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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 31 143 it is the complementary color RGB 105 224 112. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 31 143. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 150 31 143 shade: RGB 155 31 138, RGB 172 49 157, RGB 189 67 176, RGB 206 85 195 and RGB 223 103 214

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 31 143. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 150 31 143 shade: RGB 150 31 143, RGB 133 13 124, RGB 116 0 105, RGB 99 0 86 and RGB 82 0 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 150 31 143 shade: RGB 148 30 141, RGB 148 30 109, RGB 148 30 77, RGB 148 30 45 and RGB 148 30 30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 150 31 143 shade: RGB 148 30 141, RGB 123 30 148, RGB 91 30 148, RGB 59 30 148 and RGB 30 30 148

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 150 31 143 shade matches the following richer shades: RGB 148 30 141, RGB 162 15 153 and RGB 177 1 166

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 150 31 143 shade: RGB 148 30 141, RGB 133 44 128, RGB 119 59 115, RGB 104 73 102 and RGB 90 88 90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 150 31 143 shade: RGB 91 30 148, RGB 122 30 148, RGB 148 30 142, RGB 148 30 110 and RGB 148 30 79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 150 31 143 shade: RGB 79 16 75, RGB 113 23 108, RGB 148 30 141, RGB 182 37 173 and RGB 212 48 203

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 150 31 143 shade: RGB 150 31 143, RGB 148 59 30 and RGB 30 148 106

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 150 31 143 shade: RGB 150 31 143, RGB 142 148 30 and RGB 30 142 148

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 150 31 143 shade: RGB 150 31 143, RGB 148 59 30, RGB 30 148 36 and RGB 30 118 148

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 150 31 143 shade: RGB 150 31 143, RGB 148 95 30, RGB 30 148 36 and RGB 30 83 148

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 5 / 41

HEX #961F8F

RGB 150 31 143

HSL 303.53, 0.66%, 0.35%

LAB 36.83, 59.55, -34.34

 

Complementary color

CMYK 53 / 0 / 50 / 12

HEX #69E070

RGB 105 224 112

HSL 123.53, 0.66%, 0.65%

LAB 80.45, -55.98, 44.55

 

CMYK 0 / 80 / 11 / 39

HEX #9B1F8A

RGB 155 31 138

HSL 308.23, 0.67%, 0.36%

LAB 37.45, 59.87, -30.23

 

CMYK 0 / 72 / 9 / 33

HEX #AC319D

RGB 172 49 157

HSL 307.32, 0.56%, 0.43%

LAB 43.36, 61.02, -32.28

 

CMYK 0 / 65 / 7 / 26

HEX #BD43B0

RGB 189 67 176

HSL 306.39, 0.48%, 0.5%

LAB 49.46, 61.4, -33.78

 

CMYK 0 / 59 / 5 / 19

HEX #CE55C3

RGB 206 85 195

HSL 305.45, 0.55%, 0.57%

LAB 55.64, 61.31, -34.93

 

CMYK 0 / 54 / 4 / 13

HEX #DF67D6

RGB 223 103 214

HSL 304.5, 0.65%, 0.64%

LAB 61.86, 60.94, -35.83

 

CMYK 0 / 79 / 5 / 41

HEX #961F8F

RGB 150 31 143

HSL 303.53, 0.66%, 0.35%

LAB 36.83, 59.55, -34.34

 

CMYK 0 / 90 / 7 / 48

HEX #850D7C

RGB 133 13 124

HSL 304.5, 0.82%, 0.29%

LAB 31.18, 57.21, -31.69

 

CMYK 0 / 100 / 9 / 55

HEX #740069

RGB 116 0 105

HSL 305.69, 1%, 0.23%

LAB 25.96, 53.22, -28.03

 

CMYK 0 / 100 / 13 / 61

HEX #630056

RGB 99 0 86

HSL 307.88, 1%, 0.19%

LAB 21.3, 47.05, -23.09

 

CMYK 0 / 100 / 18 / 68

HEX #520043

RGB 82 0 67

HSL 310.98, 1%, 0.16%

LAB 16.5, 40.7, -17.89

 

