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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 38 186 it is the complementary color RGB 105 217 69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 38 186. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 150 38 186 shade: RGB 155 38 181, RGB 172 56 200, RGB 189 74 219, RGB 206 92 238 and RGB 223 110 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 38 186. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 150 38 186 shade: RGB 150 38 186, RGB 133 20 167, RGB 116 2 148, RGB 99 0 129 and RGB 82 0 110

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 150 38 186 shade: RGB 150 38 186, RGB 186 38 182, RGB 186 38 142, RGB 186 38 102 and RGB 186 38 62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 150 38 186 shade: RGB 150 38 186, RGB 110 38 186, RGB 70 38 186 and RGB 38 38 186

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 150 38 186 shade matches the following richer shades: RGB 150 38 186, RGB 159 19 204 and RGB 168 1 222

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 150 38 186 shade: RGB 150 38 186, RGB 140 56 168, RGB 131 74 149, RGB 122 92 131 and RGB 112 110 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 150 38 186 shade: RGB 70 38 186, RGB 109 38 186, RGB 149 38 186, RGB 186 38 183 and RGB 186 38 144

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 150 38 186 shade: RGB 94 24 117, RGB 122 31 152, RGB 150 38 186, RGB 174 52 213 and RGB 187 86 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 150 38 186 shade: RGB 150 38 186, RGB 186 38 45 and RGB 38 186 89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 150 38 186 shade: RGB 150 38 186, RGB 186 149 38 and RGB 38 186 149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 150 38 186 shade: RGB 150 38 186, RGB 186 38 45, RGB 75 186 38 and RGB 38 186 178

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 150 38 186 shade: RGB 150 38 186, RGB 186 75 38, RGB 75 186 38 and RGB 38 149 186

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 80 / 0 / 27

HEX #9626BA

RGB 150 38 186

HSL 285.41, 0.66%, 0.44%

LAB 40.27, 65.07, -54.66

 

Complementary color

CMYK 52 / 0 / 68 / 15

HEX #69D945

RGB 105 217 69

HSL 105.41, 0.66%, 0.56%

LAB 77.91, -57.99, 60.49

 

CMYK 14 / 79 / 0 / 29

HEX #9B26B5

RGB 155 38 181

HSL 289.09, 0.65%, 0.43%

LAB 40.72, 65.05, -50.94

 

CMYK 14 / 72 / 0 / 22

HEX #AC38C8

RGB 172 56 200

HSL 288.33, 0.57%, 0.5%

LAB 46.67, 65.91, -52.35

 

CMYK 14 / 66 / 0 / 14

HEX #BD4ADB

RGB 189 74 219

HSL 287.59, 0.67%, 0.57%

LAB 52.76, 66.11, -53.34

 

CMYK 13 / 61 / 0 / 7

HEX #CE5CEE

RGB 206 92 238

HSL 286.85, 0.81%, 0.65%

LAB 58.93, 65.91, -54.05

 

CMYK 13 / 57 / 0 / 0

HEX #DF6EFF

RGB 223 110 255

HSL 286.76, 1%, 0.72%

LAB 65.01, 65.08, -53.65

 

CMYK 19 / 80 / 0 / 27

HEX #9626BA

RGB 150 38 186

HSL 285.41, 0.66%, 0.44%

LAB 40.27, 65.07, -54.66

 

CMYK 20 / 88 / 0 / 35

HEX #8514A7

RGB 133 20 167

HSL 286.12, 0.79%, 0.37%

LAB 34.55, 63.25, -52.74

 

CMYK 22 / 99 / 0 / 42

HEX #740294

RGB 116 2 148

HSL 286.85, 0.97%, 0.29%

LAB 29.14, 60.15, -50.09

 

CMYK 23 / 100 / 0 / 49

HEX #630081

RGB 99 0 129

HSL 286.05, 1%, 0.25%

LAB 24.44, 54.49, -46.02

 

CMYK 25 / 100 / 0 / 57

HEX #52006E

RGB 82 0 110

HSL 284.73, 1%, 0.22%

LAB 19.72, 48.33, -41.67

 

