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Color name
RGB 150 247 154

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 247 154 it is the complementary color RGB 105 8 101. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 247 154. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 150 247 154 shade: RGB 155 247 149, RGB 172 255 168, RGB 189 255 187, RGB 206 255 206 and RGB 223 255 225

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 247 154. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 150 247 154 shade: RGB 150 247 154, RGB 133 229 135, RGB 116 211 116, RGB 99 193 97 and RGB 82 175 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 150 247 154 shade: RGB 150 247 154, RGB 172 247 150, RGB 198 247 150, RGB 224 247 150 and RGB 247 243 150

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 150 247 154 shade: RGB 150 247 154, RGB 150 247 180, RGB 150 247 206, RGB 150 247 232 and RGB 150 235 247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 150 247 154 shade matches the following richer shades: RGB 150 247 154

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 150 247 154 shade: RGB 150 247 154, RGB 159 238 162, RGB 168 228 171, RGB 177 219 179 and RGB 186 210 187

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 150 247 154 shade: RGB 198 247 150, RGB 173 247 150, RGB 150 247 153, RGB 150 247 179 and RGB 150 247 205

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 150 247 154 shade: RGB 73 241 80, RGB 112 244 117, RGB 150 247 154, RGB 189 250 191 and RGB 227 252 228

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 150 247 154 shade: RGB 150 247 154, RGB 150 224 247 and RGB 247 150 186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 150 247 154 shade: RGB 150 247 154, RGB 153 150 247 and RGB 247 153 150

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 150 247 154 shade: RGB 150 247 154, RGB 150 224 247, RGB 247 150 243 and RGB 247 173 150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 150 247 154 shade: RGB 150 247 154, RGB 150 195 247, RGB 247 150 243 and RGB 247 202 150

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 38 / 3

HEX #96F79A

RGB 150 247 154

HSL 122.47, 0.86%, 0.78%

LAB 89.55, -46.89, 35.95

 

Complementary color

CMYK 0 / 92 / 4 / 59

HEX #690865

RGB 105 8 101

HSL 302.47, 0.86%, 0.22%

LAB 24.05, 48.84, -28.59

 

CMYK 37 / 0 / 40 / 3

HEX #9BF795

RGB 155 247 149

HSL 116.33, 0.86%, 0.78%

LAB 89.7, -46.14, 38.66

 

CMYK 33 / 0 / 34 / 0

HEX #ACFFA8

RGB 172 255 168

HSL 117.24, 1%, 0.83%

LAB 93.07, -41.57, 33.81

 

CMYK 26 / 0 / 27 / 0

HEX #BDFFBB

RGB 189 255 187

HSL 118.24, 1%, 0.87%

LAB 94.28, -33.22, 26.05

 

CMYK 19 / 0 / 19 / 0

HEX #CEFFCE

RGB 206 255 206

HSL 120, 1%, 0.9%

LAB 95.62, -24.59, 18.39

 

CMYK 13 / 0 / 12 / 0

HEX #DFFFE1

RGB 223 255 225

HSL 123.75, 1%, 0.94%

LAB 97.08, -15.77, 10.88

 

CMYK 39 / 0 / 38 / 3

HEX #96F79A

RGB 150 247 154

HSL 122.47, 0.86%, 0.78%

LAB 89.55, -46.89, 35.95

 

CMYK 42 / 0 / 41 / 10

HEX #85E587

RGB 133 229 135

HSL 121.25, 0.65%, 0.71%

LAB 83.32, -47.08, 37.15

 

CMYK 45 / 0 / 45 / 17

HEX #74D374

RGB 116 211 116

HSL 120, 0.52%, 0.64%

LAB 77.02, -47.23, 38.4

 

CMYK 49 / 0 / 50 / 24

HEX #63C161

RGB 99 193 97

HSL 118.75, 0.44%, 0.57%

LAB 70.63, -47.3, 39.68

 

CMYK 53 / 0 / 55 / 31

HEX #52AF4E

RGB 82 175 78

HSL 117.53, 0.38%, 0.5%

LAB 64.16, -47.23, 40.97

 

