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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 214 188 it is the complementary color RGB 105 41 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 214 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 150 214 188 shade: RGB 155 214 183, RGB 172 232 202, RGB 189 250 221, RGB 206 255 240 and RGB 223 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 214 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 150 214 188 shade: RGB 150 214 188, RGB 133 196 169, RGB 116 178 150, RGB 99 160 131 and RGB 82 142 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 150 214 188 shade: RGB 148 213 187, RGB 148 213 169, RGB 148 213 152, RGB 162 213 148 and RGB 180 213 148

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 150 214 188 shade: RGB 148 213 187, RGB 148 213 204, RGB 148 204 213, RGB 148 187 213 and RGB 148 169 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 150 214 188 shade matches the following richer shades: RGB 148 213 187, RGB 136 225 189, RGB 124 237 191 and RGB 112 249 193

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 150 214 188 shade: RGB 148 213 187, RGB 160 201 184, RGB 172 189 182, RGB 184 177 180 and RGB 196 165 178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 150 214 188 shade: RGB 148 213 151, RGB 148 213 169, RGB 148 213 186, RGB 148 213 203 and RGB 148 205 213

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 150 214 188 shade: RGB 89 190 149, RGB 118 202 168, RGB 148 213 187, RGB 178 225 206 and RGB 207 236 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 150 214 188 shade: RGB 150 214 188, RGB 148 162 213 and RGB 213 160 148

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 150 214 188 shade: RGB 150 214 188, RGB 186 148 213 and RGB 213 186 148

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 150 214 188 shade: RGB 150 214 188, RGB 148 162 213, RGB 213 148 175 and RGB 213 199 148

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 150 214 188 shade: RGB 150 214 188, RGB 153 148 213, RGB 213 148 175 and RGB 208 213 148

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 12 / 16

HEX #96D6BC

RGB 150 214 188

HSL 155.63, 0.44%, 0.71%

LAB 80.85, -25.76, 6.37

 

Complementary color

CMYK 0 / 61 / 36 / 59

HEX #692943

RGB 105 41 67

HSL 335.63, 0.44%, 0.29%

LAB 26.72, 31.57, -1.91

 

CMYK 28 / 0 / 14 / 16

HEX #9BD6B7

RGB 155 214 183

HSL 148.47, 0.42%, 0.72%

LAB 81.01, -25.25, 9.28

 

CMYK 26 / 0 / 13 / 9

HEX #ACE8CA

RGB 172 232 202

HSL 150, 0.57%, 0.79%

LAB 87.36, -25.04, 8.48

 

CMYK 24 / 0 / 12 / 2

HEX #BDFADD

RGB 189 250 221

HSL 151.48, 0.86%, 0.86%

LAB 93.63, -24.86, 7.72

 

CMYK 19 / 0 / 6 / 0

HEX #CEFFF0

RGB 206 255 240

HSL 161.63, 1%, 0.9%

LAB 96.38, -18.42, 2.03

 

CMYK 13 / 0 / 0 / 0

HEX #DFFFFF

RGB 223 255 255

HSL 180, 1%, 0.94%

LAB 97.8, -10.25, -3.49

 

CMYK 30 / 0 / 12 / 16

HEX #96D6BC

RGB 150 214 188

HSL 155.63, 0.44%, 0.71%

LAB 80.85, -25.76, 6.37

 

CMYK 32 / 0 / 14 / 23

HEX #85C4A9

RGB 133 196 169

HSL 154.29, 0.35%, 0.65%

LAB 74.4, -25.98, 7.17

 

CMYK 35 / 0 / 16 / 30

HEX #74B296

RGB 116 178 150

HSL 152.9, 0.29%, 0.58%

LAB 67.84, -26.22, 8.03

 

CMYK 38 / 0 / 18 / 37

HEX #63A083

RGB 99 160 131

HSL 151.48, 0.24%, 0.51%

LAB 61.16, -26.47, 8.95

 

CMYK 42 / 0 / 21 / 44

HEX #528E70

RGB 82 142 112

HSL 150, 0.27%, 0.44%

LAB 54.35, -26.73, 9.96

 

CMYK 31 / 0 / 12 / 16

HEX #94D5BB

RGB 148 213 187

HSL 156, 0.44%, 0.71%

LAB 80.44, -26.08, 6.29

 

