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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 17 87 it is the complementary color RGB 105 238 168. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 17 87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 150 17 87 shade: RGB 155 17 82, RGB 172 35 101, RGB 189 53 120, RGB 206 71 139 and RGB 223 89 158

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 17 87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 150 17 87 shade: RGB 150 17 87, RGB 133 0 68, RGB 116 0 49, RGB 99 0 30 and RGB 82 0 11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 150 17 87 shade: RGB 151 16 87, RGB 151 16 51 and RGB 151 16 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 150 17 87 shade: RGB 151 16 87, RGB 151 16 124, RGB 142 16 151, RGB 106 16 151 and RGB 70 16 151

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 150 17 87 shade matches the following richer shades: RGB 151 16 87 and RGB 165 3 88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 150 17 87 shade: RGB 151 16 87, RGB 137 30 86, RGB 124 44 86, RGB 110 57 85 and RGB 97 71 84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 150 17 87 shade: RGB 142 16 151, RGB 151 16 124, RGB 151 16 88, RGB 151 16 52 and RGB 151 16 16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 150 17 87 shade: RGB 77 8 44, RGB 114 12 66, RGB 151 16 87, RGB 188 20 109 and RGB 225 25 130

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 150 17 87 shade: RGB 150 17 87, RGB 151 106 16 and RGB 16 142 151

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 150 17 87 shade: RGB 150 17 87, RGB 88 151 16 and RGB 16 88 151

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 150 17 87 shade: RGB 150 17 87, RGB 151 106 16, RGB 16 151 79 and RGB 16 61 151

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 150 17 87 shade: RGB 150 17 87, RGB 151 146 16, RGB 16 151 79 and RGB 16 21 151

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 42 / 41

HEX #961157

RGB 150 17 87

HSL 328.42, 0.8%, 0.33%

LAB 33.08, 55.61, -4.75

 

Complementary color

CMYK 56 / 0 / 29 / 7

HEX #69EEA8

RGB 105 238 168

HSL 148.42, 0.8%, 0.67%

LAB 85.49, -52.25, 23.11

 

CMYK 0 / 89 / 47 / 39

HEX #9B1152

RGB 155 17 82

HSL 331.74, 0.8%, 0.34%

LAB 33.94, 56.39, -0.11

 

CMYK 0 / 80 / 41 / 33

HEX #AC2365

RGB 172 35 101

HSL 331.09, 0.66%, 0.41%

LAB 39.43, 58.28, -3.82

 

CMYK 0 / 72 / 37 / 26

HEX #BD3578

RGB 189 53 120

HSL 330.44, 0.56%, 0.47%

LAB 45.25, 59.1, -6.66

 

CMYK 0 / 66 / 33 / 19

HEX #CE478B

RGB 206 71 139

HSL 329.78, 0.58%, 0.54%

LAB 51.26, 59.25, -8.88

 

CMYK 0 / 60 / 29 / 13

HEX #DF599E

RGB 223 89 158

HSL 329.1, 0.68%, 0.61%

LAB 57.37, 59, -10.66

 

CMYK 0 / 89 / 42 / 41

HEX #961157

RGB 150 17 87

HSL 328.42, 0.8%, 0.33%

LAB 33.08, 55.61, -4.75

 

CMYK 0 / 100 / 49 / 48

HEX #850044

RGB 133 0 68

HSL 329.32, 1%, 0.26%

LAB 27.86, 52.52, -0.27

 

CMYK 0 / 100 / 58 / 55

HEX #740031

RGB 116 0 49

HSL 334.66, 1%, 0.23%

LAB 23.45, 46.82, 5.94

 

CMYK 0 / 100 / 70 / 61

HEX #63001E

RGB 99 0 30

HSL 341.82, 1%, 0.19%

LAB 19, 41.12, 12.67

 

CMYK 0 / 100 / 87 / 68

HEX #52000B

RGB 82 0 11

HSL 351.95, 1%, 0.16%

LAB 14.5, 35.51, 18.12

 

CMYK 0 / 89 / 42 / 41

HEX #971057

RGB 151 16 87

HSL 328.44, 0.81%, 0.33%

LAB 33.22, 56.05, -4.52

 

CMYK 0 / 89 / 66 / 41

HEX #971033

RGB 151 16 51

HSL 344.44, 0.81%, 0.33%

LAB 32.23, 53.27, 17.77

 

CMYK 0 / 89 / 89 / 41

HEX #971010

RGB 151 16 16

HSL 0, 0.81%, 0.33%

LAB 31.78, 51.95, 38.48

 

CMYK 0 / 89 / 42 / 41

HEX #971057

RGB 151 16 87

HSL 328.44, 0.81%, 0.33%

LAB 33.22, 56.05, -4.52

 

CMYK 0 / 89 / 18 / 41

HEX #97107C

RGB 151 16 124

HSL 312, 0.81%, 0.33%

LAB 34.81, 60.39, -25.73

 

CMYK 6 / 89 / 0 / 41

HEX #8E1097

RGB 142 16 151

HSL 296, 0.81%, 0.33%

LAB 34.71, 62.72, -42.7

 

CMYK 30 / 89 / 0 / 41

HEX #6A1097

RGB 106 16 151

HSL 280, 0.81%, 0.33%

LAB 28.56, 56.75, -52.96

 

CMYK 54 / 89 / 0 / 41

HEX #461097

RGB 70 16 151

HSL 264, 0.81%, 0.33%

LAB 23.36, 52.14, -61.69

 

CMYK 0 / 89 / 42 / 41

HEX #971057

RGB 151 16 87

HSL 328.44, 0.81%, 0.33%

LAB 33.22, 56.05, -4.52

 