CMYK 39 / 0 / 38 / 3

HEX #96F79A

RGB 150 247 154

HSL 122.47, 0.86%, 0.78%

LAB 89.55, -46.89, 35.95

 

CMYK 30 / 0 / 39 / 3

HEX #ACF796

RGB 172 247 150

HSL 106.39, 0.86%, 0.78%

LAB 90.55, -40.65, 39.43

 

CMYK 20 / 0 / 39 / 3

HEX #C6F796

RGB 198 247 150

HSL 90.31, 0.86%, 0.78%

LAB 92.01, -31.81, 41.61

 

CMYK 9 / 0 / 39 / 3

HEX #E0F796

RGB 224 247 150

HSL 74.23, 0.86%, 0.78%

LAB 93.7, -22.37, 44.11

 

CMYK 0 / 2 / 39 / 3

HEX #F7F396

RGB 247 243 150

HSL 57.53, 0.86%, 0.78%

LAB 94.35, -11.72, 45.28

 

CMYK 39 / 0 / 38 / 3

HEX #96F79A

RGB 150 247 154

HSL 122.47, 0.86%, 0.78%

LAB 89.55, -46.89, 35.95

 

CMYK 39 / 0 / 27 / 3

HEX #96F7B4

RGB 150 247 180

HSL 138.56, 0.86%, 0.78%

LAB 90, -42.58, 23.42

 

CMYK 39 / 0 / 17 / 3

HEX #96F7CE

RGB 150 247 206

HSL 154.64, 0.86%, 0.78%

LAB 90.53, -37.6, 10.79

 

CMYK 39 / 0 / 6 / 3

HEX #96F7E8

RGB 150 247 232

HSL 170.72, 0.86%, 0.78%

LAB 91.16, -32.01, -1.81

 

CMYK 39 / 5 / 0 / 3

HEX #96EBF7

RGB 150 235 247

HSL 187.42, 0.86%, 0.78%

LAB 88.26, -22.71, -13.92

 

CMYK 39 / 0 / 38 / 3

HEX #96F79A

RGB 150 247 154

HSL 122.47, 0.86%, 0.78%

LAB 89.55, -46.89, 35.95

 

CMYK 39 / 0 / 38 / 3

HEX #96F79A

RGB 150 247 154

HSL 122.47, 0.86%, 0.78%

LAB 89.55, -46.89, 35.95

 

CMYK 33 / 0 / 32 / 7

HEX #9FEEA2

RGB 159 238 162

HSL 122.28, 0.7%, 0.78%

LAB 87.55, -38.98, 29.33

 

CMYK 26 / 0 / 25 / 11

HEX #A8E4AB

RGB 168 228 171

HSL 123, 0.53%, 0.78%

LAB 85.38, -30.03, 21.83

 

CMYK 19 / 0 / 18 / 14

HEX #B1DBB3

RGB 177 219 179

HSL 122.86, 0.37%, 0.78%

LAB 83.58, -21.34, 15.22

 

CMYK 11 / 0 / 11 / 18

HEX #BAD2BB

RGB 186 210 187

HSL 122.5, 0.21%, 0.78%

LAB 81.9, -12.36, 8.69

 

CMYK 20 / 0 / 39 / 3

HEX #C6F796

RGB 198 247 150

HSL 90.31, 0.86%, 0.78%

LAB 92.01, -31.81, 41.61

 

CMYK 30 / 0 / 39 / 3

HEX #ADF796

RGB 173 247 150

HSL 105.77, 0.86%, 0.78%

LAB 90.6, -40.32, 39.51

 

CMYK 39 / 0 / 38 / 3

HEX #96F799

RGB 150 247 153

HSL 121.86, 0.86%, 0.78%

LAB 89.54, -47.04, 36.42

 

CMYK 39 / 0 / 28 / 3

HEX #96F7B3

RGB 150 247 179

HSL 137.94, 0.86%, 0.78%

LAB 89.98, -42.76, 23.91

 