CMYK 19 / 80 / 0 / 27

HEX #9626BA

RGB 150 38 186

HSL 285.41, 0.66%, 0.44%

LAB 40.27, 65.07, -54.66

 

CMYK 0 / 80 / 2 / 27

HEX #BA26B6

RGB 186 38 182

HSL 301.62, 0.66%, 0.44%

LAB 45.91, 71.24, -42.94

 

CMYK 0 / 80 / 24 / 27

HEX #BA268E

RGB 186 38 142

HSL 317.84, 0.66%, 0.44%

LAB 43.91, 65.6, -22.18

 

CMYK 0 / 80 / 45 / 27

HEX #BA2666

RGB 186 38 102

HSL 334.05, 0.66%, 0.44%

LAB 42.44, 61.23, 0.27

 

CMYK 0 / 80 / 67 / 27

HEX #BA263E

RGB 186 38 62

HSL 350.27, 0.66%, 0.44%

LAB 41.49, 58.32, 24.05

 

CMYK 19 / 80 / 0 / 27

HEX #9626BA

RGB 150 38 186

HSL 285.41, 0.66%, 0.44%

LAB 40.27, 65.07, -54.66

 

CMYK 41 / 80 / 0 / 27

HEX #6E26BA

RGB 110 38 186

HSL 269.19, 0.66%, 0.44%

LAB 34.49, 58.37, -64.32

 

CMYK 62 / 80 / 0 / 27

HEX #4626BA

RGB 70 38 186

HSL 252.97, 0.66%, 0.44%

LAB 29.99, 53.15, -71.87

 

CMYK 80 / 80 / 0 / 27

HEX #2626BA

RGB 38 38 186

HSL 240, 0.66%, 0.44%

LAB 27.69, 50.48, -75.76

 

CMYK 19 / 80 / 0 / 27

HEX #9626BA

RGB 150 38 186

HSL 285.41, 0.66%, 0.44%

LAB 40.27, 65.07, -54.66

 

CMYK 22 / 91 / 0 / 20

HEX #9F13CC

RGB 159 19 204

HSL 285.41, 0.83%, 0.44%

LAB 41.53, 74.23, -63.07

 

CMYK 24 / 100 / 0 / 13

HEX #A801DE

RGB 168 1 222

HSL 285.34, 0.99%, 0.44%

LAB 43.68, 80.68, -69.87

 

CMYK 19 / 80 / 0 / 27

HEX #9626BA

RGB 150 38 186

HSL 285.41, 0.66%, 0.44%

LAB 40.27, 65.07, -54.66

 

CMYK 17 / 67 / 0 / 34

HEX #8C38A8

RGB 140 56 168

HSL 285, 0.5%, 0.44%

LAB 39.97, 52.63, -44.56

 

CMYK 12 / 50 / 0 / 42

HEX #834A95

RGB 131 74 149

HSL 285.6, 0.34%, 0.44%

LAB 41.05, 37.11, -31.53

 

CMYK 7 / 30 / 0 / 49

HEX #7A5C83

RGB 122 92 131

HSL 286.15, 0.17%, 0.44%

LAB 43.4, 19.73, -17.08

 

CMYK 1 / 3 / 0 / 56

HEX #706E71

RGB 112 110 113

HSL 280, 0.01%, 0.44%

LAB 46.7, 1.38, -1.4

 

CMYK 62 / 80 / 0 / 27

HEX #4626BA

RGB 70 38 186

HSL 252.97, 0.66%, 0.44%

LAB 29.99, 53.15, -71.87

 

CMYK 41 / 80 / 0 / 27

HEX #6D26BA

RGB 109 38 186

HSL 268.78, 0.66%, 0.44%

LAB 34.36, 58.21, -64.53

 

CMYK 20 / 80 / 0 / 27

HEX #9526BA

RGB 149 38 186

HSL 285, 0.66%, 0.44%

LAB 40.12, 64.89, -54.91

 

CMYK 0 / 80 / 2 / 27

HEX #BA26B7

RGB 186 38 183

HSL 301.22, 0.66%, 0.44%

LAB 45.97, 71.39, -43.44

 