CMYK 0 / 80 / 5 / 42

HEX #941E8D

RGB 148 30 141

HSL 303.56, 0.66%, 0.35%

LAB 36.27, 59.08, -34.03

 

CMYK 0 / 80 / 26 / 42

HEX #941E6D

RGB 148 30 109

HSL 319.83, 0.66%, 0.35%

LAB 34.66, 54.45, -16.55

 

CMYK 0 / 80 / 48 / 42

HEX #941E4D

RGB 148 30 77

HSL 336.1, 0.66%, 0.35%

LAB 33.48, 50.89, 2.31

 

CMYK 0 / 80 / 70 / 42

HEX #941E2D

RGB 148 30 45

HSL 352.37, 0.66%, 0.35%

LAB 32.73, 48.56, 22.17

 

CMYK 0 / 80 / 80 / 42

HEX #941E1E

RGB 148 30 30

HSL 0, 0.66%, 0.35%

LAB 32.52, 47.89, 31.24

 

CMYK 0 / 80 / 5 / 42

HEX #941E8D

RGB 148 30 141

HSL 303.56, 0.66%, 0.35%

LAB 36.27, 59.08, -34.03

 

CMYK 17 / 80 / 0 / 42

HEX #7B1E94

RGB 123 30 148

HSL 287.29, 0.66%, 0.35%

LAB 32.43, 55.17, -44.71

 

CMYK 39 / 80 / 0 / 42

HEX #5B1E94

RGB 91 30 148

HSL 271.02, 0.66%, 0.35%

LAB 27.55, 49.31, -52.86

 

CMYK 60 / 80 / 0 / 42

HEX #3B1E94

RGB 59 30 148

HSL 254.75, 0.66%, 0.35%

LAB 23.66, 44.59, -59.39

 

CMYK 80 / 80 / 0 / 42

HEX #1E1E94

RGB 30 30 148

HSL 240, 0.66%, 0.35%

LAB 21.37, 41.77, -63.25

 

CMYK 0 / 80 / 5 / 42

HEX #941E8D

RGB 148 30 141

HSL 303.56, 0.66%, 0.35%

LAB 36.27, 59.08, -34.03

 

CMYK 0 / 91 / 6 / 36

HEX #A20F99

RGB 162 15 153

HSL 303.67, 0.83%, 0.35%

LAB 38.42, 66.86, -37.8

 

CMYK 0 / 99 / 6 / 31

HEX #B101A6

RGB 177 1 166

HSL 303.75, 0.99%, 0.35%

LAB 41.41, 73.01, -40.71

 

CMYK 0 / 80 / 5 / 42

HEX #941E8D

RGB 148 30 141

HSL 303.56, 0.66%, 0.35%

LAB 36.27, 59.08, -34.03

 

CMYK 0 / 67 / 4 / 48

HEX #852C80

RGB 133 44 128

HSL 303.37, 0.5%, 0.35%

LAB 34.69, 48.47, -28.64

 

CMYK 0 / 50 / 3 / 53

HEX #773B73

RGB 119 59 115

HSL 304, 0.34%, 0.35%

LAB 34.57, 34.68, -20.86

 

CMYK 0 / 30 / 2 / 59

HEX #684966

RGB 104 73 102

HSL 303.87, 0.18%, 0.35%

LAB 35.34, 18.56, -11.69

 

CMYK 0 / 2 / 0 / 65

HEX #5A585A

RGB 90 88 90

HSL 300, 0.01%, 0.35%

LAB 37.65, 1.23, -0.88

 

CMYK 39 / 80 / 0 / 42

HEX #5B1E94

RGB 91 30 148

HSL 271.02, 0.66%, 0.35%

LAB 27.55, 49.31, -52.86

 

CMYK 18 / 80 / 0 / 42

HEX #7A1E94

RGB 122 30 148

HSL 286.78, 0.66%, 0.35%

LAB 32.27, 54.97, -44.98

 

CMYK 0 / 80 / 4 / 42

HEX #941E8E

RGB 148 30 142

HSL 303.05, 0.66%, 0.35%

LAB 36.32, 59.24, -34.56

 

CMYK 0 / 80 / 26 / 42

HEX #941E6E

RGB 148 30 110

HSL 319.32, 0.66%, 0.35%

LAB 34.7, 54.58, -17.12

 

