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Color name
RGB 150 25 33

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 25 33 it is the complementary color RGB 105 230 222. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 25 33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 150 25 33 shade: RGB 155 25 28, RGB 172 43 47, RGB 189 61 66, RGB 206 79 85 and RGB 223 97 104

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 25 33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 150 25 33 shade: RGB 150 25 33, RGB 133 7 14, RGB 116 0 0, RGB 99 0 0 and RGB 82 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 150 25 33 shade: RGB 148 25 33 and RGB 148 25 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 150 25 33 shade: RGB 148 25 33, RGB 148 25 66, RGB 148 25 99, RGB 148 25 132 and RGB 130 25 148

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 150 25 33 shade matches the following richer shades: RGB 148 25 33 and RGB 162 11 20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 150 25 33 shade: RGB 148 25 33, RGB 134 39 45, RGB 120 53 57, RGB 106 67 69 and RGB 92 81 81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 150 25 33 shade: RGB 148 25 99, RGB 148 25 66, RGB 148 25 33, RGB 148 49 25 and RGB 148 82 25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 150 25 33 shade: RGB 77 13 17, RGB 112 19 25, RGB 148 25 33, RGB 183 31 40 and RGB 218 37 49

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 150 25 33 shade: RGB 150 25 33, RGB 131 148 25 and RGB 25 82 148

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 150 25 33 shade: RGB 150 25 33, RGB 33 148 25 and RGB 25 33 148

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 150 25 33 shade: RGB 150 25 33, RGB 131 148 25, RGB 25 148 140 and RGB 41 25 148

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 150 25 33 shade: RGB 150 25 33, RGB 94 148 25, RGB 25 148 140 and RGB 78 25 148

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 78 / 41

HEX #961921

RGB 150 25 33

HSL 356.16, 0.71%, 0.34%

LAB 32.46, 50.07, 29.49

 

Complementary color

CMYK 54 / 0 / 3 / 10

HEX #69E6DE

RGB 105 230 222

HSL 176.16, 0.71%, 0.66%

LAB 84.42, -36.58, -6.69

 

CMYK 0 / 84 / 82 / 39

HEX #9B191C

RGB 155 25 28

HSL 358.62, 0.72%, 0.35%

LAB 33.45, 51.37, 33.82

 

CMYK 0 / 75 / 73 / 33

HEX #AC2B2F

RGB 172 43 47

HSL 358.14, 0.6%, 0.42%

LAB 39.08, 51.79, 29.68

 

CMYK 0 / 68 / 65 / 26

HEX #BD3D42

RGB 189 61 66

HSL 357.66, 0.51%, 0.49%

LAB 45.01, 51.46, 26.17

 

CMYK 0 / 62 / 59 / 19

HEX #CE4F55

RGB 206 79 85

HSL 357.17, 0.56%, 0.56%

LAB 51.12, 50.72, 23.26

 

CMYK 0 / 57 / 53 / 13

HEX #DF6168

RGB 223 97 104

HSL 356.67, 0.66%, 0.63%

LAB 57.31, 49.78, 20.83

 

CMYK 0 / 83 / 78 / 41

HEX #961921

RGB 150 25 33

HSL 356.16, 0.71%, 0.34%

LAB 32.46, 50.07, 29.49

 

CMYK 0 / 95 / 89 / 48

HEX #85070E

RGB 133 7 14

HSL 356.67, 0.9%, 0.27%

LAB 27.21, 48.41, 34.11

 

CMYK 0 / 100 / 100 / 55

HEX #740000

RGB 116 0 0

HSL 0, 1%, 0.23%

LAB 22.7, 44.78, 34.31

 

CMYK 0 / 100 / 100 / 61

HEX #630000

RGB 99 0 0

HSL 0, 1%, 0.19%

LAB 18.6, 40.03, 28.62

 

CMYK 0 / 100 / 100 / 68

HEX #520000

RGB 82 0 0

HSL 0, 1%, 0.16%

LAB 14.37, 35.14, 22.44

 

CMYK 0 / 83 / 78 / 42

HEX #941921

RGB 148 25 33

HSL 356.1, 0.71%, 0.34%

LAB 32.04, 49.47, 28.91

 

CMYK 0 / 83 / 83 / 42

HEX #941919

RGB 148 25 25

HSL 0, 0.71%, 0.34%

LAB 31.95, 49.19, 33.56

 

CMYK 0 / 83 / 78 / 42

HEX #941921

RGB 148 25 33

HSL 356.1, 0.71%, 0.34%

LAB 32.04, 49.47, 28.91

 

CMYK 0 / 83 / 55 / 42

HEX #941942

RGB 148 25 66

HSL 340, 0.71%, 0.34%

LAB 32.67, 51.39, 8.37

 

CMYK 0 / 83 / 33 / 42

HEX #941963

RGB 148 25 99

HSL 323.9, 0.71%, 0.34%

LAB 33.76, 54.6, -11.54

 

CMYK 0 / 83 / 11 / 42

HEX #941984

RGB 148 25 132

HSL 307.8, 0.71%, 0.34%

LAB 35.32, 59, -29.98

 

CMYK 12 / 83 / 0 / 42

HEX #821994

RGB 130 25 148

HSL 291.22, 0.71%, 0.34%

LAB 33.09, 57.99, -43.59

 

CMYK 0 / 83 / 78 / 42

HEX #941921

RGB 148 25 33

HSL 356.1, 0.71%, 0.34%

LAB 32.04, 49.47, 28.91

 

CMYK 0 / 93 / 88 / 36

HEX #A20B14

RGB 162 11 20

HSL 356.42, 0.87%, 0.34%

LAB 33.92, 55.89, 39.2

 

