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Color name
RGB 150 27 143

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 27 143 it is the complementary color RGB 105 228 112. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 27 143. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 150 27 143 shade: RGB 155 27 138, RGB 172 45 157, RGB 189 63 176, RGB 206 81 195 and RGB 223 99 214

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 27 143. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 150 27 143 shade: RGB 150 27 143, RGB 133 9 124, RGB 116 0 105, RGB 99 0 86 and RGB 82 0 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 150 27 143 shade: RGB 150 27 143, RGB 150 27 110, RGB 150 27 77, RGB 150 27 44 and RGB 150 27 27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 150 27 143 shade: RGB 150 27 143, RGB 124 27 150, RGB 91 27 150, RGB 58 27 150 and RGB 27 27 150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 150 27 143 shade matches the following richer shades: RGB 150 27 143 and RGB 165 13 156

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 150 27 143 shade: RGB 150 27 143, RGB 136 42 131, RGB 121 56 118, RGB 107 70 105 and RGB 93 85 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 150 27 143 shade: RGB 91 27 150, RGB 124 27 150, RGB 150 27 144, RGB 150 27 111 and RGB 150 27 78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 150 27 143 shade: RGB 81 14 77, RGB 115 21 110, RGB 150 27 143, RGB 185 34 177 and RGB 216 44 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 150 27 143 shade: RGB 150 27 143, RGB 150 58 27 and RGB 27 150 107

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 150 27 143 shade: RGB 150 27 143, RGB 144 150 27 and RGB 27 144 150

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 150 27 143 shade: RGB 150 27 143, RGB 150 58 27, RGB 27 150 33 and RGB 27 120 150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 150 27 143 shade: RGB 150 27 143, RGB 150 95 27, RGB 27 150 33 and RGB 27 83 150

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 5 / 41

HEX #961B8F

RGB 150 27 143

HSL 303.41, 0.69%, 0.35%

LAB 36.46, 60.61, -34.93

 

Complementary color

CMYK 54 / 0 / 51 / 11

HEX #69E470

RGB 105 228 112

HSL 123.41, 0.69%, 0.65%

LAB 81.65, -57.51, 46.03

 

CMYK 0 / 83 / 11 / 39

HEX #9B1B8A

RGB 155 27 138

HSL 307.97, 0.7%, 0.36%

LAB 37.09, 60.91, -30.8

 

CMYK 0 / 74 / 9 / 33

HEX #AC2D9D

RGB 172 45 157

HSL 307.09, 0.59%, 0.43%

LAB 42.89, 62.37, -33.03

 

CMYK 0 / 67 / 7 / 26

HEX #BD3FB0

RGB 189 63 176

HSL 306.19, 0.5%, 0.49%

LAB 48.89, 62.97, -34.67

 

CMYK 0 / 61 / 5 / 19

HEX #CE51C3

RGB 206 81 195

HSL 305.28, 0.56%, 0.56%

LAB 55.02, 63.03, -35.91

 

CMYK 0 / 56 / 4 / 13

HEX #DF63D6

RGB 223 99 214

HSL 304.35, 0.66%, 0.63%

LAB 61.19, 62.75, -36.88

 

CMYK 0 / 82 / 5 / 41

HEX #961B8F

RGB 150 27 143

HSL 303.41, 0.69%, 0.35%

LAB 36.46, 60.61, -34.93

 

CMYK 0 / 93 / 7 / 48

HEX #85097C

RGB 133 9 124

HSL 304.35, 0.87%, 0.28%

LAB 30.97, 57.85, -32.03

 

CMYK 0 / 100 / 9 / 55

HEX #740069

RGB 116 0 105

HSL 305.69, 1%, 0.23%

LAB 25.96, 53.22, -28.03

 

CMYK 0 / 100 / 13 / 61

HEX #630056

RGB 99 0 86

HSL 307.88, 1%, 0.19%

LAB 21.3, 47.05, -23.09

 

CMYK 0 / 100 / 18 / 68

HEX #520043

RGB 82 0 67

HSL 310.98, 1%, 0.16%

LAB 16.5, 40.7, -17.89

 