CMYK 0 / 80 / 47 / 42

HEX #941E4F

RGB 148 30 79

HSL 335.08, 0.66%, 0.35%

LAB 33.54, 51.08, 1.1

 

CMYK 0 / 80 / 5 / 69

HEX #4F104B

RGB 79 16 75

HSL 303.81, 0.66%, 0.19%

LAB 18.1, 36.27, -20.94

 

CMYK 0 / 80 / 4 / 56

HEX #71176C

RGB 113 23 108

HSL 303.33, 0.66%, 0.27%

LAB 27.31, 47.94, -27.86

 

CMYK 0 / 80 / 5 / 42

HEX #941E8D

RGB 148 30 141

HSL 303.56, 0.66%, 0.35%

LAB 36.27, 59.08, -34.03

 

CMYK 0 / 80 / 5 / 29

HEX #B625AD

RGB 182 37 173

HSL 303.72, 0.66%, 0.43%

LAB 44.64, 69.31, -39.69

 

CMYK 0 / 77 / 4 / 17

HEX #D430CB

RGB 212 48 203

HSL 303.29, 0.66%, 0.51%

LAB 52.31, 77.06, -44.71

 

CMYK 0 / 79 / 5 / 41

HEX #961F8F

RGB 150 31 143

HSL 303.53, 0.66%, 0.35%

LAB 36.83, 59.55, -34.34

 

CMYK 0 / 60 / 80 / 42

HEX #943B1E

RGB 148 59 30

HSL 14.75, 0.66%, 0.35%

LAB 36.96, 35.84, 35.81

 

CMYK 80 / 0 / 28 / 42

HEX #1E946A

RGB 30 148 106

HSL 158.64, 0.66%, 0.35%

LAB 54.55, -41.76, 13.41

 

CMYK 0 / 79 / 5 / 41

HEX #961F8F

RGB 150 31 143

HSL 303.53, 0.66%, 0.35%

LAB 36.83, 59.55, -34.34

 

CMYK 4 / 0 / 80 / 42

HEX #8E941E

RGB 142 148 30

HSL 63.05, 0.66%, 0.35%

LAB 59, -16.36, 56.34

 

CMYK 80 / 4 / 0 / 42

HEX #1E8E94

RGB 30 142 148

HSL 183.05, 0.66%, 0.35%

LAB 53.77, -27.25, -11.84

 

CMYK 0 / 79 / 5 / 41

HEX #961F8F

RGB 150 31 143

HSL 303.53, 0.66%, 0.35%

LAB 36.83, 59.55, -34.34

 

CMYK 0 / 60 / 80 / 42

HEX #943B1E

RGB 148 59 30

HSL 14.75, 0.66%, 0.35%

LAB 36.96, 35.84, 35.81

 

CMYK 80 / 0 / 76 / 42

HEX #1E9424

RGB 30 148 36

HSL 123.05, 0.66%, 0.35%

LAB 53.58, -53.03, 47.26

 

CMYK 80 / 20 / 0 / 42

HEX #1E7694

RGB 30 118 148

HSL 195.25, 0.66%, 0.35%

LAB 46.14, -14.53, -23.49

 

CMYK 0 / 79 / 5 / 41

HEX #961F8F

RGB 150 31 143

HSL 303.53, 0.66%, 0.35%

LAB 36.83, 59.55, -34.34

 

CMYK 0 / 36 / 80 / 42

HEX #945F1E

RGB 148 95 30

HSL 33.05, 0.66%, 0.35%

LAB 45.05, 16.02, 43.73

 

CMYK 80 / 0 / 76 / 42

HEX #1E9424

RGB 30 148 36

HSL 123.05, 0.66%, 0.35%

LAB 53.58, -53.03, 47.26

 

CMYK 80 / 44 / 0 / 42

HEX #1E5394

RGB 30 83 148

HSL 213.05, 0.66%, 0.35%

LAB 35.2, 6.97, -40.7

 

Description

Color code: RGB 150 31 143 | qconv.com Color code: RGB 150 31 143 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 31 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 31 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 5 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 5% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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