CMYK 0 / 98 / 47 / 35

HEX #A50358

RGB 165 3 88

HSL 328.52, 0.96%, 0.33%

LAB 35.54, 61.28, -1.42

 

CMYK 0 / 89 / 42 / 41

HEX #971057

RGB 151 16 87

HSL 328.44, 0.81%, 0.33%

LAB 33.22, 56.05, -4.52

 

CMYK 0 / 78 / 37 / 46

HEX #891E56

RGB 137 30 86

HSL 328.6, 0.64%, 0.33%

LAB 31.62, 48.74, -6.55

 

CMYK 0 / 65 / 31 / 51

HEX #7C2C56

RGB 124 44 86

HSL 328.5, 0.48%, 0.33%

LAB 31.25, 39.2, -7.35

 

CMYK 0 / 48 / 23 / 57

HEX #6E3955

RGB 110 57 85

HSL 328.3, 0.32%, 0.33%

LAB 31.57, 27.26, -6.45

 

CMYK 0 / 27 / 13 / 62

HEX #614754

RGB 97 71 84

HSL 330, 0.15%, 0.33%

LAB 33.32, 13.45, -3.38

 

CMYK 6 / 89 / 0 / 41

HEX #8E1097

RGB 142 16 151

HSL 296, 0.81%, 0.33%

LAB 34.71, 62.72, -42.7

 

CMYK 0 / 89 / 18 / 41

HEX #97107C

RGB 151 16 124

HSL 312, 0.81%, 0.33%

LAB 34.81, 60.39, -25.73

 

CMYK 0 / 89 / 42 / 41

HEX #971058

RGB 151 16 88

HSL 328, 0.81%, 0.33%

LAB 33.25, 56.15, -5.12

 

CMYK 0 / 89 / 66 / 41

HEX #971034

RGB 151 16 52

HSL 344, 0.81%, 0.33%

LAB 32.25, 53.32, 17.14

 

CMYK 0 / 89 / 89 / 41

HEX #971010

RGB 151 16 16

HSL 0, 0.81%, 0.33%

LAB 31.78, 51.95, 38.48

 

CMYK 0 / 90 / 43 / 70

HEX #4D082C

RGB 77 8 44

HSL 328.7, 0.81%, 0.17%

LAB 15.13, 33.75, -3.66

 

CMYK 0 / 89 / 42 / 55

HEX #720C42

RGB 114 12 66

HSL 328.24, 0.81%, 0.25%

LAB 24.43, 45.35, -4.44

 

CMYK 0 / 89 / 42 / 41

HEX #971057

RGB 151 16 87

HSL 328.44, 0.81%, 0.33%

LAB 33.22, 56.05, -4.52

 

CMYK 0 / 89 / 42 / 26

HEX #BC146D

RGB 188 20 109

HSL 328.21, 0.81%, 0.41%

LAB 41.68, 66.29, -5.18

 

CMYK 0 / 89 / 42 / 12

HEX #E11982

RGB 225 25 130

HSL 328.5, 0.8%, 0.49%

LAB 49.88, 75.89, -5.16

 

CMYK 0 / 89 / 42 / 41

HEX #961157

RGB 150 17 87

HSL 328.42, 0.8%, 0.33%

LAB 33.08, 55.61, -4.75

 

CMYK 0 / 30 / 89 / 41

HEX #976A10

RGB 151 106 16

HSL 40, 0.81%, 0.33%

LAB 48.17, 10.61, 51.54

 

CMYK 89 / 6 / 0 / 41

HEX #108E97

RGB 16 142 151

HSL 184, 0.81%, 0.33%

LAB 53.7, -27.41, -13.7

 

CMYK 0 / 89 / 42 / 41

HEX #961157

RGB 150 17 87

HSL 328.42, 0.8%, 0.33%

LAB 33.08, 55.61, -4.75

 

CMYK 42 / 0 / 89 / 41

HEX #589710

RGB 88 151 16

HSL 88, 0.81%, 0.33%

LAB 56.33, -40.47, 56.24

 

CMYK 89 / 42 / 0 / 41

HEX #105897

RGB 16 88 151

HSL 208, 0.81%, 0.33%

LAB 36.6, 3.59, -40.3

 

CMYK 0 / 89 / 42 / 41

HEX #961157

RGB 150 17 87

HSL 328.42, 0.8%, 0.33%

LAB 33.08, 55.61, -4.75

 

CMYK 0 / 30 / 89 / 41

HEX #976A10

RGB 151 106 16

HSL 40, 0.81%, 0.33%

LAB 48.17, 10.61, 51.54

 

CMYK 89 / 0 / 48 / 41

HEX #10974F

RGB 16 151 79

HSL 148, 0.81%, 0.33%

LAB 54.87, -49.93, 28.68

 

CMYK 89 / 60 / 0 / 41

HEX #103D97

RGB 16 61 151

HSL 220, 0.81%, 0.33%

LAB 28.6, 21.93, -53.23

 

CMYK 0 / 89 / 42 / 41

HEX #961157

RGB 150 17 87

HSL 328.42, 0.8%, 0.33%

LAB 33.08, 55.61, -4.75

 

CMYK 0 / 3 / 89 / 41

HEX #979210

RGB 151 146 16

HSL 57.78, 0.81%, 0.33%

LAB 59.14, -11.67, 60.31

 

CMYK 89 / 0 / 48 / 41

HEX #10974F

RGB 16 151 79

HSL 148, 0.81%, 0.33%

LAB 54.87, -49.93, 28.68

 

CMYK 89 / 86 / 0 / 41

HEX #101597

RGB 16 21 151

HSL 237.78, 0.81%, 0.33%

LAB 19.56, 46.56, -68.13

 

Description

Color code: RGB 150 17 87 | qconv.com Color code: RGB 150 17 87 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 17 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 17 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 42 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 42% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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