CMYK 0 / 80 / 23 / 27

HEX #BA2690

RGB 186 38 144

HSL 317.03, 0.66%, 0.44%

LAB 44, 65.85, -23.26

 

CMYK 20 / 79 / 0 / 54

HEX #5E1875

RGB 94 24 117

HSL 285.16, 0.66%, 0.28%

LAB 24.69, 45.11, -38.02

 

CMYK 20 / 80 / 0 / 40

HEX #7A1F98

RGB 122 31 152

HSL 285.12, 0.66%, 0.36%

LAB 32.67, 55.44, -46.79

 

CMYK 19 / 80 / 0 / 27

HEX #9626BA

RGB 150 38 186

HSL 285.41, 0.66%, 0.44%

LAB 40.27, 65.07, -54.66

 

CMYK 18 / 76 / 0 / 16

HEX #AE34D5

RGB 174 52 213

HSL 285.47, 0.66%, 0.52%

LAB 47.31, 70.14, -58.79

 

CMYK 15 / 61 / 0 / 14

HEX #BB56DC

RGB 187 86 220

HSL 285.22, 0.66%, 0.6%

LAB 54.44, 60.62, -51.25

 

CMYK 19 / 80 / 0 / 27

HEX #9626BA

RGB 150 38 186

HSL 285.41, 0.66%, 0.44%

LAB 40.27, 65.07, -54.66

 

CMYK 0 / 80 / 76 / 27

HEX #BA262D

RGB 186 38 45

HSL 357.16, 0.66%, 0.44%

LAB 41.24, 57.53, 34.07

 

CMYK 80 / 0 / 52 / 27

HEX #26BA59

RGB 38 186 89

HSL 140.68, 0.66%, 0.44%

LAB 66.71, -58.32, 38.43

 

CMYK 19 / 80 / 0 / 27

HEX #9626BA

RGB 150 38 186

HSL 285.41, 0.66%, 0.44%

LAB 40.27, 65.07, -54.66

 

CMYK 0 / 20 / 80 / 27

HEX #BA9526

RGB 186 149 38

HSL 45, 0.66%, 0.44%

LAB 63.4, 3.19, 59.25

 

CMYK 80 / 0 / 20 / 27

HEX #26BA95

RGB 38 186 149

HSL 165, 0.66%, 0.44%

LAB 67.8, -46.13, 8.19

 

CMYK 19 / 80 / 0 / 27

HEX #9626BA

RGB 150 38 186

HSL 285.41, 0.66%, 0.44%

LAB 40.27, 65.07, -54.66

 

CMYK 0 / 80 / 76 / 27

HEX #BA262D

RGB 186 38 45

HSL 357.16, 0.66%, 0.44%

LAB 41.24, 57.53, 34.07

 

CMYK 60 / 0 / 80 / 27

HEX #4BBA26

RGB 75 186 38

HSL 105, 0.66%, 0.44%

LAB 67.09, -56.8, 60.09

 

CMYK 80 / 0 / 4 / 27

HEX #26BAB2

RGB 38 186 178

HSL 176.76, 0.66%, 0.44%

LAB 68.57, -38.3, -6.63

 

CMYK 19 / 80 / 0 / 27

HEX #9626BA

RGB 150 38 186

HSL 285.41, 0.66%, 0.44%

LAB 40.27, 65.07, -54.66

 

CMYK 0 / 60 / 80 / 27

HEX #BA4B26

RGB 186 75 38

HSL 15, 0.66%, 0.44%

LAB 46.46, 42.87, 43.33

 

CMYK 60 / 0 / 80 / 27

HEX #4BBA26

RGB 75 186 38

HSL 105, 0.66%, 0.44%

LAB 67.09, -56.8, 60.09

 

CMYK 80 / 20 / 0 / 27

HEX #2695BA

RGB 38 149 186

HSL 195, 0.66%, 0.44%

LAB 57.51, -17.46, -27.85

 

Description

Color code: RGB 150 38 186 | qconv.com Color code: RGB 150 38 186 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 38 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 38 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 80 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 80% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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