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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 189 81 it is the complementary color RGB 105 66 174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 189 81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 150 189 81 shade: RGB 155 189 76, RGB 172 207 95, RGB 189 225 114, RGB 206 243 133 and RGB 223 255 152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 189 81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 150 189 81 shade: RGB 150 189 81, RGB 133 171 62, RGB 116 153 43, RGB 99 135 24 and RGB 82 117 5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 150 189 81 shade: RGB 150 189 81, RGB 179 189 81, RGB 189 169 81, RGB 189 140 81 and RGB 189 111 81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 150 189 81 shade: RGB 150 189 81, RGB 121 189 81, RGB 91 189 81, RGB 81 189 99 and RGB 81 189 128

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 150 189 81 shade matches the following richer shades: RGB 150 189 81, RGB 155 208 61, RGB 160 227 42 and RGB 166 247 23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 150 189 81 shade: RGB 150 189 81, RGB 144 169 100, RGB 139 150 120, RGB 133 130 139 and RGB 128 111 158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 150 189 81 shade: RGB 189 169 81, RGB 180 189 81, RGB 151 189 81, RGB 122 189 81 and RGB 93 189 81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 150 189 81 shade: RGB 105 136 51, RGB 128 166 62, RGB 150 189 81, RGB 168 200 111 and RGB 186 211 141

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 150 189 81 shade: RGB 150 189 81, RGB 81 189 140 and RGB 183 81 189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 150 189 81 shade: RGB 150 189 81, RGB 81 151 189 and RGB 189 81 151

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 150 189 81 shade: RGB 150 189 81, RGB 81 189 140, RGB 118 81 189 and RGB 189 81 129

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 150 189 81 shade: RGB 150 189 81, RGB 81 189 172, RGB 118 81 189 and RGB 189 81 97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 57 / 26

HEX #96BD51

RGB 150 189 81

HSL 81.67, 0.45%, 0.53%

LAB 71.88, -30, 49.43

 

Complementary color

CMYK 40 / 62 / 0 / 32

HEX #6942AE

RGB 105 66 174

HSL 261.67, 0.45%, 0.47%

LAB 37.76, 40.93, -51.91

 

CMYK 18 / 0 / 60 / 26

HEX #9BBD4C

RGB 155 189 76

HSL 78.05, 0.46%, 0.52%

LAB 72.15, -28.47, 52.09

 

CMYK 17 / 0 / 54 / 19

HEX #ACCF5F

RGB 172 207 95

HSL 78.75, 0.54%, 0.59%

LAB 78.59, -28.73, 51.11

 

CMYK 16 / 0 / 49 / 12

HEX #BDE172

RGB 189 225 114

HSL 79.46, 0.65%, 0.66%

LAB 84.94, -28.91, 50.03

 

CMYK 15 / 0 / 45 / 5

HEX #CEF385

RGB 206 243 133

HSL 80.18, 0.82%, 0.74%

LAB 91.2, -29.03, 48.91

 

CMYK 13 / 0 / 40 / 0

HEX #DFFF98

RGB 223 255 152

HSL 78.64, 1%, 0.8%

LAB 95.78, -26.31, 45.77

 

CMYK 21 / 0 / 57 / 26

HEX #96BD51

RGB 150 189 81

HSL 81.67, 0.45%, 0.53%

LAB 71.88, -30, 49.43

 

CMYK 22 / 0 / 64 / 33

HEX #85AB3E

RGB 133 171 62

HSL 80.92, 0.47%, 0.46%

LAB 65.33, -29.74, 50.33

 

CMYK 24 / 0 / 72 / 40

HEX #74992B

RGB 116 153 43

HSL 80.18, 0.56%, 0.38%

LAB 58.67, -29.34, 50.85

 

CMYK 27 / 0 / 82 / 47

HEX #638718

RGB 99 135 24

HSL 79.46, 0.7%, 0.31%

LAB 51.89, -28.73, 50.58

 

CMYK 30 / 0 / 96 / 54

HEX #527505

RGB 82 117 5

HSL 78.75, 0.92%, 0.24%

LAB 44.98, -27.84, 48.85

 

CMYK 21 / 0 / 57 / 26

HEX #96BD51

RGB 150 189 81

HSL 81.67, 0.45%, 0.53%

LAB 71.88, -30, 49.43

 