CMYK 39 / 0 / 17 / 3

HEX #96F7CD

RGB 150 247 205

HSL 154.02, 0.86%, 0.78%

LAB 90.51, -37.81, 11.27

 

CMYK 70 / 0 / 67 / 5

HEX #49F150

RGB 73 241 80

HSL 122.5, 0.86%, 0.62%

LAB 84.44, -72.32, 62.92

 

CMYK 54 / 0 / 52 / 4

HEX #70F475

RGB 112 244 117

HSL 122.27, 0.86%, 0.7%

LAB 86.72, -61.17, 49.91

 

CMYK 39 / 0 / 38 / 3

HEX #96F79A

RGB 150 247 154

HSL 122.47, 0.86%, 0.78%

LAB 89.55, -46.89, 35.95

 

CMYK 24 / 0 / 24 / 2

HEX #BDFABF

RGB 189 250 191

HSL 121.97, 0.86%, 0.86%

LAB 92.99, -30.24, 22.24

 

CMYK 10 / 0 / 10 / 1

HEX #E3FCE4

RGB 227 252 228

HSL 122.4, 0.81%, 0.94%

LAB 96.64, -12.45, 8.74

 

CMYK 39 / 0 / 38 / 3

HEX #96F79A

RGB 150 247 154

HSL 122.47, 0.86%, 0.78%

LAB 89.55, -46.89, 35.95

 

CMYK 39 / 9 / 0 / 3

HEX #96E0F7

RGB 150 224 247

HSL 194.23, 0.86%, 0.78%

LAB 85.26, -17.23, -18.44

 

CMYK 0 / 39 / 25 / 3

HEX #F796BA

RGB 247 150 186

HSL 337.73, 0.86%, 0.78%

LAB 72.98, 40.88, -3.02

 

CMYK 39 / 0 / 38 / 3

HEX #96F79A

RGB 150 247 154

HSL 122.47, 0.86%, 0.78%

LAB 89.55, -46.89, 35.95

 

CMYK 38 / 39 / 0 / 3

HEX #9996F7

RGB 153 150 247

HSL 241.86, 0.86%, 0.78%

LAB 65.98, 23.9, -48.18

 

CMYK 0 / 38 / 39 / 3

HEX #F79996

RGB 247 153 150

HSL 1.86, 0.86%, 0.78%

LAB 72.73, 34.83, 16.53

 

CMYK 39 / 0 / 38 / 3

HEX #96F79A

RGB 150 247 154

HSL 122.47, 0.86%, 0.78%

LAB 89.55, -46.89, 35.95

 

CMYK 39 / 9 / 0 / 3

HEX #96E0F7

RGB 150 224 247

HSL 194.23, 0.86%, 0.78%

LAB 85.26, -17.23, -18.44

 

CMYK 0 / 39 / 2 / 3

HEX #F796F3

RGB 247 150 243

HSL 302.47, 0.86%, 0.78%

LAB 74.86, 49.87, -31.47

 

CMYK 0 / 30 / 39 / 3

HEX #F7AD96

RGB 247 173 150

HSL 14.23, 0.86%, 0.78%

LAB 77.2, 24.33, 22.69

 

CMYK 39 / 0 / 38 / 3

HEX #96F79A

RGB 150 247 154

HSL 122.47, 0.86%, 0.78%

LAB 89.55, -46.89, 35.95

 

CMYK 39 / 21 / 0 / 3

HEX #96C3F7

RGB 150 195 247

HSL 212.16, 0.86%, 0.78%

LAB 77.42, -2.07, -30.38

 

CMYK 0 / 39 / 2 / 3

HEX #F796F3

RGB 247 150 243

HSL 302.47, 0.86%, 0.78%

LAB 74.86, 49.87, -31.47

 

CMYK 0 / 18 / 39 / 3

HEX #F7CA96

RGB 247 202 150

HSL 32.16, 0.86%, 0.78%

LAB 84.08, 9.1, 31.96

 

Description

Color code: RGB 150 247 154 | qconv.com Color code: RGB 150 247 154 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 247 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 247 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 38 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 38% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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