 306.08, 0.34%, 0.45%

LAB 44.58, 42.9, -24.56

 

CMYK 0 / 45 / 3 / 33

HEX #AC5EA6

RGB 172 94 166

HSL 304.62, 0.32%, 0.52%

LAB 51.3, 42.2, -25.24

 

CMYK 0 / 41 / 2 / 26

HEX #BD70B9

RGB 189 112 185

HSL 303.12, 0.37%, 0.59%

LAB 57.95, 41.45, -25.79

 

CMYK 0 / 37 / 1 / 19

HEX #CE82CC

RGB 206 130 204

HSL 301.58, 0.44%, 0.66%

LAB 64.52, 40.7, -26.27

 

CMYK 0 / 34 / 0 / 13

HEX #DF94DF

RGB 223 148 223

HSL 300, 0.54%, 0.73%

LAB 71.01, 39.96, -26.69

 

CMYK 1 / 50 / 0 / 40

HEX #964C98

RGB 150 76 152

HSL 298.42, 0.33%, 0.45%

LAB 44.12, 42.32, -28.34

 

CMYK 0 / 56 / 0 / 48

HEX #853A85

RGB 133 58 133

HSL 300, 0.39%, 0.37%

LAB 37.31, 42.91, -27.63

 

CMYK 0 / 66 / 2 / 55

HEX #742872

RGB 116 40 114

HSL 301.58, 0.49%, 0.31%

LAB 30.51, 43.18, -26.62

 

CMYK 0 / 78 / 4 / 61

HEX #63165F

RGB 99 22 95

HSL 303.12, 0.64%, 0.24%

LAB 23.84, 42.7, -25.05

 

CMYK 0 / 95 / 7 / 68

HEX #52044C

RGB 82 4 76

HSL 304.62, 0.91%, 0.17%

LAB 17.47, 40.89, -22.59

 

CMYK 1 / 50 / 0 / 40

HEX #964C98

RGB 150 76 152

HSL 298.42, 0.33%, 0.45%

LAB 44.12, 42.32, -28.34

 

CMYK 0 / 50 / 12 / 40

HEX #984C86

RGB 152 76 134

HSL 314.21, 0.33%, 0.45%

LAB 43.6, 39.67, -18.26

 

CMYK 0 / 50 / 26 / 40

HEX #984C71

RGB 152 76 113

HSL 330.79, 0.33%, 0.45%

LAB 42.82, 36.31, -6.63

 

CMYK 0 / 50 / 39 / 40

HEX #984C5D

RGB 152 76 93

HSL 346.58, 0.33%, 0.45%

LAB 42.21, 33.6, 4.81

 

CMYK 0 / 50 / 50 / 40

HEX #984C4C

RGB 152 76 76

HSL 0, 0.33%, 0.45%

LAB 41.79, 31.71, 14.71

 

CMYK 1 / 50 / 0 / 40

HEX #964C98

RGB 150 76 152

HSL 298.42, 0.33%, 0.45%

LAB 44.12, 42.32, -28.34

 

CMYK 14 / 50 / 0 / 40

HEX #824C98

RGB 130 76 152

HSL 282.63, 0.33%, 0.45%

LAB 41.5, 36.36, -32.62

 

CMYK 28 / 50 / 0 / 40

HEX #6D4C98

RGB 109 76 152

HSL 266.05, 0.33%, 0.45%

LAB 39.05, 30.25, -36.66

 

CMYK 41 / 50 / 0 / 40

HEX #594C98

RGB 89 76 152

HSL 250.26, 0.33%, 0.45%

LAB 37.04, 24.77, -39.98

 

CMYK 50 / 50 / 0 / 40

HEX #4C4C98

RGB 76 76 152

HSL 240, 0.33%, 0.45%

LAB 35.93, 21.53, -41.82

 

CMYK 1 / 50 / 0 / 40

HEX #964C98

RGB 150 76 152

HSL 298.42, 0.33%, 0.45%

LAB 44.12, 42.32, -28.34

 

CMYK 2 / 66 / 0 / 33

HEX #A83AAB

RGB 168 58 171

HSL 298.41, 0.49%, 0.45%

LAB 44.65, 59, -38.64

 

CMYK 2 / 79 / 0 / 26

HEX #B927BD

RGB 185 39 189

HSL 298.4, 0.66%, 0.45%

LAB 46.23, 71.89, -46.54

 

CMYK 2 / 90 / 0 / 18

HEX #CB15D0

RGB 203 21 208

HSL 298.4, 0.82%, 0.45%

LAB 49.24, 81.51, -52.57

 

CMYK 3 / 99 / 0 / 11

HEX #DC02E2

RGB 220 2 226

HSL 298.39, 0.98%, 0.45%

LAB 52.67, 88.61, -57.18

 

CMYK 1 / 50 / 0 / 40

HEX #964C98

RGB 150 76 152

HSL 298.42, 0.33%, 0.45%

LAB 44.12, 42.32, -28.34

 

CMYK 1 / 29 / 0 / 47

HEX #855F86

RGB 133 95 134

HSL 298.46, 0.17%, 0.45%

LAB 45.49, 22.47, -15.6

 

CMYK 0 / 1 / 0 / 55

HEX #737273

RGB 115 114 115

HSL 300, 0%, 0.45%

LAB 48.16, 0.59, -0.42

 