CMYK 31 / 0 / 21 / 16

HEX #94D5A9

RGB 148 213 169

HSL 139.38, 0.44%, 0.71%

LAB 80.04, -29.62, 15.28

 

CMYK 31 / 0 / 29 / 16

HEX #94D598

RGB 148 213 152

HSL 123.69, 0.44%, 0.71%

LAB 79.7, -32.65, 23.76

 

CMYK 24 / 0 / 31 / 16

HEX #A2D594

RGB 162 213 148

HSL 107.08, 0.44%, 0.71%

LAB 80.41, -28.65, 26.94

 

CMYK 15 / 0 / 31 / 16

HEX #B4D594

RGB 180 213 148

HSL 90.46, 0.44%, 0.71%

LAB 81.53, -22.31, 28.64

 

CMYK 31 / 0 / 12 / 16

HEX #94D5BB

RGB 148 213 187

HSL 156, 0.44%, 0.71%

LAB 80.44, -26.08, 6.29

 

CMYK 31 / 0 / 4 / 16

HEX #94D5CC

RGB 148 213 204

HSL 171.69, 0.44%, 0.71%

LAB 80.87, -22.44, -2.15

 

CMYK 31 / 4 / 0 / 16

HEX #94CCD5

RGB 148 204 213

HSL 188.31, 0.44%, 0.71%

LAB 78.63, -15.84, -10.29

 

CMYK 31 / 12 / 0 / 16

HEX #94BBD5

RGB 148 187 213

HSL 204, 0.44%, 0.71%

LAB 73.96, -6.94, -17.3

 

CMYK 31 / 21 / 0 / 16

HEX #94A9D5

RGB 148 169 213

HSL 220.62, 0.44%, 0.71%

LAB 69.09, 2.88, -24.7

 

CMYK 31 / 0 / 12 / 16

HEX #94D5BB

RGB 148 213 187

HSL 156, 0.44%, 0.71%

LAB 80.44, -26.08, 6.29

 

CMYK 40 / 0 / 16 / 12

HEX #88E1BD

RGB 136 225 189

HSL 155.73, 0.6%, 0.71%

LAB 83.32, -34.77, 9.28

 

CMYK 48 / 0 / 19 / 7

HEX #7CEDBF

RGB 124 237 191

HSL 155.58, 0.76%, 0.71%

LAB 86.31, -42.83, 12.43

 

CMYK 55 / 0 / 22 / 2

HEX #70F9C1

RGB 112 249 193

HSL 155.47, 0.92%, 0.71%

LAB 89.41, -50.25, 15.72

 

CMYK 31 / 0 / 12 / 16

HEX #94D5BB

RGB 148 213 187

HSL 156, 0.44%, 0.71%

LAB 80.44, -26.08, 6.29

 

CMYK 20 / 0 / 8 / 21

HEX #A0C9B8

RGB 160 201 184

HSL 155.12, 0.28%, 0.71%

LAB 77.7, -16.99, 4.03

 

CMYK 9 / 0 / 4 / 26

HEX #ACBDB6

RGB 172 189 182

HSL 155.29, 0.11%, 0.71%

LAB 75.17, -7.18, 1.53

 

CMYK 0 / 4 / 2 / 28

HEX #B8B1B4

RGB 184 177 180

HSL 334.29, 0.05%, 0.71%

LAB 72.85, 3.03, -0.65

 

CMYK 0 / 16 / 9 / 23

HEX #C4A5B2

RGB 196 165 178

HSL 334.84, 0.21%, 0.71%

LAB 70.77, 13.51, -2.46

 

CMYK 31 / 0 / 29 / 16

HEX #94D597

RGB 148 213 151

HSL 122.77, 0.44%, 0.71%

LAB 79.68, -32.82, 24.26

 

CMYK 31 / 0 / 21 / 16

HEX #94D5A9

RGB 148 213 169

HSL 139.38, 0.44%, 0.71%

LAB 80.04, -29.62, 15.28

 

CMYK 31 / 0 / 13 / 16

HEX #94D5BA

RGB 148 213 186

HSL 155.08, 0.44%, 0.71%

LAB 80.42, -26.28, 6.79

 