CMYK 5 / 0 / 57 / 26

HEX #B3BD51

RGB 179 189 81

HSL 65.56, 0.45%, 0.53%

LAB 73.92, -18.35, 52.29

 

CMYK 0 / 11 / 57 / 26

HEX #BDA951

RGB 189 169 81

HSL 48.89, 0.45%, 0.53%

LAB 69.32, -3.79, 47.29

 

CMYK 0 / 26 / 57 / 26

HEX #BD8C51

RGB 189 140 81

HSL 32.78, 0.45%, 0.53%

LAB 61.8, 11.95, 38.44

 

CMYK 0 / 41 / 57 / 26

HEX #BD6F51

RGB 189 111 81

HSL 16.67, 0.45%, 0.53%

LAB 54.85, 27.93, 29.86

 

CMYK 21 / 0 / 57 / 26

HEX #96BD51

RGB 150 189 81

HSL 81.67, 0.45%, 0.53%

LAB 71.88, -30, 49.43

 

CMYK 36 / 0 / 57 / 26

HEX #79BD51

RGB 121 189 81

HSL 97.78, 0.45%, 0.53%

LAB 70.21, -40.64, 47.09

 

CMYK 52 / 0 / 57 / 26

HEX #5BBD51

RGB 91 189 81

HSL 114.44, 0.45%, 0.53%

LAB 68.91, -49.96, 45.23

 

CMYK 57 / 0 / 48 / 26

HEX #51BD63

RGB 81 189 99

HSL 130, 0.45%, 0.53%

LAB 68.78, -50.11, 36.24

 

CMYK 57 / 0 / 32 / 26

HEX #51BD80

RGB 81 189 128

HSL 146.11, 0.45%, 0.53%

LAB 69.26, -45.06, 21.75

 

CMYK 21 / 0 / 57 / 26

HEX #96BD51

RGB 150 189 81

HSL 81.67, 0.45%, 0.53%

LAB 71.88, -30, 49.43

 

CMYK 25 / 0 / 71 / 18

HEX #9BD03D

RGB 155 208 61

HSL 81.63, 0.61%, 0.53%

LAB 77.53, -38.34, 63.83

 

CMYK 30 / 0 / 81 / 11

HEX #A0E32A

RGB 160 227 42

HSL 81.73, 0.77%, 0.53%

LAB 83.22, -45.68, 75.09

 

CMYK 33 / 0 / 91 / 3

HEX #A6F717

RGB 166 247 23

HSL 81.7, 0.93%, 0.53%

LAB 89.25, -52.35, 83.9

 

CMYK 21 / 0 / 57 / 26

HEX #96BD51

RGB 150 189 81

HSL 81.67, 0.45%, 0.53%

LAB 71.88, -30, 49.43

 

CMYK 15 / 0 / 41 / 34

HEX #90A964

RGB 144 169 100

HSL 81.74, 0.29%, 0.53%

LAB 65.92, -20.47, 32.76

 

CMYK 7 / 0 / 20 / 41

HEX #8B9678

RGB 139 150 120

HSL 82, 0.13%, 0.53%

LAB 60.48, -9.53, 14.52

 

CMYK 4 / 6 / 0 / 45

HEX #85828B

RGB 133 130 139

HSL 260, 0.04%, 0.53%

LAB 54.88, 2.93, -4.45

 

CMYK 19 / 30 / 0 / 38

HEX #806F9E

RGB 128 111 158

HSL 261.7, 0.2%, 0.53%

LAB 50.01, 16.58, -22.95

 

CMYK 0 / 11 / 57 / 26

HEX #BDA951

RGB 189 169 81

HSL 48.89, 0.45%, 0.53%

LAB 69.32, -3.79, 47.29

 

CMYK 5 / 0 / 57 / 26

HEX #B4BD51

RGB 180 189 81

HSL 65, 0.45%, 0.53%

LAB 73.99, -17.93, 52.4

 

CMYK 20 / 0 / 57 / 26

HEX #97BD51

RGB 151 189 81

HSL 81.11, 0.45%, 0.53%

LAB 71.94, -29.61, 49.52

 