CMYK 0 / 82 / 5 / 41

HEX #961B8F

RGB 150 27 143

HSL 303.41, 0.69%, 0.35%

LAB 36.46, 60.61, -34.93

 

CMYK 0 / 82 / 27 / 41

HEX #961B6E

RGB 150 27 110

HSL 319.51, 0.69%, 0.35%

LAB 34.79, 55.91, -16.95

 

CMYK 0 / 82 / 49 / 41

HEX #961B4D

RGB 150 27 77

HSL 335.61, 0.69%, 0.35%

LAB 33.57, 52.32, 2.5

 

CMYK 0 / 82 / 71 / 41

HEX #961B2C

RGB 150 27 44

HSL 351.71, 0.69%, 0.35%

LAB 32.81, 50, 23

 

CMYK 0 / 82 / 82 / 41

HEX #961B1B

RGB 150 27 27

HSL 0, 0.69%, 0.35%

LAB 32.58, 49.3, 33.19

 

CMYK 0 / 82 / 5 / 41

HEX #961B8F

RGB 150 27 143

HSL 303.41, 0.69%, 0.35%

LAB 36.46, 60.61, -34.93

 

CMYK 17 / 82 / 0 / 41

HEX #7C1B96

RGB 124 27 150

HSL 287.32, 0.69%, 0.35%

LAB 32.42, 56.68, -45.95

 

CMYK 39 / 82 / 0 / 41

HEX #5B1B96

RGB 91 27 150

HSL 271.22, 0.69%, 0.35%

LAB 27.32, 50.95, -54.46

 

CMYK 61 / 82 / 0 / 41

HEX #3A1B96

RGB 58 27 150

HSL 255.12, 0.69%, 0.35%

LAB 23.29, 46.45, -61.24

 

CMYK 82 / 82 / 0 / 41

HEX #1B1B96

RGB 27 27 150

HSL 240, 0.69%, 0.35%

LAB 20.9, 43.82, -65.27

 

CMYK 0 / 82 / 5 / 41

HEX #961B8F

RGB 150 27 143

HSL 303.41, 0.69%, 0.35%

LAB 36.46, 60.61, -34.93

 

CMYK 0 / 92 / 5 / 35

HEX #A50D9C

RGB 165 13 156

HSL 303.55, 0.85%, 0.35%

LAB 39.05, 68.13, -38.58

 

CMYK 0 / 82 / 5 / 41

HEX #961B8F

RGB 150 27 143

HSL 303.41, 0.69%, 0.35%

LAB 36.46, 60.61, -34.93

 

CMYK 0 / 69 / 4 / 47

HEX #882A83

RGB 136 42 131

HSL 303.19, 0.53%, 0.35%

LAB 35.06, 50.58, -29.9

 

CMYK 0 / 54 / 2 / 53

HEX #793876

RGB 121 56 118

HSL 302.77, 0.37%, 0.35%

LAB 34.4, 37.5, -22.99

 

CMYK 0 / 35 / 2 / 58

HEX #6B4669

RGB 107 70 105

HSL 303.24, 0.21%, 0.35%

LAB 35.06, 22.14, -13.97

 

CMYK 0 / 9 / 1 / 64

HEX #5D555C

RGB 93 85 92

HSL 307.5, 0.04%, 0.35%

LAB 37.11, 4.7, -2.88

 

CMYK 39 / 82 / 0 / 41

HEX #5B1B96

RGB 91 27 150

HSL 271.22, 0.69%, 0.35%

LAB 27.32, 50.95, -54.46

 

CMYK 17 / 82 / 0 / 41

HEX #7C1B96

RGB 124 27 150

HSL 287.32, 0.69%, 0.35%

LAB 32.42, 56.68, -45.95

 

CMYK 0 / 82 / 4 / 41

HEX #961B90

RGB 150 27 144

HSL 302.93, 0.69%, 0.35%

LAB 36.52, 60.77, -35.45

 

CMYK 0 / 82 / 26 / 41

HEX #961B6F

RGB 150 27 111

HSL 319.02, 0.69%, 0.35%

LAB 34.83, 56.04, -17.52

 