CMYK 31 / 0 / 5 / 16

HEX #94D5CB

RGB 148 213 203

HSL 170.77, 0.44%, 0.71%

LAB 80.85, -22.66, -1.65

 

CMYK 31 / 4 / 0 / 16

HEX #94CDD5

RGB 148 205 213

HSL 187.38, 0.44%, 0.71%

LAB 78.9, -16.35, -9.88

 

CMYK 53 / 0 / 22 / 25

HEX #59BE95

RGB 89 190 149

HSL 155.64, 0.44%, 0.55%

LAB 70.26, -39.29, 11.86

 

CMYK 42 / 0 / 17 / 21

HEX #76CAA8

RGB 118 202 168

HSL 155.71, 0.44%, 0.63%

LAB 75.4, -33.35, 9.05

 

CMYK 31 / 0 / 12 / 16

HEX #94D5BB

RGB 148 213 187

HSL 156, 0.44%, 0.71%

LAB 80.44, -26.08, 6.29

 

CMYK 21 / 0 / 8 / 12

HEX #B2E1CE

RGB 178 225 206

HSL 155.74, 0.44%, 0.79%

LAB 85.89, -18.96, 4.3

 

CMYK 12 / 0 / 5 / 7

HEX #CFECE1

RGB 207 236 225

HSL 157.24, 0.43%, 0.87%

LAB 91.09, -11.55, 2.12

 

CMYK 30 / 0 / 12 / 16

HEX #96D6BC

RGB 150 214 188

HSL 155.63, 0.44%, 0.71%

LAB 80.85, -25.76, 6.37

 

CMYK 31 / 24 / 0 / 16

HEX #94A2D5

RGB 148 162 213

HSL 227.08, 0.44%, 0.71%

LAB 67.23, 6.79, -27.55

 

CMYK 0 / 25 / 31 / 16

HEX #D5A094

RGB 213 160 148

HSL 11.08, 0.44%, 0.71%

LAB 70.47, 18, 13.91

 

CMYK 30 / 0 / 12 / 16

HEX #96D6BC

RGB 150 214 188

HSL 155.63, 0.44%, 0.71%

LAB 80.85, -25.76, 6.37

 

CMYK 13 / 31 / 0 / 16

HEX #BA94D5

RGB 186 148 213

HSL 275.08, 0.44%, 0.71%

LAB 66.84, 26.31, -27.89

 

CMYK 0 / 13 / 31 / 16

HEX #D5BA94

RGB 213 186 148

HSL 35.08, 0.44%, 0.71%

LAB 76.92, 4.03, 22.84

 

CMYK 30 / 0 / 12 / 16

HEX #96D6BC

RGB 150 214 188

HSL 155.63, 0.44%, 0.71%

LAB 80.85, -25.76, 6.37

 

CMYK 31 / 24 / 0 / 16

HEX #94A2D5

RGB 148 162 213

HSL 227.08, 0.44%, 0.71%

LAB 67.23, 6.79, -27.55

 

CMYK 0 / 31 / 18 / 16

HEX #D594AF

RGB 213 148 175

HSL 335.08, 0.44%, 0.71%

LAB 68.33, 28.41, -4.2

 

CMYK 0 / 7 / 31 / 16

HEX #D5C794

RGB 213 199 148

HSL 47.08, 0.44%, 0.71%

LAB 80.25, -2.8, 27.35

 

CMYK 30 / 0 / 12 / 16

HEX #96D6BC

RGB 150 214 188

HSL 155.63, 0.44%, 0.71%

LAB 80.85, -25.76, 6.37

 

CMYK 28 / 31 / 0 / 16

HEX #9994D5

RGB 153 148 213

HSL 244.62, 0.44%, 0.71%

LAB 63.96, 16.21, -32.57

 

CMYK 0 / 31 / 18 / 16

HEX #D594AF

RGB 213 148 175

HSL 335.08, 0.44%, 0.71%

LAB 68.33, 28.41, -4.2

 

CMYK 2 / 0 / 31 / 16

HEX #D0D594

RGB 208 213 148

HSL 64.62, 0.44%, 0.71%

LAB 83.51, -11.9, 31.64

 

Description

Color code: RGB 150 214 188 | qconv.com Color code: RGB 150 214 188 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 214 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 214 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 12 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 12% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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