CMYK 27 / 0 / 27 / 48

HEX #618460

RGB 97 132 96

HSL 118.33, 0.16%, 0.45%

LAB 51.71, -19.91, 15.56

 

CMYK 47 / 0 / 48 / 41

HEX #50974E

RGB 80 151 78

HSL 118.36, 0.32%, 0.45%

LAB 56.47, -37.76, 31.57

 

CMYK 28 / 50 / 0 / 40

HEX #6D4C98

RGB 109 76 152

HSL 266.05, 0.33%, 0.45%

LAB 39.05, 30.25, -36.66

 

CMYK 15 / 50 / 0 / 40

HEX #814C98

RGB 129 76 152

HSL 281.84, 0.33%, 0.45%

LAB 41.38, 36.06, -32.83

 

CMYK 1 / 50 / 0 / 40

HEX #964C98

RGB 150 76 152

HSL 298.42, 0.33%, 0.45%

LAB 44.12, 42.32, -28.34

 

CMYK 0 / 50 / 12 / 40

HEX #984C86

RGB 152 76 134

HSL 314.21, 0.33%, 0.45%

LAB 43.6, 39.67, -18.26

 

CMYK 0 / 50 / 25 / 40

HEX #984C72

RGB 152 76 114

HSL 330, 0.33%, 0.45%

LAB 42.85, 36.46, -7.19

 

CMYK 1 / 49 / 0 / 62

HEX #603161

RGB 96 49 97

HSL 298.75, 0.33%, 0.29%

LAB 28.24, 29.17, -19.49

 

CMYK 2 / 50 / 0 / 51

HEX #7B3F7D

RGB 123 63 125

HSL 298.06, 0.33%, 0.37%

LAB 36.45, 35.73, -24.13

 

CMYK 1 / 50 / 0 / 40

HEX #964C98

RGB 150 76 152

HSL 298.42, 0.33%, 0.45%

LAB 44.12, 42.32, -28.34

 

CMYK 1 / 45 / 0 / 32

HEX #AC5FAE

RGB 172 95 174

HSL 298.48, 0.33%, 0.53%

LAB 51.85, 43.16, -29.06

 

CMYK 1 / 35 / 0 / 26

HEX #BA7BBC

RGB 186 123 188

HSL 298.15, 0.33%, 0.61%

LAB 60.1, 35.11, -24.22

 

CMYK 1 / 50 / 0 / 40

HEX #964C98

RGB 150 76 152

HSL 298.42, 0.33%, 0.45%

LAB 44.12, 42.32, -28.34

 

CMYK 0 / 41 / 50 / 40

HEX #98594C

RGB 152 89 76

HSL 10.26, 0.33%, 0.45%

LAB 44.72, 24.48, 18.66

 

CMYK 50 / 0 / 22 / 40

HEX #4C9877

RGB 76 152 119

HSL 153.95, 0.33%, 0.45%

LAB 57.39, -31.68, 10.22

 

CMYK 1 / 50 / 0 / 40

HEX #964C98

RGB 150 76 152

HSL 298.42, 0.33%, 0.45%

LAB 44.12, 42.32, -28.34

 

CMYK 0 / 1 / 50 / 40

HEX #98964C

RGB 152 150 76

HSL 58.42, 0.33%, 0.45%

LAB 60.79, -9.95, 38.94

 

CMYK 50 / 0 / 1 / 40

HEX #4C9896

RGB 76 152 150

HSL 178.42, 0.33%, 0.45%

LAB 58.22, -23.95, -6.2

 

CMYK 1 / 50 / 0 / 40

HEX #964C98

RGB 150 76 152

HSL 298.42, 0.33%, 0.45%

LAB 44.12, 42.32, -28.34

 

CMYK 0 / 41 / 50 / 40

HEX #98594C

RGB 152 89 76

HSL 10.26, 0.33%, 0.45%

LAB 44.72, 24.48, 18.66

 

CMYK 48 / 0 / 50 / 40

HEX #4F984C

RGB 79 152 76

HSL 117.63, 0.33%, 0.45%

LAB 56.72, -38.79, 32.91

 

CMYK 50 / 9 / 0 / 40

HEX #4C8B98

RGB 76 139 152

HSL 190.26, 0.33%, 0.45%

LAB 54.31, -16.57, -13.2

 

CMYK 1 / 50 / 0 / 40

HEX #964C98

RGB 150 76 152

HSL 298.42, 0.33%, 0.45%

LAB 44.12, 42.32, -28.34

 

CMYK 0 / 26 / 50 / 40

HEX #98704C

RGB 152 112 76

HSL 28.42, 0.33%, 0.45%

LAB 50.44, 11.27, 26.13

 

CMYK 48 / 0 / 50 / 40

HEX #4F984C

RGB 79 152 76

HSL 117.63, 0.33%, 0.45%

LAB 56.72, -38.79, 32.91

 

CMYK 50 / 23 / 0 / 40

HEX #4C7598

RGB 76 117 152

HSL 207.63, 0.33%, 0.45%

LAB 47.66, -4.13, -23.36

 

Description

Color code: RGB 150 76 152 | qconv.com Color code: RGB 150 76 152 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 76 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 76 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 50 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 50% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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