CMYK 0 / 82 / 48 / 41

HEX #961B4E

RGB 150 27 78

HSL 335.12, 0.69%, 0.35%

LAB 33.6, 52.41, 1.89

 

CMYK 0 / 83 / 5 / 68

HEX #510E4D

RGB 81 14 77

HSL 303.58, 0.71%, 0.19%

LAB 18.36, 37.85, -21.88

 

CMYK 0 / 82 / 4 / 55

HEX #73156E

RGB 115 21 110

HSL 303.19, 0.69%, 0.27%

LAB 27.59, 49.34, -28.69

 

CMYK 0 / 82 / 5 / 41

HEX #961B8F

RGB 150 27 143

HSL 303.41, 0.69%, 0.35%

LAB 36.46, 60.61, -34.93

 

CMYK 0 / 82 / 4 / 27

HEX #B922B1

RGB 185 34 177

HSL 303.18, 0.69%, 0.43%

LAB 45.13, 71.24, -41.25

 

CMYK 0 / 80 / 5 / 15

HEX #D82CCE

RGB 216 44 206

HSL 303.49, 0.69%, 0.51%

LAB 52.79, 79.3, -45.63

 

CMYK 0 / 82 / 5 / 41

HEX #961B8F

RGB 150 27 143

HSL 303.41, 0.69%, 0.35%

LAB 36.46, 60.61, -34.93

 

CMYK 0 / 61 / 82 / 41

HEX #963A1B

RGB 150 58 27

HSL 15.12, 0.69%, 0.35%

LAB 37.09, 37, 37.61

 

CMYK 82 / 0 / 29 / 41

HEX #1B966B

RGB 27 150 107

HSL 159.02, 0.69%, 0.35%

LAB 55.18, -42.69, 13.72

 

CMYK 0 / 82 / 5 / 41

HEX #961B8F

RGB 150 27 143

HSL 303.41, 0.69%, 0.35%

LAB 36.46, 60.61, -34.93

 

CMYK 4 / 0 / 82 / 41

HEX #90961B

RGB 144 150 27

HSL 62.93, 0.69%, 0.35%

LAB 59.73, -16.62, 57.93

 

CMYK 82 / 4 / 0 / 41

HEX #1B9096

RGB 27 144 150

HSL 182.93, 0.69%, 0.35%

LAB 54.43, -27.9, -12

 

CMYK 0 / 82 / 5 / 41

HEX #961B8F

RGB 150 27 143

HSL 303.41, 0.69%, 0.35%

LAB 36.46, 60.61, -34.93

 

CMYK 0 / 61 / 82 / 41

HEX #963A1B

RGB 150 58 27

HSL 15.12, 0.69%, 0.35%

LAB 37.09, 37, 37.61

 

CMYK 82 / 0 / 78 / 41

HEX #1B9621

RGB 27 150 33

HSL 122.93, 0.69%, 0.35%

LAB 54.19, -54.3, 48.92

 

CMYK 82 / 20 / 0 / 41

HEX #1B7896

RGB 27 120 150

HSL 194.63, 0.69%, 0.35%

LAB 46.8, -15.25, -23.65

 

CMYK 0 / 82 / 5 / 41

HEX #961B8F

RGB 150 27 143

HSL 303.41, 0.69%, 0.35%

LAB 36.46, 60.61, -34.93

 

CMYK 0 / 37 / 82 / 41

HEX #965F1B

RGB 150 95 27

HSL 33.17, 0.69%, 0.35%

LAB 45.29, 16.81, 45.3

 

CMYK 82 / 0 / 78 / 41

HEX #1B9621

RGB 27 150 33

HSL 122.93, 0.69%, 0.35%

LAB 54.19, -54.3, 48.92

 

CMYK 82 / 45 / 0 / 41

HEX #1B5396

RGB 27 83 150

HSL 212.68, 0.69%, 0.35%

LAB 35.25, 7.44, -41.85

 

Description

Color code: RGB 150 27 143 | qconv.com Color code: RGB 150 27 143 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 27 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 27 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 5 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 5% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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