CMYK 35 / 0 / 57 / 26

HEX #7ABD51

RGB 122 189 81

HSL 97.22, 0.45%, 0.53%

LAB 70.26, -40.3, 47.16

 

CMYK 51 / 0 / 57 / 26

HEX #5DBD51

RGB 93 189 81

HSL 113.33, 0.45%, 0.53%

LAB 68.98, -49.4, 45.34

 

CMYK 23 / 0 / 63 / 47

HEX #698833

RGB 105 136 51

HSL 81.88, 0.45%, 0.37%

LAB 52.79, -24.93, 41.02

 

CMYK 23 / 0 / 63 / 35

HEX #80A63E

RGB 128 166 62

HSL 81.92, 0.46%, 0.45%

LAB 63.52, -29.33, 48.26

 

CMYK 21 / 0 / 57 / 26

HEX #96BD51

RGB 150 189 81

HSL 81.67, 0.45%, 0.53%

LAB 71.88, -30, 49.43

 

CMYK 16 / 0 / 45 / 22

HEX #A8C86F

RGB 168 200 111

HSL 81.57, 0.45%, 0.61%

LAB 76.55, -25.24, 40.88

 

CMYK 12 / 0 / 33 / 17

HEX #BAD38D

RGB 186 211 141

HSL 81.43, 0.44%, 0.69%

LAB 81.26, -20.1, 31.97

 

CMYK 21 / 0 / 57 / 26

HEX #96BD51

RGB 150 189 81

HSL 81.67, 0.45%, 0.53%

LAB 71.88, -30, 49.43

 

CMYK 57 / 0 / 26 / 26

HEX #51BD8C

RGB 81 189 140

HSL 152.78, 0.45%, 0.53%

LAB 69.5, -42.6, 15.62

 

CMYK 3 / 57 / 0 / 26

HEX #B751BD

RGB 183 81 189

HSL 296.67, 0.45%, 0.53%

LAB 51.41, 56.02, -38.34

 

CMYK 21 / 0 / 57 / 26

HEX #96BD51

RGB 150 189 81

HSL 81.67, 0.45%, 0.53%

LAB 71.88, -30, 49.43

 

CMYK 57 / 20 / 0 / 26

HEX #5197BD

RGB 81 151 189

HSL 201.11, 0.45%, 0.53%

LAB 59.49, -10.91, -26.4

 

CMYK 0 / 57 / 20 / 26

HEX #BD5197

RGB 189 81 151

HSL 321.11, 0.45%, 0.53%

LAB 50.61, 51.45, -17.25

 

CMYK 21 / 0 / 57 / 26

HEX #96BD51

RGB 150 189 81

HSL 81.67, 0.45%, 0.53%

LAB 71.88, -30, 49.43

 

CMYK 57 / 0 / 26 / 26

HEX #51BD8C

RGB 81 189 140

HSL 152.78, 0.45%, 0.53%

LAB 69.5, -42.6, 15.62

 

CMYK 38 / 57 / 0 / 26

HEX #7651BD

RGB 118 81 189

HSL 260.56, 0.45%, 0.53%

LAB 43.38, 39.47, -51.62

 

CMYK 0 / 57 / 32 / 26

HEX #BD5181

RGB 189 81 129

HSL 333.33, 0.45%, 0.53%

LAB 49.84, 48.45, -5.29

 

CMYK 21 / 0 / 57 / 26

HEX #96BD51

RGB 150 189 81

HSL 81.67, 0.45%, 0.53%

LAB 71.88, -30, 49.43

 

CMYK 57 / 0 / 9 / 26

HEX #51BDAC

RGB 81 189 172

HSL 170.56, 0.45%, 0.53%

LAB 70.26, -35.07, -0.73

 

CMYK 38 / 57 / 0 / 26

HEX #7651BD

RGB 118 81 189

HSL 260.56, 0.45%, 0.53%

LAB 43.38, 39.47, -51.62

 

CMYK 0 / 57 / 49 / 26

HEX #BD5161

RGB 189 81 97

HSL 351.11, 0.45%, 0.53%

LAB 48.97, 44.91, 12.71

 

Description

Color code: RGB 150 189 81 | qconv.com Color code: RGB 150 189 81 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 189 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 189 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 57 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 57% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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