CMYK 0 / 83 / 78 / 42

HEX #941921

RGB 148 25 33

HSL 356.1, 0.71%, 0.34%

LAB 32.04, 49.47, 28.91

 

CMYK 0 / 71 / 66 / 47

HEX #86272D

RGB 134 39 45

HSL 356.21, 0.55%, 0.34%

LAB 31.13, 40.72, 19.57

 

CMYK 0 / 56 / 53 / 53

HEX #783539

RGB 120 53 57

HSL 356.42, 0.39%, 0.34%

LAB 31.43, 29.69, 11.73

 

CMYK 0 / 37 / 35 / 58

HEX #6A4345

RGB 106 67 69

HSL 356.92, 0.23%, 0.34%

LAB 32.94, 17.17, 5.79

 

CMYK 0 / 12 / 12 / 64

HEX #5C5151

RGB 92 81 81

HSL 0, 0.06%, 0.34%

LAB 35.51, 4.54, 1.66

 

CMYK 0 / 83 / 33 / 42

HEX #941963

RGB 148 25 99

HSL 323.9, 0.71%, 0.34%

LAB 33.76, 54.6, -11.54

 

CMYK 0 / 83 / 55 / 42

HEX #941942

RGB 148 25 66

HSL 340, 0.71%, 0.34%

LAB 32.67, 51.39, 8.37

 

CMYK 0 / 83 / 78 / 42

HEX #941921

RGB 148 25 33

HSL 356.1, 0.71%, 0.34%

LAB 32.04, 49.47, 28.91

 

CMYK 0 / 67 / 83 / 42

HEX #943119

RGB 148 49 25

HSL 11.71, 0.71%, 0.34%

LAB 35.13, 40.41, 36.63

 

CMYK 0 / 45 / 83 / 42

HEX #945219

RGB 148 82 25

HSL 27.8, 0.71%, 0.34%

LAB 41.85, 23.28, 42.88

 

CMYK 0 / 83 / 78 / 70

HEX #4D0D11

RGB 77 13 17

HSL 356.25, 0.71%, 0.18%

LAB 14.99, 29.65, 15.48

 

CMYK 0 / 83 / 78 / 56

HEX #701319

RGB 112 19 25

HSL 356.13, 0.71%, 0.26%

LAB 23.61, 39.76, 22.41

 

CMYK 0 / 83 / 78 / 42

HEX #941921

RGB 148 25 33

HSL 356.1, 0.71%, 0.34%

LAB 32.04, 49.47, 28.91

 

CMYK 0 / 83 / 78 / 28

HEX #B71F28

RGB 183 31 40

HSL 356.45, 0.71%, 0.42%

LAB 39.92, 58.35, 35.38

 

CMYK 0 / 83 / 78 / 15

HEX #DA2531

RGB 218 37 49

HSL 356.02, 0.71%, 0.5%

LAB 47.56, 66.96, 40.47

 

CMYK 0 / 83 / 78 / 41

HEX #961921

RGB 150 25 33

HSL 356.16, 0.71%, 0.34%

LAB 32.46, 50.07, 29.49

 

CMYK 11 / 0 / 83 / 42

HEX #839419

RGB 131 148 25

HSL 68.29, 0.71%, 0.34%

LAB 58.11, -21.42, 56.67

 

CMYK 83 / 45 / 0 / 42

HEX #195294

RGB 25 82 148

HSL 212.2, 0.71%, 0.34%

LAB 34.76, 7.09, -41.42

 

CMYK 0 / 83 / 78 / 41

HEX #961921

RGB 150 25 33

HSL 356.16, 0.71%, 0.34%

LAB 32.46, 50.07, 29.49

 

CMYK 78 / 0 / 83 / 42

HEX #219419

RGB 33 148 25

HSL 116.1, 0.71%, 0.34%

LAB 53.57, -53.35, 50.89

 

CMYK 83 / 78 / 0 / 42

HEX #192194

RGB 25 33 148

HSL 236.1, 0.71%, 0.34%

LAB 21.7, 39.75, -62.71

 

CMYK 0 / 83 / 78 / 41

HEX #961921

RGB 150 25 33

HSL 356.16, 0.71%, 0.34%

LAB 32.46, 50.07, 29.49

 

CMYK 11 / 0 / 83 / 42

HEX #839419

RGB 131 148 25

HSL 68.29, 0.71%, 0.34%

LAB 58.11, -21.42, 56.67

 

CMYK 83 / 0 / 5 / 42

HEX #19948C

RGB 25 148 140

HSL 176.1, 0.71%, 0.34%

LAB 55.36, -33.1, -4.87

 

CMYK 72 / 83 / 0 / 42

HEX #291994

RGB 41 25 148

HSL 247.8, 0.71%, 0.34%

LAB 21.23, 45.13, -63.46

 

CMYK 0 / 83 / 78 / 41

HEX #961921

RGB 150 25 33

HSL 356.16, 0.71%, 0.34%

LAB 32.46, 50.07, 29.49

 

CMYK 36 / 0 / 83 / 42

HEX #5E9419

RGB 94 148 25

HSL 86.34, 0.71%, 0.34%

LAB 55.72, -36.64, 53.64

 

CMYK 83 / 0 / 5 / 42

HEX #19948C

RGB 25 148 140

HSL 176.1, 0.71%, 0.34%

LAB 55.36, -33.1, -4.87

 

CMYK 47 / 83 / 0 / 42

HEX #4E1994

RGB 78 25 148

HSL 265.85, 0.71%, 0.34%

LAB 25.12, 49.27, -56.91

 

Description

Color code: RGB 150 25 33 | qconv.com Color code: RGB 150 25 33 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 25 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 25 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 78 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 78% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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